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Vol.. 3, No. 10
The Leyden Papyrus X
1159
68.     Softening of Copper.
Heat it; place it in bird dung and after cooling, take out.
69.     Coloring of Gold.
Roasted misy, 3 parts; lamellose alum, {and) celandine, about 1 part; grind to the con­sistency of honey with the urine of a small child and color the object; heat and immerse in cold water.
TO. Writing in Letters of Gold.
Take a quarter portion of tested gold, melt in a goldsmith's crucible; when it has become molten add a carat of lead; after it has become alloyed, set it aside, cool and take a mortar of jasper, throw in it the melted material; add 1 carat of natron and carefully mix the powder with some strong vinegar, in the same manner as for an eye-salve medicine, for three days; then when the mixture is completed, incorporate 1 carat of lamellose alum, write and polish ■with a tooth.
71.     Writing in Letters of Gold.
Soft leaves of Gold; pulverize with mercury in a mortar; and employ them in writing, after the manner of black ink.
72.    Another {Preparation).
Incombustible sulfur. . .., Lamellose alum. . . ., gum..... sprinkle the gum with water.
73.    Another {Preparation).
Unburnt sulfur. . . ., lamellose alum, a drachma; add a medium quantity of dry rust; pulverize the rust, the sulfur, and the alum finely; mix properly, grind with care and employ it for writing in the same way as black ink by diluting it with some wine free from sea water. Write upon papyrus-or parchment.
74.    Another {Preparation).
To write in letters of gold, without gold. Celandine, 1 part; pure resin, 1 part; golden-colored arsenic, of the fragile kind, 1 part; pure gum; bile of tortoise, 1 part; the liquid part of eggs, 5 parts; take 20 staters by weight of all these materials dried; then throw in 4 staters of saffron of Cilicia. Can be used not only on papyrus or parchment, but also upon highly-polished marble, or as well when you wish to make a beautiful design upon some other object and give it the appearance of gold.
75.     Gi'ding.
Gilding gives the same effect. Lamellose arsenic, copperas, golden sandarach, mer­cury, gum tragacanth, pith of arum, equal parts; dilute the whole with the bile of a goat. It is applied upon copper objects, upon silver objects, upon figures {in metal) and upon small shields. The copper should not have a rough surface.
The terms "lamellose arsenic" and "golden sandarach" in the above recipe un­doubtedly referred to varieties of the native sulfides of arsenic that we term as realgar and orpiment. Pliny and Dioscorides both describe these minerals in their writings.
76.     Another {Procedure).
Misy from the mines, 3 staters; alum from the mines, 3 staters; celandine, 1 stater; pour on these the urine of a small child; grind together until the mixture becomes viscous and immerse {the object in it).