THE REGATTA MYSTERY AND OTHER STORIES (1939)
Agatha Christie


The Regatta Mystery
The Mystery of the Baghdad Chest
How Does Your Garden Grow?
Problem at Pollensa Bay
Yellow Iris
Miss Marple Tells a Story
The Dream
In a Glass Darkly
Problem At Sea


THE REGATTA MYSTERY 

Mr Isaac Pointz removed a cigar from his lips and said approvingly:
"Pretty little place."
Having thus set the seal of his approval upon Dartmouth harbor, he replaced the cigar and looked about him with the air of a man pleased with himself, his appearance, his surroundings and life generally.
As regards the first of these, Mr Isaac Pointz was a man of fifty-eight, in good health and condition with perhaps a slight tendency to liver. He was not exactly stout, but comfortable-looking, and a yachting costume, which he wore at the moment, is not the most kindly of attires for a middle-aged man with a tendency to embonpoint. Mr Pointz was very well turned out - correct to every crease and button - his dark and slightly Oriental face beaming out under the peak of his yachting cap. 
As regards his surroundings, these may have been taken to mean his companions - his partner Mr Leo Stein, Sir George and Lady Marroway, an American business acquaintance Mr Samuel Leathern and his schoolgirl daughter Eve, Mrs Rustington and Evan Llewellyn. The party had just come ashore from Mr Pointz' yacht - the Merrimaid. In the morning they had watched the yacht racing and they had now come ashore to join for a while in the fun of the fair - Coconut shies, Fat Ladies, the Human Spider and the Merry-go-round. It is hardly to be doubted that these delights were relished most by Eve Leathern. When Mr Pointz finally suggested that it was time to adjourn to the Royal George for dinner hers was the only dissentient voice.
"Oh, Mr Pointz - I did so want to have my fortune told by the Real Gypsy in the Caravan."
Mr Pointz had doubts of the essential Realness of the Gypsy in question but he gave indulgent assent.
"Eve's just crazy about the fair," said her father apologetically. "But don't you pay any attention if you want to be getting along."
"Plenty of time," said Mr Pointz benignantly. "Let the little lady enjoy herself. I'll take you on at darts, Leo."
"Twenty-five and over wins a prize," chanted the man in charge of the darts in a high nasal voice.
"Bet you a fiver my total score beats yours," said Pointz.
"Done," said Stein with alacrity.
The two men were soon whole-heartedly engaged in their battle.
Lady Marroway murmured to Evan Llewellyn:
"Eve is not the only child in the party."
Llewellyn smiled assent but somewhat absently. He had been absent-minded all that day. Once or twice his answers had been wide of the point. Pamela Marroway drew away from him and said to her husband:
"That young man has something on his mind."
Sir George murmured:
"Or someone?"
And his glance swept quickly over Janet Rustington. Lady Marroway frowned a little. She was a tall woman exquisitely groomed. The scarlet of her fingernails was matched by the dark red coral studs in her ears. Her eyes were dark and watchful. Sir George affected a careless "hearty English gentleman" manner - but his bright blue eyes held the same watchful look as his wife's.
Isaac Pointz and Leo Stein were Hatton Garden diamond merchants. Sir George and Lady Marroway came from a different world - the world of Antibes and Juan les Pins - of golf at St Jean de Luz - of bathing from the rocks at Madeira in the winter.
In outward seeming they were as the lilies that toiled not, neither did they spin. But perhaps this was not quite true. There are diverse ways of toiling and also of spinning.
"Here's the kid back again," said Evan Llewellyn to Mrs Rustington.
He was a dark young man - there was a faintly hungry wolfish look about him which some women found attractive.
It was difficult to say whether Mrs Rustington found him so. She did not wear her heart on her sleeve. She had married young - and the marriage had ended in disaster in less than a year. Since that time it was difficult to know what Janet Rustington thought of anyone or anything - her manner was always the same - charming but completely aloof.
Eve Leathern came dancing up to them, her lank fair hair bobbing excitedly. She was fifteen - an awkward child - but full of vitality.
"I'm going to be married by the time I'm seventeen," she exclaimed breathlessly. "To a very rich man and we're going to have six children and Tuesdays and Thursdays are my lucky days and I ought always to wear green or blue and an emerald is my lucky stone and -"
"Why, pet, I think we ought to be getting along," said her father.
Mr Leathern was a tall, fair, dyspeptic-looking man with a somewhat mournful expression.
Mr Pointz and Mr Stein were turning away from the darts. Mr Pointz was chuckling and Mr Stein was looking somewhat rueful.
"It's all a matter of luck," he was saying.
Mr Pointz slapped his pocket cheerfully. 
"Took a fiver off you all right. Skill, my boy, skill. My old Dad was a first class dart player. Well, folks, let's be getting along. Had your fortune told, Eve? Did they tell you to beware of a dark man?"
"A dark woman," corrected Eve. "She's got a cast in her eye and she'll be real mean to me if I give her a chance. And I'm to be married by the time I'm seventeen..."
She ran on happily as the party steered its way to the Royal George.
Dinner had been ordered beforehand by the forethought of Mr Pointz and a bowing waiter led them upstairs and into a private room on the first floor. Here a round table was ready laid. The big bulging bow-window opened on the harbor square and was open. The noise of the fair came up to them, and the raucous squeal of three roundabouts each blaring a different tune.
"Best shut that if we're to hear ourselves speak," observed Mr Pointz drily, and suited the action to the word.
They took their seats round the table and Mr Pointz beamed affectionately at his guests. He felt he was doing them well and he liked to do people well. His eye rested on one after another. Lady Marroway - fine woman - not quite the goods, of course, he knew that - he was perfectly well aware that what he had called all his life the crême de la crême would have very little to do with the Marroways - but then the crême de la crême were supremely unaware of his own existence. Anyway, Lady Marroway was a damned smart-looking woman - and he didn't mind if she did rook him a bit at Bridge. Didn't enjoy it quite so much from Sir George. Fishy eye the fellow had. Brazenly on the make. But he wouldn't make too much out of Isaac Pointz. He'd see to that all right.
Old Leathern wasn't a bad fellow - longwinded, of course, like most Americans - fond of telling endless long stories. And he had that disconcerting habit of requiring precise information. What was the population of Dartmouth? In what year had the Naval College been built? And so on. Expected his host to be a kind of walking Baedeker. Eve was a nice cheery kid - he enjoyed chaffing her. Voice rather like a corncrake, but she had all her wits about her. A bright kid.
Young Llewellyn - he seemed a bit quiet. Looked as though he had something on his mind. Hard up, probably. These writing fellows usually were. Looked as though he might be keen on Janet Rustington. A nice woman - attractive and clever, too. But she didn't ram her writing down your throat. Highbrow sort of stuff she wrote but you'd never think it to hear her talk. And old Leo! He wasn't getting younger or thinner. And blissfully unaware that his partner was at that moment thinking precisely the same thing about him, Mr Pointz corrected Mr Leathern as to pilchards being connected with Devon and not Cornwall, and prepared to enjoy his dinner.
"Mr Pointz," said Eve when plates of hot mackerel had been set before them and the waiters had left the room.
"Yes, young lady."
"Have you got that big diamond with you right now? The one you showed us last night and said you always took about with you?"
Mr Pointz chuckled.
"That's right. My mascot, I call it. Yes, I've got it with me all right."
"I think that's awfully dangerous. Somebody might get it away from you in the crowd at the fair."
"Not they," said Mr Pointz. "I'll take good care of that."
"But they might," insisted Eve. "You've got gangsters in England as well as we have, haven't you?"
"They won't get the Morning Star," said Mr Pointz. "To begin with it's in a special inner pocket. And anyway - old Pointz knows what he's about. Nobody's going to steal the Morning Star."
Eve laughed.
"Ugh - huh - bet I could steal it!"
"I bet you couldn't," Mr Pointz twinkled back at her.
"Well, I bet I could. I was thinking about it last night in bed - after you'd handed it round the table for us all to look at. I thought of a real cute way to steal it."
"And what's that?"
Eve put her head on one side, her fair hair wagged excitedly. "I'm not telling you - now. What do you bet I couldn't?"
Memories of Mr Pointz' youth rose in his mind.
"Half a dozen pairs of gloves," he said.
"Gloves," cried Eve disgustedly. "Who wears gloves?"
"Well - do you wear silk stockings?"
"Do I not? My best pair laddered this morning."
"Very well, then. Half a dozen pairs of the finest silk stockings -"
"Oo - er," said Eve blissfully. "And what about you?"
"Well, I need a new tobacco pouch."
"Right. That's a deal. Not that you'll get your tobacco pouch. Now I'll tell you what you've got to do. You must hand it round like you did last night -"
She broke off as two waiters entered to remove the plates. When they were starting on the next course of chicken, Mr Pointz said:
"Remember this, young woman, if this is to represent a real theft, I should send for the police and you'd be searched."
"That's quite O.K. by me. You needn't be quite so lifelike as to bring the police into it. But Lady Marroway or Mrs Rustington can do all the searching you like."
"Well, that's that then," said Mr Pointz. "What are you setting up to be? A first class jewel thief?"
"I might take to it as a career - if it really paid."
"If you got away with the Morning Star it would pay you. Even after recutting that stone would be worth over thirty thousand pounds."
"My!" said Eve, impressed. "What's that in dollars?"
Lady Marroway uttered an exclamation.
"And you carry such a stone about with you?" she said reproachfully. "Thirty thousand pounds." Her darkened eyelashes quivered.
Mrs Rustington said softly: "It's a lot of money. And then there's the fascination of the stone itself. It's beautiful."
"Just a piece of carbon," said Evan Llewellyn.
"I've always understood it's the 'fence' that's the difficulty in jewel robberies," said Sir George. "He takes the lion's share - eh, what?"
"Come on," said Eve excitedly. "Let's start. Take the diamond out and say what you said last night."
Mr Leathern said in his deep melancholy voice:
"I do apologize for my offspring. She gets kinder worked up -"
"That'll do, Pops," said Eve. "Now then, Mr Pointz -"
Smiling, Mr Pointz fumbled in an inner pocket. He drew something out. It lay on the pale of his hand, blinking in the light.
A diamond...
Rather stiffly, Mr Pointz repeated as far as he could remember his speech of the previous evening on the Merrimaid.
"Perhaps you ladies and gentlemen would like to have a look at this? It's an unusually beautiful stone. I call it the Morning Star and it's by way of being my mascot - goes about with me anywhere. Like to see it?"
He handed it to Lady Marroway, who took it, exclaimed at its beauty and passed it to Mr Leathern who said, "Pretty good - yes, pretty good," in a somewhat artificial manner and in his turn passed it to Llewellyn.
The waiters coming in at that moment there was a slight hitch in the proceedings. When they had gone again, Evan said, "Very fine stone" and passed it to Leo Stein who did not trouble to make any comment but handed it quickly on to Eve.
"How perfectly lovely," cried Eve in a high affected voice.
"Oh!" She gave a cry of consternation as it slipped from her hand. "I've dropped it."
She pushed back her chair and got down to grope under the table. Sir George at her right, bent also. A glass got swept off the table in the confusion. Stein, Llewellyn and Mrs Rustington all helped in the search. Finally Lady Marroway joined in.
Only Mr Pointz took no part in the proceedings.
He remained in his seat sipping his wine and smiling sardonically.
"Oh, dear," said Eve, still in her artificial manner. "How dreadful! Where can it have rolled to? I can't find it anywhere."
One by one the assistant searchers rose to their feet.
"It's disappeared all right, Pointz," said Sir George, smiling.
"Very nicely done," said Mr Pointz, nodding approval. "You'd make a very good actress, Eve. Now the question is, have you hidden it somewhere or have you got it on you?"
"Search me," said Eve dramatically.
Mr Pointz' eye sought out a large screen in the corner of the room.
He nodded towards it and then looked at Lady Marroway and Mrs Rustington.
"If you ladies will be so good -"
"Why, certainly," said Lady Marroway, smiling.
The two women rose.
Lady Marroway said,
"Don't be afraid, Mr Pointz. We'll vet her properly."
The three went behind the screen.
The room was hot. Evan Llewellyn flung open the window. A news vender was passing. Evan threw down a coin and the man threw up a paper.
Llewellyn unfolded it.
"Hungarian situation none too good," he said.
"That the local rag?" asked Sir George. "There's a horse I'm interested in ought to have run at Haldon today - Natty Boy."
"Leo," said Mr Pointz. "Lock the door. We don't want those damned waiters popping in and out till this business is over."
"Natty Boy won three to one," said Evan.
"Rotten odds," said Sir George.
"Mostly Regatta news," said Evan, glancing over the sheet.
The three young women came out from the screen.
"Not a sign of it," said Janet Rustington.
"You can take it from me she hasn't got it on her," said Lady Marroway.
Mr Pointz thought he would be quite ready to take it from her. There was a grim tone in her voice and he felt no doubt that the search had been thorough.
"Say, Eve, you haven't swallowed it?" asked Mr Leathern anxiously. "Because maybe that wouldn't be too good for you."
"I'd have seen her do that," said Leo Stein quietly. "I was watching her. She didn't put anything in her mouth."
"I couldn't swallow a great thing all points like that," said Eve. She put her hands on her hips and looked at Mr Pointz. "What about it, big boy?" she asked.
"You stand over there where you are and don't move," said that gentleman.
Among them, the men stripped the table and turned it upside down. Mr Pointz examined every inch of it. Then he transferred his attention to the chair on which Eve had been sitting and those on either side of her.
The thoroughness of the search left nothing to be desired. The other four men joined in and the women also. Eve Leathern stood by the wall near the screen and laughed with intense enjoyment.
Five minutes later Mr Pointz rose with a slight groan from his knees and dusted his trousers sadly. His pristine freshness was somewhat impaired.
"Eve," he said. "I take off my hat to you. You're the finest thing in jewel thieves I've ever come across. What you've done with that stone beats me. As far as I can see it must be in the room as it isn't on you. I give you best."
"Are the stockings mine?" demanded Eve.
"They're yours, young lady."
"Eve, my child, where can you have hidden it?" demanded Mrs Rustington curiously.
Eve pranced forward.
"I'll show you. You'll all be just mad with yourselves."
She went across to the side table where the things from the dinner table had been roughly stacked. She picked up her little black evening bag.
"Right under your eyes. Right..."
Her voice, gay and triumphant, trailed off suddenly.
"Oh," she said. "Oh..."
"What's the matter, honey?" said her father.
Eve whispered: "It's gone... it's gone..."
"What's all this?" asked Pointz, coming forward.
Eve turned to him impetuously.
"It was like this. This pochette of mine has a big paste stone in the middle of the clasp. It fell out last night and just when you were showing that diamond round I noticed that it was much the same size. And so I thought in the night what a good idea for a robbery it would be to wedge your diamond into the gap with a bit of plasticine. I felt sure nobody would ever spot it. That's what I did tonight. First I dropped it - then went down after it with the bag in my hand, stuck it into the gap with a bit of plasticine which I had handy, put my bag on the table and went on pretending to look for the diamond. I thought it would be like the Purloined Letter - you know - lying there in full view under all your noses - and just looking like a common bit of rhinestone. And it was a good plan - none of you did notice."
"I wonder," said Mr Stein.
"What did you say?"
Mr Pointz took the bag, looked at the empty hole with a fragment of plasticine still adhering to it and said slowly: "It may have fallen out. We'd better look again."
The search was repeated, but this time it was a curiously silent business. An atmosphere of tension pervaded the room.
Finally everyone in turn gave it up. They stood looking at each other.
"It's not in this room," said Stein.
"And nobody's left the room," said Sir George significantly.
There was a moment's pause. Eve burst into tears.
Her father patted her on the shoulder.
"There, there," he said awkwardly.
Sir George turned to Leo Stein.
"Mr Stein," he said. "Just now you murmured something under your breath. When I asked you to repeat it, you said it was nothing. But as a matter of fact I heard what you said. Miss Eve had just said that none of us noticed the place where she had put the diamond. The words you murmured were: 'I wonder.' What we have to face is the probability that one person did notice - that that person is in this room now. I suggest that the only fair and honorable thing is for every one present to submit to a search. The diamond cannot have left the room."
When Sir George played the part of the old English gentleman, none could play it better. His voice rang with sincerity and indignation.
"Bit unpleasant, all this," said Mr Pointz unhappily.
"It's all my fault," sobbed Eve. "I didn't mean -"
"Buck up, kiddo," said Mr Stein kindly. "Nobody's blaming you."
Mr Leathern said in his slow pedantic manner,
"Why, certainly, I think that Sir George's suggestion will meet with the fullest approval from all of us. It does from me."
"I agree," said Evan Llewellyn.
Mrs Rustington looked at Lady Marroway who nodded a brief assent. The two of them went back behind the screen and the sobbing Eve accompanied them.
A waiter knocked on the door and was told to go away.
Five minutes later eight people looked at each other incredulously.
The Morning Star had vanished into space...

Mr Parker Pyne looked thoughtfully at the dark agitated face of the young man opposite him.
"Of course," he said. "You're Welsh, Mr Llewellyn."
"What's that got to do with it?"
Mr Parker Pyne waved a large, well-cared-for hand.
"Nothing at all, I admit. I am interested in the classification of emotional reactions as exemplified by certain racial types. That is all. Let us return to the consideration of your particular problem."
"I don't really know why I came to you," said Evan Llewellyn. His hands twitched nervously, and his dark face had a haggard look. He did not look at Mr Parker Pyne and that gentleman's scrutiny seemed to make him uncomfortable. "I don't know why I came to you," he repeated. "But where the Hell can I go? And what the Hell can I do? It's the powerlessness of not being able to do anything at all that gets me... I saw your advertisement and I remembered that a chap had once spoken if you and said that you got results... And - well - I came! I suppose I was a fool. It's the sort of position nobody can do anything about."
"Not at all," said Mr Parker Pyne. "I am the proper person to come to. I am a specialist in unhappiness. This business has obviously caused you a good deal of pain. You are sure the facts are exactly as you have told me?"
"I don't think I've left out anything. Pointz brought out the diamond and passed it around - that wretched American child stuck it on her ridiculous bag and when we came to look at the bag, the diamond was gone. It wasn't on anyone - old Pointz himself even was searched - he suggested it himself - and I'll swear it was nowhere in that room! And nobody left the room."
"No waiters, for instance?" suggested Mr Parker Pyne.
Llewellyn shook his head.
"They went out before the girl began messing about with the diamond, and afterwards Pointz locked the door so as to keep them out. No, it lies between one of us."
"It would certainly seem so," said Mr Parker Pyne thoughtfully.
"That damned evening paper," said Evan Lewellyn bitterly. "I saw it come into their minds - that that was the only way -"
"Just tell me again exactly what occurred."
"It was perfectly simple. I threw open the window, whistled to the man, threw down a copper and he tossed me up the paper. And there it is; you see - the only possible way the diamond could have left the room - thrown by me to an accomplice waiting in the street below."
"Not the only possible way," said Mr Parker Pyne.
"What other way can you suggest?"
"If you didn't throw it out, there must have been some other way."
"Oh, I see. I hoped you meant something more definite than that. Well, I can only say that I didn't throw it out. I can't expect you to believe me - or anyone else."
"Oh, yes, I believe you," said Mr Parker Pyne.
"You do? Why?"
"Not a criminal type," said Mr Parker Pyne. "Not, that is, the particular criminal type that steals jewelry. There are crimes, of course, that you might commit - but we won't enter into that subject. At any rate I do not see you as the purloiner of the Morning Star."
"Everyone else does though," said Llewellyn bitterly.
"I see," said Mr Parker Pyne.
"They looked at me in a queer sort of way at the time. Marroway picked up the paper and just glanced over at the window. He didn't say anything. But Pointz cottoned on to it quick enough! I could see what they thought. There hasn't been any open accusation, that's the devil of it."
Mr Parker Pyne nodded sympathetically.
"It is worse than that," he said.
"Yes. It's just suspicion. I've had a fellow round asking questions - routine inquiries, he called it. One of the new dress-shirted lot of police, I suppose. Very tactful - nothing at all hinted. Just interested in the fact that I'd been hard up and was suddenly cutting a bit of a splash."
"And were you?"
"Yes - some luck with a horse or two. Unluckily my bets were made on the course - there's nothing to show that that's how the money came in. They can't disprove it, of course - but that's just the sort of easy lie a fellow would invent if he didn't want to show where the money came from."
"I agree. Still they will have to have a good deal more than that to go upon."
"Oh! I'm not afraid of actually being arrested and charged with the theft. In a way that would be easier - one would know where one was. It's the ghastly fact that all those people believe I took it."
"One person in particular?"
"What do you mean?"
"A suggestion - nothing more -" Again Mr Parker Pyne waved his comfortable-looking hand. "There was one person in particular, wasn't there? Shall we say Mrs Rustington?"
Llewellyn's dark face flushed.
"Why pitch on her?"
"Oh, my dear sir - there is obviously someone whose opinion matters to you greatly - probably a lady. What ladies were there? An American flapper? Lady Marroway? But you would probably rise not fall in Lady Marroway's estimation if you had brought off such a coup. I know something of the lady. Clearly then, Mrs Rustington."
Llewellyn said with something of an effort, "She - she's had rather an unfortunate experience. Her husband was a down and out rotter. It's made her unwilling to trust anyone. She - if she thinks -"
He found it difficult to go on.
"Quite so," said Mr Parker Pyne. "I see the matter is important. It must be cleared up."
Evan gave a short laugh.
"That's easy to say."
"And quite easy to do," said Mr Parker Pyne.
"You think so?"
"Oh, yes - the problem is so clear cut. So many possibilities are ruled out. The answer must really be extremely simple. Indeed already I have a kind of glimmering -"
Llewellyn stared at him incredulously.
Mr Parker Pyne drew a pad of paper towards him and picked up a pen.
"Perhaps you would give me a brief description of the party."
"Haven't I already done so?"
"Their personal appearance - color of hair and so on."
"But, Mr Parker Pyne, what can that have to do with it?"
"A good deal, young man, a good deal. Classification and so on."
Somewhat unbelievingly, Evan described the personal appearance of the members of the yachting party.
Mr Parker Pyne made a note or two, pushed away the pad and said:
"Excellent. By the way, did you say a wineglass was broken?"
Evan stared again.
"Yes, it was knocked off the table and then it got stepped on."
"Nasty thing, splinters of glass," said Mr Parker Pyne. "Whose wine-glass was it?"
"I think it was the child's - Eve."
"Ah! - and who sat next to her on that side?"
"Sir George Marroway."
"You didn't see which of them knocked it off the table?"
"Afraid I didn't. Does it matter?"
"Not really. No. That was a superfluous question. Well -" he stood up - "good morning, Mr Llewellyn. Will you call again in three days' time? I think the whole thing will be quite satisfactorily cleared up by then."
"Are you joking, Mr Parker Pyne?"
"I never joke on professional matters, my dear sir. It would occasion distrust in my clients. Shall we say Friday at 11:30? Thank you."

Evan entered Mr Parker Pyne's office on the Friday morning in a considerable turmoil. Hope and skepticism fought for mastery.
Mr Parker Pyne rose to meet him with a beaming smile.
"Good morning, Mr Llewellyn. Sit down. Have a cigarette?"
Llewellyn waved aside the proffered box.
"Well?" he said.
"Very well indeed," said Mr Parker Pyne. "The police arrested the gang last night."
"The gang? What gang?"
"The Amalfi gang. I thought of them at once when you told me your story. I recognized their methods and once you had described the guests, well, there was no doubt at all in my mind."
"Who are the Amalfi gang?"
"Father, son and daughter-in-law - that is if Pietro and Maria are really married - which some doubt."
"I don't understand."
"It's quite simple. The name is Italian and no doubt the origin is Italian, but old Amalfi was born in America. His methods are usually the same. He impersonates a real business man, introduces himself to some prominent figure in the jewel business in some European country and then plays his little trick. In this case he was deliberately on the track of the Morning Star. Pointz' idiosyncrasy was well known in the trade. Maria Amalfi played the part of his daughter (amazing creature, twenty-seven at least, and nearly always plays a part of sixteen)."
"Not Eve!" gasped Llewellyn.
"Exactly. The third member of the gang got himself taken on as an extra waiter at the Royal George - it was holiday time, remember, and they would need extra staff. He may even have bribed a regular man to stay away. The scene is set. Eve challenges old Pointz and he takes on the bet. He passes round the diamond as he had done the night before. The waiters enter the room and Leathern retains the stone until they have left the room. When they do leave, the diamond leaves also, neatly attached with a morsel of chewing gum to the underside of the plate that Pietro bears away. So simple!"
"But I saw it after that."
"No, no, you saw a paste replica, good enough to deceive a casual glance. Stein, you told me, hardly looked at it. Eve drops it, sweeps off a glass too and steps firmly on stone and glass together. Miraculous disappearance of diamond. Both Eve and Leathern can submit to as much searching as anyone pleases."
"Well - I'm -" Evan shook his head, at a loss for words.
"You say you recognized the gang from my description. Had they worked this trick before?"
"Not exactly - but it was their kind of business. Naturally my attention was at once directed to the girl Eve."
"Why? I didn't suspect her - nobody did. She seemed such a - such a child."
"That is the peculiar genius of Maria Amalfi. She is more like a child than any child could possibly be! And then the plasticine! This bet was supposed to have arisen quite spontaneously - yet the little lady had some plasticine with her all handy. That spoke of premeditation. My suspicions fastened on her at once."
Llewellyn rose to his feet.
"Well, Mr Parker Pyne, I'm no end obliged to you."
"Classification," murmured Mr Parker Pyne. "The classification of criminal types - it interests me."
"You'll let me know how much - er -"
"My fee will be quite moderate," said Mr Parker Pyne. "It will not make too big a hole in the - er - horse racing profits. All the same, young man, I should, I think, leave the horses alone in future. Very uncertain animal, the horse."
"That's all right," said Evan.
He shook Mr Parker Pyne by the hand and strode from the office.
He hailed a taxi and gave the address of Janet Rustington's flat.
He felt in a mood to carry all before him.

THE MYSTERY OF THE BAGHDAD CHEST

Punctual to the moment, as always, Hercule Poirot entered the small room Where Miss Lemon, his efficient secretary, awaited her instructions for the day.
At first sight Miss Lemon seemed to be composed entirely of angles - thus satisfying Poirot's demand for symmetry.
Not that where women were concerned Hercule Poirot carried his passion for geometrical precision so far. He was, on the contrary, old-fashioned. He had a continental prejudice for curves - it might he said for voluptuous curves. He liked women to be women. He liked them lush, highly colored, exotic. There had been a certain Russian countess - but that was long ago now. A folly of earlier days.
But Miss Lemon he had never considered as a woman. She was a human machine - an instrument of precision. Her efficiency was terrific. She was forty-eight years of age, and was fortunate enough to have no imagination whatever.
"Good morning, Miss Lemon."
"Good morning, M. Poirot."
Poirot sat down and Miss Lemon placed before him the morning's mail, neatly arranged in categories.
She resumed her seat and sat with pad and pencil at the ready.
But there was to be this morning a slight change in routine. Poirot had brought in with him the morning newspaper, and his eyes were scanning it with interest. The headlines were big and bold. 
"BAGHDAD CHEST MYSTERY. LATEST DEVELOPMENTS."
"You have read the morning papers, I presume, Miss Lemon?"
"Yes, M. Poirot. The news from Geneva is not very good."
Poirot waved away the news from Geneva in a comprehensive sweep of the arm.
"A Baghdad chest," he mused. "Can you tell me, Miss Lemon, what exactly is a Baghdad chest?"
"I suppose, M. Poirot, that it is a chest that came originally from Baghdad."
"One might reasonably suppose so. You have then, no expert knowledge?"
"They are usually of the Elizabethan period, I believe. Large, and with a good deal of brass decoration on them. They look very nice when well kept and polished. My sister bought one at a sale. She keeps household linen in it. It looks very nice."
"I am sure that in the house of any sister of yours, all the furniture would be well kept," said Poirot, bowing gracefully.
Miss Lemon replied sadly that servants did not seem to know what elbow grease was nowadays.
Poirot looked a little puzzled, but decided not to inquire into the inward meaning of the mysterious phrase "elbow grease."
He looked down again at the newspaper, conning over the names: Major Rich, Mr and Mrs Clayton, Commander McLaren, Mr and Mrs Spence. Names, nothing but names to him; yet all possessed of human personalities, hating, loving, fearing. A drama, this, in which he, Hercule Poirot, had no part. And he would have liked to have a part in it! Six people at an evening party, in a room with a big Baghdad chest against the wall, six people, five of them talking, eating a buffet supper, putting records on the gramophone, dancing, and the sixth dead, in the Baghdad chest...
Ah, thought Poirot. How my dear friend Hastings would have enjoyed this! What romantic flights of imagination he would have had. What ineptitudes he would have uttered! Ah, ce cher Hastings, at this moment, today, I miss him. Instead - 
He sighed and looked at Miss Lemon. Miss Lemon, intelligently perceiving that Poirot was in no mood to dictate letters, had uncovered her typewriter and was awaiting her moment to get on with certain arrears of work. Nothing could have interested her less than sinister Baghdad chests containing dead bodies.
Poirot sighed and looked down at a photographed face. Reproductions in newsprint were never very good, and this was decidedly smudgy - but what a face! Mrs Clayton, the wife of the murdered man...
On an impulse, he thrust the paper at Miss Lemon.
"Look," he demanded. "Look at that face."
Miss Lemon looked at it obediently, without emotion.
"What do you think of her, Miss Lemon? That is Mrs Clayton."
Miss Lemon took the paper, glanced casually at the picture, and remarked:
"She's a little like the wife of our bank manager when we lived at Croydon Heath."
"Interesting," said Poirot. "Recount to me, if you will be so kind, the history of your bank manager's wife."
"Well, it's not really a very pleasant story, M. Poirot."
"It was in my mind that it might not be. Continue."
"There was a good deal of talk - about Mrs Adams and a young artist. Then Mr Adams shot himself. But Mrs Adams wouldn't marry the other man and he took some kind of poison - but they pulled him through all right; and finally Mrs Adams married a young solicitor. I believe there was more trouble after that, only of course we'd left Croydon Heath by then so I didn't hear very much more about it."
Hercule Poirot nodded gravely.
"She was beautiful?"
"Well - not really what you'd call beautiful - But there seemed to be something about her -"
"Exactly. What is that something that they possess - the sirens of this world! The Helens of Troy, the Cleopatras -?"
Miss Lemon inserted a piece of paper vigorously into her typewriter.
"Really, M. Poirot, I've never thought about it. It seems all very silly to me. If people would just go on with their jobs and didn't think about such things it would be much better."
Having thus disposed of human frailty and passion, Miss Lemon let her fingers hover over the keys of the typewriter, waiting impatiently to be allowed to begin her work.
"That is your view," said Poirot. "And at this moment it is your desire that you should be allowed to get on with your job. But your job, Miss Lemon, is not only to take down my letters, to file my papers, to deal with my telephone calls, to typewrite my letters - All these things you do admirably. But me, I deal not only with documents but with human beings. And there, too, I need assistance."
"Certainly, M. Poirot," said Miss Lemon patiently. "What is it you want me to do?"
"This case interests me. I should be glad if you would make a study of this morning's report of it in all the papers and also of any additional reports in the evening papers - Make me a précis of the facts."
"Very good, M. Poirot."
Poirot withdrew to his sitting room, a rueful smile on his face.
"It is indeed the irony," he said to himself, "that after my dear friend Hastings I should have Miss Lemon. What greater contrast can one imagine? Ce cher Hastings - how he would have enjoyed himself. How he would have walked up and down talking about it, putting the most romantic construction on every incident, believing as gospel truth every word the papers have printed about it. And my poor Miss Lemon, what I have asked her to do, she will not enjoy at all!"
Miss Lemon came to him in due course with a typewritten sheet.
"I've got the information you wanted, M. Poirot. I'm afraid though, it can't be regarded as reliable. The papers vary a good deal in their accounts. I shouldn't like to guarantee that the facts as stated are more than sixty per cent accurate."
"That is probably a conservative estimate," murmured Poirot. "Thank you, Miss Lemon, for the trouble you have taken."
The facts were sensational but clear enough. Major Charles Rich, a well-to-do-bachelor, had given an evening party to a few of his friends, at his apartment. These friends consisted of Mr and Mrs Clayton, Mr and Mrs Spence, and a Commander McLaren. Commander McLaren was a very old friend of both Rich and the Claytons, Mr and Mrs Spence, a younger couple, were fairly recent acquaintances. Arnold Clayton was in the Treasury. Jeremy Spence was a junior civil servant. Major Rich was forty-eight, Arnold Clayton was fifty-five, Commander McLaren was forty-six, Jeremy Spence was thirty-seven. Mrs Clayton was said to be "some years younger than her husband." One person was unable to attend the party. At the last moment, Mr Clayton was called away to Scotland on urgent business, and was supposed to have left King's Cross by the 8:15 train.
The party proceeded as such parties do. Everyone appeared to be enjoying themselves. It was neither a wild party nor a drunken one. It broke up about 11:45. The four guests left together and shared a taxi. Commander McLaren was dropped first at his club and then the Spences dropped Margharita Clayton at Cardigan Gardens just off Sloane Street and went on themselves to their house in Chelsea.
The gruesome discovery was made on the following morning by Major Rich's manservant, William Burgess. The latter did not live in. He arrived early so as to clear up the sitting room before calling Major Rich with his early morning tea. It was whilst clearing up that Burgess was startled to find a big stain discoloring the light-colored rug on which stood the Baghdad chest. It seemed to have seeped through from the chest, and the valet immediately lifted up the lid of the chest and looked inside. He was horrified to find there the body of Mr Clayton, stabbed through the neck.
Obeying his first impulse, Burgess rushed out into the street and fetched the nearest policeman.
Such were the bald facts of the case. But there were further details. The police had immediately broken the news to Mrs Clayton, who had been "completely prostrated." She had seen her husband for the last time at a little after six o'clock on the evening before. He had come home much annoyed, having been summoned to Scotland on urgent business in connection with some property that he owned. He had urged his wife to go to the party without him. Mr Clayton had then called in at his and Commander McLaren's club, had had a drink with his friend, and had explained the position. He had then said, looking at his watch, that he had just time on his way to King's Cross, to call in on Major Rich and explain. He had already tried to telephone him, but the line had seemed to be out of order.
According to William Burgess, Mr Clayton arrived at the flat at about 7:55. Major Rich was out but was due to return any moment, so Burgess suggested that Mr Clayton should come in and wait. Clayton said he had no time but would come in and write a note. He explained that he was on his way to catch a train at King's Cross. The valet showed him into the sitting room and himself returned to the kitchen, where he was engaged in the preparation of canapés for the party. The valet did not hear his master return, but about ten minutes later, Major Rich looked into the kitchen and told Burgess to hurry out and get some Turkish cigarettes, which were Mrs Spence's favorite smoking. The valet did so and brought them to his master in the sitting room. Mr Clayton was not there, but the valet naturally thought he had already left to catch his train.
Major Rich's story was short and simple. Mr Clayton was not in the flat when he himself came in and he had no idea that he had been there. No note had been left for him and the first he heard of Mr Clayton's journey to Scotland was when Mrs Clayton and the others arrived.
There were two additional items in the evening papers. Mrs Clayton who was "prostrated with shock" had left her flat in Cardigan Gardens and was believed to be staying with friends.
The second item was in the stop press. Major Charles Rich had been charged with the murder of Arnold Clayton and had been taken into custody.
"So that is that," said Poirot, looking up at Miss Lemon. "The arrest of Major Rich was to be expected. But what a remarkable case. What a very remarkable case! Do you not think so?"
"I suppose such things do happen, M. Poirot," said Miss Lemon without interest.
"Oh certainly! They happen every day. Or nearly every day. But usually they are quite understandable - though distressing."
"It is certainly a very unpleasant business."
"To be stabbed to death and stowed away in a Baghdad chest is certainly unpleasant for the victim - supremely so. But when I say this is a remarkable case, I refer to the remarkable behavior of Major Rich."
Miss Lemon said with faint distaste:
"There seems to be a suggestion that Major Rich and Mrs Clayton were very close friends... It was a suggestion and not a proved fact, so I did not include it."
"That was very correct of you. But it is an inference that leaps to the eye. Is that all you have to say?"
Miss Lemon looked blank. Poirot sighed, and missed the rich colorful imagination of his friend Hastings. Discussing a case with Miss Lemon was uphill work.
"Consider for a moment this Major Rich. He is in love with Mrs Clayton - granted... He wants to dispose of her husband - that, too, we grant, though if Mrs Clayton is in love with him, and they are having the affair together, where is the urgency? It is, perhaps, that Mr Clayton will not give his wife the divorce? But it is not of all this that I talk. Major Rich, he is a retired soldier, and it is said sometimes that soldiers are not brainy. But, tout de même, this Major Rich, is he, can he be, a complete imbecile?"
Miss Lemon did not reply. She took this to be a purely rhetorical question.
"Well," demanded Poirot. "What do you think about it all?"
"What do I think?" Miss Lemon was startled.
"Mais oui - you!"
Miss Lemon adjusted her mind to the strain put upon it. She was not given to mental speculation of any kind unless asked for it. In such leisure moments as she had, her mind was filled with the details of a superlatively perfect filing system. It was her only mental recreation.
"Well -" she began, and paused.
"Tell me just what happened - what you think happened, on that evening. Mr Clayton is in the sitting room writing a note, Major Rich comes back - what then?"
"He finds Mr Clayton there. They - I suppose they have a quarrel. Major Rich stabs him. Then, when he sees what he has done, he - he puts the body in the chest. After all, the guests, I suppose, might be arriving any minute."
"Yes, yes. The guests arrive! The body is in the chest. The evening passes. The guests depart. And then -"
"Well, then, I suppose Major Rich goes to bed and - Oh!"
"Ah," said Poirot. "You see it now. You have murdered a man. You have concealed his body in a chest. And then - you go peacefully to bed, quite unperturbed by the fact that your valet will discover the crime in the morning."
"I suppose it's possible that the valet might never have looked inside the chest?"
"With an enormous pool of blood on the carpet underneath it?"
"Perhaps Major Rich didn't realize that the blood was there."
"Was it not somewhat careless of him not to look and see?"
"I dare say he was upset," said Miss Lemon. Poirot threw up his hands in despair.
Miss Lemon seized the opportunity to hurry from the room.
The mystery of the Baghdad chest was, strictly speaking, no business of Poirot's. He was engaged at the moment in a delicate mission for one of the large oil companies where one of the high ups was possibly involved in some questionable transaction. It was hush-hush, important, and exceedingly lucrative. It was sufficiently involved to command Poirot's attention, and had the great advantage that it required very little physical activity. It was sophisticated and bloodless. Crime at the highest levels.
The mystery of the Baghdad chest was dramatic and emotional, two qualities which Poirot had often declared to Hastings could be much overrated - and indeed frequently were so by the latter. He had been severe with ce cher Hastings on this point, and now here he was, behaving much as his friend might have done, obsessed with beautiful women, crimes of passion, jealousy, hatred, and all the other romantic causes of murder! He wanted to know about it all. He wanted to know what Major Rich was like, and what his manservant, Burgess, was like, and what Margharita Clayton was like (though that, he thought, he knew) and what the late Arnold Clayton had been like (since he held that the character of the victim was of the first importance in a murder case), and even what Commander McLaren, the faithful friend, and Mr and Mrs Spence, the recently acquired acquaintances, were like.
And he did not see exactly how he was going to gratify his curiosity!
He reflected on the matter later in the day.
Why did the whole business intrigue him so much? He decided, after reflection, that it was because - as the facts were related - the whole thing was more or less impossible! Yes, there was a Euclidean flavor.
Starting from what one could accept, there had been a quarrel between two men. Cause, presumably, a woman. One man killed the other in the heat of rage. Yes, that happened - though it would be more acceptable if the husband had killed the lover. Still - the lover had killed the husband, stabbed him with a dagger(?), somehow a rather unlikely weapon. Perhaps Major Rich had had an Italian mother? Somewhere - surely - there should be something to explain the choice of a dagger as a weapon. Anyway, one must accept the dagger (some papers called it a stiletto!). It was to hand and was used. The body was concealed in the chest. That was common sense and inevitable. The crime had not been premeditated, and as the valet was returning at any moment, and four guests would be arriving before very long, it seemed the only course indicated.
The party is held, the guests depart, the manservant is already gone - and - Major Rich goes to bed!
To understand how that could happen, one must see Major Rich and find out what kind of a man acts in that way.
Could it be that, overcome with horror at what he had done and the long strain of an evening trying to appear his normal self, he had taken a sleeping pill of some kind or a tranquilizer which had put him into a heavy slumber which lasted long beyond his usual hour of waking? Possible. Or was it a case, rewarding to a psychologist, where Major Rich's feeling of subconscious guilt made him want the crime to be discovered?
To make up one's mind on that point one would have to see Major Rich. It all came back to - 
The telephone rang. Poirot let it ring for some moments, until he realized that Miss Lemon after bringing him his letters to sign, had gone home some time ago, and that George had probably gone out.
He picked up the receiver.
"M. Poirot?"
"Speaking!"
"Oh how splendid." Poirot blinked slightly at the fervor of the charming female voice. "It's Abbie Chatterton."
"Ah, Lady Chatterton. How can I serve you?"
"By coming over as quickly as you can right away to a simply frightful cocktail party I an giving. Not just for the cocktail party - it's for something quite different really. I need you. It's absolutely vital. Please, please, please don't let me down! Don't say you can't manage it."
Poirot had not been going to say anything of the kind. Lord Chatterton, apart from being a peer of the realm and occasionally making a very dull speech in the House of Lords, was nobody in particular. But Lady Chatterton was one of the brightest jewels in what Poirot called le hauté monde. Everything she did or said was news. She had brains, beauty, originality, and enough vitality to activate a rocket to the moon.
She said again:
"I need you. Just give that wonderful moustache of yours a lovely twirl, and come!"
It was not quite so quick as that. Poirot had first to make a meticulous toilet. The twirl to the moustaches was added and he then set off.
The door of Lady Chatterton's delightful house in Cheriton Street was ajar and a noise as of animals mutinying at the zoo sounded from within. Lady Chatterton, who was holding two ambassadors, an international rugger player, and an American evangelist in play, neatly jettisoned them with the rapidity of sleight of hand and was at Poirot's side.
"M. Poirot, how wonderful to see you! No, don't have that nasty Martini. I've got something special for you - a kind of sirop that the sheikhs drink in Morocco. It's in my own little room upstairs."
She led the way upstairs and Poirot followed her. She paused to say over her shoulder:
"I didn't put these people off, because it's absolutely essential that no one should know there's anything special going on here, and I've promised the servants enormous bonuses if not a word leaks out. After all, one doesn't want one's house besieged by reporters. And, poor darling, she's been through so much already."
Lady Chatterton did not stop at the first-floor landing; instead she swept on up to the floor above.
Gasping for breath and somewhat bewildered, Hercule Poirot followed.
Lady Chatterton paused, gave a rapid glance downwards over the banisters, and then flung open a door, exclaiming as she did so:
"I've got him, Margharita! I've got him! Here he is!"
She stood aside in triumph to let Poirot enter, then performed a rapid introduction.
"This is Margharita Clayton. She's a very, very dear friend of mine. You'll help her, won't you? Margharita, this is that wonderful Hercule Poirot. He'll do just everything you want - you will, won't you, dear M. Poirot?"
And without waiting for the answer which she obviously took for granted (Lady Chatterton had not been a spoiled beauty all her life for nothing), she dashed out of the door and down the stairs, calling back rather indiscreetly, "I've got to go back to all these awful people."
The woman who had been sitting in a chair by the window rose and came towards him. He would have recognized her even if Lady Chatterton had not mentioned her name. Here was that wide, that very wide brow, the dark hair that sprang away from it like wings, the grey eyes set far apart. She wore a close-fitting high-necked gown of dull black that showed up the beauty of her body and the magnolia-whiteness of her skin. It was an unusual face rather than a beautiful one - one of those oddly proportioned faces that one sometimes sees in an Italian primitive. There was about her a kind of medieval simplicity - a strange innocence that could be, Poirot thought, more devastating than any voluptuous sophistication. When she spoke it was with a kind of childlike candor.
"Abbie says you will help me -"
She looked at him gravely and inquiringly.
For a moment he stood quite still, scrutinizing her closely. There was nothing ill-bred in his manner of doing it. It was more the kind but searching look that a famous consultant gives a new patient.
"Are you sure, madame," he said at last, "that I can help you?"
A little flush rose to her cheeks.
"I don't know what you mean."
"What is it, madame, that you want me to do?"
"Oh," she seemed surprised. "I thought - you knew who I was?"
"I know who you are. Your husband was killed - stabbed, and a Major Rich has been arrested and charged with his murder."
The flush heightened.
"Major Rich did not kill my husband."
Quick as a flash Poirot said:
"Why not?"
She stared, puzzled. "I - I beg your pardon?"
"I have confused you - because I have not asked the question that everybody asks - the police - the lawyers 'Why should Major Rich kill Arnold Clay- ton?' But I ask the opposite. I ask you, madame, why you are sure that Major Rich did not kill him?"
"Because" - she paused a moment - "because I know Major Rich so well."
"You know Major Rich so well," repeated Poirot tonelessly. He paused and then said sharply:
"How well?"
Whether she understood his meaning, he could not guess. He thought to himself.' Here is either a woman of great simplicity or of great subtlety... Many people, he thought, must have wondered that about Margharita Clayton...
"How well?" She was looking at him doubtfully. "Five years - no, nearly six."
"That was not precisely what I meant You must understand, madame, that I shall have to ask you the impertinent questions. Perhaps you will speak the truth, perhaps you will lie. It is very necessary for a woman to lie sometimes. Women must defend themselves, and the lie, it can be a good weapon. But there are three people, madame, to whom a woman should speak the truth. To her Father confessor, to her hairdresser, and to her private detective - if she trusts him. Do you trust me, madame?"
Margharita Clayton drew a deep breath.
"Yes," she said. "I do." And added: "I must."
"Very well, then. What is it you want me to do - find out who killed your husband?"
"I suppose so - yes."
"But it is not essential? You want me, then, to clear Major Rich from suspicion?"
She nodded quickly - gratefully.
"That - and that only?"
It was, he saw, an unnecessary question. Margharita Clayton was a woman who saw only one thing at a time.
"And now," he said, "for the impertinence. You and Major Rich, you are lovers, yes?"
"Do you mean, were we having an affair together? No."
"But he was in love with you?"
"Yes."
"And you - were in love with him?"
"I think so."
"You do not seem quite sure?"
"I am sure - now."
"Ah! You did not, then, love your husband?"
"No."
"You reply with an admirable simplicity. Most women would wish to explain at great length just exactly what their feelings were. How long had you been married?"
"Eleven years."
"Can you tell me a little about your husband - what kind of a man he was?"
She frowned.
"It's difficult. I don't really know what kind of a man Arnold was. He was very quiet - very reserved. One didn't know what he was thinking. He was clever, of course - everyone said he was brilliant - in his work, I mean. He didn't - how can I put it - he never explained himself at all "
"Was he in love with you?"
"Oh, yes. He must have been. Or he wouldn't have minded so much -" she came to a sudden stop.
"About other men? That is what you were going to say? He was jealous?"
Again she said:
"He must have been." And then, as though she felt that the phrase needed explanation, she said,
"Sometimes, for days, he wouldn't speak..."
Poirot nodded thoughtfully.
"This violence - that has come into your life. Is it the first that you have known?"
"Violence?" She frowned, then flushed. "I - you mean - that poor boy who shot himself?"
"Yes," said Poirot. "I expect that is what I mean..."
"I'd no idea he felt like that... I was sorry for him - he seemed so shy - so lonely. He must have been very neurotic, I think. And there were two Italians and a duel - It was ridiculous! Anyway, nobody was killed, thank goodness. And honestly, I didn't care about either of them! I never even pretended to care."
"No. You were just - there! And where you are things happen! I have seen that before in my life. It is because you do not care that men are driven mad. But for Major Rich you do care. So we must do what we can..."
He was silent for a moment or two.
She sat there gravely, watching him.
"We turn from personalities, which are the really important things, to plain facts. I know only what has been in the papers. On the facts as given there, only two persons had the opportunity of killing your husband, only two persons could have killed him - Major Rich and Major Rich's manservant."
She said, stubbornly:
"I know Charles didn't kill him."
"So, then, it must have been the valet. You agree?"
She said doubtfully:
"I see what you mean -"
"But you are dubious about it?"
"It just seems - fantastic?
"Yet the possibility is there. Your husband undoubtedly came to the flat, since his body was found there. If the valet's story is true, Major Rich killed him. But if the valet's story is false? Then the valet killed him and hid the body in the chest before his master returned. An excellent way of disposing of the body from his point of view. He has only got to 'notice the bloodstain' the next morning and 'discover' it. Suspicion will immediately fall on Rich."
"But why should he want to kill Arnold?"
"Ah why? The motive cannot be an obvious one - or the police would have investigated it. It is possible that your husband knew something to the valet's discredit, and was about to acquaint Major Rich with the facts. Did your husband ever say anything to you about this man Burgess?"
She shook her head.
"Do you think he would have done so - if that had indeed been the case?"
She frowned.
"It's difficult to say. Possibly not. Arnold never talked much about people. I told you he was reserved. He wasn't - he was never - a chatty man."
"He was a man who kept his own counsel. Yes, now what is your opinion of Burgess?"
"He's not the kind of man you notice very much. A fairly good servant. Adequate, but not polished." 
"What age?"
"About thirty-seven or -eight, I should think. He'd been an orderly in the army during the war, but he wasn't a regular soldier."
"How long had he been with Major Rich?"
"Not very long. About a year and a half, I think."
"You never noticed anything odd about his manner towards your husband?"
"We weren't there so very often. No, I noticed nothing at all."
"Tell me now about the events of that evening. What time were you invited?"
"Eight-fifteen for half past."
"And just what kind of a party was it to be?"
"Well, there would be drinks, and a kind of buffet supper - usually a very good one. Foie gras and hot toast. Smoked salmon. Sometimes there was a hot rice dish - Charles had a special recipe he'd got in the Near East - but that was more for winter. Then we used to have music - Charles had got a very good stereophonic gramophone. Both my husband and Jock McLaren were very fond of classical records. And we had dance music - the Spences were very keen dancers. It was that sort of thing - a quiet informal evening. Charles was a very good host."
"And this particular evening - it was like other evenings there? You noticed nothing unusual - nothing out of place?"
"Out of place?" she frowned for a moment. "When you said that I - no, it's gone. There was something -"
She shook her head again. "No. To answer your question, there was nothing unusual at all about that evening. We enjoyed ourselves. Everybody seemed relaxed and happy." She shivered. "And to think that all the time -"
Poirot held up a quick hand.
"Do not think. This business that took your husband to Scotland, how much do you know about that?"
"Not very much. There was some dispute over the restrictions on selling a piece of land which belonged to my husband. The sale had apparently gone through and then some sudden snag turned up."
"What did your husband tell you exactly?"
"He came in with a telegram in his hand. As far as I remember, he said, 'This is most annoying. I shall have to take the night mail to Edinburgh and see Johnston first thing tomorrow morning. Too bad, when one thought the thing was going through smoothly at last.' Then he said, 'Shall I ring up Jock and get him to call for you?' and I said, 'Nonsense, I'll just take a taxi,' and he said that Jock or the Spences would see me home. I said did he want anything packed and he said he'd just throw a few things into a bag, and have a quick snack at the club, before catching the train. Then he went off and - and that's the last time I saw him."
Her voice broke a little on the last words.
Poirot looked at her very hard.
"Did he show you the telegram?"
"No."
"A pity."
"Why do you say that?"
He did not answer that question. Instead he said briskly:
"Now to business. Who are the solicitors acting for Major Rich?"
She told him and he made a note of the address.
"Will you write a few words to them and give it to me? I shall want to make arrangements to see Major Rich."
"He - it's been remanded for a week."
"Naturally. That is the procedure. Will you also write a note to Commander McLaren and to your friends the Spences? I shall want to see all of them, and it is essential that they do not at once show me the door."
When she rose from the writing desk, he said:
"One thing more. I shall register my own impressions, but I also want yours - of Commander McLaren and of Mr and Mrs Spence."
"Jock is one of our oldest friends. I've known him ever since I was a child. He appears to be quite a dour person, but he's really a dear - always the same - always to be relied upon. He's not gay and amusing but he's a tower of strength - both Arnold and I relied on his judgement a lot."
"And he, also, is doubtless in love with you?" Poirot's eyes twinkled slightly.
"Oh yes," said Margharita happily. "He's always been in love with me - but by now it's become a kind of habit."
"And the Spences?"
"They're amusing - and very good company. Linda Spence is really rather a clever girl. Arnold enjoyed talking with her. She's attractive, too."
"You are friends?"
"She and I? In a way. I don't know that I really like her. She's too malicious."
"And her husband?"
"Oh, Jeremy is delightful. Very musical. Knows a good deal about pictures, too. He and I go to picture shows a good deal together "
"Ah, well, I shall see for myself." He took her hand in his, "I hope, madame, you will not regret asking for my help."
"Why should I regret it?" Her eyes opened wide
"One never knows," said Poirot cryptically.
"And I - I do not know," he said to himself, as he went down the stairs. The cocktail party was still in full spate, but he avoided being captured and reached the street.
"No," he repeated. "I do not know."
It was of Margharita Clayton he was thinking. That apparently childlike candor, that frank innocence - Was it just that? Or did it mask something else? There had been women like that in medieval days - women on whom history had not been able to agree.
He thought of Mary Stuart, the Scottish Queen. Had she known, that night in Kirk o'Fields, of the deed that was to be done? Or was she completely innocent? Had the conspirators told her nothing? Was she one of those childlike simple women who can say to themselves "I do not know" and believe it? He felt the spell of Margharita Clayton. But he was not entirely sure about her...
Such women could be, though innocent themselves, the cause of crimes.
Such women could be, in intent and design, criminals themselves, though not in action.
Theirs was never the hand that held the knife - As to Margharita Clayton - no - he did not know!
Hercule Poirot did not find Major Rich's solicitors very helpful. He had not expected to do so.
They managed to indicate, though without saying so, that it would be in their client's best interest if Mrs Clayton showed no sign of activity on his behalf.
His visit to them was in the interests of "correctness." He had enough pull with the Home Office and the CID to arrange his interview with the prisoner.
Inspector Miller, who was in charge of the Clayton case, was not one of Poirot's favorites. He was not, however, hostile on this occasion, merely contemptuous.
"Can't waste much time over the old dodderer," he had said to his assisting sergeant before Poirot was shown in. "Still, I'll have to be polite."
"You'll really have to pull some rabbits out of a hat if you're going to do anything with this one, M. Poirot," he remarked cheerfully. "Nobody else but Rich could have killed the bloke."
"Except the valet."
"Oh, I'll give you the valet! As a possibility, that is. But you won't find anything there. No motives whatever."
"You cannot be entirely sure of that. Motives are very curious things."
"Well, he wasn't acquainted with Clayton in any way. He's got a perfectly innocuous past. And he seems to be perfectly right in his head. I don't know what more you want?"
"I want to find out that Rich did not commit the crime."
"To please the lady, eh?" Inspector Miller grinned wickedly. "She's been getting at you, I suppose. Quite something, isn't she? Cherchez la femme with a vengeance. If she'd had the opportunity, you know, she might have done it herself."
"That, no!"
"You'd be surprised. I once knew a woman like that. Put a couple of husbands ott of the way without a blink of her innocent blue eyes. Broken-hearted each time, too. The jury would have aquitted her if they'd had half a chance which they hadn't, the evidence being practically cast iron."
"Well, my friend, let us not argue. What I make so bold as to ask is a few reliable details on the facts. What a newspaper prints is news - but not always truth!"
"They have to enjoy themselves. What do you want?"
"Time of death as near as can be."
"Which can't be very near because the body wasn't examined until the following morning. Death is estimated to have taken place from thirteen to ten hours previously. That is, between seven and ten o'clock the night before... He was stabbed through the jugular vein - Death must have been matter of moments."
"And the weapon?"
"A kind of Italian stiletto - quite small - razor sharp. Nobody has ever seen it before, or knows where it comes from. But we shall know - in the end it's a matter of time and patience."
"It could not have been picked up in the course of a quarrel."
"No. The valet says no such thing was in the flat."
"What interests me is the telegram," said Poirot. "The telegram that called Arnold Clayton away to Scot- land. Was that summons genuine?"
"No. There was no hitch or trouble up there. The land transfer, or whatever it was, was proceeding normally."
"Then who sent that telegram - I am presuming there was a telegram?"
"There must have been. Not that we'd necessarily believe Mrs Clayton. But Clayton told the valet he was called by wire to Scotland. And he also told Commander McLaren."
"What time did he see Commander McLaren?" 
"They had a snack together at their club - Combined Services - that was at about a quarter past seven. Then Clayton took a taxi to Rich's flat, arriving there just before eight o'clock. After that -" Miller spread his hands out.
"Anybody notice anything at all odd about Rich's manner that evening?"
"Oh well, you know what people are. Once a thing has happened, people think they noticed a lot of things I bet they never saw at all. Mrs Spence, now, she says he was distrait all the evening. Didn't always answer to the point. As though he had 'something on his mind.' I bet he had, too, if he had a body in the chest! Wondering how the hell to get rid of it!"
"Why didn't he get rid of it?"
"Beats me. Lost his nerve, perhaps. But it was madness to leave it until the next day. He had the best chance he'd ever have that night. There's no night porter on. He could have got his car round, packed the body in the boot - it's a big boot - driven out in the country and parked it somewhere. He might have been seen getting the body into the car, but the flats are in a side street and there's a courtyard you drive a car through. At, say, three in the morning, he had a reasonable chance. And what does he do? Goes to bed, sleeps late the next morning and wakes up to find the police in the flat!"
"He went to bed and slept well as an innocent man might do."
"Have it that way if you like. But do you really believe that yourself?"
"I shall have to leave that question until I have seen the man myself."
"Think you know an innocent man when you see one? It's not so easy as that."
"I know it is not easy - and I should not attempt to say I could do it. What I want to make up my mind about is whether the man is as stupid as he seems to be."
Poirot had no intention of seeing Charles Rich until he had seen everyone else.
He started with Commander McLaren.
McLaren was a tall, swarthy, uncommunicative man. He had a rugged but pleasant face. He was a shy man and not easy to talk to. But Poirot persevered.
Fingering Margharita's note, McLaren said almost reluctantly:
"Well, if Margharita wants me to tell you all I can, of course I'll do so. Don't know what there is to tell, though. You've heard it all already. But whatever Margharita wants - I've always done what she wanted - ever since she was sixteen. She's got a way with her, you know."
"I know," said Poirot. He went on. "First I should like you to answer a question quite frankly. Do you think Major Rich is guilty?"
"Yes, I do. I wouldn't say so to Margharita if she wants to think he's innocent, but I simply can't see it any other way. Hang it all, the fellow's got to be guilty."
"Was there bad feeling between him and Mr Clayton?"
"Not in the least. Arnold and Charles were the best of friends. That's what makes the whole thing so extraordinary."
"Perhaps Major Rich's friendship with Mrs Clayton -"
He was interrupted.
"Faugh! All that stuff. All the papers slyly hinting at it. Damned innuendoes! Mrs Clayton and Rich were good friends and that's all! Margharita's got lots of friends. I'm her friend. Been one for years. And nothing the whole world mightn't know about it. Same with Charles and Margharita."
"You do not then consider that they were having an affair together?"
"Certainly not!" McLaren was wrathful. "Don't go listening to that hellcat Spence woman. She'd say anything."
"But perhaps Mr Clayton suspected there might be something between his wife and Major Rich."
"You can take it from me he did nothing of the sort! I'd have known if so. Arnold and I were very close."
"What sort of man was he? You, if anyone, should know."
"Well, Arnold was a quiet sort of chap. But he was clever - quite brilliant, I believe. What they call a first-class financial brain. He was quite high up in the Treasury, you know."
"So I have heard."
"He read a good deal. And he collected stamps. And he was extremely fond of music. He didn't dance, or care much for going out."
"Was it, do you think, a happy marriage?"
Commander McLaren's answer did not come quickly. He seemed to be puzzling it out.
"That sort of thing's very hard to say... Yes, I think they were happy. He was devoted to her in his quiet way. I'm sure she was fond of him. They weren't likely to split up, if that's what you're thinking. They hadn't, perhaps, a lot in common."
Poirot nodded. It was as much as he was likely to get. He said: "Now tell me about that last evening. Mr Clayton dined with you at the club. What did he say?"
"Told me he'd got to go to Scotland. Seemed vexed about it. We didn't have dinner, by the way. No time. Just sandwiches and a drink. For him, that is. I had only the drink. I was going out to a buffet supper, remember."
"Mr Clayton mentioned a telegram?"
"Yes."
"He did not actually show you the telegram?"
"No."
"Did he say he was going to call on Rich?"
"Not definitely. In fact he said he doubted if he'd have time. He said, 'Margharita can explain or you can,' And then he said, 'See she gets home all right, won't you?' Then he went off. It was all quite natural and easy."
"He had no suspicion at all that the telegram wasn't genuine?"
"Wasn't it?" Commander McLaren looked startled.
"Apparently not."
"How very odd..." Commander McLaren went into a kind of coma, emerging suddenly to say:
"But that really is odd. I mean, what's the point? Why should anybody want him to go to Scotland?"
"It is a question that needs answering, certainly."
Hercule Poirot left, leaving the commander apparently still puzzling on the matter.
The Spences lived in a minute house in Chelsea.
Linda Spence received Poirot with the utmost delight.
"Do tell me," she said. "Tell me all about Margharita! Where is she?"
"That I am not at liberty to state, madame."
"She has hidden herself well! Margharita is very clever at that sort of thing. But she'll be called to give evidence at the trial, I suppose? She can't wiggle herself out of that."
Poirot looked at her appraisingly. He decided grudgingly that she was attractive in the modern style (which at that moment resembled an underfed orphan child). It was not a type he admired. The artistically disordered hair fluffed out round her head, a pair of shrewd eyes watched him from a slightly dirty face devoid of makeup save for a vivid cerise mouth. She wore an enormous pale yellow sweater hanging almost to her knees, and tight black trousers.
"What's your part in all this?" demanded Mrs Spence. "Get the boyfriend out of it somehow? Is that it? What a hope!"
"You think then, that he is guilty?"
"Of course. Who else?"
That, Poirot thought, was very much the question. He parried it by asking another question.
"What did Major Rich seem like to you on that fatal evening? As usual? Or not as usual?"
Linda Spence screwed up her eyes judicially.
"No, he wasn't himself. He was - different."
"How, different?"
"Well, surely, if you've just stabbed a man in cold blood -"
"But you were not aware at the time that he had just stabbed a man in cold blood, were you?"
"No, of course not."
"So how did you account for his being 'different.' In what way?"
"Well - distrait. Oh, I don't know. But thinking it over afterwards I decided that there had definitely been something."
Poirot sighed.
"Who arrived first?"
"We did, Jim and I. And then Jock. And finally Margharita."
"When was Mr Clayton's departure for Scotland first mentioned?"
"When Margharita came. She said to Charles: 'Arnold's terribly sorry. He's had to rush off to Edinburgh by the night train.' And Charles said: 'Oh, that's too bad.' And then Jock said: 'Sorry. Thought you already knew.' And then we had drinks."
"Major Rich at no time mentioned seeing Mr Clayton that evening? He said nothing of his having called in on his way to the station?"
"Not that I heard."
"It was strange, was it not," said Poirot, "about that telegram?"
"What was strange?"
"It was a fake. Nobody in Edinburgh knows anything about it."
"So that's it. I wondered at the time."
"You have an idea about the telegram?"
"I should say it rather leaps to the eye."
"How do you mean exactly?"
"My dear man," said Linda. "Don't play the innocent. Unknown hoaxer gets the husband out of the way! For that night, at all events, the coast is clear."
"You mean that Major Rich and Mrs Clayton planned to spend the night together."
"You have heard of such things, haven't you?"
Linda looked amused.
"And the telegram was sent by one or the other of them?"
"It wouldn't surprise me."
"Major Rich and Mrs Clayton were having an affair together you think?"
"Let's say I shouldn't be surprised if they were. I don't know it for a fact."
"Did Mr Clayton suspect?"
"Arnold was an extraordinary person. He was all bottled up, if you know what I mean. I think he did know. But he was the kind of man who would never have let on. Anyone would think he was a dry stick with no feelings at all. But I'm pretty sure he wasn't like that underneath. The queer thing is that I should have been much less surprised if Arnold had stabbed Charles than the other way about. I've an idea Arnold was really an insanely jealous person."
"That is interesting."
"Though it's more likely, really, that he'd have done in Margharita. Othello - that sort of thing. Margharita, you know, has an extraordinary effect on men."
"She is a good-looking woman," said Poirot with judicious understatement.
"It was more than that. She had something. She would get men all het up - mad about her - and turn round and look at them with a sort of wide-eyed surprise that drove them barmy."
"Une femme fatale."
"That's probably the foreign name for it."
"You know her well?"
"My dear, she's one of my best friends - and I wouldn't trust her an inch."
"Ah," said Poirot and shifted the subject to Commander McLaren.
"Jock? Old faithful? He's a pet. Born to be the friend of the family. He and Arnold were really close friends. I think Arnold unbent to him more than to anyone else. And of course he was Margharita's tame cat. He'd been devoted to her for years."
"And was Mr Clayton jealous of him, too?"
"Jealous of Jock? What an idea! Margharita's genuinely fond of Jock, but she's never given him a thought of that kind. I don't think, really, that one ever would... I don't know why... It seems a shame. He's so nice."
Poirot switched to consideration of the valet. But beyond saying vaguely that he mixed a very good side car, Linda Spence seemed to have no ideas about Burgess, and indeed seemed barely to have noticed him.
But she was quite quick in the uptake.
"You're thinking, I suppose, that he could have killed Arnold just as easily as Charles could? It seems to me madly unlikely."
"That remark depresses me, madame. But then, it seems to me (though you will probably not agree) that it is madly unlikely - not that Major Rich should kill Arnold Clayton - but that he should kill him in just the way he did."
"Stiletto stuff? Yes, definitely not in character. More likely the blunt instrument. Or he might have strangled him, perhaps?"
Poirot sighed.
"We are back at Othello. Yes, Othello... you have given me there a little idea "
"Have I? What -" There was the sound of a latchkey and an opening door. "Oh, here's Jeremy. Do you want to talk to him, too?"
Jeremy Spence was a pleasant looking man of thirty-odd, well groomed, and almost ostentatiously discreet. Mrs Spence said that she had better go and have a look at a casserole in the kitchen and went off, leaving the two men together.
Jeremy Spence displayed none of the engaging candor of his wife. He was clearly disliking very much being mixed up in the case at all, and his remarks were carefully noninformative. They had known the Claytons some time, Rich not so well. Had seemed a pleasant fellow. As far as he could remember, Rich had seemed absolutely as usual on the evening in question. Clayton and Rich always seemed on good terms. The whole thing seemed quite unaccountable.
Throughout the conversation Jeremy Spence was making it clear that he expected Poirot to take his departure. He was civil, but only just so.
"I am afraid," said Poirot, "that you do not like these questions?"
"Well, we've had quite a session of this with the police. I rather feel that's enough. We've told all we know or saw. Now - I'd like to forget it."
"You have my sympathy. It is most unpleasant to be mixed up in this. To be asked not only what you know or what you saw but perhaps even what you think?"
"Best not to think."
"But can one avoid it? Do you think, for instance, that Mrs Clayton was in it, too? Did she plan the death of her husband with Rich?"
"Good lord, no." Spence sounded shocked and dismayed. "I'd no idea that there was any question of such a thing?"
"Has your wife not suggested such a possibility?"
"Oh Linda! You know what women are - always got their knife into each other. Margharita never gets much of a show from her own sex - a darned sight too attractive. But surely this theory about Rich and Margharita planning murder - that's fantastic!"
"Such things have been known. The weapon, for instance. It is the kind of weapon a woman might possess, rather than a man."
"Do you mean the police have traced it to her - They can't have! I mean -"
"I know nothing," said Poirot truthfully, and escaped hastily.
From the consternation on Spence's face, he judged that he had left that gentleman something to think about!
"You will forgive my saying, M. Poirot, that I cannot see how you can be of assistance to me in any way."
Poirot did not answer. He was looking thoughtfully at the man who had been charged with the murder of his friend Arnold Clayton.
He was looking at the firm jaw, the narrow head. A lean brown man, athletic and sinewy. Something of the greyhound about him. A man whose face gave nothing away, and who was receiving his visitor with a marked lack of cordiality.
"I quite understand that Mrs Clayton sent you to see me with the best intentions. But quite frankly, I think she was unwise. Unwise both for her own sake and mine."
"You mean?"
Rich gave a nervous glance over his shoulder. But the attendant warder was the regulation distance away. Rich lowered his voice.
"They've got to find a motive for this ridiculous accusation. They'll try to bring that there was an - association between Mrs Clayton and myself. That, as I know Mrs Clayton will have told you, is quite untrue. We are friends, nothing more. But surely it is advisable that she should make no move on my behalf."
Hercule Poirot ignored the point. Instead he picked out a word.
"You said this 'ridiculous' accusation. But it is not that, you know."
"I did not kill Arnold Clayton."
"Call it then a false accusation. Say the accusation is not true. But it is not ridiculous. On the contrary, it is highly plausible. You must know that very well."
"I can only tell you that to me it seems fantastic."
"Saying that will be of very little use to you. We must think of something more useful than that."
"I am represented by solicitors. They have briefed, I understand, eminent counsel to appear for my defence. I cannot accept your use of the word 'we.'"
Unexpectedly Poirot smiled.
"Ah," he said, in his most foreign manner, "that is the flea in the ear you give me. Very well. I go. I wanted to see you. I have seen you. Already I have looked up your career. You passed high up into Sandhurst. You passed into the Staff College. And so on and so on. I have made my own judgement of you today. You are not a stupid man."
"And what has all that got to do with it?"
"Everything! It is impossible that a man of your ability should commit a murder in the way this one was committed. Very well. You are innocent. Tell me now about your manservant Burgess."
"Burgess?"
"Yes. If you didn't kill Clayton, Burgess must have done so. The conclusion seems inescapable. But why? There must be a 'why?' You are the only person who knows Burgess well enough to make a guess at it. Why, Major Rich, why?"
"I can't imagine. I simply can't see it. Oh, I've followed the same line of reasoning as you have. Yes, Burgess had opportunity - the only person who had except myself. The trouble is, I just can't believe it. Burgess is not the sort of man you can imagine murdering anybody."
"What do your legal advisers think?"
Rich's lips set in a grim line.
"My legal advisers spend their time asking me, in a persuasive way, if it isn't true that I have suffered all my life from blackouts when I don't really know what I am doing!"
"As bad as that," said Poirot. "Well, perhaps we shall find it is Burgess who is subject to blackouts. It is always an idea. The weapon now. They showed it to you and asked you if it was yours?"
"It was not mine. I had never seen it before."
"It was not yours, no. But are you quite sure you had never seen it before?"
"No." Was there a faint hesitation. "It's a kind of ornamental toy - really - One sees things like that lying about in people's houses."
"In a woman's drawing room, perhaps. Perhaps in Mrs Clayton's drawing room?"
"Certainly not!"
The last word came out loudly and the warder looked up.
"Trés bien. Certainly not - and there is no need to shout. But somewhere, at some time, you have seen something very like it. Eh? I am right?"
"I do not think so. In some curio shop... perhaps."
"Ah, very likely." Poirot rose. "I take my leave."
"And now," said Hercule Poirot, "for Burgess. Yes, at long last, for Burgess."
He had learned something about the people in the case, from themselves and from each other. But nobody had given him any knowledge of Burgess. No clue, no hint, of what kind of a man he was.
When he saw Burgess he realized why.
The valet was waiting for him at Major Rich's flat, apprised of his arrival by a telephone call from Commander McLaren.
"I am M. Hercule Poirot."
"Yes, sir, I was expecting you."
Burgess held back the door with a deferential hand and Poirot entered. A small square entrance hall, a door on the left, open, leading into the sitting room. Burgess relieved Poirot of his hat and coat, and followed him into the sitting room.
"Ah," said Poirot looking round. "It was here, then, that it happened?"
"Yes, sir."
A quiet fellow, Burgess, white faced, a little weedy. Awkward shoulders and elbows. A flat voice with a provincial accent that Poirot did not know. From the east coast, perhaps. Rather a nervous man, perhaps - but otherwise no definite characteristics. It was hard to associate him with positive action of any kind. Could one postulate a negative killer?
He had those pale blue, rather shifty eyes that observant people often equate with dishonesty. Yet a liar can look you in the face with a bold and confident eye.
"What is happening to the flat?" Poirot inquired.
"I'm still looking after it, sir. Major Rich arranged for my pay and to keep it nice until - until -"
The eyes shifted uncomfortably.
"Until -" agreed Poirot.
He added in a matter-of-fact manner: "I should say that Major Rich will almost certainly be committed for trial. The case will come up probably within three months."
Burgess shook his head, not in denial, simply in perplexity.
"It really doesn't seem possible," he said.
"That Major Rich should be a murderer?"
"The whole thing. That chest -"
His eyes went across the room.
"Ah, so that is the famous chest?"
It was a mammoth piece of furniture of very dark polished wood, studded with brass, with a great brass hasp and antique lock.
"A handsome affair." Poirot went over to it.
It stood against the wall near the window, next to a modern cabinet for holding records. On the other side of it was a door, half ajar. The door was partly masked by a big painted leather screen.
"That leads into Major Rich's bedroom," said Burgess.
Poirot nodded. His eyes traveled to the other side of the room. There were two stereophonic record players, each on a low table, trailing snake-like electrical cord. There were easy chairs - a big table. On the walls were a set of Japanese prints. It was a handsome room, comfortable, but not luxurious.
He looked back at William Burgess.
"The discovery," he said kindly, "must have been a great shock to you."
"Oh it was, sir. I'll never forget it." The valet rushed into speech. Words poured from him. He felt, perhaps, that by telling the story often enough, he might at last expunge it from his mind.
"I'd gone round the room, sir. Clearing up. Glasses and so on. I'd just stooped to pick up a couple of olives off the floor - and I saw it - on the rug, a rusty dark stain. No, the rug's gone now. To the cleaners. The police had done with it. Whatever's that? I thought. Saying to myself, almost in joke like: 'Really it might be blood! But where does it come from? What got spilled?' And then I saw it was from the chest - down the side, here, where there's a crack. And I said, still not thinking anything, 'Well whatever -?' And I lifted up the lid like this -" (he suited the action to the word) "and there it was the body of a man lying on his side doubled up - like he might be asleep. And that nasty foreign knife or dagger thing sticking up out of his neck. I'll never forget it - never! Not as long as I live! The shock - not expecting it, you understand "
He breathed deeply.
"I let the lid fall and I ran out of the flat and down to the street. Looking for a policeman - and lucky, I found one - just round the corner."
Poirot regarded him reflectively. The performance, if it was a performance, was very good. He began to be afraid that it was not a performance - that it was just how things had happened.
"You did not think of awakening first Major Rich?" he asked.
"It never occurred to me, sir. What with the shock, I - I just wanted to get out of here -" he swallowed - "and - and get help."
Poirot nodded.
"Did you realize that it was Mr Clayton?" he asked.
"I ought to have, sir, but you know, I don't believe I did. Of course, as soon as I got back with the police officer, I said 'Why, it's Mr Clayton!' And he says 'Who's Mr Clayton?' And I says: 'He was here last night.'"
"Ah," said Poirot, "last night. Do you remember exactly when it was Mr Clayton arrived here?"
"Not to the minute. But as near as not a quarter to eight, I'd say."
"You knew him well?"
"He and Mrs Clayton had been here quite frequently during the year and a half I've been employed here." 
"Did he seem quite as usual?"
"I think so. A little out of breath - but I took it he'd been hurrying. He was catching a train, or so he said."
"He had a bag with him, I suppose, as he was going to Scotland?"
"No, sir. I imagine he was keeping a taxi down below."
"Was he disappointed to find that Major Rich was out?"
"Not to notice. Just said he'd scribble a note. He came in here and went over to the desk and I went back to the kitchen. I was a little behindhand with the anchovy eggs. The kitchen's at the end of the passage and you don't hear very well from there. I didn't hear him go out or the master come in - but then I wouldn't expect to."
"And the next thing..."
"Major Rich called me. He was standing in the door here. He said he'd forgotten Mrs Spence's Turkish cigarettes. I was to hurry out and get them. So I did. I brought them back and put them o the table in here. Of course I took it that Mr Clayton had left by then to get his train."
"And nobody else came to the flat during the time Major Rich was out and you were in the kitchen?"
"No, sir - no one."
"Can you be sure of that?"
"How could anyone, sir? They'd have had to ring the bell."
Poirot shook his head. How could anyone? The Spences and McLaren and also Mrs Clayton could, he already knew, account for every minute of their time. McLaren had been with acquaintances at the club, the Spences had had a couple of friends in for a drink before starting. Margharita Clayton had talked to a friend on the telephone at just that period. Not that he thought of any of them as possibilities. There would have been better ways of killing Arnold Clayton than following him to a flat with a manservant there and the host returning any moment. No, he had had a last minute hope of a "mysterious stranger"! Someone out of Clayton's apparently impeccable past, recognizing him in the street, following him here. Attacking him with the stiletto, thrusting the body into the chest, and fleeing. Pure melodrama, unrelated to reason or to probabilities! In tune with romantic historical fictions - matching the Baghdad chest.
He went back across the room to the chest. He raised the lid. It came up easily, noiselessly. In a faint voice, Burgess said: "It's been scrubbed out, sir, I saw to that."
Poirot bent over it. With a faint exclamation he bent lower. He explored with his fingers.
"These holes - at the back and one side - they look - they feel, as though they had been made quite recently."
"Holes, sir?" The valet bent to see. "I really couldn't say. I've never noticed them particularly."
"They are not very obvious. But they are there. What is their purpose, would you say?"
"I really wouldn't know, sir. Some animal, perhaps - I mean a beetle, something of that kind. Something that gnaws wood?"
"Some animal?" said Poirot. "I wonder."
He stepped back across the room.
"When you came in here with the cigarettes, was there anything at all about this room that looked different? Anything at all? Chairs moved, table, something of that kind?"
"It's odd your saying that, sir... Now you come to mention it, there was. That screen there that cuts off the draft from the bedroom door, it was moved over a bit more to the left."
"Like this?" Poirot moved swiftly.
"A little more still... That's right."
The screen had already masked about half of the chest. The way it was now arranged, it almost hid the chest altogether.
"Why did you think it had been moved?"
"I didn't think, sir."
(Another Miss Lemon!)
Burgess added doubtfully:
"I suppose it leaves the way into the bedroom clearer - if the ladies wanted to leave their wraps."
"Perhaps. But there might be another reason." Burgess looked inquiring. "The screen hides the chest now, and it hides the rug below the chest. If Major Rich stabbed Mr Clayton, blood would presently start dripping through the cracks at the base of the chest. Someone might notice - as you noticed the next morning. So - the screen was moved."
"I never thought of that, sir."
"What are the lights like here, strong or dim?" 
"I'll show you, sir."
Quickly, the valet drew the curtains and switched on a couple of lamps. They gave a soft mellow light, hardly strong enough even to read by. Poirot glanced up at a ceiling light.
"That wasn't on, sir. It's very little used."
Poirot looked round in the soft glow. The valet said:
"I don't believe you'd see any bloodstains, sir, it's too dim."
"I think you are right. So, then, why was the screen moved?"
Burgess shivered.
"It's awful to think of - a nice gentleman like Major Rich doing a thing like that."
"You've no doubt that he did do it? Why did he do it, Burgess?"
"Well, he'd been through the war, of course. He might have had a head wound, mightn't he? They do say as sometimes it all flares up years afterwards. They suddenly go all queer and don't know what they're doing. And they say as often as not, it's their nearest and dearest as they goes for. Do you think it could have been like that?"
Poirot gazed at him. He sighed. He turned away. "No," he said, "it was not like that."
With the air of a conjuror, a piece of crisp paper was insinuated into Burgess's hand.
"Oh thank you, sir, but really I don't -"
"You have helped me," said Poirot. "By showing me this room. By showing me what is in the room. By showing me what took place that evening. The impossible is never impossible! Remember that. I said that there were only two possibilities - I was wrong. There is a third possibility." He looked round the room again and gave a little shiver. "Pull back the curtains. Let in the light and the air. This room needs it. It needs cleansing. It will be a long time, I think, before it is purified from what afflicts it - the lingering memory of hate."
Burgess, his mouth open, handed Poirot his hat and coat. He seemed bewildered. Poirot, who enjoyed making incomprehensible statements, went down to the street with a brisk step.
When Poirot got home, he made a telephone call to Inspector Miller.
"What happened to Clayton's bag? His wife said he had packed one."
"It was at the club. He left it with the porter. Then he must have forgotten it and gone off without it."
"What was in it?"
"What you'd expect. Pyjamas, extra shirt, washing things."
"Very thorough."
"What did you expect would be in it?"
Poirot ignored that question. He said:
"About the stiletto. I suggest that you get hold of whatever cleaning woman attends Mrs Spence's house. Find out if she ever saw anything like it lying about there."
"Mrs Spence?" Miller whistled. "Is that the way your mind is working? The Spences were shown the stiletto. They didn't recognize it."
"Ask them again."
"Do you mean -"
"And then let me know what they say -"
"I can't imagine what you think you have got hold of."
"Read Othello, Miller. Consider the characters in Othello. We've missed out one of them."
He rang off. Next he dialed Lady Chatterton. The number was engaged.
He tried again a little later. Still no success. He called for George, his valet, and instructed him to continue ringing the number until he got a reply. Lady Chatterton, he knew, was an incorrigible telephoner.
He sat down in a chair, carefully eased off his patent leather shoes, stretched his toes, and leaned back.
"I am old," said Hercule Poirot. "I tire easily..." He brightened. "But the cells - they still function. Slowly - but they function. Othello, yes. Who was it said that to me? Ah yes, Mrs Spence. The bag... the screen... the body, lying there like a man asleep. A clever murder. Premeditated, planned... I think, enjoyed!..."
George announced to him that Lady Chatterton was on the line.
"Hercule Poirot here, madame. May I speak to your guest?"
"Why, of course! Oh M. Poirot, have you done something wonderful?"
"Not yet," said Poirot. "But possibly, it marches."
Presently Margharita's voice - quiet, gentle.
"Madame, when I asked you if you noticed anything out of place that evening at the party, you frowned, as though you remembered something - and then it escaped you. Would it have been the position of the screen that night?"
"The screen? Why, of course, yes. It was not quite in its usual place."
"Did you dance that night?"
"Part of the time."
"Who did you dance with mostly?"
"Jeremy Spence. He's a wonderful dancer. Charles is good but not spectacular. He and Linda danced, and now and then we changed. Jock McLaren doesn't dance. He got out the records and sorted them and arranged what we'd have."
"You had serious music later?"
"Yes."
There was a pause. Then Margharita said:
"M. Poirot, what is - all this? Have you - is there - hope?"
"Do you ever know, madame, what the people around you are feeling?"
Her voice, faintly surprised, said:
"I - suppose so."
"I suppose not. I think you have no idea. I think that is the tragedy of your life. But the tragedy is for other people - not for you.
"Someone today mentioned to me Othello. I asked you if your husband was jealous, and you said you thought he must be. But you said it quite lightly. You said it as Desdemona might have said it, not realizing danger. She, too, recognized jealousy, but she did not understand it, because she herself never had, and never could, experience jealousy. She was, I think, quite unaware of the force of acute physical passion. She loved her husband with the romantic fervor of hero worship, she loved her friend Cassio, quite innocently, as a close companion. I think that because of her immunity to passion, she herself drove men mad. Am I making sense to you, madame?"
There was a pause - and then Margharita's voice answered. Cool, sweet, a little bewildered:
"I don't - I don't really understand what you are saying -"
Poirot sighed.
He spoke in matter-of-fact tones. "This evening," he said, "I pay you a visit."
Inspector Miller was not an easy man to persuade. But equally Hercule Poirot was not an easy man to shake off until he had got his way. Inspector Miller grumbled, but capitulated.
"- though what Lady Chatterton's got to do with this -"
"Nothing, really. She has provided asylum for a friend, that is all."
"About those Spences - how did you know?"
"That stiletto came from there? It was a mere guess. Something Jeremy Spence said gave me the idea. I suggested that the stiletto belonged to Margharita Clayton. He showed that he knew positively that it did not." He paused. "What did they say?" he asked with some curiosity.
"Admitted that it was very like a toy dagger they'd once had. But it had been mislaid some weeks ago, and they had really forgotten about it. I suppose Rich pinched it from there."
"A man who likes to play safe, Mr Jeremy Spence," said Hercule Poirot. He muttered to himself: "Some weeks ago. Oh yes, the planning began a long time ago."
"Eh, what's that?"
"We arrive," said Poirot. The taxi drew up at Lady Chatterton's house in Cheriton Street. Poirot paid the fare.
Margharita Clayton was waiting for them in the room upstairs. Her face hardened when she saw Miller.
"I didn't know -"
"You did not know who the friend was I proposed to bring?"
"Inspector Miller is not a friend of mine."
"That rather depends on whether you want to see justice done or not, Mrs Clayton. Your husband was murdered -"
"And now we have to talk of who killed him," said Poirot quickly. "May we sit down, madame?"
Slowly Margharita sat down in a high-backed chair facing the two men.
"I ask," said Poirot, addressing both his hearers, "to listen to me patiently. I think I now know what happened on that fatal evening at Major Rich's flat. We started, all of us, by an assumption that was not true - the assumption that there were only two persons who had the opportunity of putting the body in the chest - that is to say, Major Rich or William Burgess. But we were wrong - there was a third person at the flat that evening who had an equally good opportunity to do so."
"And who was that?" demanded Miller sceptically. "The lift boy?"
"No. Arnold Clayton."
"What? Concealed his own dead body? You're crazy."
"Naturally not a dead body - a live one. In simple terms, he hid himself in the chest. A thing that has often been done throughout the course of history. The dead bride in the Mistletoe Bough, Iachimo with designs on the virtue of Imogen, and so on. I thought of it as soon as I saw that there had been holes bored in the chest quite recently. Why? They were made so that there might be a sufficiency of air in the chest. Why was the screen moved from its usual position that evening? So as to hide the chest from the people in the room. So that the hidden man could lift the lid from time to time and relieve his cramp, and hear better what went on."
"But why," demanded Margharita wide-eyed with astonishment. "Why should Arnold want to hide in the chest?"
"Is it you who ask that, madame? Your husband was a jealous man. He was also an inarticulate man. 'Bottled up,' as your friend Mrs Spence put it. His jealousy mounted. It tortured him! Were you or were you not Rich's mistress? He did not know! He had to know! So - a 'telegram from Scotland,' the telegram that was never sent and that no one ever saw! The overnight bag is packed and conveniently forgotten at the club. He goes to the flat at a time when he has probably ascertained Rich will be out. He tells the valet he will write a note. As soon as he is left alone, he bores the holes in the chest, moves the screen, and climbs inside the chest. Tonight he will know the truth. Perhaps his wife will stay behind the others, perhaps she will go but come back again. That night the desperate, jealousy racked man will know "
"You're not saying he stabbed himself?" Miller's voice was incredulous. "Nonsense!"
"Oh no, someone else stabbed him. Somebody who knew he was there. It was murder all right. Carefully planned, long premeditated murder. Think of the other characters in Othello. It is Iago we should have remembered. Subtle poisoning of Arnold Clayton's mind; hints, suspicions. Honest Iago, the faithful friend, the man you always believe! Arnold Clayton believed him. Arnold Clayton let his jealousy be played upon, be roused to fever pitch. Was the plan of hiding in the chest Arnold's own idea? He may have thought it was - probably he did think so! And so the scene is set. The stiletto, quietly abstracted some weeks earlier, is ready. The evening comes. The lights are low, the gramophone is playing, two couples dance, the odd man out is busy at the record cabinet, close to the Baghdad chest and its masking screen. To slip behind the screen, lift
the lid and strike - Audacious, but quiet easy!"
"Clayton would have cried out!"
"Not if he were drugged," said Poirot. "According to the valet, the body was 'lying like a man asleep.' Clayton was asleep, drugged by the only man who could have drugged him, the man he had had a drink with at the club."
"Jock?" Margharita's voice rose high in childlike surprise. "Jock? Not dear old Jock. Why, I've known Jock all my life! Why on earth should Jock...?"
Poirot turned on her.
"Why did two Italians fight a duel? Why did a young man shoot himself? Jock McLaren is an inarticulate man. He has resigned himself, perhaps, to being the faithful friend to you and your husband, but then comes Major Rich as well. It is too much! In the darkness of hate and desire, he plans what is well nigh the perfect murder - a double murder, for he is almost certain to be found guilty of it. And with Rich and your husband both out of the way - he thinks that at last you may turn to him. And perhaps, madame, you would have done... Eh?"
She was staring at him, wide-eyed, horror-struck. Almost unconsciously she breathed:
"Perhaps... I don't know..."
Inspector Miller spoke with sudden authority.
"This is all very well, Poirot. It's a theory, nothing more. There's not a shred of evidence, probably not a word of it is true."
"It is all true."
"But there's no evidence. There's nothing we can act on."
"You are wrong. I think that McLaren, if this is put to him, will admit it. That is, if it is made clear to him that Margharita Clayton knows... "
Poirot paused and added:
"Because, once he knows that, he has lost. The perfect murder has been in vain."

HOW DOES YOUR GARDEN GROW?

Hercule Poirot arranged his letters in a neat pile in front of him. He picked up the topmost letter, studied the address for a moment, then neatly slit the back of the envelope with a little paperknife that he kept on the breakfast table for that express purpose and extracted the contents. Inside was yet another envelope, carefully sealed with purple wax and marked 'Private and Confidential'.
Hercule Poirot's eyebrows rose a little on his egg-shaped head. He murmured, 'Patience! Nous allons arriver!' and once more brought the little paper-knife into play. This time the envelope yielded a letter - written in a rather shaky and spiky handwriting. Several words were heavily underlined.
Hercule Poirot unfolded it and read. The letter was headed once again 'Private and Confidential'. On the right-hand side was the address - Rosebank, Charman's Green, Bucks - and the date - March twenty-first.

Dear M. Poirot,

I have been recommended to you by an old and valued friend of mine who knows the worry and distress I have been in lately. Not that this friend knows the actual circumstances - those I have kept entirely to myself - the matter being strictly private. My friend assures me that you are discretion itself and that there will be no fear of my being involved in a police matter which, if my suspicions should prove correct, I should very much dislike. But it is of course possible that I am entirely mistaken. I do not feel myself clear-headed enough nowadays, suffering as I do from insomnia and the result of a severe illness last winter - to investigate things for myself. I have neither the means nor the ability. On the other hand, I must reiterate once more that this is a very delicate family matter and that for many reasons I may want the whole thing hushed up. If I am once assured of the facts, I can deal with the matter myself and should prefer to do so. I hope that I have made myself clear on this point. If you will undertake this investigation, perhaps you will let me know to the above address?

Yours very truly,
Amelia Barrowby

Poirot read the letter through twice. Again his eyebrows rose slightly. Then he placed it on one side and proceeded to the next envelope in the pile.
At ten o'clock precisely he entered the room where Miss Lemon, his confidential secretary, sat awaiting her instructions for the day. Miss Lemon was forty-eight and of unprepossessing appearance. Her general effect was that of a lot of bones flung together at random. She had a passion for order almost equalling that of Poirot himself; and though capable of thinking, she never thought unless told to do so.
Poirot handed her the morning correspondence. 'Have the goodness, mademoiselle, to write refusals in correct terms to all of these.'
Miss Lemon ran an eye over the various letters, scribbling in turn a hieroglyphic on each of them. These marks were legible to her alone and were in a code of her own: 'Soft soap'; 'slap in the face'; 'purr purr'; 'curt'; and so on. Having done this, she nodded and looked up for further instructions.
Poirot handed her Amelia Barrowby's letter. She extracted it from its double envelope, read it through and looked up inquiringly.
'Yes, M. Poirot?' Her pencil hovered - ready - over her short-hand pad.
'What is your opinion of that letter, Miss Lemon?'
With a slight frown Miss Lemon put down the pencil and read through the letter again.
The contents of a letter meant nothing to Miss Lemon except from the point of view of composing an adequate reply. Very occasionally her employer appealed to her human, as opposed to her official, capacities. It slightly annoyed Miss Lemon when he did so - she was very nearly the perfect machine, completely and gloriously uninterested in all human affairs. Her real passion in life was the perfection of a filing system beside which all other filing systems should sink into oblivion. She dreamed of such a system at night. Nevertheless, Miss Lemon was perfectly capable of intelligence on purely human matters, as Hercule Poirot well knew.
'Well?' he demanded.
'Old lady,' said Miss Lemon. 'Got the wind up pretty badly.'
'Ah! The wind rises in her, you think?'
Miss Lemon, who considered that Poirot had been long enough in Great Britain to understand its slang terms, did not reply. She took a brief look at the double envelope.
'Very hush-hush,' she said. 'And tells you nothing at all.'
'Yes,' said Hercule Poirot. 'I observed that.'
Miss Lemon's hand hung once more hopefully over the shorthand pad. This time Hercule Poirot responded.
'Tell her I will do myself the honour to call upon her at any time she suggests, unless she prefers to consult me here. Do not type the letter - write it by hand.'
'Yes, M. Poirot.'
Poirot produced more correspondence. 'These are bills.'
Miss Lemon's efficient hands sorted them quickly. 'I'll pay all but these two.'
'Why those two? There is no error in them.'
'They are firms you've only just begun to deal with. It looks bad to pay too promptly when you've just opened an account - looks as though you were working up to get some credit later on.'
'Ah!' murmured Poirot. 'I bow to your superior knowledge of the British tradesman.'
'There's nothing much I don't know about them,' said Miss Lemon grimly.

The letter to Miss Amelia Barrowby was duly written and sent, but no reply was forthcoming. Perhaps, thought Hercule Poirot, the old lady had unravelled her mystery herself. Yet he felt a shade of surprise that in that case she should not have written a courteous word to say that his services were no longer required.
It was five days later when Miss Lemon, after receiving her morning's instructions, said, 'That Miss Barrowby we wrote to - no wonder there's been no answer. She's dead.'
Hercule Poirot said very softly, 'Ah - dead.' It sounded not so much like a question as an answer.
Opening her handbag, Miss Lemon produced a newspaper cutting. 'I saw it in the tube and tore it out.'
Just registering in his mind approval of the fact that, though Miss Lemon used the word 'tore', she had neatly cut the entry out with scissors, Poirot read the announcement taken from the Births, Deaths and Marriages in the Morning Post: 'On March 26th suddenly - at Rosebank, Charman's Green, Amelia Jane Barrowby, in her seventy-third year. No flowers, by request.'
Poirot read it over. He murmured under his breath, 'Suddenly'. Then he said briskly, 'If you will be so obliging as to take a letter, Miss Lemon?'
The pencil hovered. Miss Lemon, her mind dwelling on the intricacies of the filing system, took down in rapid and correct shorthand:

Dear Miss Barrowby,

I have received no reply from you, but as I shall be in the neighbourhood of Charman's Green on Friday, I will call upon you on that day and discuss more fully the matter mentioned to me in your letter.

Yours, etc.

'Type this letter, please; and if it is posted at once, it should get to Charman's Green tonight.'
On the following morning a letter in a black-edged envelope arrived by the second post:

Dear Sir,

In reply to your letter my aunt, Miss Barrowby, passed away on the twenty-sixth, so the matter you speak of is no longer of importance.

Yours truly,
Mary Delafontaine

Poirot smiled to himself. 'No longer of importance... Ah that is what we shall see. En avant - to Charman's Green.'
Rosebank was a house that seemed likely to live up to its name, which is more than can be said for most houses of its class and character.
Hercule Poirot paused as he walked up the path to the front door and looked approvingly at the neatly planned beds on either side of him. Rose trees that promised a good harvest later in the year, and at present daffodils, early tulips, blue hyacinths - the last bed was partly edged with shells.
Poirot murmured to himself, 'How does it go, the English rhyme the children sing?

Mistress Mary, quite contrary,
How does your garden grow?
With cockle-shells, and silver bells,
And pretty maids all in a row.

'Not a row, perhaps,' he considered, 'but here is at least one pretty maid to make the little rhyme come right.'
The front door had opened and a neat little maid in cap and apron was looking somewhat dubiously at the spectacle of a heavily moustached foreign gentleman talking aloud to himself in the front garden. She was, as Poirot had noted, a very pretty little maid, with round blue eyes and rosy cheeks.
Poirot raised his hat with courtesy and addressed her: 'Pardon, but does a Miss Amelia Barrowby live here?'
The little maid gasped and her eyes grew rounder. 'Oh, sir, didn't you know? She's dead. Ever so sudden it was. Tuesday night.'
She hesitated, divided between two strong instincts: the first, distrust of a foreigner; the second, the pleasurable enjoyment of her class in dwelling on the subject of illness and death.
'You amaze me,' said Hercule Poirot, not very truthfully. 'I had an appointment with the lady for today. However, I can perhaps see the other lady who lives here.'
The little maid seemed slightly doubtful. 'The mistress? Well, you could see her, perhaps, but I don't know whether she'll be seeing anyone or not.'
'She will see me,' said Poirot, and handed her a card.
The authority of his tone had its effect. The rosy-cheeked maid fell back and ushered Poirot into a sitting-room on the right of the hall. Then, card in hand, she departed to summon her mistress.
Hercule Poirot looked round him. The room was a perfectly conventional, drawing-room - oatmeal-coloured paper with a frieze round the top, indeterminate cretonnes, rose-coloured cushions and curtains, a good many china knick-knacks and ornaments. There was nothing in the room that stood out, that announced a definite personality.
Suddenly Poirot, who was very sensitive, felt eyes watching him. He wheeled round. A girl was standing in the entrance of the french window - a small, sallow girl, with very black hair and suspicious eyes.
She came in, and as Poirot made a little bow she burst out abruptly, 'Why have you come?'
Poirot did not reply. He merely raised his eyebrows.
'You are not a lawyer - no?' Her English was good, but not for a minute would anyone have taken her to be English.
'Why should I be a lawyer, mademoiselle?'
The girl stared at him sullenly. 'I thought you might be. I thought you had come perhaps to say that she did not know what she was doing. I have heard of such things - the not due influence; that is what they call it, no? But that is not right. She wanted me to have the money, and I shall have it. If it is needful I shall have a lawyer of my own. The money is mine. She wrote it down so, and so it shall be.' She looked ugly, her chin thrust out, her eyes gleaming.
The door opened and a tail woman entered and said, 'Katrina'.
The girl shrank, flushed, muttered something and went out through the window.
Poirot turned to face the newcomer who had so effectually dealt with the situation by uttering a single word. There had been authority in her voice, and contempt and a shade of well-bred irony. He realized at once that this was the owner of the house, Mary Delafontaine.
'M. Poirot? I wrote to you. You cannot have received my letter.'
'Alas, I have been away from London.'
'Oh, I see; that explains it. I must introduce myself. My name is Delafontaine. This is my husband. Miss Barrowby was my aunt.'
Mr Delafontaine had entered so quietly that his arrival had passed unnoticed. He was a tall man with grizzled hair and an indeterminate manner. He had a nervous way of fingering his chin. He looked often towards his wife, and it was plain that he expected her to take the lead in any conversation.
'I much regret that I intrude in the midst of your bereavement,' said Hercule Poirot.
'I quite realize that it is not your fault,' said Mrs Delafontaine. 'My aunt died or Tuesday evening. It was quite unexpected.'
'Most unexpected,' said Mr Delafontaine. 'Great blow.' His eyes watched the window where the foreign girl had disappeared.
'I apologize,' said Hercule Poirot. 'And I withdraw.' He moved a step towards the door.
'Half a sec,' said Mr Delafontaine. 'You - er - had an appointment with Aunt Amelia, you say?'
'Parfaitement.'
'Perhaps you will tell us about it,' said his wife. 'If there is anything we can do -'
'It was of a private nature,' said Poirot. 'I am a detective,' he added simply.
Mr Delafontaine knocked over a little china figure he was handling. His wife looked puzzled.
'A detective? And you had an appointment with Auntie? But how extraordinary? She stared at him. 'Can't you tell us a little more, M. Poirot? It - it seems quite fantastic.'
Poirot was silent for a moment. He chose his words with care.
'It is difficult for me, madame, to know what to do.'
'Look here,' said Mr Delafontaine. 'She didn't mention Russians, did she?'
'Russians?'
'Yes, you know - Bolshies, Reds, all that sort of thing.'
'Don't be absurd, Henry,' said his wife.
Mr Delafontaine collapsed. 'Sorry - sorry - I just wondered.'
Mary Delafontaine looked frankly at Poirot. Her eyes were very blue - the colour of forget-me-nots. 'If you can tell us anything, M. Poirot, I should be glad if you would do so. I can assure you that I have a - a reason for asking.'
Mr Delafontaine looked alarmed. 'Be careful, old girl - you know there may be nothing in it.'
Again his wife quelled him with a glance. 'Well, M. Poirot?'
Slowly, gravely, Hercule Poirot shook his head. He shook it with visible regret, but he shook it. 'At present, madame,' he said, 'I fear I must say nothing.'
He bowed, picked up his hat and moved to the door. Mary Delafontaine came with him into the hall. On the doorstep he paused and looked at her.
'You are fond of your garden, I think, madame?'
'I? Yes, I spend a lot of time gardening.'
'Je vous faits mes compliments.'
He bowed once more and strode down to the gate. As he passed out of it and turned to the right he glanced back and registered two impressions - a sallow face watching him from a first-floor window, and a man of erect and soldierly carriage pacing up and down on the opposite side of the street.
Hercule Poirot nodded to himself. 'Definitivement,' he said. 'There is a mouse in this hole! What move must the cat make now?'
His decision took him to the nearest post office. Here he put through a couple of telephone calls. The result seemed to be satisfactory. He bent his steps to Charman's Green police station, where he inquired for Inspector Sims.
Inspector Sims was a big, burly man with a hearty manner.
'M. Poirot?' he inquired. 'I thought so. I've just this minute had a telephone call through from the chief constable about you. He said you'd be dropping in. Come into my office.'
The door shut, the inspector waved Poirot to one chair, settled himself in another, and turned a gaze of acute inquiry upon his visitor.
'You're very quick on to the mark, M. Poirot. Come to see us about this Rosebank case almost before we know it is a case. What put you on to it?'
Poirot drew out the letter he had received and handed it to the inspector. The latter read it with some interest.
'Interesting,' he said. 'The trouble is, it might mean so many things. Pity she couldn't have been a little more explicit. It would have helped us now.'
'Or there might have been no need for help.'
'You mean?'
'She might have been alive.'
'You go as far as that, do you? H'm - I'm not sure you're wrong.'
'I pray of you, Inspector, recount to me the facts. I know nothing at all.'
'That's easily done. Old lady was taken bad after dinner on Tuesday night. Very alarming. Convulsions - spasms - what not. They sent for the doctor. By the time he arrived she was dead. Idea was she'd died of a fit. Well, he didn't much like the look of things. He hemmed and hawed and put it with a bit of soft powder, but he made it clear that he couldn't give a death certificate. And as far as the family go, that's where the matter stands. They're awaiting the result of the post-mortem. We've got a bit further. The doctor gave us the tip right away - he and the police surgeon did the autopsy together - and the result is in no doubt whatever. The old lady died of a large dose of strychnine.'
'Aha!'
'That's right. Very nasty bit of work. Point is, who gave it to her? It must have been administered very shortly before death. First idea was it was given to her in her food at dinner - but, frankly, that seems to be a washout. They had artichoke soup, served from a tureen, fish pie and apple tart.'
'Miss Barrowby, Mr Delafontaine and Mrs Delafontaine. Miss Barrowby had a kind of nurse-attendant - a half-Russian girl but she didn't eat with the family. She had the remains as they came out from the dining-room. There's a maid, but it was her night out. She left the soup on the stove and the fish pie in the oven, and the apple tart was cold. All three of them ate the same thing - and, apart from that, I don't think you could get strychnine down anyone's throat that way. Stuff's as bitter as gall. The doctor told me you could taste it in a solution of one in a thousand, or something like that.'
'Coffee?'
'Coffee's more like it, but the old lady never took coffee.'
'I see your point. Yes, it seems an insuperable difficulty. What did she drink at the meal?'
'Water.'
'Worse and worse.'
'Bit of a teaser, isn't it?'
'She had money, the old lady?'
'Very well to do, I imagine. Of course, we haven't got exact details yet. The Delafontaines are pretty badly off, from what I can make out. The old lady helped with the upkeep of the house.'
Poirot smiled a little. He said, 'So you suspect the Delafontaines. Which of them?'
'I don't exactly say I suspect either of them in particular. But there it is; they're her only near relations, and her death brings them a tidy sum of money, I've no doubt. We all know what human nature is!'
'Sometimes inhuman - yes, that is very true. And there was nothing else the old lady ate or drank?'
'Well, as a matter of fact -'
'Ah, voilà! I felt that you had something, as you say, up your sleeve - the soup, the fish pie, the apple tart - des bêtises! Now we come to the hub of the affair.'
'I don't know about that. But as a matter of fact, the old girl took a cachet before meals. You know, not a pill or a tablet; one of those rice-paper things with a powder inside. Some perfectly harmless thing for the digestion.'
'Admirable. Nothing is easier than to fill a cachet with strychnine and substitute it for one of the others. It slips down the throat with a drink of water and is not tasted.'
'That's all right. The trouble is, the girl gave it to her.'
'The Russian girl?'
'Yes. Katrina Rieger. She was a kind of lady-help, nurse-companion to Miss Barrowby. Fairly ordered about by her, too, I gather. Fetch this, fetch that, fetch the other, rub my back, pour out my medicine, run round to the chemist - all that sort of business. You know how it is with these old women - they mean to be kind, but what they need is a sort of black slave!'
Poirot smiled.
'And there you are, you see,' continued Inspector Sims. 'It doesn't fit in what you might call nicely. Why should the girl poison her? Miss Barrowby dies and now the girl will be out of a job, and jobs aren't so easy to find - she's not trained or anything.'
'Still,' suggested Poirot, 'if the box of cachets was left about, anyone in the house might have the opportunity.'
'Naturally we're on to that, M. Poirot. I don't mind telling you we're making our inquiries - quiet like, if you understand me. When the prescription was last made up, where it was usually kept; patience and a lot of spade work - that's what will do the trick in the end. And then there's Miss Barrowby's solicitor. I'm having an interview with him tomorrow. And the bank manager. There's a lot to be done still.'
Poirot rose. 'A little favour, Inspector Sims; you will send me a little word how the affair marches. I would esteem it a great favour. Here is my telephone number.'
'Why, certainly, M. Poirot. Two heads are better than one; and besides, you ought to be in on this, having had that letter and all.'
'You are too amiable, Inspector.' Politely, Poirot shook hands and took his leave.

He was called to the telephone on the following afternoon. 'Is that M. Poirot? Inspector Sims here. Things are beginning to sit up and look pretty in that little matter you and I know of.'
'In verity? Tell me, I pray of you.'
'Well, here's item No. 1 - and a pretty big item. Miss B. left a small legacy to her niece and everything else to K. In consideration of her great kindness and attention - that's the way it was put. That alters the complexion of things.'
A picture rose swiftly in Poirot's mind. A sullen face and a passionate voice saying, 'The money is mine. She wrote it down and so it shall be.' The legacy would not come as a surprise to Katrina - she knew about it beforehand.
'Item No. 2,' continued the voice of Inspector Sims. 'Nobody but K. handled that cachet.'
'You can be sure of that?'
'The girl herself doesn't deny it. What do you think of that?'
'Extremely interesting.'
'We only want one thing more - evidence of how the strychnine came into her possession. That oughtn't to be difficult.'
'But so far you haven't been successful?'
'I've barely started. The inquest was only this morning.'
'What happened at it?'
'Adjourned for a week.'
'And the young lady - K.?'
'I'm detaining her on suspicion. Don't want to run any risks. She might have some funny friends in the country who'd try to get her out of it.'
'No,' said Poirot. 'I do not think she has any friends.'
'Really? What makes you say that, M. Poirot?'
'It is just an idea of mine. There were no other "items", as you call them?'
'Nothing that's strictly relevant. Miss B. seems to have been monkeying about a bit with her shares lately - must have dropped quite a tidy sum. It's rather a funny business, one way and another, but I don't see how it affects the main issue - not at present, that is.'
'No, perhaps you are right. Well, my best thanks to you. It was most amiable of you to ring me up.'
'Not at all. I'm a man of my word. I could see you were interested. Who knows, you may be able to give me a helping hand before the end.'
'That would give me great pleasure. It might help you, for instance, if I could lay my hand on a friend of the girl Katrina.'
'I thought you said she hadn't got any friends?' said Inspector Sims, surprised.
'I was wrong,' said Hercule Poirot. 'She has one.'
Before the inspector could ask a further question, Poirot had rung off.
With a serious face he wandered into the room where Miss Lemon sat at her typewriter. She raised her hands from the keys at her employer's approach and looked at him inquiringly.
'I want you,' said Poirot, 'to figure to yourself a little history.' Miss Lemon dropped her hands into her lap in a resigned manner. She enjoyed typing, paying bills, filing papers and entering up engagements. To be asked to imagine herself in hypothetical situations bored her very much, but she accepted it as a disagreeable part of a duty.
'You are a Russian girl,' began Poirot.
'Yes,' said Miss Lemon, looking intensely British.
'You are alone and friendless in this country. You have reasons for not wishing to return to Russia. You are employed as a kind of drudge, nurse-attendant and companion to an old lady. You are meek and uncomplaining.'
'Yes,' said Miss Lemon obediently, but entirely failing to see herself being meek to any old lady under the sun.
'The old lady takes a fancy to you. She decides to leave her money to you. She tells you so.' Poirot paused.
Miss Lemon said 'Yes' again.
'And then the old lady finds out something; perhaps it is a matter of money - she may find that you have not been honest with her. Or it might be more grave still - a medicine that tasted different, some food that disagreed. Anyway, she begins to suspect you of something and she writes to a very famous detective - enfin, to the most famous detective - me! I am to call upon her shortly. And then, as you say, the dripping will be in the fire. The great thing is to act quickly. And so - before the great detective arrives - the old lady is dead. And the money comes to you... Tell me, does that seem to you reasonable?'
'Quite reasonable,' said Miss Lemon. 'Quite reasonable for a Russian, that is. Personally, I should never take a post as a companion. I like my duties clearly defined. And of course I should not dream of murdering anyone.'
Poirot sighed. 'How I miss my friend Hastings. He had such an imagination. Such a romantic mind! It is true that he always imagined wrong - but that in itself was a guide.'
Miss Lemon was silent. She had heard about Captain Hastings before, and was not interested. She looked longingly at the typewritten sheet in front of her.
'So it seems to you reasonable,' mused Poirot.
'Doesn't it to you?'
'I am almost afraid it does,' sighed Poirot.
The telephone rang and Miss Lemon went out of the room to answer it. She came back to say 'It's Inspector Sims again.'
Poirot hurried to the instrument. ''Allo, 'allo. What is that you say?'
Sims repeated his statement. 'We've found a packet of strychnine in the girl's bedroom - tucked underneath the mattress. The sergeant's just come in with the news. That about clinches it, I think.'
'Yes,' said Poirot, 'I think that clinches it.' His voice had changed. It rang with sudden confidence.
When he had rung off, he sat down at his writing table and arranged the objects on it in a mechanical manner. He murmured to himself, 'There was something wrong. I felt it - no, not felt. It must have been something I saw. En avant, the little grey cells. Ponder - reflect. Was everything logical and in order? The girl - her anxiety about the money; Mme Delafontaine; her husband his suggestion of Russians - imbecile, but he is an imbecile; the room; the garden - ah! Yes, the garden.'
He sat up very stiff. The green light shone in his eyes. He sprang up and went into the adjoining room.
'Miss Lemon, will you have the kindness to leave what you are doing and make an investigation for me?'
'An investigation, M. Poirot? I'm afraid I'm not very good -'
Poirot interrupted her. 'You said one day that you knew all about tradesmen.'
'Certainly I do,' said Miss Lemon with confidence.
'Then the matter is simple. You are to go to Charman's Green and you are to discover a fishmonger.'
'A fishmonger?' asked Miss Lemon, surprised.
'Precisely. The fishmonger who supplied Rosebank with fish. When you have found him you will ask him a certain question.'
He handed her a slip of paper. Miss Lemon took it, noted its contents without interest, then nodded and slipped the lid on her typewriter.
'We will go to Charman's Green together,' said Poirot. 'You go to the fishmonger and I to the police station. It will take us but half an hour from Baker Street.'

On arrival at his destination, he was greeted by the surprised Inspector Sims. 'Well, this is quick work, M. Poirot. I was talking to you on the phone only an hour ago.'
'I have a request to make to you; that you allow me to see this girl Katrina - what is her name?'
'Katrina Rieger. Well, I don't suppose there's any objection to that.'
The girl Katrina looked even more sallow and sullen than ever. Poirot spoke to her very gently. 'Mademoiselle, I want you to believe that I am not your enemy. I want you to tell me the truth.'
Her eyes snapped defiantly. 'I have told the truth. To everyone I have told the truth! If the old lady was poisoned, it was not I who poisoned her. It is all a mistake. You wish to prevent me having the money.' Her voice was rasping. She looked, he thought, like a miserable little cornered rat.
'Tell me about this cachet, mademoiselle,' M. Poirot went on. 'Did no one handle it but you?'
'I have said so, have I not? They were made up at the chemist's that afternoon. I brought them back with me in my bag - that was just before supper. I opened the box and gave Miss Barrowby one with a glass of water.'
'No one touched them but you?'
"No.' A cornered rat - with courage!
'And Miss Barrowby had for supper only what we have been told. The soup, the fish pie, the tart?'
'Yes.' A hopeless 'yes' - dark, smouldering eyes that saw no light anywhere.
Poirot patted her shoulder. 'Be of good courage, mademoiselle. There may yet be freedom - yes, and money - a life of ease.'
She looked at him suspiciously.
As he went out Sims said to him, 'I didn't quite get what you said through the telephone - something about the girl having a friend.'
'She has one. Me!' said Hercule Poirot, and had left the police station before the inspector could pull his wits together.

At the Green Cat tearooms, Miss Lemon did not keep her employer waiting. She went straight to the point.
'The man's name is Rudge, in the High Street, and you were quite right. A dozen and a half exactly. I've made a note of what he said.' She handed it to him.
'Arrr.' It was a deep, rich sound like the purr of a cat.

Hercule Poirot betook himself to Rosebank. As he stood in the front garden, the sun setting behind him, Mary Delafontaine came out to him.
'M. Poirot?' Her voice sounded surprised. 'You have come back?'
'Yes, I have come back.' He paused and then said, 'When I first came here, madame, the children's nursery rhyme came into my head:

Mistress Mary, quite contrary,
How does your garden grow?
With cockle-shells, and silver bells,
And pretty maids all in a row.

Only they are not cockle shells, are they, madame? They are oyster shells.' His hand pointed.
He heard her catch her breath and then stay very still. Her eyes asked a question.
He nodded. 'Mais, oui, I know! The maid left the dinner ready - she will swear and Katrina will swear that that is all you had. Only you and your husband know that you brought back a dozen and a half oysters - a little treat pour la bonne tante. So easy to put the strychnine in an oyster. It is swallowed - comme ça! But there remain the shells - they must not go in the bucket. The maid would see them. And so you thought of making an edging of them to a bed. But there were not enough - the edging is not complete. The effect is bad - it spoils the symmetry of the otherwise charming garden. Those few oyster shells struck an alien note - they displeased my eye on my first visit.'
Mary Delafontaine said, 'I suppose you guessed from the letter. I knew she had written - but I didn't know how much she'd said.'
Poirot answered evasively, 'I knew at least that it was a family matter. If it had been a question of Katrina there would have been no point in hushing things up. I understand that you or your husband handled Miss Barrowby's securities to your own profit, and that she found out -'
Mary Delafontaine nodded. 'We've done it for years - a little here and there. I never realized she was sharp enough to find out. And then I learned she had sent for a detective; and I found out, too, that she was leaving her money to Katrina - that miserable little creature!'
'And so the strychnine was put in Katrina's bedroom? I comprehend. You save yourself and your husband from what I may discover, and you saddle an innocent child with murder. Had you no pity, madame?'
Mary Delafontaine shrugged her shoulders - her blue forget-me-not eyes looked into Poirot's. He remembered the perfection of her acting the first day he had come and the bungling attempts of her husband. A woman above the average - but inhuman.
She said, 'Pity? For that miserable intriguing little rat?' Her contempt rang out.
Hercule Poirot said slowly, 'I think, madame, that you have cared in your life for two things only. One is your husband.'
He saw her lips tremble.
'And the other - is your garden.'
He looked round him. His glance seemed to apologize to the flowers for that which he had done and was about to do.

PROBLEM AT POLLENSA BAY

The steamer from Barcelona to Majorca landed Mr Parker Pyne at Palma in the early hours of the morning - and straightaway he met with disillusionment.
The hotels were full! The best that could be done for him was an airless cupboard overlooking an inner court in a hotel in the center of the town - and with that Mr Parker Pyne was not prepared to put up. The proprietor of the hotel was indifferent to his disappointment.
"What will you?" he observed with a shrug. Palma was popular now! The exchange was favorable! Everyone - the English, the Americans - they all came to Majorca in the winter. The whole place was crowded. It was doubtful if the English gentleman would be able to get in anywhere - except perhaps at Formentor where the prices were so ruinous that even foreigners blenched at them.
Mr Parker Pyne partook of some coffee and a roll and went out to view the cathedral, but found himself in no mood for appreciating beauties of architecture. He next had a conference with a taxi-driver in inadequate French interspersed with native Spanish, and they discussed the possibilities of Soller, Alcudia, Pollensa and Formentor - where there were fine hotels, but they were expensive.
Mr Parker Pyne was goaded to inquire how expensive.
They asked, said the taxi driver, a price that it would be absurd and ridiculous to consider, since it was well known that the English came to the island because the prices were cheap and reasonable.
Mr Parker Pyne said that that was true, but all the same what sums did they charge at the Formentor?
A price quite incredible!
Perfectly - but WHAT PRICE EXACTLY?
The driver consented at last to name exact figures. Fresh from the exactions of hotels in Jerusalem and Egypt, the figure did not stagger Mr Parker Pyne unduly.
Mr Parker Pine's cases were loaded on the taxi in a haphazard manner, and they started by the coast, round the island, trying to find a cheaper lodging en route but with the final objective of reaching the Formentor.
But they never reached that nest of plutocracy, for after they had passed the narrow streets of Pollensa and were on the curved line of the seashore, they came by the Hotel Pino d'Oro - a small hotel standing by the sea looking out over a view that in the misty haze of a fine morning had the exquisite vagueness of a Japanese print. At once Mr Parker Pyne knew that this, and this only, was what he was looking for. He stopped the taxi, passed through the painted gate with the hope that he would find a resting place.
The elderly couple to whom the hotel belonged knew no English or French. Nevertheless the matter was concluded satisfactorily. Mr Parker Pyne was allotted a room overlooking the sea, the suitcases were unloaded, the driver congratulated his passenger upon avoiding the monstrous exigencies of "these new hotels," received his fare and departed with a cheerful Spanish salutation.
Mr Parker Pyne glanced at his watch and perceiving that it was, even now, but a quarter to ten, he went out onto the small terrace now bathed in a dazzling morning light and ordered, for the second time that morning, coffee and rolls.
There were four tables there, his own, one from which breakfast was being cleared away and two occupied ones. At the one nearest him sat a family of father and mother and two elderly daughters - Germans. Beyond them, at the corner of the terrace, sat what were clearly an English mother and son.
The woman was about fifty-five. She had gray hair of a pretty tone - was sensibly but not fashionably dressed in a tweed coat and skirt - and had that comfortable self-possession which marks an Englishwoman used to much traveling abroad.
The young man who sat opposite her might have been twenty-five and he too was typical of his class and age. He was neither good-looking nor plain, tall nor short. He was clearly on the best of terms with his mother - they made little jokes together - and he was assiduous in passing her things.
As they talked, her eye met that of Mr Parker Pyne. It passed over him with well-bred nonchalance, but he knew that he had been assimilated and labeled.
He had been recognized as English and doubtless, in due course, some pleasant noncommittal remark would be addressed to him.
Mr Parker Pyne had no particular objection. His own countrymen and women abroad were inclined to bore him slightly, but he was quite willing to pass the time of day in an amiable manner. In a small hotel it caused constraint if one did not do so. This particular woman, he felt sure, had excellent "hotel manners," as he put it.
The English boy rose from his seat, made some laughing remark and passed into the hotel. The woman took her letters and bag and settled herself in a chair facing the sea. She unfolded a copy of the Continental Daily Mail. Her back was to Mr Parker Pyne.
As he drank the last drop of his coffee, Mr Parker Pyne glanced in her direction, and instantly he stiffened. He was alarmed - alarmed for the peaceful continuance of his holiday! That back was horribly expressive. In his time he had classified many such backs. Its rigidity - the tenseness of its poise - without seeing her face he knew well enough that the eyes were bright with unshed tears - that the woman was keeping herself in hand by a rigid effort.
Moving warily, like a much-hunted animal, Mr Parker Pyne retreated into the hotel. Not half an hour before he had been invited to sign his name in the book lying on the desk. There it was - a neat signature - C. Parker Pyne, London.
A few lines above Mr Parker Pyne noticed the entries: Mrs R. Chester, Mr Basil Chester - Holm Park, Devon.
Seizing a pen, Mr Parker Pyne wrote rapidly over his signature. It now read (with difficulty) Christopher Pyne.
If Mrs R. Chester was unhappy in Pollensa Bay, it was not going to be made easy for her to consult Mr Parker Pyne.
Already it had been a source of abiding wonder to that gentleman that so many people he had come across abroad should know his name and have noted his advertisements. In England many thousands of people read the Times every day and could have answered quite truthfully that they had never heard such a name in their lives. Abroad, he reflected, they read their newspapers more thoroughly. No item, not even the advertisement columns, escaped them.
Already his holidays had been interrupted on several occasions. He had dealt with a whole series of problems from murder to attempted blackmail. He was determined in Majorca to have peace. He felt instinctively that a distressed mother might trouble that peace considerably.
Mr Parker Pyne settled down at the Pino d'Oro very happily. There was a larger hotel not far off, the Mariposa, where a good many English people stayed. There was also quite an artist colony living all round. You could walk along by the sea to the fishing village where there was a cocktail bar where people met - there were a few shops. It was all very peaceful and pleasant. Girls strolled about in trousers with brightly colored handkerchiefs tied round the upper halves of their bodies. Young men in berets with rather long hair held forth in "Mac's Bar" on such subjects as plastic values and abstraction in art.
On the day after Mr Parker Pyne's arrival, Mrs Chester made a few conventional remarks to him on the subject of the view and the likelihood of the weather keeping fine. She then chatted a little with the German lady about knitting, and had a few pleasant words about the sadness of the political situation with two Danish gentlemen who spent their time rising at dawn and walking for eleven hours.
Mr Parker Pyne found Basil Chester a most likeable young man. He called Mr Parker Pyne "sir" and listened most politely to anything the older man said. Sometimes the three English people had coffee together after dinner in the evening. After the third day, Basil left the party after ten minutes or so and Mr Parker Pyne was left tête-à-tête with Mrs Chester.
They talked about flowers and the growing of them, of the lamentable state of the English pound and of how expensive France had become, and of the difficulty of getting good afternoon tea. Every evening when her son departed, Mr Parker Pyne saw the quickly concealed tremor of her lips. Immediately she recovered and discoursed pleasantly on the above-mentioned subjects. Little by little she began to talk of Basil - of how well he had done at school - "he was in the First XI, you know" - of how everyone liked him, of how proud his father would have been of the boy had he lived, of how thankful she had been that Basil had never been "wild." "Of course I always urge him to be with young people, but he really seems to prefer being with me." She said it with a kind of nice modest pleasure in the fact.
But for once Mr Parker Pyne did not make the usual tactful response he could usually achieve so easily. He said instead:
"Oh! well, there seem to be plenty of young people here - not in the hotel, but roundabout."
At that, he noticed, Mrs Chester stiffened. She said: Of course there were a lot of Artists. Perhaps she was very old-fashioned - real art, of course, was different, but a lot of young people just made that sort of thing an excuse for lounging about and doing nothing - and the girls drank a lot too much.
On the following day Basil said to Mr Parker Pyne:
"I'm awfully glad you turned up here, sir - especially for my mother's sake. She likes having you to talk to in the evenings."
"What did you do when you were first here?"
"As a matter of fact we used to play piquet."
"I see."
"Of course one gets rather tired of piquet. As a matter of fact I've got some friends here - frightfully cheery crowd. I don't really think my mother approves of them -" He laughed as though he felt this ought to be amusing. "The mater's very old-fashioned. Even girls in trousers shock her!"
"Quite so," said Mr Parker Pyne.
"What I tell her is one has got to move with the times. The girls at home round us are frightfully dull."
"I see," said Mr Parker Pyne.
All this interested him well enough. He was a spectator of a miniature drama, but he was not called upon to take part in it.
And then the worst - from Mr Parker Pyne's point of view - happened. A gushing lady of his acquaintance came to stay at the Mariposa. They met in the tea shop in the presence of Mrs Chester.
The newcomer screamed:
"Why - if it isn't Mr Parker Pyne - the one and only Mr Parker Pyne! And Adela Chester! Do you know each other? Oh, you do? You're staying at the same hotel? He's the one and only original wizard, Adela - the marvel of the century - all your troubles smoothed out while you wait! What? Didn't you know? You must have heard about him? Haven't you read his advertisements? 'Are you in trouble? Consult Mr Parker Pyne.' There's just nothing he can't do. Husbands and wives flying at each other's throats and he brings 'em together - if you've lost interest in life he gives you the most thrilling adventures. As I say the man's just a wizard!"
It went on a good deal longer - Mr Parker Pyne at intervals making modest disclaimers. He disliked the look that Mrs Chester turned upon him. He disliked even more seeing her return along the beach in close confabulation with the garrulous singer of his praises.
The climax came quicker than he expected. That evening, after coffee, Mrs Chester said abruptly,
"Will you come into the little salon, Mr Pyne. There is something I want to say to you."
He could but bow and submit.
Mrs Chester's self-control had been wearing thin - as the door of the little salon closed behind them, it snapped. She sat down and burst into tears.
"My boy, Mr Parker Pyne. You must save him. We must save him. It's breaking my heart!"
"My dear lady, as a mere outsider -"
"Nina Wycherley says you can do anything. She said I was to have the utmost confidence in you. She advised me to tell you everything - and that you'd put the whole thing right."
Inwardly Mr Parker Pyne cursed the obtrusive Mrs Wycherley.
Resigning himself he said:
"Well, let us thrash the matter out. A girl, I suppose?"
"Did he tell you about her?"
"Only indirectly."
Words poured in a vehement stream from Mrs Chester. The girl was dreadful. She drank, she swore - she wore no clothes to speak of. Her sister lived out here - was married to an artist - a Dutchman. The whole set was most undesirable. Half of them were living together without being married. Basil was completely changed. He had always been so quiet, so interested in serious subjects. He had thought at one time of taking up archaeology -"
"Well, well," said Mr Parker Pyne. "Nature will have her revenge."
"What do you mean?"
"It isn't healthy for a young man to be interested in serious subjects. He ought to be making an idiot of himself over one girl after another."
"Please be serious, Mr Pyne."
"I'm perfectly serious. Is the young lady, by any chance, the one who had tea with you yesterday?"
He had noticed her - her gray flannel trousers - the scarlet handkerchief tied loosely around her breast - the vermilion mouth and the fact that she had chosen a cocktail in preference to tea.
"You saw her? Terrible! Not the kind of girl Basil has ever admired."
"You haven't given him much chance to admire a girl, have you?"
"I?"
"He's been too fond of your company! Bad! However, I daresay he'll get over this - if you don't precipitate matters."
"You don't understand. He wants to marry this girl - Betty Gregg - they're engaged."
"It's gone as far as that?"
"Yes. Mr Parker Pyne, you must do some thing. You must get my boy out of this disastrous marriage! His whole life will be ruined."
"Nobody's life can be ruined except by themselves."
"Basil's will be," said Mrs Chester positively.
"I'm not worrying about Basil."
"You're not worrying about the girl?"
"No, I'm worrying about you. You've been squandering your birthright."
Mrs Chester looked at him, slightly taken aback.
"What are the years from twenty to forty? Fettered and bound by personal and emotional relationships. That's bound to be. That's living. But later there's a new stage. You can think, observe life, discover something about other people and the truth about yourself. Life becomes real - significant. You see it as a whole. Not just one scene - the scene you, as an actor, are playing. No man or woman is actually himself (or herself till after forty-five. That's when individuality has a chance."
Mrs Chester said:
"I've been wrapped up in Basil. He's been everything to me."
"Well, he shouldn't have been. That's what you're paying for now. Love him as much as you like - but you're Adela Chester, remember, a person - not just Basil's mother."
"It will break my heart if Basil's life is ruined," said Basil's mother.
He looked at the delicate lines of her face, the wistful droop of her mouth. She was, somehow, a lovable woman. He did not want her to be hurt.
He said:
"I'll see what I can do."
He found Basil Chester only too ready to talk, eager to urge his point of view.
"This business is being just hellish. Mother's hopeless - prejudiced, narrow-minded. If only she'd let herself, she'd see how fine Betty is."
"And Betty?"
He sighed.
"Betty's being damned difficult! If she'd just conform a bit - I mean leave off the lipstick for a day - it might make all the difference. She seems to go out of her way to be - well - modern - when Mother's about."
Mr Parker Pyne smiled.
"Betty and Mother are two of the dearest people in the world, I should have thought they would have taken to each other like hot cakes."
"You have a lot to learn, young man," said Mr Parker Pyne.
"I wish you'd come along and see Betty and have a good talk about it all."
Mr Parker Pyne accepted the invitation readily.
Betty and her sister and her husband lived in a small dilapidated villa a little way back from the sea. Their life was of a refreshing simplicity. Their furniture comprised three chairs, a table and beds. There was a cupboard in the wall that held the bare requirements of cups and plates. Hans was an excitable young man with wild blond hair that stood up all over his head. He spoke very odd English with incredible rapidity, walking up and down as he did so. Stella, his wife, was small and fair. Betty Gregg had red hair and freckles and a mischievous eye. She was, he noticed, not nearly so made up as she had been the previous day at the Pino d'Oro.
She gave him a cocktail and said with a twinkle:
"You're in on the big bust-up?"
Mr Parker Pyne nodded.
"And whose side are you on, big boy? The young lovers - or the disapproving dame?"
"May I ask you a question?"
"Certainly."
"Have you been very tactful over all this?"
"Not at all," said Miss Gregg frankly. "But the old cat put my back up" (she glanced round to make sure that Basil was out of earshot). "That woman just makes me feel mad. She's kept Basil tied to her apron strings all these years - that sort of thing makes a man look a fool. Basil isn't a fool really. Then she's so terribly pukka sahib."
"That's not really such a bad thing. It's merely 'unfashionable' just at present."
Betty Gregg gave a sudden twinkle.
"You mean it's like putting Chippendale chairs in the attic in Victorian days? Later you get them down again and say, 'Aren't they marvelous?'" 
"Something of the kind."
Betty Gregg considered.
"Perhaps you're right. I'll be honest. It was Basil who put my back up - being so anxious about what impression I'd make on his mother. It drove me to extremes. Even now I believe he might give me up - if his mother worked on him good and hard."
"He might," said Mr Parker Pyne. "If she went about it the right way."
"Are you going to tell her the right way? She won't think of it herself, you know. She'll just go on disapproving and that won't do the trick. But if you prompted her -"
She bit her lip - raised frank blue eyes to his.
"I've heard about you, Mr Parker Pyne. You're supposed to know something about human nature. Do you think Basil and I could make a go of it - or not?"
"I should like an answer to three questions."
"Suitability test? All right, go ahead."
"Do you sleep with your window open or shut?"
"Open. I like lots of air."
"Do you and Basil enjoy the same kind of food?"
"Yes."
"Do you like going to bed early or late?"
"Really, under the rose, early. At half-past ten I yawn - and I secretly feel rather hearty in the mornings - but of course I daren't admit it."
"You ought to suit each other very well," said Mr Parker Pyne.
"Rather a superficial test."
"Not at all. I have known seven marriages at least, entirely wrecked, because the husband liked sitting up till midnight and the wife fell asleep at half-past nine and vice versa."
"It's a pity," said Betty, "that everybody can't be happy. Basil and I, and his mother giving us her blessing."
Mr Parker Pyne coughed.
"I think," he said, "that that could possibly be managed."
She looked at him doubtfully.
"Now I wonder," she said, "if you're double crossing me?"
Mr Parker Pyne's face told nothing.

To Mrs Chester he was soothing, but vague.
An engagement was not marriage. He himself was going to Soller for a week. He suggested that her line of action should be noncommittal. Let her appear to acquiesce.
He spent a very enjoyable week at Soller.
On his return he found that a totally unexpected development had arisen.
As he entered the Pino d'Oro the first thing he saw was Mrs Chester and Betty Gregg having tea together. Basil was not there. Mrs Chester looked haggard. Betty, too, was looking off color. She was hardly made up at all, and her eyelids looked as though she had been crying.
They greeted him in a friendly fashion, but neither of them mentioned Basil.
Suddenly he heard the girl beside him draw in her breath sharply as though something had hurt her. Mr Parker Pyne turned his head.
Basil Chester was coming up the steps from the sea front. With him was a girl so exotically beautiful that it quite took your breath away. She was dark and her figure was marvelous. No one could fail to notice the fact since she wore nothing but a single garment of pale blue crêpe. She was heavily made up with ochre powder and an orange scarlet mouth - but the unguents only displayed her remarkable beauty in a more pronounced fashion.
As for young Basil, he seemed unable to take his eyes from her face.
"You're very late, Basil," said his mother. "You were to have taken Betty to Mac's."
"My fault," drawled the beautiful unknown. "We just drifted." She turned to Basil. "Angel - get me something with a kick in it!"
She tossed off her shoe and stretched out her manicured toenails which were done emerald green to match her fingernails.
She paid no attention to the two women, but she leaned a little towards Mr Parker Pyne.
"Terrible island this," she said. "I was just dying with boredom before I met Basil. He is rather a pet!"
"Mr Parker Pyne - Miss Ramona," said Mrs Chester.
The girl acknowledged the introduction with a lazy smile.
"I guess I'll call you Parker almost at once," she murmured. "My name's Dolores."
Basil returned with the drinks. Miss Ramona divided her conversation (what there was of it - it was mostly glances) between Basil and Mr Parker Pyne. Of the two women she took no notice whatever. Betty attempted once or twice to join in the conversation but the other girl merely stared at her and yawned.
Suddenly Dolores rose.
"Guess I'll be going along now. I'm at the other hotel. Anyone coming to see me home?"
Basil sprang up.
"I'll come with you."
Mrs Chester said: "Basil, my dear -"
"I'll be back presently, Mother."
"Isn't he the mother's boy?" Miss Ramona asked of the world at large. "Just toots 'round after her, don't you?"
Basil flushed and looked awkward. Miss Ramona gave a nod in Mrs Chester's direction, a dazzling smile to Mr Parker Pyne and she and Basil moved off together.
After they had gone there was rather an awkward silence. Mr Parker Pyne did not like to speak first. Betty Gregg was twisting her fingers and looking out to sea. Mrs Chester looked flushed and angry.
Betty said: "Well, what do you think of our new acquisition in Pollensa Bay?" Her voice was not quite steady.
Mr Parker Pyne said cautiously:
"A little - er - exotic."
"Exotic?" Betty gave a short bitter laugh.
Mrs Chester said: "She's terrible - terrible. Basil must be quite mad."
Betty said sharply: "Basil's all right."
"Her toenails," said Mrs Chester with a shiver of nausea.
Betty rose suddenly.
"I think, Mrs Chester, I'll go home and not stay to dinner after all."
"Oh, my dear - Basil will be so disappointed."
"Will he?" asked Betty with a short laugh. "Anyway, I think I will. I've got rather a headache."
She smiled at them both and went off. Mrs Chester turned to Mr Parker Pyne.
"I wish we had never come to this place - never!"
Mr Parker Pyne shook his head sadly.
"You shouldn't have gone away," said Mrs Chester. "If you'd been here this wouldn't have happened."
Mr Parker Pyne was stung to respond,
"My dear lady, I can assure you that when it comes to a question of a beautiful young woman, I should have no influence over your son whatever. He - er - seems to be of a very susceptible nature."
"He never used to be," said Mrs Chester tearfully.
"Well," said Mr Parker Pyne with an attempt at cheerfulness, "this new attraction seems to have broken the back of his infatuation for Miss Gregg. That must be some satisfaction to you."
"I don't know what you mean," said Mrs Chester. "Betty is a dear child and devoted to Basil. She is behaving extremely well over this. I think my boy must be mad."
Mr Parker Pyne received this startling change of face without wincing. He had met inconsistency in women before. He said mildly:
"Not exactly mad - just bewitched."
"The creature's a Dago. She's impossible."
"But extremely good-looking."
Mrs Chester snorted.
Basil ran up the steps from the sea front.
"Hullo, Mater, here I am. Where's Betty?"
"Betty's gone home with a headache. I don't wonder."
"Sulking, you mean."
"I consider, Basil, that you are being extremely unkind to Betty."
"For God's sake, Mother, don't jaw. If Betty is going to make this fuss every time I speak to another girl a nice sort of life we'll lead together."
"You are engaged."
"Oh, we're engaged all right. That doesn't mean that we're not going to have any friends of our own. Nowadays people have to lead their own lives and try to cut out jealousy."
He paused.
"Look here, if Betty isn't going to dine with us - I think I'll go back to the Mariposa. They did ask me to dine -"
"Oh, Basil -"
The boy gave her an exasperated look, then ran off down the steps.
Mrs Chester looked eloquently at Mr Parker Pyne.
"You see," she said.
He saw.

Matters came to a head a couple of days later. Betty and Basil were to have gone for a long walk, taking a picnic lunch with them. Betty arrived at the Pino d'Oro to find that Basil had forgotten the plan and gone over to Formentor for the day with Dolores Ramona's party.
Beyond a tightening of the lips the girl made no sign. Presently, however, she got up and stood in front of Mrs Chester (the two women were alone on the terrace).
"It's quite all right," she said. "It doesn't matter. But I think - all the same - that we'd better call the whole thing off."
She slipped from her finger the signet ring that Basil had given her - he would buy the real engagement ring later.
"Will you give him back this, Mrs Chester? And tell him it's all right - not to worry..."
"Betty dear, don't! He does love you - really."
"It looks like it, doesn't it?" said the girl with a short laugh. "No - I've got some pride. Tell him everything's all right and that I - I wish him luck."
When Basil returned at sunset he was greeted by a storm.
He flushed a little at the sight of his ring.
"So that's how she feels, is it? Well, I daresay it's the best thing."
"Basil!"
"Well, frankly, Mother, we don't seem to have been hitting it off lately."
"Whose fault was that?"
"I don't see that it was mine particularly. Jealousy's beastly and I really don't see why you should get all worked up about it. You begged me yourself not to marry Betty."
"That was before I knew her. Basil - my dear - you're not thinking of marrying this other creature."
Basil Chester said soberly:
"I'd marry her like a shot if she'd have me - but I'm afraid she won't."
Cold chills went down Mrs Chester's spine. She sought and found Mr Parker Pyne, placidly reading a book in a sheltered corner.
"You must do something! You must do something! My boy's life will be ruined."
Mr Parker Pyne was getting a little tired of Basil Chester's life being ruined.
"What can I do?"
"Go and see this terrible creature. If necessary buy her off."
"That may come very expensive."
"I don't care."
"It seems a pity. Still there are, possibly, other ways."
She looked a question. He shook his head.
"I'll make no promises - but I'll see what I can do. I have handled that kind before. By the way, not a word to Basil - that would be fatal."
"Of course not."
Mr Parker Pyne returned from the Mariposa at midnight. Mrs Chester was sitting up for him.
"Well?" she demanded breathlessly.
His eyes twinkled.
"The Señorita Dolores Ramona will leave Pollensa tomorrow morning and the island tomorrow night."
"Oh, Mr Parker Pyne! How did you manage it?"
"It won't cost a cent," said Mr Parker Pyne. Again his eyes twinkled. "I rather fancied I might have a hold over her - and I was right."
"You are wonderful. Nina Wycherley was quite right. You must let me know - er - your fees -"
Mr Parker Pyne held up a well-manicured hand.
"Not a penny. It has been a pleasure. I hope all will go well. Of course the boy will be very upset at first when he finds she's disappeared and left no address. Just go easy with him for a week or two."
"If only Betty will forgive him -"
"She'll forgive him all right. They're a nice couple. By the way, I'm leaving tomorrow, too."
"Oh, Mr Parker Pyne, we shall miss you."
"Perhaps it's just as well I should go before that boy of yours gets infatuated with yet a third girl."

Mr Parker Pyne leaned over the rail of the steamer and looked at the lights of Palma. Beside him stood Dolores Ramona. He was saying appreciatively:
"A very nice piece of work, Madeleine. I'm glad I wired you to come out. It's odd when you're such a quiet stay-at-home girl really."
Madeleine de Sara, alias Dolores Ramona, alias Maggie Sayers, said primly: "I'm glad you're pleased, Mr Parker Pyne. It's been a nice little change. I think I'll go below now and get to bed before the boat starts. I'm such a bad sailor."
A few minutes later a hand fell on Mr Parker Pyne's shoulder. He turned to see Basil Chester.
"Had to come and see you off, Mr Parker Pyne, and give you Betty's love and her and my best thanks. It was a grand stunt of yours. Betty and Mother are as thick as thieves. Seemed a shame to deceive the old darling - but she was being difficult. Anyway it's all right now. I must just be careful to keep up the annoyance stuff a couple of days longer. We're no end grateful to you, Betty and I."
"I wish you every happiness," said Mr Parker Pyne.
"Thanks."
There was a pause, then Basil said with somewhat overdone carelessness:
"Is Miss - Miss de Sara - anywhere about? I'd like to thank her, too."
Mr Parker Pyne shot a keen glance at him.
He said:
"I'm afraid Miss de Sara's gone to bed."
"Oh, too bad - well, perhaps I'll see her in London sometime."
"As a matter of fact she is going to America on business for me almost at once."
"Oh!" Basil's tone was blank. "Well," he said. "I'll be getting along..."
Mr Parker Pyne smiled. On his way to his cabin he tapped on the door of Madeleine's.
"How are you, my dear? All right? Our young friend has been along. The usual slight attack of Madeleinitis. He'll get over it in a day or two, but you are rather distracting."

YELLOW IRIS

Hercule Poirot stretched his feet towards the electric heater by the wall. The precise design made by the parallel glowing bars was pleasing to his orderly mind.
"The coal heaters were clumsy and disorderly. They never had this delicious symmetry..."
The phone rang. Poirot got up and consulted his watch. It was almost half past eleven. Who would phone him at this hour? But it could be a wrong number.
"Or maybe," he murmured to himself with a dreamy smile, "they have found a millionaire, owner of a newspaper chain, murdered in his library with a rare orchid crushed in his left hand and the page of a cooking book attached by a dagger to his chest..."
Smiling at the pleasing conceit, he lifted the receiver.
Immediately a voice spoke - a soft husky woman's voice with a kind of desperate urgency about it.
"Is that M. Hercule Poirot? Is that M. Hercule Poirot?"
"Hercule Poirot speaks."
"M. Poirot - can you come at once - at once - I'm in danger - in great danger - I know it -"
Poirot said sharply, "Who are you? Where are you speaking from?"
The voice came more faintly but with an even greater urgency.
"At once... it's life or death... The Jardin des Cygnes... at once... table with yellow irises..."
There was a pause - a queer kind of gasp - the line went dead.
Hercule Poirot hung up. His face was puzzled. He murmured between his teeth:
"There is something here very curious."

In the doorway of the Jardin des Cygnes, fat Luigi hurried forward.
"Buona sera, M. Poirot. You desire a table - yes?"
"No, no, my good Luigi. I seek here for some friends. I will look round - perhaps they are not here yet. Ah, let me see, that table there in the corner with the yellow irises - a little question by the way, if it is not indiscreet. On all the other tables there are tulips - pink tulips - why on that one table do you have yellow iris?"
Luigi shrugged his expressive shoulders.
"A command, Monsieur! A special order! Without doubt, the favorite flowers of one of the ladies. That table, it is the table of Mr Barton Russell - an American - immensely rich."
"Aha, one must study the whims of the ladies, must one not, Luigi?"
"Monsieur has said it," said Luigi.
"I see at that table an acquaintance of mine. I must go and speak to him."
Poirot skirted his way delicately round the dancing floor on which couples were revolving. The table in question was set for six, but it had at the moment only one occupant, a young man who was thoughtfully, and it seemed pessimistically, drinking champagne.
He was not at all the person that Poirot had expected to see. It seemed impossible to associate the idea of danger or melodrama with any party of which Tony Chapell was a member.
Poirot paused delicately by the table.
"Ah, it is, is it not, my friend Anthony Chapell?"
"By all that's wonderful - Poirot the police hound!" cried the young man. "Not Anthony, my dear fellow - Tony to friends!"
He drew out a chair.
"Come, sit with me. Let us discourse of crime! Let us go further and drink to crime." He poured champagne into an empty glass. "But what are you doing in this haunt of song and dance and merriment, my dear Poirot? We have no bodies here, positively not a single body to offer you."
Poirot sipped the champagne.
"You seem very gay, mon cher?"
"Gay? I am steeped in misery - wallowing in gloom. Tell me, you hear this tune they are playing. You recognize it?"
Poirot hazarded cautiously:
"Something perhaps to do with your baby having left you?"
"Not a bad guess," said the young man, "but wrong for once. 'There's nothing like love for making you miserable!' That's what it's called."
"Aha?"
"My favorite tune," said Tony Chapell mournfully. "And my favorite restaurant and my favorite band - and my favorite girl's here and she's dancing it with somebody else."
"Hence the melancholy?" said Poirot.
"Exactly. Pauline and I, you see, have had what the vulgar call words. That is to say, she's had ninety-five words to five of mine out of every hundred. My five are: 'But darling - I can explain.' - Then she starts in on her ninety-five again and we get no further. I think," added Tony sadly, "that I shall poison myself."
"Pauline?" murmured Poirot.
"Pauline Weatherby. Barton Russell's young sister-in-law. Young, lovely, disgustingly rich. Tonight Barton Russell gives a party. You know him? Big Business, clean-shaven American - full of pep and personality. His wife was Pauline's sister."
"And who else is there at this party?"
"You'll meet 'em in a minute when the music stops. There's Lola Valdez - you know, the South American dancer in the new show at the Metropole, and there's Stephen Carter. D'you know Carter - he's in the diplomatic service. Very hush-hush. Known as silent Stephen. Sort of man who says, 'I am not at liberty to state, etc., etc.' Hullo, here they come."
Poirot rose. He was introduced to Barton Russell, to Stephen Carter, to Señora Lola Valdez, a dark and luscious creature, and to Pauline Weatherby, very young, very fair, with eyes like cornflowers.
Barton Russell said:
"What, is this the great M. Hercule Poirot? I am indeed pleased to meet you, sir. Won't you sit down and join us? That is, unless -"
Tony Chapell broke in.
"He's got an appointment with a body, I believe, or is it an absconding financier, or the Rajah of Borrioboolagah's great ruby?"
"Ah, my friend, do you think I am never off duty? Can I not, for once, seek only to amuse myself?"
"Perhaps you've got an appointment with Carter here. The latest from Geneva. International situation now acute. The stolen plans must be found or war will be declared tomorrow!"
Pauline Weatherby said cuttingly:
"Must you be so completely idiotic, Tony?"
"Sorry, Pauline."
Tony Chapell relapsed into crestfallen silence.
"How severe you are, Mademoiselle."
"I hate people who play the fool all the time."
"I must be careful, I see. I must converse only of serious matters."
"Excuse me, must just speak to a fellow I know over there. Fellow I was with at Eton."
Stephen Carter got up and walked to a table a few places away.
Tony said gloomily:
"Somebody ought to drown old Etonians at birth."
Hercule Poirot was still being gallant to the dark beauty beside him.
He murmured:
"I wonder, may I ask, what are the favorite flowers of Mademoiselle?"
"Ah, now, why ees eet you want to know?"
Lola was arch.
"Mademoiselle, if I send flowers to a lady, I am particular that they should be flowers she likes."
"That ees very charming of you, M. Poirot. I weel tell you - I adore the big dark red carnations - or the dark red roses."
"Superb - yes, superb! You do not, then, like yellow flowers - yellow irises?"
"Yellow flowers - no - they do not accord with my temperament."
"How wise... Tell me, Mademoiselle, did you ring up a friend tonight, since you arrived here?"
"I? Ring up a friend? No, what a curious question!"
"Ah, but I, I am a very curious man."
"I'm sure yoo are." She rolled her dark eyes at him. "A vairy dangerous man."
"No, no, not dangerous; say, a man who may be useful - in danger! You understand?"
Lola giggled. She showed white even teeth.
"No, no," she laughed. "You are dangerous."
Hercule Poirot sighed.
"I see that you do not understand. All this is very strange."
Tony came out of a fit of abstraction and said suddenly:
"Lola, what about a spot of swoop and dip? Come along."
"I weel come - yes. Since M. Poirot ees not brave enough!"
Tony put an arm round her and remarked over his shoulder to Poirot as they glided off:
"You can meditate on crime yet to come, old boy!"
Poirot said: "It is profound what you say there. Yes, it is profound..."
He sat meditatively for a minute or two, then he raised a finger. Luigi came promptly, his wide Italian face wreathed in smiles.
"Mon vieux," said Poirot. "I need some information."
"Always at your service, Monsieur."
"I desire to know how many of these people at this table here have used the telephone tonight?"
"I can tell you, Monsieur. The young lady, the one in white, she telephoned at once when she got here. Then she went to leave her cloak and while she was doing that the other lady came out of the cloakroom and went into the telephone box."
"So the Señora did telephone! Was that before she came into the restaurant?"
"Yes, Monsieur."
"Anyone else?"
"No, Monsieur."
"All this, Luigi, gives me furiously to think!"
"Indeed, Monsieur."
"Yes. I think, Luigi, that tonight of all nights, I must have my wits about me! Something is going to happen, Luigi, and I am not at all sure what it is."
"Anything I can do, Monsieur -"
Poirot made a sign. Luigi slipped discreetly away. Stephen Carter was returning to the table.
"We are still deserted, Mr Carter," said Poirot.
"Oh - er - quite," said the other.
"You know Mr Barton Russell well?"
"Yes, known him a good while."
"His sister-in-law, little Miss Weatherby, is very charming."
"Yes, pretty girl."
"You know her well, too?"
"Quite."
"Oh, quite, quite," said Poirot.
Carter stared at him.
The music stopped and the others returned.
Barton Russell said to a waiter:
"Another bottle of champagne - quickly."
Then he raised his glass.
"See here, folks. I'm going to ask you to drink a toast. To tell you the truth, there's an idea back of this little party tonight. As you know, I'd ordered a table for six. There were only five of us. That gave us an empty place. Then, by a very strange coincidence, M. Hercule Poirot happened to pass by and I asked him to join our party.
"You don't know yet what an apt coincidence that was. You see that empty seat tonight represents a lady - the lady in whose memory this party is being given. This party, ladies and gentlemen, is being held in memory of my dear wife - Iris - who died exactly four years ago on this very date!"
There was a startled movement round the table. Barton Russell, his face quietly impassive, raised his glass.
"I'll ask you to drink to her memory. Iris!"
"Iris?" said Poirot sharply.
He looked at the flowers. Barton Russell caught his glance and gently nodded his head.
There were little murmurs round the table.
"Iris - Iris -"
Everyone looked startled and uncomfortable. Barton Russell went on, speaking with his slow monotonous American intonation, each word coming out weightily.
"It may seem odd to you all that I should celebrate the anniversary of a death in this way - by a supper party in a fashionable restaurant. But I have a reason - yes, I have a reason. For M. Poirot's benefit, I'll explain."
He turned his head towards Poirot.
"Four years ago tonight, M. Poirot, there was a supper party held in New York. At it were my wife and myself, Mr Stephen Carter who was attached to the Embassy in Washington, Mr Anthony Chapell who had been a guest in our house for some weeks, and Señora Valdez who was at that time enchanting New York City with her dancing. Little Pauline here -" he patted her shoulder - "was only sixteen but she came to the supper party as a special treat. You remember, Pauline?"
"I remember - yes."
Her voice shook a little. "M. Poirot, on that night a tragedy happened. There was a roll of drums and the cabaret started. The lights went down - all but a spotlight in the middle of the floor. When the lights went up again, M. Poirot, my wife was seen to have fallen forward on the table. She was dead - stone dead. There was potassium cyanide found in the dregs of her wine-glass, and the remains of the packet was discovered in her handbag."
"She had committed suicide?" said Poirot.
"That was the accepted verdict... It broke me up, M. Poirot. There was, perhaps, a possible reason for such an action - the police thought so. I accepted their decision."
He pounded suddenly on the table.
"But I was not satisfied... No, for four years I've been thinking and brooding - and I'm not satisfied: I don't believe Iris killed herself. I believe, M. Poirot, that she was murdered - by one of those people at the table."
"Look here, sir -"
Tony Chapell half sprung to his feet.
"Be quiet, Tony," said Russell. "I haven't finished. One of them did it - I'm sure of that now. Someone who, under cover of the darkness, slipped the half emptied packet of cyanide into her handbag. I think I know which of them it was. I mean to know the truth -"
Lola's voice rose sharply.
"You are mad - crazee - who would have harmed her? No, you are mad. Me, I will not stay -"
She broke off. There was a roll of drums.
Barton Russell said:
"The cabaret. Afterwards we will go on with this. Stay where you are, all of you. I've got to go and speak to the dance band. Little arrangement I've made with them."
He got up and left the table.
"Extraordinary business," commented Carter. "Man's mad."
"He ees crazee, yes," said Lola.
The lights were lowered.
"For two pins I'd clear out," said Tony.
"No!" Pauline spoke sharply. Then she murmured, "Oh, dear - oh, dear -"
"What is it, Mademoiselle?" murmured Poirot.
She answered almost in a whisper.
"It's horrible! It's just like it was that night -"
"Sh! Sh!" said several people.
Poirot lowered his voice.
"A little word in your ear." He whispered, then patted her shoulder. "All will be well," he assured her.
"My God, listen," cried Lola.
"What is it, Señora?"
"It's the same tune - the same song that they played that night in New York. Barton Russell must have fixed it. I don't like this."
"Courage - courage -"
There was a fresh hush.
A girl walked out into the middle of the floor, a coal black girl with rolling eyeballs and white glistening teeth. She began to sing in a deep hoarse voice - a voice that was curiously moving.

I've forgotten you
I never think of you
The way you walked
The way you talked
The things you used to say
I've forgotten you
I never think of you
I couldn't say
For sure today
Whether your eyes were blue or gray
I've forgotten you
I never think of you.

I'm through
Thinking of you
I tell you I'm through
Thinking of you...
You... you... you...

The sobbing tune, the deep golden negro voice had a powerful effect. It hypnotized - cast a spell. Even the waiters felt it. The whole room stared at her, hypnotized by the thick cloying emotion she distilled.
A waiter passed softly round the table filling up glasses, murmuring "champagne" in an undertone but all attention was on the one glowing spot of light - the black woman whose ancestors came from Africa, singing in her deep voice:

I've forgotten you
I never think of you
Oh, what a lie
I shall think of you, think of you, think of you...
Till I die...

The applause broke out frenziedly. The lights went up. Barton Russell came back and slipped into his seat.
"She's great, that girl -" cried Tony.
But his words were cut short by a low cry from Lola.
"Look - look..."
And then they all saw. Pauline Weatherby dropped forward onto the table.
Lola cried:
"She's dead - just like Iris - like Iris in New York."
Poirot sprang from his seat, signing to the others to keep back. He bent over the huddled form, very gently lifted a limp hand and felt for a pulse.
His face was white and stern. The others watched him. They were paralyzed, held in a trance.
Slowly, Poirot nodded his head.
"Yes, she is dead - la pauvre petite. And I sitting by her! Ah! but this time the murderer shall not escape."
Barton Russell, his face gray, muttered:
"Just like Iris... She saw something - Pauline saw something that night - Only she wasn't sure - she told me she wasn't sure... We must get the police... Oh, God, little Pauline."
Poirot said:
"Where is her glass?" He raised it to his nose. "Yes, I can smell the cyanide. A smell of bitter almonds... the same method, the same poison... "
He picked up her handbag.
"Let us look in her handbag."
Barton Russell cried out:
"You don't believe this is suicide, too? Not on your life."
"Wait," Poirot commanded. "No, there is nothing here. The lights went up, you see, too quickly, the murderer had not time. Therefore, the poison is still on him."
"Or her," said Carter.
He was looking at Lola Valdez.
She spat out:
"What do you mean - what do you say? That I killed her - eet is not true - not true - why should I do such a thing?"
"You had rather a fancy for Barton Russell yourself in New York. That's the gossip I heard. Argentine beauties are notoriously jealous."
"That ees a pack of lies. And I do not come from the Argentine. I come from Peru. Ah - I spit upon you. I -" She relapsed into Spanish.
"I demand silence," cried Poirot. "It is for me to speak."
Barton Russell said heavily:
"Everyone must be searched."
Poirot said calmly,
"Non, non, it is not necessary."
"What d'you mean, not necessary?"
"I, Hercule Poirot, know. I see with the eyes of the mind. And I will speak! M. Carter, will you show us the packet in your breast pocket?"
"There's nothing in my pocket. What the hell -"
"Tony, my good friend, if you will be so obliging."
Carter cried out:
"Damn you -"
Tony flipped the packet neatly out before Carter could defend himself.
"There you are, M. Poirot, just as you said!"
"It's a damned lie," cried Carter.
Poirot picked up the packet, read the label.
"Cyanide of potassium. The case is complete."
Barton Russell's voice came thickly.
"Carter! I always thought so. Iris was in love with you. She wanted to go away with you. You didn't want a scandal for the sake of your precious career so you poisoned her. You'll hang for this, you dirty dog."
"Silence!" Poirot's voice rang out, firm and authoritative. "This is not finished yet. I, Hercule Poirot, have something to say. My friend here, Tony Chapell, he says to me when I arrive, that I have come in search of crime. That, it is partly true. There was crime in my mind - but it was to prevent a crime that I came. And I have prevented it. The murderer, he planned well - but Hercule Poirot he was one move ahead. He had to think fast, and to whisper quickly in Mademoiselle's ear when the lights went down. She is very quick and clever, Mademoiselle Pauline, she played her part well. Mademoiselle, will you be so kind as to show us that you are not dead after all?"
Pauline sat up. She gave an unsteady laugh.
"Resurrection of Pauline," she said.
"Pauline - darling."
"Tony!"
"My sweet."
"Angel."
Barton Russell gasped.
"I - I don't understand..."
"I will help you to understand, Mr Barton Russell. Your plan has miscarried."
"My plan?"
"Yes, your plan. Who was the only man who had an alibi during the darkness? The man who left the table - you, Mr Barton Russell. But you returned to it under cover of the darkness, circling round it, with a champagne bottle, filling up glasses, putting cyanide in Pauline's glass and dropping the half empty packet in Carter's pocket as you bent over him to remove a glass. Oh, yes, it is easy to play the part of a waiter in darkness when the attention of everyone is elsewhere. That was the real reason for your party tonight. The safest place to commit a murder is in the middle of a crowd."
"What the - why the hell should I want to kill Pauline?"
"It might be, perhaps, a question of money. Your wife left you guardian to her sister. You mentioned that fact tonight. Pauline is twenty. At twenty-one or on her marriage you would have to render an account of your stewardship. I suggest that you could not do that. You have speculated with it. I do not know, Mr Barton Russell, whether you killed your wife in the same way, or whether her suicide suggested the idea of this crime to you, but I do know that tonight you have been guilty of attempted murder. It rests with Miss Pauline whether you are prosecuted for that."
"No," said Pauline. "He can get out of my sight and out of this country. I don't want a scandal."
"You had better go quickly, Mr Barton Russell, and I advise you to be careful in future."
Barton Russell got up, his face working.
"To hell with you, you interfering little Belgian jackanapes."
He strode out angrily.
Pauline sighed.
"M. Poirot, you've been wonderful... "
"You, Mademoiselle, you have been the marvelous one. To pour away the champagne, to act the dead body so prettily."
"Ugh," she shivered, "you give me the creeps."
He said gently:
"It was you who telephoned me, was it not?"
"Yes."
"Why?"
"I don't know. I was worried and - frightened without knowing quite why I was frightened. Barton told me he was having this party to commemorate Iris' death. I realized he had some scheme on - but he wouldn't tell me what it was. He looked so - so queer and so excited that I felt something terrible might happen - only of course I never dreamed that he meant to - to get rid of me."
"And so, Mademoiselle?"
"I'd heard people talking about you. I thought if I could only get you here perhaps it would stop anything happening. I thought that being foreigner - if I rang up and pretended to be in danger and - and made it sound mysterious -"
"You thought the melodrama, it would attract me? That is what puzzled me. The message itself - definitely it was what you call 'bogus' - it did not ring true. But the fear in the voice - that was real. Then I came - and you denied very categorically having sent me a message."
"I had to. Besides, I didn't want you to know it was me."
"Ah, but I was fairly sure of that! Not at first. But I soon realized that the only two people who could know about the yellow irises on the table were you or Mr Barton Russell."
Pauline nodded.
"I heard him ordering them to be put on the table," she explained. "That, and his ordering a table for six when I knew only five were coming, made me suspect -"
She stopped, biting her lip.
"What did you suspect, Mademoiselle?"
She said slowly:
"I was afraid - of something happening - to Mr Carter."
Stephen Carter cleared his throat. Unhurriedly but quite decisively he rose from the table.
"Er - h'm - I have to - er - thank you, Mr Poirot. I owe you a great deal. You'll excuse I'm sure, if I leave you. Tonight's happenings have been - rather upsetting."
Looking after his retreating figure, Pauline said violently:
"I hate him. I've always thought it was because of him that Iris killed herself. Or perhaps - Barton killed her. Oh, it's all so hateful -"
Poirot said gently:
"Forget, Mademoiselle... forget. Let the past go. Think only of the present -"
Pauline murmured, "Yes - you're right."
Poirot turned to Lola Valdez.
"Señora, as the evening advances I become more brave. If you would dance with me..."
"Oh, yes, indeed. You are - you are ze cat's whiskers, M. Poirot. I inseest on dancing with you."
"You are too kind, Señora." 
Tony and Pauline were alone. They leant towards each other across the table.
"Darling Pauline."
"Tony, I've been a nasty spiteful little cat to you all evening. Can you ever forgive me?"
"My angel! They're playing our song again. Let's dance."
They danced off, smiling at each other and humming softly:

There's nothing like Love for making you miserable
There's nothing like Love for making you blue
Depressed
Possessed
Sentimental
Temperamental 
There's nothing like Love,
To sweep you off your feet

There's nothing like Love for driving you crazy 
There's nothing like Love for making you mad
Abusive
Allusive
Suicidal
Homicidal
There's nothing like Love...
There's nothing like Love...

MISS MARPLE TELLS A STORY

I don't think I've ever told you, my dears - you, Raymond, and you, Joyce, about a rather curious little business that happened some years ago now. I don't want to seem vain in any way - of course I know that in comparison with you young people I'm not clever at all - Raymond writes those - very modern books all about rather unpleasant young men and women - and Joyce paints those very remarkable pictures of square people with curious bulges on them - very clever of you, my dear, but as Raymond always says (only quite kindly, because he is the kindest of nephews) I am hopelessly Victorian. I admire Mr Alma-Tadema and Mr Frederic Leighton and I suppose to you they seem hopelessly vieux jeu. Now let me see, what was I saying? Oh, yes - that I didn't want to appear vain - but I couldn't help being just a teeny weeny bit pleased with myself, because, just by applying a little common sense, I believe I really did solve a problem that had baffled cleverer heads than mine. Though really I should have thought the whole thing was obvious from the beginning...
Well, I'll tell you my little story, and if you think I'm inclined to be conceited about it, you must remember that I at least helped a fellow creature who was in very grave distress.
The first I knew of this business was one evening about nine o'clock when Gwen - (you remember Gwen? My little maid with red hair) well - Gwen came in and told me that Mr Petherick and a gentleman had called to see me. Gwen had showed them into the drawing-room - quite rightly. I was sitting in the dining-room because in early spring I think it is so wasteful to have two fires going.
I directed Gwen to bring in the cherry brandy and some glasses and I hurried into the drawing-room. I don't know whether you remember Mr Petherick? He died two years ago, but he had been a friend of mine for many years as well as attending to all my legal business. A very shrewd man and a really clever solicitor. His son does my business for me now - a very nice lad and very up to date - but somehow I don't feel quite the confidence I had in Mr Petherick.
I explained to Mr Petherick about the fires and he said at once that he and his friend would come into the dining-room - and then he introduced his friend a Mr Rhodes. He was a youngish man - not much over forty - and I saw at once that there was something very wrong. His manner, was most peculiar. One might have called it rude if one hadn't realized that the poor fellow was suffering from strain.
When we were settled in the dining-room and Gwen had brought the cherry brandy, Mr Petherick explained the reason for his visit.
"Miss Marple," he said, "you must forgive an old friend for taking a liberty. What I have come here for is a consultation."
I couldn't understand at all what he meant, and he went on:
"In a case of illness one likes two points of view - that of the specialist and that of the family physician. It is the fashion to regard the former as of more value, but I am not sure that I agree. The specialist has experience only in his own subject - the family doctor has, perhaps, less knowledge - but a wider experience."
I knew just what he meant, because a young niece of mine not long before had hurried her child off to a very well-known specialist in skin diseases without consulting her own doctor whom she considered an old dodderer, and the specialist had ordered some very expensive treatment, and later they found that all the child was suffering from was rather an unusual form of measles.
I just mention this - though I have a horror of digressing - to show that I appreciated Mr Petherick's point - but I still hadn't any idea of what he was driving at.
"If Mr Rhodes is ill," I said, and stopped - because the poor man gave the most dreadful laugh.
He said: "I expect to die of a broken neck in a few months' time."
And then it all came out. There had been a case of murder lately in Barnchester - a town about twenty miles away. I'm afraid I hadn't paid much attention to it at the time, because we had been having a lot of excitement in the village about our district nurse, and outside occurrences like an earthquake in India and a murder in Barnchester, although of course far more important really - had given way to our own little local excitements. I'm afraid villages are like that. Still, I did remember having read about a woman having been stabbed in a hotel, though I hadn't remembered her name. But now it seemed that this woman had been Mr Rhodes's wife - and as if that wasn't bad enough - he was actually under suspicion of having murdered her himself.
All this Mr Petherick explained to me very clearly, saying that, although the Coroner's jury had brought in a verdict of murder by a person or persons unknown, Mr Rhodes had reason to believe that he would probably be arrested within a day or two, and that he had come to Mr Petherick and placed himself in his hands. Mr Petherick went on to say that they had that afternoon consulted Sir Malcolm Olde, K.C., and that in the event of the case coming to trial Sir Malcolm had been briefed to defend Mr Rhodes.
Sir Malcolm was a young man, Mr Petherick said, very up to date in his methods, and he had indicated a certain line of defense. But with that line of defense Mr Petherick was not entirely satisfied.
"You see, my dear lady," he said, "it is tainted with what I call the specialist's point of view. Give Sir Malcolm a case and he sees only one point - the most likely line of defense. But even the best line of defense may ignore completely what is, to my mind, the vital point. It takes no account of what actually happened."
Then he went on to say some very kind and flattering things about my acumen and judgement and my knowledge of human nature, and asked permission to tell me the story of the case in the hopes that I might be able to suggest some explanation.
I could see that Mr Rhodes was highly skeptical of my being of any use and that he was annoyed at being brought here. But Mr Petherick took no notice and proceeded to give me the facts of what occurred on the night of March 8th.
Mr and Mrs Rhodes had been staying at the Crown Hotel in Barnchester. Mrs Rhodes who (so I gathered from Mr Petherick's careful language) was perhaps just a shade of a hypochondriac, had retired to bed immediately after dinner. She and her husband occupied adjoining rooms with a connecting door. Mr Rhodes, who is writing a book on prehistoric flints, settled down to work in the adjoining room. At eleven o'clock he tidied up his papers and prepared to go to bed. Before doing do, he just glanced into his wife's room to make sure that there was nothing she wanted. He discovered the electric light on and his wife lying in bed stabbed through the heart. She had been dead at least an hour - probably longer. The following were the points made. There was another door in Mrs Rhodes's room leading to the corridor. This door was locked and bolted on the inside. The only window in the room was closed and latched. According to Mr Rhodes nobody had passed through the room in which he was sitting except a chambermaid bringing hot water bottles. The weapon found in the wound was a stiletto dagger which had been lying on Mrs Rhodes's dressing-table. She was in the habit of using it as a paper knife. There were no fingerprints on it.
The situation boiled down to this - no one but Mr Rhodes and the chambermaid had entered the victim's room.
I inquired about the chambermaid.
"That was our first line of inquiry," said Mr Petherick. "Mary Hill is a local woman. She has been chambermaid at the Crown for ten years. There seems absolutely no reason why she should commit a sudden assault on a guest. She is, in any case, extraordinarily stupid, almost half-witted. Her story has never varied. She brought Mrs Rhodes her hot water bottle and says the lady was drowsy - just dropping off to sleep. Frankly, I cannot believe, and I am sure no jury would believe, that she committed the crime."
Mr Petherick went on to mention a few additional details. At the head of the staircase in the Crown Hotel is a kind of miniature lounge where people sometimes sit and have coffee. A passage goes off to the right and the last door in it is the door into the room occupied by Mr Rhodes. The passage then turns sharply to the right again and the first door around the corner is the door into Mrs Rhodes's room. As it happened, both these doors could be seen by witnesses. The first door - that into Mr Rhodes's room, which I will call A, could be seen by four people, two commercial travelers and an elderly married couple who were having coffee. According to them nobody went in or out of door A except Mr Rhodes and the chambermaid. As to the other door in passage B, there was an electrician at work there and he also swears that nobody entered or left door B except the chambermaid.
It was certainly a very curious and interesting case. On the face of it, it looked as though Mr Rhodes must have murdered his wife. But I could see that Mr Petherick was quite convinced of his client's innocence and Mr Petherick was a very shrewd man.
At the inquest Mr Rhodes had told a hesitating and rambling story about some woman who had written threatening letters to his wife. His story, I gathered, had been unconvincing in the extreme. Appealed to by Mr Petherick, he explained himself.
"Frankly," he said, "I never believed it. I thought Amy had made most of it up."
Mrs Rhodes, I gathered, was one of those romantic liars who go through life embroidering everything that happens to them. The amount of adventures that, according to her own account, happened to her in a year was simply incredible. If she slipped on a bit of banana peel it was a case of near escape from death. If a lamp-shade caught fire, she was rescued from a burning building at the hazard of her life. Her husband got into the habit of discounting her statements. Her tale as to some woman whose child she had injured in a motor accident and who had vowed vengeance on her - well Mr Rhodes had simply not taken any notice of it. The incident had happened before he married his wife and although she had read him letters couched in crazy language, he had suspected her of composing them herself. She had actually done such a thing once or twice before. She was a woman of hysterical tendencies who craved ceaselessly for excitement.
Now, all that seemed to me very natural - indeed, we have a young woman in the village who does much the same thing. The danger with such people is that when anything at all extraordinary really does happen to them, nobody believes they are speaking the truth. It seemed to me that that was what had happened in this case. The police, I gathered, merely believed that Mr Rhodes was making up this unconvincing tale in order to avert suspicion from himself.
I asked if there had been any women staying by themselves in the Hotel. It seems there were two - a Mrs Granby, an Anglo-Indian widow, and a Miss Carruthers, rather a horsey spinster who dropped her g's. Mr Petherick added that the most minute inquiries had failed to elicit anyone who had seen either of them near the scene of the crime and there was nothing to connect either of them with it in any way. I asked him to describe their personal appearance. He said that Mrs Granby had reddish hair rather untidily done, was sallow-faced and about fifty years of age. Her clothes were rather picturesque, being made mostly of native silks, etc. Miss Carruthers was about forty, wore pince-nez, had close-cropped hair like a man and wore mannish coats and skirts.
"Dear me," I said, "that makes it very difficult."
Mr Petherick looked inquiringly at me, but I didn't want to say any more just then, so I asked what Sir Malcolm Olde had said.
Sir Malcolm Olde, it seemed, was going all out for suicide. Mr Petherick said the medical evidence was dead against this, and there was the absence of fingerprints, but Sir Malcolm was confident of being able to call conflicting medical testimony and to suggest some way of getting over the fingerprint difficulty. 
I asked Mr Rhodes what he thought and he said all doctors were fools but he himself couldn't really believe his wife had killed herself. 
"She wasn't that kind of woman," he said simply - and I believed him. Hysterical people don't usually commit suicide.
I thought a minute and then I asked if the door from Mrs Rhodes's room led straight to the corridor. Mr Rhodes said no - there was a little hallway with bathroom and lavatory. It was the door from the bedroom to the hallway that was locked and bolted on the inside.
"In that case," I said, "the whole thing seems to me remarkably simple."
And really, you know, it did... The simplest thing in the world. And yet no one seemed to have seen it that way.
Both Mr Petherick and Mr Rhodes were staring at me so that I felt quite embarrassed.
"Perhaps," said Mr Rhodes, "Miss Marple hasn't quite appreciated the difficulties."
"Yes," I said, "I think I have. There are four possibilities. Either Mrs Rhodes was killed by her husband, or by the chambermaid, or she committed suicide, or she was killed by an outsider whom nobody saw enter or leave."
"And that's impossible," Mr Rhodes broke in. "Nobody could come in or go out through my room without my seeing them, and even if anyone did manage to come in through my wife's room without the electrician seeing them, how the devil could they get out again leaving the door locked and bolted on the inside?"
Mr Petherick looked at me and said: "Well, Miss Marple?" in an encouraging manner.
"I should like," I said, "to ask a question. Mr Rhodes, what did the chambermaid look like?"
He said he wasn't sure - she was tallish, he thought - he didn't remember if she was fair or dark. I turned to Mr Petherick and asked him the same question.
He said she was of medium height, had fairish hair and blue eyes and rather a high color.
Mr Rhodes said: "You are a better observer than I am, Petherick."
I ventured to disagree. I then asked Mr Rhodes if he could describe the maid in my house. Neither he nor Mr Petherick could do so.
"Don't you see what that means?" I said. "You both came here full of your own affairs and the person who let you in was only a parlourmaid. The same applies to Mr Rhodes at the Hotel. He saw only a chambermaid. He saw her uniform and her apron. He was engrossed by his work. But Mr Petherick has interviewed the same woman in a different capacity. He has looked at her as a person.
"That's what the woman who did the murder counted upon."
As they still didn't see, I had to explain.
"I think," I said, "that this is how it went. The chambermaid came in by door A, passed through Mr Rhodes' room into Mrs Rhodes' room with the hot water bottle and went out through the hallway into passage B. X - as I will call our murderess - came in by door B into the little hallway, concealed herself in - well, in a certain apartment, ahem - and waited until the chambermaid had passed out. Then she entered Mrs Rhodes' room, took the stiletto from the dressing-table - (she had doubtless explored the room earlier in the day) went up to the bed, stabbed the dozing woman, wiped the handle of the stiletto, locked and bolted the door by which she had entered, and then passed out through the room where Mr Rhodes was working."
Mr Rhodes cried out: "But I should have seen her. The electrician would have seen her go in."
"No," I said. "That's where you're wrong. You wouldn't see her - not if she were dressed as a chambermaid." 
I let it sink in, then I went on, "You were engrossed in your work - out of the tail of your eye you saw a chambermaid come in, go into your wife's room, come back and go out. It was the same dress - but not the same woman. That's what the people having coffee saw - a chambermaid go in and a chambermaid come out. The electrician did the same. I daresay if a chambermaid were very pretty a gentleman might notice her face - human nature being what it is - but if she were just an ordinary middle-aged woman - well - it would be the chambermaid's dress you would see - not the woman herself." 
Mr Rhodes cried: "Who was she?"
"Well," I said, "that is going to be a little difficult. It must be either Mrs Granby or Miss Carruthers. Mrs Granby sounds as though she might wear a wig normally - so she could wear her own hair as a chambermaid. On the other hand, Miss Carruthers with her close-cropped mannish head might easily put on a wig to play her part. I daresay you will find out easily enough which of them it is. Personally, I incline myself to think it will be Miss Carruthers."
And really, my dears, that is the end of the story. Carruthers was a false name, but she was the woman all right. There was insanity in her family. Mrs Rhodes, who was a most reckless and dangerous driver, had run over her little girl, and it had driven the poor woman off her head. She concealed her madness very cunningly except for writing distinctly insane letters to her intended victim. She had been following her about for some time, and she laid her plans very cleverly. The false hair and maid's dress she posted in a parcel first thing the next morning. When taxed with the truth she broke down and confessed at once. The poor thing is in Broadmoor now. Completely unbalanced, of course, but a very cleverly planned crime.
Mr Petherick came to me afterwards and brought me a very nice letter from Mr Rhodes - really, it made me blush. Then my old friend said to me: "Just one thing - why did you think it was more likely to be Carruthers than Granby? You'd never seen either of them."
"Well," I said. "It was the g's. You said she dropped her g's. Now, that's done a lot by hunting people in books, but I don't know many people who do it in reality - and certainly no one under sixty. You said this woman was forty. Those dropped g's sounded to me like a woman who was playing a part and overdoing it."
I shan't tell you what Mr Petherick said to that but he was very complimentary - and I really couldn't help feeling just a teeny weeny bit pleased with myself.
And it's extraordinary how things turn out for the best in this world. Mr Rhodes has married again - such a nice, sensible girl - and they've got a dear little baby and - what do you think? - they asked me to be godmother. 
Wasn't it nice of them?
Now I do hope you don't think I've been running on too long...

THE DREAM

Hercule Poirot gave the house a steady appraising glance. His eyes wandered a moment to its surroundings, the shops, the big factory building on the right, the blocks of cheap mansion flats opposite.
Then once more his eyes returned to Northway House, relic of an earlier age - an age of space and leisure, when green fields had surrounded its well-bred arrogance. Now it was an anachronism, submerged and forgotten in the hectic sea of modern London, and not one man in fifty could have told you where it stood.
Furthermore, very few people could have told you to whom it belonged, though its owner's name would have been recognized as one of the world's richest men. But money can quench publicity as well as flaunt it. Benedict Farley, that eccentric millionaire, chose not to advertise his choice of residence. He himself was rarely seen, seldom making a public appearance. From time to time he appeared at board meetings, his lean figure, beaked nose, and rasping voice easily dominating the assembled directors. Apart from that, he was just a well-known figure of legend. There were his strange meannesses, his incredible generosities, as well as more personal details - his famous patch-work dressing-gown, now reputed to be twenty-eight years old, his invariable diet of cabbage soup and caviare, his hatred of cats. All these things the public knew.
Hercule Poirot knew them also. It was all he did know of the man he was about to visit. The letter which was in his coat pocket told him little more.
After surveying this melancholy landmark of a past age for a minute or two in silence, he walked up the steps to the front door and pressed the bell, glancing as he did so at the neat wrist-watch which had at last replaced an earlier favorite - the large turnip-faced watch of earlier days. Yes, it was exactly nine-thirty. As ever, Hercule Poirot was exact to the minute.
The door opened after just the right interval. A perfect specimen of the genus butler stood outlined against the lighted hall.
"Mr Benedict Farley?" asked Hercule Poirot.
The impersonal glance surveyed him from head to foot, inoffensively but effectively.
"En gros et en détail," thought Hercule Poirot to himself with appreciation.
"You have an appointment, sir?" asked the suave voice.
"Yes."
"Your name, sir?"
"M. Hercule Poirot."
The butler bowed and drew back. Hercule Poirot entered the house. The butler closed the door behind him.
But there was yet one more formality before the deft hands took hat and stick from the visitor.
"You will excuse me, sir. I was to ask for a letter."
With deliberation Poirot took from his pocket the folded letter and handed it to the butler. The latter gave it a mere glance, then returned it with a bow. Hercule Poirot returned it to his pocket. Its contents were simple.

Northway House, W.8.
M. Hercule Poirot.

Dear Sir,

Mr Benedict Farley would like to have the benefit of your advice. If convenient to yourself he would be glad if you would call upon him at the above address at 9:30 tomorrow (Thursday) evening.

Yours truly,
Hugo Cornworthy.
(Secretary).

P.S. - Please bring this letter with you.

Deftly the butler relieved Poirot of hat, stick, and overcoat. He said:
"Will you please come up to Mr Cornworthy's room?"
He led the way up the broad staircase. Poirot followed him, looking with appreciation at such objets d'art as were of an opulent and florid nature! His taste in art was always somewhat bourgeois.
On the first floor the butler knocked on a door.
Hercule Poirot's eyebrows rose very slightly. It was the first jarring note. For the best butlers do not knock at doors - and yet indubitably this was a first-class butler!
It was, so to speak, the first intimation of contact with the eccentricity of a millionaire.
A voice from within called out something. The butler threw open the door. He announced (and again Poirot sensed the deliberate departure from orthodoxy):
"The gentleman you are expecting, sir."
Poirot passed into the room. It was a fair-sized room, very plainly furnished in a workmanlike fashion. Filing cabinets, books of reference, a couple of easy chairs, and a large and imposing desk covered with neatly docketed papers. The corners of the room were dim, for the only light came from a big green-shaded reading-lamp which stood on a small table by the arm of one of the easy chairs. It was placed so as to cast its full light on anyone approaching from the door. Hercule Poirot blinked a little, realizing that the lamp bulb was at least 150 watts. In the armchair sat a thin figure in a patchwork dressing-gown - Benedict Farley. His head was stuck forward in a characteristic attitude, his beaked nose projecting like that of a bird. A crest of white hair like that of a cockatoo rose above his forehead. His eyes glittered behind thick lenses as he peered suspiciously at his visitor.
"Hey," he said at last - and his voice was shrill and harsh, with a rasping note in it. "So you're Hercule Poirot, hey?"
"At your service," said Poirot politely and bowed, one hand on the back of the chair.
"Sit down - sit down," said the old man testily.
Hercule Poirot sat down - in the full glare of the lamp. From behind it the old man seemed to be studying him attentively.
"How do I know you're Hercule Poirot - hey?" he demanded fretfully. "Tell me that - hey?"
Once more Poirot drew the letter from his pocket and handed it to Farley.
"Yes," admitted the millionaire grudgingly. "That's it. That's what I got Cornworthy to write." He folded it up and tossed it back. "So you're the fellow, are you?"
With a little wave of his hand Poirot said:
"I assure you there is no deception!"
Benedict Farley chuckled suddenly.
"That's what the conjuror says before he takes the goldfish out of the hat! Saying that is part of the trick, you know."
Poirot did not reply. Farley said suddenly:
"Think I'm a suspicious old man, hey? So I am. Don't trust anybody! That's my motto. Can't trust anybody when you're rich. No, no, it doesn't do."
"You wished," Poirot hinted gently, "to consult me?"
The old man nodded.
"That's right. Always buy the best. That's my motto. Go to the expert and don't count the cost. You'll notice, M. Poirot, I haven't asked you your fee. I'm not going to! Send me in the bill later - shan't cut up rough over it. Damned fools at the dairy thought they could charge me two and nine for eggs when two and seven's the market price - lot of swindlers! I won't be swindled. But the man at the top's different. He's worth the money. I'm at the top myself - I know."
Hercule Poirot made no reply. He listened attentively, his head poised a little on one side.
Behind his impassive exterior he was conscious of a feeling of disappointment. He could not exactly put his finger on it. So far Benedict Farley had run true to type - that is, he had conformed to the popular idea of himself; and yet - Poirot was disappointed.
"The man," he said disgustedly to himself, "is a mountebank - nothing but a mountebank!"
He had known other millionaires, eccentric men too, but in nearly every case he had been conscious of a certain force, an inner energy that had commanded his respect. If they had worn a patchwork dressing-gown, it would have been because they liked wearing such a dressing-gown. But the dressing-gown of Benedict Farley, or so it seemed to Poirot, was essentially a stage property. And the man himself was essentially stagey. Every word he spoke was uttered, so Poirot felt assured, sheerly for effect.
He repeated again unemotionally, "You wished to consult me, Mr Farley?"
Abruptly the millionaire's manner changed.
He leaned forward. His voice dropped to a croak.
"Yes. Yes... I want to hear what you've got to say - what you think... Go to the top! That's my way! The best doctor - the best detective - it's between the two of them."
"As yet, Monsieur, I do not understand."
"Naturally," snapped Farley. "I haven't begun to tell you."
He leaned forward once more and shot out an abrupt question.
"What do you know, M. Poirot, about dreams?"
The little man's eyebrows rose. Whatever he had expected, it was not this.
"For that, Monsieur Farley, I should recommend Napoleon's Book of Dreams - or the latest practicing psychologist from Harley Street."
Benedict Farley said soberly, "I've tried both..."
There was a pause, then the millionaire spoke, at first almost in a whisper, then with a voice growing higher and higher.
"It's the same dream - night after night. And I'm afraid, I tell you - I'm afraid... It's always the same. I'm sitting in my room next door to this. Sitting at my desk, writing. There's a clock there and I glance at it and see the time - exactly twenty-eight minutes past three. Always the same time, you understand.
"And when I see the time, M. Poirot, I know I've got to do it. I don't want to do it - I loathe doing it - but I've got to -"
His voice had risen shrilly.
Unperturbed, Poirot said, "And what is it that you have to do?"
"At twenty-eight minutes past three," Benedict Farley said hoarsely, "I open the second drawer down on the right of my desk, take out the revolver that I keep there, load it and walk over to the window. And then - and then -"
"Yes?"
Benedict Farley said in a whisper: "Then I shoot myself..." 
There was silence.
Then Poirot said, "That is your dream?" 
"Yes."
"The same every night?"
"Yes."
"What happens after you shoot yourself?"
"I wake up."
Poirot nodded his head slowly and thoughtfully.
"As a matter of interest, do you keep a revolver in that particular drawer?" 
"Yes."
"Why?"
"I have always done so. It is as well to be prepared."
"Prepared for what?"
Farley said irritably, "A man in my position has to be on his guard. All rich men have enemies."
Poirot did not pursue the subject. He remained silent for a moment or two, then he said:
"Why exactly did you send for me?"
"I will tell you. First of all I consulted a doctor - three doctors to be exact."
"Yes?"
"The first told me it was all a question of diet. He was an elderly man. The second was a young man of the modern school. He assured me that it all hinged on a certain event that took place in infancy at that particular time of day - three twenty-eight. I am so determined, he says, not to remember that event, that I symbolize it by destroying myself. That is his explanation."
"And the third doctor?" asked Poirot.
Benedict Farley's voice rose in shrill anger.
"He's a young man too. He has a preposterous theory! He asserts that I, myself, am tired of life, that my life is so unbearable to me that I deliberately want to end it! But since to acknowledge that fact would be to acknowledge that essentially I am a failure, I refuse in my waking moments to face the truth. But when I am asleep, all inhibitions are removed, and I proceed to do that which I really wish to do. I put an end to myself."
"His view is that you really wish, unknown to yourself, to commit suicide?" said Poirot.
Benedict Farley cried shrilly:
"And that's impossible - impossible! I'm perfectly happy! I've got everything I want - everything money can buy! It's fantastic - unbelievable even to suggest a thing like that!"
Poirot looked at him with interest. Perhaps something in the shaking hands, the trembling shrillness of the voice, warned him that the denial was too vehement, that its very insistence was in itself suspect. He contented himself with saying:
"And where do I come in, Monsieur?"
Benedict Farley calmed down suddenly. He tapped with an emphatic finger on the table beside him.
"There's another possibility. And if it's right, you're the man to know about it! You're famous, you've had hundreds of cases - fantastic, improbable cases! You'd know if anyone does."
"Know what?"
Farley's voice dropped to a whisper.
"Supposing someone wants to kill me... Could they do it this way? Could they make me dream that dream night after night?"
"Hypnotism, you mean?"
"Yes."
Hercule Poirot considered the question.
"It would be possible, I suppose," he said at last. "It is more a question for a doctor."
"You don't know of such a case in your experience?"
"Not precisely on those lines, no."
"You see what I'm driving at? I'm made to dream the same dream, night after night, night after night - and then - one day the suggestion is too much for me - and I act upon it. I do what I've dreamed of so often - kill myself!"
Slowly Hercule Poirot shook his head.
"You don't think that is possible?" asked Farley.
"Possible?" Poirot shook his head. "That is not a word I care to meddle with."
"But you think it improbable?"
"Most improbable."
Benedict Farley murmured, "The doctor said so too..." Then his voice rising shrilly again, he cried out, "But why do I have this dream? Why? Why?"
Hercule Poirot shook his head. Benedict Farley said abruptly, "You're sure you've never come across anything like this in your experience?"
"Never."
"That's what I wanted to know."
Delicately, Poirot cleared his throat.
"You permit," he said, "a question?"
"What is it? What is it? Say what you like."
"Who is it you suspect of wanting to kill you?"
Farley snapped out, "Nobody. Nobody at all."
"But the idea presented itself to your mind?" Poirot persisted.
"I wanted to know - if it was a possibility."
"Speaking from my own experience, I should say No. Have you ever been hypnotized, by the way?"
"Of course not. D'you think I'd lend myself to such tomfoolery?"
"Then I think one can say that your theory is definitely improbable."
"But the dream, you fool, the dream."
"The dream is certainly remarkable," said Poirot thoughtfully. He paused and then went on. "I should like to see the scene of this drama - the table, the clock, and the revolver."
"Of course, I'll take you next door."
Wrapping the folds of his dressing-gown round him, the old man half-rose from his chair. Then suddenly, as though a thought had struck him, he resumed his seat.
"No," he said. "There's nothing to see there. I've told you all there is to tell."
"But I should like to see for myself -"
"There's no need," Farley snapped. "You've given me your opinion. That's the end."
Poirot shrugged his shoulders. "As you please."
He rose to his feet. "I am sorry, Mr Farley, that I have not been able to be of assistance to you."
Benedict Farley was staring straight ahead of him.
"Don't want a lot of hanky-pankying around," he growled out. "I've told you the facts - you can't make anything of them. That closes the matter. You can send me in a bill for a consultation fee."
"I shall not fail to do so," said the detective dryly. He walked towards the door.
"Stop a minute." The millionaire called him back. "That letter - I want it."
"The letter from your secretary?"
"Yes."
Poirot's eyebrows rose. He put his hand into his pocket, drew out a folded sheet, and handed it to the old man. The latter scrutinized it, then put it down on the table beside him with a nod.
Once more Hercule Poirot walked to the door. He was puzzled. His busy mind was going over and over the story he had been told. Yet in the midst of his mental preoccupation, a nagging sense of something wrong obtruded itself And that something had to do with himself - not with Benedict Farley.
With his hand on the door knob, his mind cleared. He, Hercule Poirot, had been guilty of an error! He turned back into the room once more.
"A thousand pardons! In the interest of your problem I have committed a folly! That letter I handed to you - by mischance I put my hand into my right-hand pocket instead of the left -"
"What's all this? What's all this?"
"The letter that I handed you just now - an apology from my laundress concerning the treatment of my collars." Poirot was smiling, apologetic. He dipped into his left-hand pocket. "This is your letter."
Benedict Farley snatched at it - grunted: "Why the devil can't you mind what you're doing?"
Poirot retrieved his laundress's communication, apologized gracefully once more, and left the room.
He paused for a moment outside on the landing. It was a spacious one. Directly facing him was a big old oak settle with a refectory table in front of it. On the table were magazines. There were also two armchairs and a table with flowers. It reminded him a little of a dentist's waiting-room.
The butler was in the hall below waiting to let him out.
"Can I get you a taxi, sir?"
"No, I thank you. The night is fine. I will walk."
Hercule Poirot paused a moment on the pavement waiting for a lull in the traffic before crossing the busy street.
A frown creased his forehead.
"No," he said to himself. "I do not understand at all. Nothing makes sense. Regrettable to have to admit it, but I, Hercule Poirot, am completely baffled."

That was what might be termed the first act of the drama. The second act followed a week later. It opened with a telephone call from one John Stillingfleet, M.D.
He said with a remarkable lack of medical decorum:
"That you, Poirot, old horse? Stillingfleet here."
"Yes, my friend. What is it?"
"I'm speaking from Northway House - Benedict Farley's."
"Ah, yes?" Poirot's voice quickened with interest. "What of - Mr Farley?"
"Farley's dead. Shot himself this afternoon."
There was a pause, then Poirot said:
"Yes..."
"I notice you're not overcome with surprise. Know something about it, old horse?"
"Why should you think that?"
"Well, it isn't brilliant deduction or telepathy or anything like that. We found a note from Farley to you making an appointment about a week ago."
"I see."
"We've got a tame police inspector here - got to be careful, you know, when one of these millionaire blokes bumps himself off. Wondered whether you could throw any light on the case. If so, perhaps you'd come round?"
"I will come immediately."
"Good for you, old boy. Some dirty work at the cross-roads - eh?"
Poirot merely repeated that he would set forth immediately.
"Don't want to spill the beans over the telephone? Quite right. So long."
A quarter of an hour later Poirot was sitting in the library, a low long room at the back of Northway House on the ground floor. There were five other persons in the room. Inspector Barnett, Dr Stillingfleet, Mrs Farley, the widow of the millionaire, Joanna Farley, his only daughter, and Hugo Cornworthy, his private secretary.
Of these, Inspector Barnett was a discreet soldierly-looking man. Dr Stillingfleet, whose professional manner was entirely different from his telephonic style, was a tall, long-faced young man of thirty. Mrs Farley was obviously very much younger than her husband. She was a handsome dark-haired woman. Her mouth was hard and her black eyes gave absolutely no clue to her emotions. She appeared perfectly self-possessed. Joanna Farley had fair hair and a freckled face. The prominence of her nose and chin was clearly inherited from her father. Her eyes were intelligent and shrewd. Hugo Cornworthy was a somewhat colorless young man, very correctly dressed. He seemed intelligent and efficient.
After greetings and introductions, Poirot narrated simply and clearly the circumstances of his visit and the story told him by Benedict Farley. He could not complain of any lack of interest.
"Most extraordinary story I've ever heard!" said the inspector. "A dream, eh? Did you know anything about this, Mrs Farley?"
She bowed her head.
"My husband mentioned it to me. It upset him very much. I - I told him it was indigestion - his diet, you know, was very peculiar - and suggested his calling in Dr Stillingfleet."
That young man shook his head.
"He didn't consult me. From M. Poirot's story, I gather he went to Harley Street."
"I would like your advice on that point, doctor," said Poirot. "Mr Farley told me that he consulted three specialists. What do you think of the theories they advanced?"
Stillingfleet frowned.
"It's difficult to say. You've got to take into account that what he passed on to you wasn't exactly what had been said to him. It was a layman's interpretation."
"You mean he had got the phraseology wrong?"
"Not exactly. I mean they would put a thing to him in professional terms, he'd get the meaning a little distorted, and then recast it in his own language."
"So that what he told me was not really what the doctors said."
"That's what it amounts to. He's just got it all a little wrong, if you know what I mean."
Poirot nodded thoughtfully. "Is it known whom he consulted?" he asked.
Mrs Farley shook her head, and Joanna Farley remarked:
"None of us had any idea he had consulted anyone."
"Did he speak to you about his dream?" asked Poirot.
The girl shook her head.
"And you, Mr Cornworthy?"
"No, he said nothing at all. I took down a letter to you at his dictation, but I had no idea why he wished to consult you. I thought it might possibly have something to do with some business irregularity."
Poirot asked: "And now as to the actual facts of Mr Farley's death?"
Inspector Barnett looked interrogatively at Mrs Farley and at Dr Stillingfleet, and then took upon himself the role of spokesman.
"Mr Farley was in the habit of working in his own room on the first floor every afternoon. I understand that there was a big amalgamation of businesses in prospect -"
He looked at Hugo Cornworthy who said, "Consolidated Coachlines."
"In connection with that," continued Inspector Barnett, "Mr Farley had agreed to give an interview to two members of the Press. He very seldom did anything of the kind - only about once in five years, I understand. Accordingly two reporters, one from the Associated Newsgroups, and one from Amalgamated Press-sheets, arrived at a quarter past three by appointment. They waited on the first floor outside Mr Farley's door - which was the customary place for people to wait who had an appointment with Mr Farley. At twenty past three a messenger arrived from the office of Consolidated Coachlines with some urgent papers. He was shown into Mr Farley's room where he handed over the documents. Mr Farley accompanied him to the door of the room, and from there spoke to the two members of the Press. He said:
"'I am sorry, gentlemen, to have to keep you waiting, but I have some urgent business to attend to. I will be as quick as I can.'
"The two gentlemen, Mr Adams and Mr Stoddart, assured Mr Farley that they would await his convenience. He went back into his room, shut the door - and was never seen alive again!"
"Continue," said Poirot.
"At a little after four o'clock," went on the inspector, "Mr Cornworthy here came out of his room which is next door to Mr Farley's, and was surprised to see the two reporters still waiting. He wanted Mr Farley's signature to some letters and thought he had also better remind him that these two gentlemen were waiting. He accordingly went into Mr Farley's room. To his surprise he could not at first see Mr Farley and thought the room was empty. Then he caught sight of a boot sticking out behind the desk (which is placed in front of the window). He went quickly across and discovered Mr Farley lying there dead, with a revolver beside him.
"Mr Cornworthy hurried out of the room and directed the butler to ring up Dr Stillingfieet. By the latter's advice, Mr Cornworthy also informed the police."
"Was the shot heard?" asked Poirot.
"No. The traffic is very noisy here, the landing window was open. What with lorries and motor horns it would be most unlikely if it had been noticed."
Poirot nodded thoughtfully. "What time is it supposed he died?" he asked.
Stillingfieet said:
"I examined the body as soon as I got here - that is, at thirty-two minutes past four. Mr Farley had been dead at least an hour."
Poirot's face was very grave.
"So then, it seems possible that his death could have occurred at the time he mentioned to me - that is, at twenty-eight minutes past three."
"Exactly," said Stillingfleet.
"Any finger-marks on the revolver?"
"Yes, his own."
"And the revolver itself?"
The inspector took up the tale.
"Was one which he kept in the second right-hand drawer of his desk, just as he told you. Mrs Farley has identified it positively. Moreover, you understand, there is only one entrance to the room, the door giving on to the landing. The two reporters were sitting exactly opposite that door and they swear that no one entered the room from the time Mr Farley spoke to them, until Mr Cornworthy entered it at a little after four o'clock."
"So that there is every reason to suppose that Mr Farley committed suicide?"
Inspector Barnett smiled a little.
"There would have been no doubt at all but for one point."
"And that?"
"The letter written to you."
Poirot smiled too.
"I see! Where Hercule Poirot is concerned - immediately the suspicion of murder arises!"
"Precisely," said the inspector dryly. "However, after your clearing up of the situation -"
Poirot interrupted him. "One little minute."
He turned to Mrs Farley. "Had your husband ever been hypnotized?"
"Never."
"Had he studied the question of hypnotism? Was he interested in the subject?"
She shook her head. "I don't think so."
Suddenly her self-control seemed to break down. "That horrible dream! It's uncanny! That he should have dreamed that - night after night - and then - and then - it's as though he were - hounded to death!"
Poirot remembered Benedict Farley saying - "I proceed to do that which I really wish to do. I put an end to myself."
He said, "Had it ever occurred to you that your husband might be tempted to do away with himself?"
"No - at least - sometimes he was very queer..."
Joanna Farley's voice broke in clear and scornful. "Father would never have killed himself. He was far too careful of himself."
Dr Stillingfleet said, "It isn't the people who threaten to commit suicide who usually do it, you know, Miss Farley. That's why suicides sometimes seem unaccountable."
Poirot rose to his feet. "Is it permitted," he asked, "that I see the room where the tragedy occurred?"
"Certainly. Dr Stillingfleet -"
The doctor accompanied Poirot upstairs. Benedict Farley's room was a much larger one than the secretary's next door. It was luxuriously furnished with deep leather-covered armchairs, a thick pile carpet, and a superb outsize writing-desk.
Poirot passed behind the latter to where a dark stain on the carpet showed just before the window. He remembered the millionaire saying, "At twenty-eight minutes past three I open the second drawer down on the right of my desk, take out the revolver that I keep there, load it, and walk over to the window. And then - and then I shoot myself."
He nodded slowly. Then he said:
"The window was open like this?"
"Yes. But nobody could have got in that way."
Poirot put his head out. There was no sill or parapet and no pipes near. Not even a cat could have gained access that way. Opposite rose the blank wall of the factory, a dead wall with no windows in it.
Stillingfleet said, "Funny room for a rich man to choose as his own sanctum with that outlook. It's like looking out on to a prison wall."
"Yes," said Poirot. He drew his head in and stared at the expanse of solid brick. "I think," he said, "that that wall is important."
Stillingfleet looked at him curiously. "You mean - psychologically?"
Poirot had moved to the desk. Idly, or so it seemed, he picked up a pair of what are usually called lazy-tongs. He pressed the handles; the tongs shot out to their full length. Delicately, Poirot picked up a burnt match stump with them from beside a chair some feet away and conveyed it carefully to the waste-paper basket.
"When you've finished playing with those things..." said Stillingfleet irritably.
Hercule Poirot murmured, "An ingenious invention," and replaced the tongs neatly on the writing-table. Then he asked:
"Where were Mrs Farley and Miss Farley at the time of the - death?"
"Mrs Farley was resting in her room on the floor above this. Miss Farley was painting in her studio at the top of the house."
Hercule Poirot drummed idly with his fingers on the table for a minute or two. Then he said:
"I should like to see Miss Farley. Do you think you could ask her to come here for a minute or two?"
"If you like."
Stillingfleet glanced at him curiously, then left the room. In another minute or two the door opened and Joanna Farley came in.
"You do not mind, mademoiselle, if I ask you a few questions?"
She returned his glance coolly. "Please ask anything you choose."
"Did you know that your father kept a revolver in his desk?"
"No."
"Where were you and your mother - that is to say your stepmother - that is right?"
"Yes, Louise is my father's second wife. She is only eight years older than I am. You were about to say -?"
"Where were you and she on Thursday of last week? That is to say, on Thursday night."
She reflected for a minute or two.
"Thursday? Let me see. Oh, yes, we had gone to the theater. To see Little Dog Laughed."
"Your father did not suggest accompanying you?"
"He never went out to theaters."
"What did he usually do in the evenings?"
"He sat in here and read."
"He was not a very sociable man?"
The girl looked at him directly. "My father," she said, "had a singularly unpleasant personality. No one who lived in close association with him could possibly be fond of him."
"That, mademoiselle, is a very candid statement."
"I am saving you time, M. Poirot. I realize quite well what you are getting at. My stepmother married my father for his money. I live here because I have no money to live elsewhere. There is a man I wish to marry - a poor man; my father saw to it that he lost his job. He wanted me, you see, to marry well - an easy matter since I was to be his heiress!"
"Your father's fortune passes to you?"
"Yes. That is, he left Louise, my stepmother, a quarter of a million free of tax, and there are other legacies, but the residue goes to me." She smiled suddenly. "So you see, M. Poirot, I had every reason to desire my father's death!"
"I see, mademoiselle, that you have inherited your father's intelligence."
She said thoughtfully, "Father was clever... One felt that with him - that he had force - driving power - but it had all turned sour - bitter - there was no humanity left... "
Hercule Poirot said softly, "Grand Dieu, but what an imbecile I am..."
Joanna Farley turned towards the door. "Is there anything more?"
"Two little questions. These tongs here," he picked up the lazytongs, "were they always on the table?"
"Yes. Father used them for picking up things. He didn't like stooping."
"One other question. Was your father's eye-sight good?"
She stared at him.
"Oh, no - he couldn't see at all - I mean he couldn't see without his glasses. His sight had always been bad from a boy."
"But with his glasses?"
"Oh, he could see all right then, of course."
"He could read newspapers and fine print?"
"Oh, yes."
"That is all, mademoiselle."
She went out of the room.
Poirot murmured, "I was stupid. It was there, all the time, under my nose. And because it was so near I could not see it."
He leaned out of the window once more. Down below, in the narrow way between the house and the factory, he saw a small dark object.
Hercule Poirot nodded, satisfied, and went downstairs again.
The others were still in the library. Poirot addressed himself to the secretary:
"I want you, Mr Cornworthy, to recount to me in detail the exact circumstances of Mr Farley's summons to me. When, for instance, did Mr Farley dictate that letter?"
"On Wednesday afternoon - at five-thirty, as far as I can remember."
"Were there any special directions about posting it?"
"He told me to post it myself."
"And you did so?"
"Yes."
"Did he give any special instructions to the butler about admitting me?"
"Yes. He told me to tell Holmes (Holmes is the butler) that a gentleman would be calling at 9:30. He was to ask the gentleman's name. He was also to ask to see the letter."
"Rather peculiar precautions to take, don't you think?"
Cornworthy shrugged his shoulders.
"Mr Farley," he said carefully, "was rather a peculiar man."
"Any other instructions?"
"Yes. He told me to take the evening off."
"Did you do so?"
"Yes, immediately after dinner I went to the cinema."
"When did you return?"
"I let myself in about a quarter past eleven."
"Did you see Mr Farley again that evening?"
"No."
"And he did not mention the matter the next morning?"
"No."
Poirot paused a moment, then resumed, "When I arrived I was not shown into Mr Farley's own room."
"No. He told me that I was to tell Holmes to show you into my room."
"Why was that? Do you know?"
Cornworthy shook his head. "I never questioned any of Mr Farley's orders," he said dryly. "He would have resented it if I had."
"Did he usually receive visitors in his own room?"
"Usually, but not always. Sometimes he saw them in my room."
"Was there any reason for that?"
Hugo Cornworthy considered.
"No - I hardly think so - I've never really thought about it."
Turning to Mrs Farley, Poirot asked:
"You permit that I ring for your butler?"
"Certainly, M. Poirot."
Very correct, very urbane, Holmes answered the bell.
"You rang, madam?"
Mrs Farley indicated Poirot with a gesture.
Holmes turned politely. "Yes, sir?"
"What were your instructions, Holmes, on the Thursday night when I came here?"
Holmes cleared his throat, then said:
"After dinner Mr Cornworthy told me that Mr Farley expected a Mr Hercule Poirot at 9:30. I was to ascertain the gentleman's name, and I was to verify the information by glancing at a letter. Then I was to show him up to Mr Cornworthy's room."
"Were you also told to knock on the door?"
An expression of distaste crossed the butler's countenance.
"That was one of Mr Farley's orders. I was always to knock when introducing visitors - business visitors, that is," he added.
"Ah, that puzzled me! Were you given any other instructions concerning me?"
"No, sir. When Mr Cornworthy had told me what I have just repeated to you he went out."
"What time was that?"
"Ten minutes to nine, sir."
"Did you see Mr Farley after that?"
"Yes, sir, I took him up a glass of hot water as usual at nine o'clock."
"Was he then in his own room or in Mr Cornworthy's?"
"He was in his own room, sir."
"You noticed nothing unusual about that room?"
"Unusual? No, sir."
"Where were Mrs Farley and Miss Farley?"
"They had gone to the theater, sir."
"Thank you, Holmes, that will do."
Holmes bowed and left the room. Poirot turned to the millionaire's widow.
"One more question, Mrs Farley. Had your husband good sight?"
"No. Not without his glasses."
"He was very shortsighted?"
"Oh, yes, he was quite helpless without his spectacles."
"He had several pairs of glasses?"
"Yes."
"Ah," said Poirot. He leaned back. "I think that that concludes the case..."
There was silence in the room. They were all looking at the little man who sat there complacently stroking his mustache. On the inspector's face was perplexity, Dr Stillingfleet was frowning, Cornworthy merely stared uncomprehendingly, Mrs Farley gazed in blank astonishment, Joanna Farley looked eager.
Mrs Farley broke the silence.
"I don't understand, M. Poirot." Her voice was fretful. "The dream -"
"Yes," said Poirot. "That dream was very important."
Mrs Farley shivered. She said:
"I've never believed in anything supernatural before - but now - to dream it night after night beforehand -"
"It's extraordinary," said Stillingfieet. "Extraordinary! If we hadn't got your word for it, Poirot, and if you hadn't had it straight from the horse's mouth -" he coughed in embarrassment, and readopting his professional manner, "I beg your pardon, Mrs Farley. If Mr Farley himself had not told that story -"
"Exactly," said Poirot. His eyes, which had been half-closed, opened suddenly. They were very green. "If Benedict Farley hadn't told me -"
He paused a minute, looking round at a circle of blank faces.
"There are certain things, you comprehend, that happened that evening which I was quite at a loss to explain. First, why make such a point of my bringing that letter with me?"
"Identification," suggested Cornworthy.
"No, no, my dear young man. Really that idea is too ridiculous. There must be some much more valid reason. For not only did Mr Farley require to see that letter produced, but he definitely demanded that I should leave it behind me. And moreover even then he did not destroy it! It was found among his papers this afternoon. Why did he keep it?"
Joanna Farley's voice broke in. "He wanted, in case anything happened to him, that the facts of his strange dream should be made known."
Poirot nodded approvingly.
"You are astute, Mademoiselle. That must be - that can only be - the point of the keeping of the letter. When Mr Farley was dead, the story of that strange dream was to be told! That dream was very important. That dream, Mademoiselle, was vital!
"I will come now," he went on, "to the second point. After hearing his story I ask Mr Farley to show me the desk and the revolver. He seems about to get up to do so, then suddenly refuses. Why did he refuse?"
This time no one advanced an answer.
"I will put that question differently. What was there in that next room that Mr Farley did not want me to see?"
There was still silence.
"Yes," said Poirot, "it is difficult, that. And yet there was some reason - some urgent reason why Mr Farley received me in his secretary's room and refused point blank to take me into his own room. There was something in that room he could not afford to have me see.
"And now I come to the third inexplicable thing that happened on that evening. Mr Farley, just as I was leaving, requested me to hand him the letter I had received. By inadvertence I handed him a communication from my laundress. He glanced at it and laid it down beside him. Just before I left the room I discovered my error - and rectified it! After that I left the house and - I admit it- I was completely at sea! The whole affair and especially that last incident seemed to me quite inexplicable."
He looked round from one to the other.
"You do not see?"
Stillingfleet said, "I don't really see how your laundress comes into it, Poirot."
"My laundress," said Poirot, "was very important. That miserable woman who ruins my collars, was, for the first time in her life, useful to somebody. Surely you see - it is so obvious. Mr Farley glanced at that communication - one glance would have told him that it was the wrong letter - and yet he knew nothing. Why? Because he could not see it properly!"
Inspector Barnett said sharply, "Didn't he have his glasses on?"
Hercule Poirot smiled. "Yes," he said. "He had his glasses on. That is what makes it so very interesting."
He leaned forward.
"Mr Farley's dream was very important. He dreamed, you see, that he committed suicide. And a little later on, he did commit suicide. That is to say he was alone in a room and was found there with a revolver by him, and no one entered or left the room at the time that he was shot. What does that mean? It means, does it not, that it must be suicide!"
"Yes," said Stillingfleet.
Hercule Poirot shook his head.
"On the contrary," he said. "It was murder. An unusual and a very cleverly planned murder."
Again he leaned forward, tapping the table, his eyes green and shining.
"Why did Mr Farley not allow me to go into his own room that evening? What was there in there that I must not be allowed to see? I think, my friends, that there was - Benedict Farley himself!"
He smiled at the blank faces.
"Yes, yes, it is not nonsense what I say. Why could the Mr Farley to whom I had been talking not realize the difference between two totally dissimilar letters? Because, mes amis, he was a man of normal sight wearing a pair of very powerful glasses. Those glasses would render a man of normal eyesight practically blind. Isn't that so, doctor?"
Stillingfleet murmured, "That's so - of course."
"Why did I feel that in talking to Mr Farley I was talking to a mountebank, to an actor playing a part? Because he was playing a part! Consider the setting. The dim room, the green shaded light turned blindingly away from the figure in the chair. What did I see - the famous patchwork dressing-gown, the beaked nose (faked with that useful substance, nose putty), the white crest of hair, the powerful lenses concealing the eyes. What evidence is there that Mr Farley ever had a dream? Only the story I was told and the evidence of Mrs Farley. What evidence is there that Benedict Farley kept a revolver in his desk? Again only the story told me and the word of Mrs Farley. Two people carried this fraud through - Mrs Farley and Hugo Cornworthy. Cornworthy wrote the letter to me, gave instructions to the butler, went out ostensibly to the cinema, but let himself in again immediately with a key, went to his room, made himself up, and played the part of Benedict Farley.
"And so we come to this afternoon. The opportunity for which Mr Cornworthy has been waiting arrives. There are two witnesses on the landing to swear that no one goes in or out of Benedict Farley's room. Cornworthy waits until a particularly heavy batch of traffic is about to pass. Then he leans out of his window, and with the lazytongs which he has purloined from the desk next door he holds an object against the window of that room. Benedict Farley comes to the window. Cornworthy snatches back the tongs and as Farley leans out, and the lorries are passing outside, Cornworthy shoots him with the revolver that he has ready. There is a blank wall opposite, remember. There can be no witness of the crime. Cornworthy waits for over half an hour, then gathers up some papers, conceals the lazytongs and the revolver between them, and goes out on to the landing and into the next room. He replaces the tongs on the desk, lays down the revolver after pressing the dead man's fingers on it, and hurries out with the news of Mr Farley's 'suicide.'
"He arranges that the letter to me shall be found and that I shall arrive with my story - the story I heard from Mr Farley's own lips - of his extraordinary 'dream' - the strange compulsion he felt to kill himself! A few credulous people will discuss the hypnotism theory - but the main result will be to confirm without a doubt that the actual hand that held the revolver was Benedict Farley's own."
Hercule Poirot's eyes went to the widow's face - the dismay - the ashy pallor - the blind fear.
"And in due course," he finished gently, "the happy ending would have been achieved. A quarter of a million and two hearts that beat as one..."

John Stillingfleet, M.D., and Hercule Poirot walked along the side of Northway House. On their right was the towering wall of the factory. Above them, on their left, were the windows of Benedict Farley's and Hugo Cornworthy's rooms. Hercule Poirot stopped and picked up a small object - a black stuffed cat.
"Voilà," he said. "That is what Cornworthy held in the lazytongs against Farley's window. You remember, he hated cats? Naturally he rushed to the window."
"Why on earth didn't Cornworthy come out and pick it up after he'd dropped it?"
"How could he? To do so would have been definitely suspicious. After all, if this object where found what would anyone think - that some child had wandered round here and dropped it."
"Yes," said Stillingfleet with a sigh. "That's probably what the ordinary person would have thought. But not good old Hercule! D'you know, old horse, up to the very last minute I thought you were leading up to some subtle theory of highfalutin' psychological 'suggested' murder? I bet those two thought so too! Nasty bit of goods, the Farley. Goodness, how she cracked! Cornworthy might have got away with it if she hadn't had hysterics and tried to spoil your beauty by going for you with her nails. I only got her off you just in time."
He paused a minute and then said:
"I rather like the girl. Grit, you know, and brains. I suppose I'd be thought to be a fortune hunter if I had a shot at her...?"
"You are too late, my friend. There is already someone sur le tapis. Her father's death has opened the way to happiness."
"Take it all round, she had a pretty good motive for bumping off the unpleasant parent."
"Motive and opportunity are not enough," said Poirot. "There must also be the criminal temperament!"
"I wonder if you'll ever commit a crime, Poirot?" said Stillingfleet. "I bet you could get away with it all right. As a matter of fact, it would be too easy for you - I mean the thing would be off as definitely too unsporting."
"That," said Poirot, "is a typically English idea."

IN A GLASS DARKLY

I've no explanation of this story. I've no theories about the why and wherefore of it. It's just a thing - that happened.
All the same, I sometimes wonder how things would have gone if I'd noticed at the time just that one essential detail that I never appreciated until so many years afterwards. If I had noticed it - well, I suppose the course of three lives would have been entirely altered. Somehow - that's a very frightening thought.
For the beginning of it all, I've got to go back to the summer of 1914 - just before the war - when I went down to Badgeworthy with Neil Carslake. Neil was, I suppose, about my best friend. I'd known his brother Alan too, but not so well. Sylvia, their sister, I'd never met. She was two years younger than Alan and three years younger than Neil. Twice, while we were at school together, I had been invited to spend the holidays together with Neil at Badgeworthy, but both times something came up. So, I was already twenty-three years old when I first saw Alan and Neil's house.
There were several guests. Neil's sister, Sylvia, had just been engaged to a Charles Crawley. He was many years older than her, so Neil told me, but a great guy and in a good financial position.
I remember that we arrived at seven p.m. Everybody had retired to their rooms to dress for dinner. Neil led me to the room that had been reserved for me. Badgeworthy was an old mansion, attractive and roomy. Over the last three centuries several new parts had been added, and there were unexpected little stairs everywhere to connect these parts. Neil promised that he would come by my room on going down for dinner. I was a little shy at the idea of meeting his family for the first time. I remember that I said laughingly that I wouldn't be surprised to find ghosts along the corridors, and he replied unconcerned that people said the house was haunted, but he never had seen anything and didn't know in which way these hauntings manifested themselves.
Then he left in a hurry and I started to unpack looking for my evening clothes. The Carslakes weren't rich. They maintained the old mansion, but they had no valets to help the guests to dress themselves.
I was standing in front of my mirror, finishing my preparations. I saw my face and shoulders, and behind me the wall of the room. On this wall there were no hangings, just a door. I was finishing to tie my cravat when I noticed that this door was opening.
I don't know why I didn't turn, since this would have been the most natural reaction. But anyway, I didn't. I looked at the door opening slowly and revealing the next room.
It was a bedroom, bigger than mine, with two beds. Suddenly I hold my breath.
Beside one of the beds there was a young woman with her neck held by male hands. A man was strangling her slowly, forcing her to bend back, chocking her without haste.
There was no possibility of a mistake. The vision was perfectly clear. I was witnessing a murder.
I could see clearly the young woman's face, her golden hair, the fear and agony in her beautiful face that was slowly suffused by blood. Of the man I could see only the back, the hands, and a part of his left face cut by a scar that went down to his neck.
I take some time describing the scene, but I actually stood still only a couple of seconds before I turned to save her...
And then I saw that on the wall behind me was only a big Victorian wardrobe. No open door. No scene of violence. I turned quickly back to the mirror. It reflected only the wardrobe.
I passed my hands over my eyes and went through the room to try and push the wardrobe. In that moment Neil came into the room through the other door from the passage and asked me what the hell I was trying to do.
He must have thought me slightly barmy as I turned on him and demanded whether there was a door behind the wardrobe. He said, yes, there was a door, it led into the next room. I asked him who was occupying the room and he said some people called Oldham - a Major Oldham and his wife. I asked him then if Mrs Oldham had very fair hair and when he replied dryly that she was dark I began to realize that I was probably making a fool of myself. I pulled myself together, made some lame explanation and we went downstairs together. I told myself that I must have had some kind of hallucination - and felt generally rather ashamed and a bit of an ass.
And then - and then - Nell said, "My sister Sylvia," and I was looking into the lovely face of the girl I had just seen being suffocated to death - and I was introduced to her fiancée, a tall, dark man with a scar down the left side of his face.
Well - that's that. I'd like you to think and say what you'd have done in my place. Here was the girl - the identical girl - and here was the man I'd seen throttling her - and they were to be married in about a month's time...
Had I - or had I not - had a prophetic vision of the future? Would Sylvia and her husband come down here to stay sometime in the future, and be given that room (the best spare room) and would that scene I'd witnessed take place in grim reality? What was I to do about it? Could I do anything? Would anyone - Neil - or the girl herself - would they believe me?
I turned the whole business over and over in my mind the week I was down there. To speak or not to speak? And almost at once another complication set in. You see, I fell in love with Sylvia Carslake the first moment I saw her. I wanted her more than anything on earth. And in a way that tied my hands. And yet, if I didn't say anything, Sylvia would marry Charles Crawley and Crawley would kill her...
And so, the day before I left, I blurted it all out to her. I said I expected she'd think me touched in the intellect or something but I swore solemnly that I'd seen the thing just as I told it to her and that I felt if she was determined to marry Crawley, I ought to tell her my strange experience.
She listened very quietly. There was something in her eyes I didn't understand. She wasn't angry at all. When I'd finished, she just thanked me gravely. I kept repeating like an idiot, "I did see it. I really did see it," and she said, "I'm sure you did if you say so. I believe you."
Well, the upshot was that I went off not knowing whether I'd done right or been a fool, and a week later Sylvia broke off her engagement to Charles Crawley.
After that the war happened, and there wasn't much leisure for thinking of anything else. Once or twice when I was on leave, I came across Sylvia, but as far as possible I avoided her.
I loved her and wanted her just as badly as ever, but I felt, somehow, that it wouldn't be playing the game. It was owing to me that she'd broken off her engagement to Crawley, and I kept saying to myself that I could only justify the action I had taken by making my attitude a purely disinterested one.
Then, in 1916, Neil was killed and it fell to me to tell Sylvia about his last moments. We couldn't remain on a formal footing after that. Sylvia had adored Neil and he had been my best friend. She was sweet - adorably sweet in her grief. I just managed to hold my tongue and went out again praying that a bullet might end the whole miserable business. Life without Sylvia wasn't worth living.
But there was no bullet with my name on it. One nearly got me below the right ear and one was deflected by a cigarette case in my pocket, but I came through unscathed. Charles Crawley was killed in action at the beginning of 1918.
Somehow - that made a difference. I came home in the autumn of 1918 just before the Armistice and I went straight to Sylvia and told her that I loved her. I hadn't much hope that she'd care for me straight away, and you could have knocked me down with a feather when she asked me why I hadn't told her sooner. I stammered out something about Crawley and she said, "But why did you think I broke it off with him?" And then she told me that she'd fallen in love with me just as I'd done with her - from the very first minute.
I said I thought she'd broken off her engagement because of the story I told her and she laughed scornfully and said that if you loved a man you wouldn't be as cowardly as that, and we went over that old vision of mine again and agreed that it was queer, but nothing more.
Well, there's nothing much to tell for some time after that. Sylvia and I were married and we were happy. But I realized, as soon as she was really mine, that I wasn't cut out for the best kind of husband. I loved Sylvia devotedly, but I was jealous, absurdly jealous of anyone she so much as smiled at. It amused her at first. I think she even rather liked it. It proved, at least, how devoted I was.
As for me, I realized quite fully and unmistakably that I was not only making a fool of myself, but that I was endangering all the peace and happiness of our life together. I knew, I say, but I couldn't change. Every time Sylvia got a letter she didn't show to me I wondered who it was from. If she laughed and talked with any man, I found myself getting sulky and watchful.
At first, as I say, Sylvia laughed at me. She thought it a huge joke. Then she didn't think the joke so funny. Finally she didn't think it a joke at all.
And slowly, she began to draw away from me. Not in any physical sense, but she withdrew her secret mind from me. I no longer knew what her thoughts were. She was kind - but sadly, as though from a long distance.
Little by little I realized that she no longer loved me. Her love had died and it was I who had killed it...
The next step was inevitable. I found myself waiting for it - dreading it...
Then Derek Wainwright came into our lives. He had everything that I hadn't. He had brains and a witty tongue. He was good-looking, too, and - I'm forced to admit it - a thoroughly good chap. As soon as I saw him I said to myself, "This is just the man for Sylvia..."
She fought against it. I know she struggled... ut I gave her no help. I couldn't. I was entrenched in my gloomy, sullen reserve. I was suffering like hell - and I couldn't stretch out a finger to save myself. I didn't help her. I made things worse. I let loose at her one day - a string of savage, unwarranted abuse. I was nearly mad with jealousy and misery. The things I said were cruel and untrue and I knew while I was saying them how cruel and how untrue they were. And yet I took a savage pleasure in saying them...
I remember how Sylvia flushed and shrank...
I drove her to the edge of endurance. I remember she said, "This can't go on..."
When I came home that night the house was empty - empty. There was a note - quite in the traditional fashion.
In it she said that she was leaving me - for good. She was going down to Badgeworthy for a day or two. After that she was going to the one person who loved her and needed her. I was to take that as final.
I suppose that up to then I hadn't really believed my own suspicions. This confirmation in black and white of my worst fears sent me raving mad. I went down to Badgeworthy after her as fast as the car would take me.
She had just changed her frock for dinner, I remember, when I burst into the room. I can see her face - startled - beautiful - afraid.
I said, "No one but me shall ever have you. No one."
And I caught her throat in my hands and gripped it and bent her backwards.
And suddenly I saw our reflection in the mirror. Sylvia choking and myself strangling her, and the scar on my cheek where the bullet grazed it under the right ear.
No - I didn't kill her. That sudden revelation paralyzed me and I loosened my grasp and let her slip onto the floor.
And then I broke down - and she comforted me... Yes, she comforted me.
I told her everything and she told me that by the phrase "the one person who loved and needed her" she had meant her brother Alan... We saw into each other's hearts that night, and I don't think, from that moment, that we ever drifted away from each other again...
It's a sobering thought to go through life with - that, but for the grace of God and a mirror, one might be a murderer...
One thing did die that night - the devil of jealousy that had possessed me so long...
But I wonder sometimes - suppose I hadn't made that initial mistake - the scar on the left cheek - when really it was the right - reversed by the mirror... Should I have been so sure the man was Charles Crawley? Would I have warned Sylvia? Would she be married to me - or to him?
Or are the past and the future all one?
I'm a simple fellow - and I can't pretend to understand these things - but I saw what I saw - and because of what I saw, Sylvia and I are together - in the old-fashioned words - till death do us part. And perhaps beyond...

PROBLEM AT SEA

'Colonel Clapperton!' said General Forbes. He said it with an effect midway between a snort and a sniff.
Miss Ellie Henderson leaned forward, a strand of her soft grey hair blowing across her face. Her eyes, dark and snapping, gleamed with a wicked pleasure.
'Such a soldierly-looking man,' she said with malicious intent, and smoothed back the lock of hair to await the result.
'Soldierly!' exploded General Forbes. He tugged at his military moustache and his face became bright red.
'In the Guards, wasn't he?' murmured Miss Henderson, completing her work.
'Guards? Guards? Pack of nonsense. Fellow was on the music hall stage! Fact! Joined up and was out in France counting tins of plum and apple. Huns dropped a stray bomb and he went home with a flesh wound in the arm. Somehow or other got into Lady Carrington's hospital.'
'So that's how they met.'
'Fact! Fellow played the wounded hero. Lady Carrington had no sense and oceans of money. Old Carrington had been in munitions. She'd been a widow only six months. This fellow snaps her up in no time. She wangled him a job at the War Office. Colonel Clapperton! Pah!' he snorted.
'And before the war he was on the music hall stage,' mused Miss Henderson, trying to reconcile the distinguished grey-haired Colonel Clapperton with a red-nosed comedian singing mirth-provoking songs.
'Fact!' said General Forbes. 'Heard it from old Bassington-ffrench. And he heard it from old Badger Cotterill who'd got it from Snooks Parker.'
Miss Henderson nodded brightly. 'That does seem to settle it!' she said.
A fleeting smile showed for a minute on the face of a small man sitting near them. Miss Henderson noticed the smile. She was observant. It had shown appreciation of the irony underlying her last remark - irony which the General never for a moment suspected.
The General himself did not notice the smiles. He glanced at his watch, rose and remarked: 'Exercise. Got to keep oneself fit on a boat,' and passed out through the open door on to the deck.
Miss Henderson glanced at the man who had smiled. It was a well-bred glance indicating that she was ready to enter into conversation with a fellow traveller.
'He is energetic - yes?' said the little man.
'He goes round the deck forty-eight times exactly,' said Miss Henderson. 'What an old gossip! And they say we are the scandal-loving sex.'
'What an impoliteness!'
'Frenchmen are always polite,' said Miss Henderson - there was the nuance of a question in her voice.
The little man responded promptly. 'Belgian, mademoiselle.'
'Oh! Belgian.'
'Hercule Poirot. At your service.'
The name aroused some memory. Surely she had heard it before -? 'Are you enjoying this trip, M. Poirot?'
'Frankly, no. It was an imbecility to allow myself to be persuaded to come. I detest la mer. Never does it remain tranquil no, not for a little minute.'
'Well, you admit it's quite calm now.'
M. Poirot admitted this grudgingly. 'At the moment, yes. That is why I revive. I once more interest myself in what passes around me - your very adept handling of the General Forbes, for instance.'
'You mean -' Miss Henderson paused.
Hercule Poirot bowed. 'Your methods of extracting the scandalous matter. Admirable!'
Miss Henderson laughed in an unashamed manner. 'That touch about the Guards? I knew that would bring the old boy up spluttering and gasping.' She leaned forward confidentially. 'I admit I like scandal - the more ill-natured, the better!'
Poirot looked thoughtfully at her - her slim well-preserved figure, her keen dark eyes, her grey hair; a woman of forty-five who was content to look her age.
Ellie said abruptly: 'I have it! Aren't you the great detective?'
Poirot bowed. 'You are too amiable, mademoiselle.' But he made no disclaimer.
'How thrilling,' said Miss Henderson. 'Are you "hot on the trail" as they say in books? Have we a criminal secretly in our midst? Or am I being indiscreet?'
'Not at all. Not at all. It pains me to disappoint your expectations, but I am simply here, like everyone else, to amuse myself.'
He said it in such a gloomy voice that Miss Henderson laughed.
'Oh! Well, you will be able to get ashore tomorrow at Alexandria. You have been to Egypt before?'
'Never, mademoiselle.'
Miss Henderson rose somewhat abruptly.
'I think I shall join the General on his constitutional,' she announced.
Poirot sprang politely to his feet.
She gave him a little nod and passed out on to the deck.
A faint puzzled look showed for a moment in Poirot's eyes, then, a little smile creasing his lips, he rose, put his head through the door and glanced down the deck. Miss Henderson was leaning against the rail talking to a tall, soldierly-looking man.
Poirot's smile deepened. He drew himself back into the smoking-room with the same exaggerated care with which a tortoise withdraws itself into its shell. For the moment he had the smoking-room to himself, though he rightly conjectured that that would not last long.
It did not. Mrs Clapperton, her carefully waved platinum head protected with a net, her massaged and dieted form dressed in a smart sports suit, came through the door from the bar with the purposeful air of a woman who has always been able to pay top price for anything she needed.
She said: 'John -? Oh! Good morning, M. Poirot - have you seen John?'
'He's on the starboard deck, madame. Shall I -?'
She arrested him with a gesture. 'I'll sit here a minute.' She sat down in a regal fashion in the chair opposite him. From the distance she had looked a possible twenty-eight. Now, in spite of her exquisitely made-up face, her delicately plucked eyebrows, she looked not her actual forty-nine years, but a possible fifty-five. Her eyes were a hard pale blue with tiny pupils.
'I was sorry not to have seen you at dinner last night,' she said. 'It was just a shade choppy, of course -'
'Précisément,' said Poirot with feeling.
'Luckily, I am an excellent sailor,' said Mrs Clapperton. 'I say luckily, because, with my weak heart, seasickness would probably be the death of me.'
'You have the weak heart, madame?'
'Yes, I have to be most careful. I must not overtire myself. All the specialists say so!' Mrs Clapperton had embarked on the - to her - ever-fascinating topic of her health. 'John, poor darling, wears himself out trying to prevent me from doing too much. I live so intensely, if you know what I mean, M. Poirot?'
'Yes, yes.'
'He always says to me: "Try to be more of a vegetable, Adeline." But I can't. Life was meant to be lived, I feel. As a matter of fact I wore myself out as a girl in the war. My hospital - you've heard of my hospital? Of course I had nurses and matrons and all that but I actually ran it.' She sighed.
'Your vitality is marvellous, dear lady,' said Poirot, with the slightly mechanical air of one responding to his cue.
Mrs Clapperton gave a girlish laugh.
'Everyone tells me how young I am! It's absurd. I never try to pretend I'm a day less than forty-three,' she continued with lightly mendacious candour, 'but a lot of people find it hard to believe. "You're so alive, Adeline," they say to me. But really, M. Poirot, what would one be if one wasn't alive?'
'Dead,' said Poirot.
Mrs Clapperton frowned. The reply was not to her liking. The man, she decided, was trying to be funny. She got up and said coldly: 'I must find John.'
As she stepped through the door she dropped her handbag. It opened and the contents flew far and wide. Poirot rushed gallantly to the rescue. It was some few minutes before the lipsticks, vanity boxes, cigarette case and lighter and other odds and ends were collected. Mrs Clapperton thanked him politely, then she swept down the deck and said, 'John!'
Colonel Clapperton was still deep in conversation with Miss Henderson. He swung round and came quickly to meet his wife. He bent over her protectively. Her deck chair - was it in the right place? Wouldn't it be better -? His manner was courteous - full of gentle consideration. Clearly an adored wife spoilt by an adoring husband.
Miss Ellie Henderson looked out at the horizon as though something about it rather disgusted her.
Standing in the smoking-room door, Poirot looked on.
A hoarse quavering voice behind him said: 'I'd take a hatchet to that woman if I were her husband.' The old gentleman known disrespectfully among the younger set on board as the Grandfather of All the Tea Planters, had just shuffled in. 'Boy!' he called. 'Get me a whisky peg.'
Poirot stooped to retrieve a torn scrap of notepaper, an overlooked item from the contents of Mrs Clapperton's bag. Part of a prescription, he noted, containing digitalin. He put it in his pocket, meaning to restore it to Mrs Clapperton later.
'Yes,' went on the aged passenger. 'Poisonous woman. I remember a woman like that in Poona. In '87 that was.'
'Did anyone take a hatchet to her?' inquired Poirot.
The old gentleman shook his head sadly.
'Worried her husband into his grave within the year. Clapperton ought to assert himself. Gives his wife her head too much.'
'She holds the purse strings,' said Poirot gravely.
'Ha, ha!' chuckled the old gentleman. 'You've put the matter in a nutshell. Holds the purse strings. Ha, ha!'
Two girls burst into the smoking-room. One had a round face with freckles and dark hair streaming out in a windswept confusion, the other had freckles and curly chestnut hair.
'A rescue - a rescue!' cried Kitty Mooney. 'Pam and I are going to rescue Colonel Clapperton.'
'From his wife,' gasped Pamela Cregan.
'We think he's a pet...'
'And she's just awful - she won't let him do anything,' the two girls exclaimed.
'And if he isn't with her, he's usually grabbed by the Henderson woman...'
'Who's quite nice. But terribly old...'
They ran out, gasping in between giggles: 'A rescue - a rescue!'

That the rescue of Colonel Clapperton was no isolated sally, but a fixed project was made clear that same evening when the eighteen-year-old Pam Cregan came up to Hercule Poirot, and murmured:
'Watch us, M. Poirot. He's going to be cut out from under her nose and taken to walk in the moonlight on the boat deck.'
It was just at that moment that Colonel Clapperton was saying:
'I grant you the price of a Rolls-Royce. But it's practically good for a lifetime. Now my car -'
'My car, I think, John.' Mrs Clapperton's voice was shrill and penetrating.
He showed no annoyance at her ungraciousness. Either he was used to it by this time, or else - 'Or else?' thought Poirot and let himself speculate.
'Certainly, my dear, your car,' Clapperton bowed to his wife and finished what he had been saying, perfectly unruffled.
'Voilà ce qu'on appelle le pukka sahib,' thought Poirot. 'But the General Forbes says that Clapperton is no gentleman at all. I wonder now.'
There was a suggestion of bridge. Mrs Clapperton, General Forbes and a hawk-eyed couple sat down to it. Miss Henderson had excused herself and gone out on deck.
'What about your husband?' asked General Forbes, hesitating.
'John won't play,' said Mrs Clapperton. 'Most tiresome of him.'
The four bridge players began shuffling the cards.
Pam and Kitty advanced on Colonel Clapperton. Each one took an arm.
'You're coming with us!' said Pam. 'To the boat deck. There's a moon.'
'Don't be foolish, John,' said Mrs Clapperton. 'You'll catch a chill.'
'Not with us, he won't,' said Kitty. 'We're hot stuff!'
He went with them, laughing.
Poirot noticed that Mrs Clapperton said No Bid to her initial bid of Two Clubs.
He strolled out on to the promenade deck. Miss Henderson was standing by the rail. She looked round expectantly as he came to stand beside her and he saw the drop in her expression.
They chatted for a while. Then presently as he fell silent she asked: 'What are you thinking about?'
Poirot replied: 'I am wondering about my knowledge of English. Mrs Clapperton said: "John won't play bridge." Is not "can't play" the usual term?'
'She takes it as a personal insult that he doesn't, I suppose,' said Ellie drily. 'The man was a fool ever to have married her.'
In the darkness Poirot smiled. 'You don't think it's just possible that the marriage may be a success?' he asked diffidently.
'With a woman like that?'
Poirot shrugged his shoulders. 'Many odious women have devoted husbands. An enigma of nature. You will admit that nothing she says or does appears to gall him.' Miss Henderson was considering her reply when Mrs Clapperton's voice floated out through the smoking-room window.
'No - I don't think I will play another rubber. So stuffy. I think I'll go up and get some air on the boat deck.'
'Good night,' said Miss Henderson. 'I'm going to bed.' She disappeared abruptly.
Poirot strolled forward to the lounge - deserted save for Colonel Clapperton and the two girls. He was doing card tricks for them and noting the dexterity of his shuffling and handling of the cards, Poirot remembered the General's story of a career on the music hall stage.
'I see you enjoy the cards even though you do not play bridge,' he remarked.
'I've my reasons for not playing bridge,' said Clapperton, his charming smile breaking out. 'I'll show you. We'll play one hand.' He dealt the cards rapidly. 'Pick up your hands. Well, what about it?' He laughed at the bewildered expression on Kitty's face. He laid down his hand and the others followed suit. Kitty held the entire club suit, M. Poirot the hearts, Pam the diamonds and Colonel Clapperton the spades.
'You see?' he said. 'A man who can deal his partner and his adversaries any hand he pleases had better stand aloof from a friendly game! If the luck goes too much his way, ill-natured things might be said.'
'Oh!' gasped Kitty. 'How could you do that? It all looked perfectly ordinary.'
'The quickness of the hand deceives the eye,' said Poirot sententiously - and caught the sudden change in the Colonel's expression.
It was as though he realized that he had been off his guard for a moment or two.
Poirot smiled. The conjuror had shown himself through the mask of the pukka sahib.

The ship reached Alexandria at dawn the following morning.
As Poirot came up from breakfast he found the two girls all ready to go on shore. They were talking to Colonel Clapperton.
'We ought to get off now,' urged Kitty. 'The passport people will be going off the ship presently. You'll come with us, won't you? You wouldn't let us go ashore all by ourselves? Awful things might happen to us.'
'I certainly don't think you ought to go by yourselves,' said Clapperton, smiling. 'But I'm not sure my wife feels up to it.'
'That's too bad,' said Pam. 'But she can have a nice long rest.'
Colonel Clapperton looked a little irresolute. Evidently the desire to play truant was strong upon him. He noticed Poirot.
'Hullo, M. Poirot - you going ashore?'
'No, I think not,' M. Poirot replied.
'I'll - I'll -just have a word with Adeline,' decided Colonel Clapperton.
'We'll come with you,' said Pam. She flashed a wink at Poirot. 'Perhaps we can persuade her to come too,' she added gravely.
Colonel Clapperton seemed to welcome this suggestion. He looked decidedly relieved.
'Come along then, the pair of you,' he said lightly. They all three went along the passage of B deck together.
Poirot, whose cabin was just opposite the Clappertons, followed them out of curiosity.
Colonel Clapperton rapped a little nervously at the cabin door. 'Adeline, my dear, are you up?'
The sleepy voice of Mrs Clapperton from within replied: 'Oh, bother - what is it?'
'It's John. What about going ashore?'
'Certainly not.' The voice was shrill and decisive. 'I've had a very bad night. I shall stay in bed most of the day.'
Pam nipped in quickly. 'Oh, Mrs Clapperton, I'm so sorry. We did so want you to come with us. Are you sure you're not up to it?'
'I'm quite certain.' Mrs Clapperton's voice sounded even shriller.
The Colonel was turning the door-handle without result.
'What is it, John? The door's locked. I don't want to be disturbed by the stewards.'
'Sorry, my dear, sorry. Just wanted my Baedeker.'
'Well, you can't have it,' snapped Mrs Clapperton. 'I'm not going to get out of bed. Do go away, John, and let me have a little peace.'
'Certainly, certainly, my dear.' The Colonel backed away from the door. Pam and Kitty closed in on him.
'Let's start at once. Thank goodness your hat's on your head. Oh, gracious - your passport isn't in the cabin, is it?'
'As a matter of fact it's in my pocket -' began the Colonel.
Kitty squeezed his arm. 'Glory be!' she exclaimed. 'Now, come on.'
Leaning over the rail, Poirot watched the three of them leave the ship. He heard a faint intake of breath beside him and turned to see Miss Henderson. Her eyes were fastened on the three retreating figures.
'So they've gone ashore,' she said flatly.
'Yes. Are you going?'
She had a shade hat, he noticed, and a smart bag and shoes. There was a shore-going appearance about her. Nevertheless, after the most infinitesimal of pauses, she shook her head.
'No,' she said. 'I think I'll stay on board. I have a lot of letters to write.'
She turned and left him.
Puffing after his morning tour of forty-eight rounds of the deck, General Forbes took her place. 'Aha!' he exclaimed as his eyes noted the retreating figures of the Colonel and the two girls. 'So that's the game! Where's the Madam?'
Poirot explained that Mrs Clapperton was having a quiet day in bed.
'Don't you believe it!' the old warrior closed one knowing eye. 'She'll be up for tiffin - and if the poor devil's found to be absent without leave, there'll be ructions.'
But the General's prognostications were not fulfilled. Mrs Clapperton did not appear at lunch and by the time the Colonel and his attendant damsels returned to the ship at four o'clock, she had not shown herself.
Poirot was in his cabin and heard the husband's slightly guilty knock on his cabin door. Heard the knock repeated, the cabin door tried, and finally heard the Colonel's call to a steward.
'Look here, I can't get an answer. Have you a key?'
Poirot rose quickly from his bunk and came out into the passage.

The news went like wildfire round the ship. With horrified incredulity people heard that Mrs Clapperton had been found dead in her bunk - a native dagger driven through her heart. A string of amber beads was found on the floor of her cabin. Rumour succeeded rumour. All bead sellers who had been allowed on board that day were being rounded up and questioned! A large sum in cash had disappeared from a drawer in the cabin! The notes had been traced! They had not been traced! Jewellery worth a fortune had been taken! No jewellery had been taken at all! A steward had been arrested and had confessed to the murder!
'What is the truth of it all?' demanded Miss Ellie Henderson waylaying Poirot. Her face was pale and troubled.
'My dear lady, how should I know?'
'Of course you know,' said Miss Henderson.
It was late in the evening. Most people had retired to their cabins. Miss Henderson led Poirot to a couple of deck chairs on the sheltered side of the ship. 'Now tell me,' she commanded.
Poirot surveyed her thoughtfully. 'It's an interesting case,' he said.
'Is it true that she had some very valuable jewellry stolen?'
Poirot shook his head. 'No. No jewellery was taken. A small amount of loose cash that was in a drawer has disappeared, though.'
'I'll never feel safe on a ship again,' said Miss Henderson with a shiver. 'Any clue as to which of those coffee-coloured brutes did it?'
'No,' said Hercule Poirot. 'The whole thing is rather - strange.'
'What do you mean?' asked Ellie sharply.
Poirot spread out his hands. 'Eh bien - take the facts. Mrs Clapperton had been dead at least five hour when she was found. Some money had disappeared. A string of beads was on the floor by her bed. The door was locked and the key was missing. The window - window, not port-hole - gives on the deck and was open.'
'Well?' asked the woman impatiently.
'Do you not think it is curious for a murder to be committed under those particular circumstances? Remember that the postcard sellers, money changers and bead sellers who are allowed on board are all well known to the police.'
'The stewards usually lock your cabin, all the same,' Ellie pointed out.
'Yes, to prevent any chance of petty pilfering. But this - was murder.'
'What exactly are you thinking of, M. Poirot?' Her voice sounded a little breathless.
'I am thinking of the locked door.'
Miss Henderson considered this. 'I don't see anything in that. The man left by the door, locked it and took the key with him so as to avoid having the murder discovered too soon. Quite intelligent of him, for it wasn't discovered until four o'clock in the afternoon.'
'No, no, mademoiselle, you don't appreciate the point I'm trying to make. I'm not worried as to how he got out, but as to how he got in.'
'The window of course.'
'C'est possible. But it would be a very narrow fit - and there were people passing up and down the deck all the time, remember.'
'Then through the door,' said Miss Henderson impatiently.
'But you forget, mademoiselle. Mrs Clapperton had locked the door on the inside. She had done so before Colonel Clapperton left the boat this morning. He actually tried it - so we know that is so.'
'Nonsense. It probably stuck - or he didn't turn the handle properly.'
'But it does not rest on his word. We actually heard Mrs Clapperton herself say so.'
'We?'
'Miss Mooney, Miss Cregan, Colonel Clapperton and myself.'
Ellie Henderson tapped a neatly shod foot. She did not speak for a moment or two. Then she said in a slightly irritable tone:
'Well - what exactly do you deduce from that? If Mrs Clapperton could lock the door she could unlock it too, I suppose.'
'Precisely, precisely.' Poirot turned a beaming face upon her. 'And you see where that leads us. Mrs Clapperton unlocked the door and let the murderer in. Now would she be likely to do that for a bead seller?'
Ellie objected: 'She might not have known who it was. He may have knocked - she got up and opened the door - and he forced his way in and killed her.'
Poirot shook his head. 'Au contraire. She was lying peacefully in bed when she was stabbed.'
Miss Henderson stared at him. 'What's your idea?' she asked abruptly.
Poirot smiled. 'Well, it looks, does it not, as though she knew the person she admitted...'
'You mean,' said Miss Henderson and her voice sounded a little harsh, 'that the murderer is a passenger on the ship?'
Poirot nodded. 'It seems indicated.'
'And the string of beads left on the floor was a blind?'
'Precisely.'
'The theft of the money also?'
'Exactly.'
There was a pause, then Miss Henderson said slowly: 'I thought Mrs Clapperton a very unpleasant woman and I don't think anyone on board really liked her - but there wasn't anyone who had any reason to kill her.'
'Except her husband, perhaps,' said Poirot.
'You don't really think -' She stopped.
'It is the opinion of every person on this ship that Colonel Clapperton would have been quite justified in "taking a hatchet to her". That was, I think, the expression used.'
Ellie Henderson looked at him - waiting.
'But I am bound to say,' went on Poirot, 'that I myself have not noted any signs of exasperation on the good Colonel's part. Also, what is more important, he had an alibi. He was with those two girls all day and did not return to the ship till four o'clock. By then, Mrs Clapperton had been dead many hours.'
There was another minute of silence. Ellie Henderson said softly: 'But you still think - a passenger on the ship?'
Poirot bowed his head.
Ellie Henderson laughed suddenly - a reckless defiant laugh.
'Your theory may be difficult to prove, M. Poirot. There are a good many passengers on this ship.'
Poirot bowed to her. 'I will use a phrase from one of your detective story writers. "I have my methods, Watson."'

The following evening, at dinner, every passenger found a typewritten slip by his plate requesting him to be in the main lounge at 8.30. When the company were assembled, the Captain stepped on to the raised platform where the orchestra usually played and addressed them.
'Ladies and gentlemen, you all know of the tragedy which took place yesterday. I am sure you all wish to co-operate in bringing the perpetrator of that foul crime to justice.' He paused and cleared his throat. 'We have on board with us M. Hercule Poirot who is probably known to you all as a man who has had wide experience in - er - such matters. I hope you will listen carefully to what he has to say.'
It was at this minute that Colonel Clapperton, who had not been at dinner, came in and sat down next to General Forbes. He looked like a man bewildered by sorrow - not at all like a man conscious of great relief. Either he was a very good actor or else he had been genuinely fond of his disagreeable wife.
'M. Hercule Poirot,' said the Captain and stepped down. Poirot took his place. He looked comically self-important as he beamed on his audience.
'Messieurs, mesdames,' he began. 'It is most kind of you to be so indulgent as to listen to me. M. le Captaine has told you that I have had a certain experience in these matters. I have, it is true, a little idea of my own about how to get to the bottom of this particular case.' He made a sign and a steward pushed forward and passed on to him a bulky, shapeless object wrapped in a sheet.
'What I am about to do may surprise you a little,' Poirot warned them. 'It may occur to you that I am eccentric, perhaps mad. Nevertheless I assure you that behind my madness there is - as you English say - a method.'
His eyes met those of Miss Henderson for just a minute. He began unwrapping the bulky object.
'I have here, messieurs and mesdames, an important witness to the truth of who killed Mrs Clapperton.' With a deft hand he whisked away the last enveloping cloth, and the object it concealed was revealed - an almost life-sized wooden doll, dressed in a velvet suit and lace collar.
'Now, Arthur,' said Poirot and his voice changed subtly - it was no longer foreign - it had instead a confident English, a slightly Cockney inflection. 'Can you tell me - I repeat - can you tell me - anything at all about the death of Mrs Clapperton?'
The doll's neck oscillated a little, its wooden lower jaw dropped and wavered and a shrill high-pitched woman's voice spoke:
'What is it, John? The door's locked. I don't want to be disturbed by the stewards...'
There was a cry - an overturned chair - a man stood swaying, his hand to his throat - trying to speak - trying... Then suddenly, his figure seemed to crumple up. He pitched headlong.
It was Colonel Clapperton.

Poirot and the ship's doctor rose from their knees by the prostrate figure.
'All over, I'm afraid. Heart,' said the doctor briefly.
Poirot nodded. 'The shock of having his trick seen through,' he said.
He turned to General Forbes. 'It was you, General, who gave me a valuable hint with your mention of the music hall stage. I puzzle - I think - and then it comes to me. Supposing that before the war Clapperton was a ventriloquist. In that case, it would be perfectly possible for three people to hear Mrs Clapperton speak from inside her cabin when she was already dead...'
Ellie Henderson was beside him. Her eyes were dark and full of pain. 'Did you know his heart was weak?' she asked.
'I guessed it... Mrs Clapperton talked of her own heart being affected, but she struck me as the type of woman who likes to be thought ill. Then I picked up a torn prescription with a very strong dose of digitalin in it. Digitalin is a heart medicine but it couldn't be Mrs Clapperton's because digitalin dilates the pupils of the eyes. I had never noticed such a phenomenon with her but when I looked at his eyes I saw the signs at once.'
Ellie murmured: 'So you thought - it might end - this way?'
'The best way, don't you think, mademoiselle?' he said gently. He saw the tears rise in her eyes. She said: 'You've known. You've known all along... That I cared... But he didn't do it for me... It was those girls - youth - it made him feel his slavery. He wanted to be free before it was too late... Yes, I'm sure that's how it was... When did you guess - that it was he?'
'His self-control was too perfect,' said Poirot simply. 'No matter how galling his wife's conduct, it never seemed to touch him. That meant either that he was so used to it that it no longer stung him, or else - eh bien - I decided on the latter alternative... And I was right...
'And then there was his insistence on his conjuring ability - the evening before the crime he pretended to give himself away. But a man like Clapperton doesn't give himself away. There must be a reason. So long as people thought he had been a conjuror they weren't likely to think of his having been a ventriloquist.'
'And the voice we heard - Mrs Clapperton's voice?'
'One of the stewardesses had a voice not unlike hers. I induced her to hide behind the stage and taught her the words to say.'
'It was a trick - a cruel trick,' cried out Ellie.
'I do not approve of murder,' said Hercule Poirot.