SCENE 1: |
Capesius. His occult exercises; and his despair. |
SCENE 2: |
Meditation chamber the same as Scenes 3 and 10 of Play 1. Benedictus warns Maria that Johannes must be free. She resolves to look back upon past incarnations. |
SCENE 3: |
Johannes and his painting. Maria resolves not to hinder his freedom by her love. |
SCENE 4: |
As Scene 1. Capesius and Strader. |
SCENE 5: |
Capesius at the Baldes' cottage. Dame Felicia's fable. Johannes and his double. |
SCENE 6: |
The 14th century. The meadows by the Castle of the Mystic Knights. Country folk. The Jew. Thomas confesses to the Monk his love for Keane's daughter. |
SCENE 7: |
Same period. The Interior of the Castle. The Grand Master and Council. The Monk's demand. The apparition of his late Master, Benedictus. |
SCENE 8: |
Same period. Keane has discovered that Thomas and his sweetheart are the children of the First Preceptor and informs the First Preceptor of the fact. The scene closes with a discussion on evolution, and the inspired warning of the Second Master of Ceremonies. |
SCENE 9: |
Same period. The Keanes. Dame Keane's fable. The Country folk. Thomas and Cecilia. |
SCENE 10: |
Scene same as Scene 5. The return to the present day. Explanation of Scenes 6 to 9. |
SCENE 11: |
Meditation chamber as in Scene 2. Maria defeats Ahriman. |
SCENE 12: |
The same. Johannes and Lucifer. |
SCENE 13: |
The Temple of the Sun. Destiny. |