James Blish SKYSIGN CONTENTS I, II, III, IV, V, VI Und ein Schiff mit acht Segeln Und mit fünfzig Kanonen Wird entschwinden mit mir.' Pirate-Jenny: The Threepenny Opera. I Carl Wade came back to consciousness slowly and with a dull headachy feeling, as though fighting off a barbiturate hangover - as under the circumstances was quite possible. He remembered right away that he had been one of the people who had volunteered to go aboard the alien spaceship which had been hanging motionless over San Francisco for the last month. The 'lay volunteer', the Pentagon men had insultingly called him. And it was likely that the aliens would have drugged him, because to them, after all, he was only a specimen, and therefore possibly dangerous But that didn't seem quite right. Somehow, he could not bring his memory into focus. He hadn't actually been taken aboard the ship, as far as he could recall. On the night before he had been supposed to join the volunteer group, in honour of his own approaching martyrdom (as he liked to think of it) he and some friends from the local Hobbit Society, including the new girl, had cycled up to Telegraph Hill to take a look at the great ship. But it had only just continued to hang there, showing no lights, no motion, no activity of any kind except a faint Moon-highlight, as had been the case ever since it had first popped into view in the skies over Berkeley - it responded only to the answers to its own radio messages, only to answers, never to questions - and the club had quickly gotten bored with it. And then what? Had they all gone off and gotten drunk? Had he managed to get the new girl to bed and was now about to have one of those morning-afters beside her? Or was he in a cell as an aftermath of a brawl? No one of these ideas evoked any echo in his memory except old ones; and a persistent hunch that he was on the spaceship, all the same discouraged him from opening his eyes yet. He wondered what insanity had ever led him to volunteer, and what even greater insanity had led the Pentagon people to choose him over all other saucerites and other space nuts. A vague clink of sound, subdued and metallic caught his attention. He couldn't identify it, but somehow it sounded surgical. As far as it went, this matched with the quiet around him, the clean coolness of the air, and the unrumpled, also apparently clean pallet he seemed to be lying on. He was neither in a jail nor in the pad of anybody he knew. On the other hand, he didn't feel ill enough to be in hospital ward; just a little drugged. The college infirmary? No, nonsense, he'd been thrown out of college last year. In short, he must be on the ship, simply because this must be the day after yesterday. The thought made him squeeze his eyes still tighter shut. A moment later, further speculation was cut off by a feminine voice, unknown to him, and both pleasantly sexy and unpleasantly self-possessed, but obviously human. It said: 'I see you've given us his language, rather than him ours.' 'It cops out on - rules out - avoids - obviates making everyone else on board guard their tongues,' a man's voice replied. 'Man, I really had to dig for that one. He's got a constipated vocabulary; knows words, but hates them.' 'That's helpful, too,' the woman's voice responded. 'If he can't address himself precisely, it'll matter less what we say to him.' Man, Carl thought, if I ever get that chick where I want her, I'll sell chances on her to wetbacks. But she was still talking: 'But what's he faking for, Brand? He's obviously wide awake.' At this Carl opened his eyes and mouth to protest indignantly that he wasn't faking, realized his mistake, tried to close both again, and found himself gasping and goggling instead. He could not see the woman, but the man called Brand was standing directly over him, looking down into his face. Brand looked like a robot - no; remembering the man's snotty remark about his vocabulary, Carl corrected himself: He looked like a fine silver statue, or like a silver version of Talos, the Man of Brass (and wouldn't Carl's damned faculty advisor have been surprised at how fast he'd come up with that one!). The metal shone brilliantly in the blue light of the surgery-like room, but did not look like plate metal. It did not look hard at all. When Brand moved, it flowed with the movement of the muscles under it, like skin. Yet somehow Carl was dead sure that it wasn't skin, but clothing of some sort. Between the metallic eye-slits, the man's eyes were brown and human, and Carl could even see the faint webbing of blood-vessels in their whites. Also, when he spoke, the inside of his mouth was normal mucous membrane - black like a chow's mouth instead of red, but certainly not metal. On the other hand, the mouth, disconcertingly, vanished entirely when it was closed, and so did the eyes when they clinked; the metal flowed together as instantly as it parted. "That's better,' the man said. 'Check his responses, Lavelle. He still looks a little dopey. Damn this language.' He turned away and the woman - her name had certainly sounded like Lavelle - came into view, obviously in no hurry. She was metallic, too, but her metal was black, though her eyes were grey-green. The integument was exceedingly like a skin, yet seeing her Carl was even more convinced that it was either clothing or a body-mask, for there was nothing at all to see where Carl instantly looked. Also, he noticed a moment later, either she had had no hair or else her skull cap - if that was what she wore -was very tight, a point that hadn't occurred to him while looking at the man. She took Carl's pulse, and then looked expertly under his upper eyelids. 'Slight fugue, that's all,' she said with a startling pink flash of tongue. Yet not quite so startling as Brand's speaking had been, since a pink mouth in a black face was closer to Carl's experience than was any sort of mouth in a silver face.'He can go down to the cages any time.' Cages? 'Demonstration first,' Brand, now out of sight again, said in an abstracted voice. Carl chanced moving his head slightly and found that his horizon headache was actually a faint one-side earache, which made no sense to him at all. The movement also showed him the dimensions of the room, which was no larger than an ordinary living room - maybe 12' by 13' - and painted an off-white. There was also some electronicapparatus here and there, but no more than Carl had seen in the pads of some hi-fi bugs he knew, and to his eyes not much more interesting. In a corner was a dropdown bunk, evidently duplicating the one he now occupied. Over an oval metal door - the only ship-like feature he could see - was a dial-face like that of a huge barometer or clock, its figures too small to read from where he lay, and much too closely spaced too. Brand reappeared. After a moment, the shining black woman called Lavelle took up a position a few feet behind him and to his left. 'I want to show you something,' the man said to Carl. 'You can see just by looking at us that it would do you no good to jump us - to attack us. Do you dig - do you understand that?' 'Sure,' Carl said, rather more eagerly than he had intended. As a first word, it wasn't a very good one. 'All right.' Brand put both his hands on his hips, just below his waist, and seemed to brace himself slightly. 'But there's a lot more to it than you see at the moment. Watch closely.' Instantly the silver man and Lavelle changed places. It happened so suddenly and without any transition that for a second Carl failed to register what he was supposed to have noticed. Neither of the two metal people had moved in the slightest. They were just each one standing where the other one had been standing before. 'Now -' the man said. At once, he was back where he had been, but the gleaming black woman - man, that outfit was sexy! - was standing far back, by the oval door. Again, there'd been not a whisper or hint of any motion in the room. 'And once more -' This time the result was much more confusing. The metal aliens seemed to have moved, but after a while Carl realized that they hadn't; he had. The switch was so drastic that for an instant he had thought they - all three of them - were in another room; even the hands of the dial-face looked changed. But actually, all that had happened was that he was now in the other bunk. The switch made hash of a hypotheses he had only barely begun to work out: that the metal skins or suits made it possible for Brand and Lavelle to swap places, or jump elsewhere at will, by something like teleportation. If that was how it worked, then Carl might just hook one of those shiny suits, and then, flup! and - - and without benefit of suit white or black, he was in the other bunk, huddled in the ruins of his theory and feeling damned scared. On the face of a cathode-ray oscilloscope now in his field of view, a wiggly green trace diagrammed pulses which he was sure showed exactly how scared he was; he had always suspected any such instrument of being able to read his mind. The suspicion turned to rage and humiliation when Lavelle looked at the machine's display and laughed, in a descending arpeggio, like a coloratura soprano. 'He draws the moral,' she said. Wetbacks. Also King Kong, if possible. 'Possibly,' said the silver man. 'We'll let it go for now, anyhow. It's time for the next subject. You can get up now.' This last sentence seemed to be addressed to Carl. He stiffened for a moment, half expecting either the metal people or the room - or perhaps himself - to vanish, but since nothing at all changed, he slid cautiously to his feet. Looking down at the feet, and on upward from there as far as he could without seeming vain about it, he discovered that he was wearing the same scuffed sneakers and soiled slacks he had been wearing when he had gone cycling with the Hobbit crowd, except that both the clothing and his own self under it had been given a thorough bath. He was offended by that discovery, but at the moment not very much. Did it mean that there really had been no events between that expedition to Telegraph Hill, and this nightmare? 'Am I on the ship?' he said. It was a difficult sentence to get out. 'Of course,' said the silver man. 'But I never got to join the official party - or I don't think -' 'Nobody will come aboard with the official party, Jack. We selected the few we wanted from among the cats your people designated. The rest will cool their heels.' "Then what am I -' 'Too many answers,' Lavelle said. 'Never mind,' said the silver man. 'It won't matter for long, chicklet. Come along Mister - Wade? - yes; we'll interview you later, and answer some of your questions then, if we feel up to it. Lavelle, stay here and set up for the next live one. And Mister Wade, one other thing, should you feel ambitious, just bear in mind-' The metal-skinned people changed places, silently, instantly, without the slightest preparation, without the slightest follow-through. '- that we're a little faster on the draw than you are,' Brand finished from his new position, evenly, but his voice smiting Carl's other ear like a final insult. 'We need no other weapons. Dig me?' 'Yulp,' Carl said. As a final word, it was not much better than his first. The sheathed man led him out of the oval door. II Numb as he had thought he was by now to everything but his own alarm, Carl was surprised to be surprised by the spaciousness of what they had called 'the cages'. His section of them reminded him more of an executive suite, or his imaginings of one - a large single bedroom, a wardrobe, a bathroom, and a sort of office containing a desk with a small TV screen and a headset like a cross between a hair-drier and a set of noise-mufflers. He had been marched to this in total silence by the silver man, through a long corridor where they had passed several others of the metal people, all of whom had passed them by wordlessly and with their eyes as blanked out as Little Orphan Annie's. Once they had arrived at the cage, however, Brand had turned affable, showing him the facilities, even including a stock of clean clothes and seating him at last at the desk. 'I'll talk to you further when there's more time,' the silver man said. 'At the moment we're still recruiting. If you want food, you can call for it through that phone. I hope you know that you can't get away. If you cut out of the cage, there'd be no place where you could wind up.' Brand reached forward to the desk and touched something. Under Carl's feet, a circular area about the size of a snow-slider turned transparent, and Carl found himself looking down at the Bay area through nothing but ten miles or more of thin air. Even moderate heights had always made him sick; he clutched at the edge of the desk and was just about to lose his option when the floor turned solid again. 'I wanted you to see,' Brand said, 'that you really are aboard our ship. By the way, if you'd like to look through there again, the button for it's right here.' 'Thanks,' Carl said, calling up one of his suavist witticisms, 'but no thanks.' 'Suit yourself. Is there anything else you'd like until we meet again?' 'Well you said you were bringing more, uh, Earth people up here. If you could bring my wife ?' The answer to this was only of academic interest to Carl. He had been separated from Bea for more than a year, ever since the explosion about college; and on the whole it had been painless, since they had been civilized enough to have been married in the first place only at common law and that a little bit by accident. But it would have been nice to have had someone he knew up here, if only somebody with a reasonably pink skin. The silver man said: 'Sorry. None of the other males we expect to bring aboard will know you, or each other. We find it better to follow the same rule with females, so we won't have any seizures of possessiveness.' He got up and moved toward the door, which was the usual shape for doors, not oval like the last one. He still seemed relatively gracious, but at the door he turned and added: 'We want you to understand from the outset that up here, you own nobody - and nobody owns you but us.' And with that, in a final silent non-explosion of arrogance, he flicked into nothingness, leaving Carl staring with glazed eyes at the unbroached door. Of course no warning could have prevented Carl, or anyone else above the mental level of a nematode, from trying to think about escape; and Carl, because he had been selected as the one lay volunteer to visit the spaceship possibly because he had thought about spaceships now and then or read about them, thought he ought to be able to work out some sort of plan - if only he could stop jittering for a few minutes. In order to compose his mind, he got undressed and into the provided pyjamas - the first time he had worn such an outfit in ten years - and ordered the ship (through the desk phones) to send him a bottle of muscatel, which arrived promptly out of a well in the centre of the desk. To test the ship's good will, he ordered five more kinds of drinks, and got them all, some of which he emptied with conscious self-mastery down the toilet. Then he thought, jingling a luxurious bourbon-and-ginger abstractedly; the sound of ice was peculiarly comforting. Why the hell had the Pentagon people picked him as the 'lay volunteer', out of so many? The alien ship had asked for a sampling of human beings to go back to its far star, and of these, it had wanted one to be a man of no specialities whatsoever - or no specialities that the ship had been willing to specify. The Pentagon had picked its own samplings of experts, who probably had been ordered to 'volunteer'; but the 'lay volunteer' had been another matter. Like everyone else, Carl had been sure the Pentagon would want the 'lay volunteer' actually to be a master spy among all possible master spies, not a James Bond but a Leamas type, a man who could pass for anything; but it hadn't worked that way. Instead, the Pentagon had approved Carl, one slightly beat and more than slightly broke dropout, who believed in magic and the possibility of spaceships, but - leave us face it, monsters and gents - didn't seem to be of much interest either to alien or to human otherwise. Why, for instance, hadn't the 'lay volunteer' the aliens wanted turned out to be a Bircher, a Black Muslim, a Communist or a Rotarian - in short, some kind of fanatic who purported to deal with the real world - instead of a young man who was fanatic only about imaginary creatures called hobbits? Even the ordinary science-fiction fan would have been better; why was a sword-and-sorcery addict required to try to figure his way out of a classical spaceship clink? Gradually, he began to feel - with pain, and only along the edges - that there was an answer to that. He got up and began to pace, which took him into the bedroom. Once there, he sat down nervously on the bed. At once, the lights went out. Wondering if he had inadvertently sat on a trigger, he stood up again; but the darkness persisted. Were the metal people reading his mind again - and trying to suppress any further thinking? It might work. He was damn-all tired, and he'd been out of practice at thinking anyhow. Well, he could lie down and pretend to be asleep. Maybe that would - The lights went on. Though he was dead sure that he hadn't fallen asleep, he knew that he was rested. He remembered that when he had looked down the sink-hole under the desk, lights had been coming on around the Bay. Gritting his teeth and swallowing to keep down the anticipated nausea, he went out to the desk and touched the button. One glance was enough, luckily. It was high morning on Earth. A night had passed. And what was the thought he had lost? He couldn't remember. The ship had finessed him - as easily as turning a switch. III He ordered breakfast; the ship delivered it. The bottles and glasses, he noticed, had been taken away. As an insulting aftermath, the ship also ran him another bath without his having ordered it. He took it, since he saw nothing to be gained by going dirty up here; it would be as unimpressive as carrying a poster around that sink-hole. No razor was provided; evidently the ship didn't object to his beard. He then went after a cigarette, couldn't find any, and finally settled for a slow burn, which was easy enough to muster from all his deprivations, but somehow wasn't as satisfying as usual. I'll show them, he thought; but show them what? They looked invulnerable - and besides, he had no idea what they wanted him for; all the official clues had been snatched away, and no substitutes provided. How about making a play for Lavelle? That would show that chrome-plated s.o.b. But how to get to her? And again, show him what? Carl knew nothing about these people's sexual taboos; they might just not give a damn, like most Earth people on a cruise. And besides, the girl seemed pretty formidable. But lush; it would be fun to break her down. He'd been through stuffier chicks in his time: Bea, for instance, or - well, Bea, for instance. And the separation hadn't really been his fault His stomach twinged and he got up to pace. The trouble was that he had nothing to impress Lavelle with but his build, which really wasn't any better than Brand's. His encyclopedic knowledge of the habits of hobbits wasn't going to crush any buttercups around here, and he doubted that being able to sing Fallout Blues in two separate keys would, either. Dammit, they'd left him nothing to work with! It was unfair. Abruptly remembering last night's drinks, he stopped at the desk and tried asking for cigarettes. They materialized instantly. Well, at least the aliens weren't puritans'- that was hopeful. Except that he didn't want a complaisant Lavelle; that wouldn't show anybody anything, least of all himself. There was no particular kick in swingers. But if they gave him drinks and butts, they might just let him roam about, too. Maybe there was somebody else here that he could use, or some other prisoner who could give him clues. For some reason the thought of leaving the cage sparked a brief panic, but he smothered it by thinking of the ship as a sort of convention hotel, and tried the door. It opened as readily as the entrance to a closet. He paused on the threshold and listened, but there was absolutely no sound except the half expected hum of machinery. Now the question was, supposing the opening of the door had been an accident, and he was not supposed to be prowling around the ship? But that was their worry, not his; they had no right to expect him to obey their rules. Besides, as Buck Rogers used to say under similar circumstances, there was only one way to find out. There was no choice of direction, since the corridor's ends were both unknown. Moving almost soundlessly - one real advantage of tennis shoes -he padded past a succession of cage doors exactly like his own, all closed and with no clues for guessing who or what lay behind them. Soon, however, he became aware that the corridor curved gently to the right; and just after the curve passed a blind point, he found himself on the rim of a park. Startled, he shrank back, then crept forward still more cautiously. The space down the ramp ahead was actually a long domed hall or auditorium, oval in shape, perhaps five city blocks in length and two across at the widest point, which was where the opening off the corridor debouched. It seemed to be about ten stories high at the peak, floored with grass and shrubbery, and rimmed with small identical patios - one of which, he realized with a dream-like lack of surprise, must back up against his own cage. It all reminded him unpleasantly of one of those enlightened zoos in which animals are allowed to roam in spurious freedom in a moated 'ecological setting'. As he looked down into the park, there was a long sourceless sigh like a whisper of metal leaves, and doors opened at the back of each patio. Slowly, people began to come out - pink people, not metal ones. He felt a brief mixture of resentment and chagrin; had he stayed in his own cage, he would have been admitted to the park automatically now, without having had to undergo the jumpy and useless prowl down the companionway. Anyway, he had found fellow prisoners, just as he had hoped; and it would be safer down there than up here. He loped eagerly downhill. The ramp he was following ran between two patios. One of them was occupied by a girl, seated upon a perfectly ordinary chair and reading. He swerved, braking. 'Well, hi there!' he said. She looked up, smiling politely but not at all as pleased to see another inmate as he could have hoped. She was small, neat and smoky, with high cheekbones and black hair-perhaps a Latin Indian, but without the shyness he usually counted upon with such types. 'Hello,' she said. 'What have they got you in for?' That he understood; it was a standard jailhouse question. 'I'm supposed to be the resident fantasy fan,' he said, in an unusual access of humility. 'Or that's my best guess. My name's Carl Wade. Are you an expert?' 'I'm Jeanette Hilbert. I'm' a meteorologist. But as a reason for my being here, it's obviously a fake - this place has about as much weather as a Zeppelin hangar. Apparently it's the same story with all of us.' 'How long have you been here?' 'Two weeks, I think. I wouldn't swear to it.' 'So long? I was snatched only last night.' 'Don't count on it,' Jeanette said. 'Time is funny here. These metal people seem to jump all around in it - or else they can mess with your memory at will.' Carl remembered the change in the clock face, back when Brand and Lavelle had been showing off their powers for him. It hadn't occurred to him that time rather than space might have been involved, despite that clue. He wished he had read more Hubbard - something about transfer of theta from one MEST entity to another - no, he couldn't recapture the concept, which he had never found very illuminating anyhow. Korzybski? Madame Blavatsky? The hell with it. He said: 'How'd you come on board?' 'Suddenly. It was taken right out of my apartment, a day after NASA volunteered me. Woke up in an EEG lab here, having my brain-prints taken.' 'So did I. Hmm. Any fuzzy period between?' 'No, but that doesn't prove anything.' She looked him over, slowly and deliberately. It was not an especially approving glance. 'Is that what fantasy fans usually wear?' He was abruptly glad that his levis and shirt were at least clean, no matter how willy-nilly. 'Work clothes,' he explained. 'Oh. What kind of work?' 'Photography,' he said, masking a split-second's groping with his most winning smile. It was, he knew, a workable alias; most girls dream of posing. 'But they didn't bring my cameras and stuff along with me, so I guess I'm as useless as you are, really.' 'Oh,' she said, getting up, 'I'm not sure I'm so useless. I didn't bring my barometer, but I still have my head.' Dropping her book on the chair, she swung away and went back into her cage, moving inside her simple dress as flexibly as a reed. 'Hey, Jeanette - I didn't mean -just a -' Her voice came back: 'They close the doors again after an hour.' Then, as if in mockery, her own door closed behind her, independently. For want of anything else to do, he stepped into the patio and picked up the book. It was called Experimental Design, by one Sir Ronald Fisher, and the first sentence that he hit read: 'In fact, the statement can be made that the probability that the unknown mean of the population is less than a particular limit, is exactly P, namely Pr (u