SANCTUARY [065 4.8] BY NORA ROBERTS Synopsis: Suspense thriller. Jo is stalked by someone who is sending her very personal photographs of herself. Then one day one of the pictures is not of herself, but of someone she used to love dearly, the mother who abandoned her as a child with no explanations. The photograph shows the women to be very dead--murdered. After the nervous breakdown that results and with the disappearance of the photograph, Jo returns to Sanctuary her long ago home. Yet even here she is not safe, for someone follows her even there... G. P. Putnam's Sons Publishers Since 1838 200 Madison Avenue New York, NY 10016 Copyright 0 1997 by Nora Roberts All rights reserved. This book, or parts thereof, may not be reproduced in any form without permission. Published simultaneously in Canada Library of Congress Cataloging-in-Publication Data Roberts, Nora. Sanctuary / Nora Roberts. P. CM. ISBN 0-399-14240-I I. Title. PS3568.0243S26 1997 96-31986 CIP 813'.54-de2O Printed in the United States of America 1 2 3 4 5 6 7 8 9 10 This book is printed on acid-free paper. The house stood as it had for more than a century, a grand tribute to man's vanity and brilliance, near the dark shadows of the forest of live oaks, where the river flowed in murky silence. Within the shelter of trees, fireflies blinked gold, and night creatures stirred, braced to hunt or be hunted. Wild things bred there in shadows, in secret. There were no lights to brighten the tall, narrow windows of Sanctuary. No lights to spread welcome over its graceful porches, its grand doors. Night was deep, and the breath of it moist from the sea. The only sound to disturb it was of wind rustling through the leaves of the great oaks and the dry clicking-like bony fingers-of the palm fronds. The white columns stood like soldiers guarding the wide veranda, but no one opened the enormous front door to greet her. As she walked closer, she could hear the crunch of sand and shells on the road under her feet. Wind chimes tinkled, little notes of song. The porch swing creaked on its chain, but no one lazed upon it to enjoy the moon and the night. The smell of jasmine and musk roses played on the air, underscored by the salty scent of the sea. she began to hear that too, the low and steady thunder of water spilling over sand and sucking back into its own heart. The beat of it, that steady and patient pulse, reminded all who inhabited the island of lost Desire that the sea could reclaim the land and all on it at its whim. Still, her mood lifted at the sound of it, the music of home and childhood. Once she had run as free and wild through that forest as a deer, had scouted its marshes, raced along its sandy beaches with the careless privilege of youth. Now, no longer a child, she was home again. she walked quickly, hurrying up the steps, across the veranda, closing her hand over the big brass handle that glinted like a lost treasure. The door was locked. she twisted it right, then left, shoved against the thick mahogany panel. Let me in, she thought as her heart began to thud in her chest. I've come home. I've come back. But the door remained shut and locked. When she pressed her face against the glass of the tall windows flanking it, she could see nothing but darkness within. And was afraid. she ran now, around the side of the house, over the terrace, where flowers streamed out of pots and lilies danced in chorus lines of bright color. The music of the wind chimes became harsh and discordant, the fluttering of fronds was a hiss of warning. she struggled with the next door, weeping as she beat her fists against it. Please, please, don't shut me out. I want to come home. she sobbed as she stumbled down the garden path. she would go to the back, in through the screened porch. It was never locked-Mama said a kitchen should always be open to company. But she couldn't find it. The trees sprang up, thick and close, the branches and draping moss barred her way. she was lost, tripping over roots in her confusion, fighting to see through the dark as the canopy of trees closed out the moon. The wind rose up and howled and slapped at her in flat-handed, punishing blows. Spears of saw palms struck out like swords. she turned, but where the path had been was now the river, cutting her off from Sanctuary. The high grass along its slippery banks waved madly. It was then she saw herself, standing alone and weeping on the other bank. It was then she knew she was dead. Jo fought her way out of the dream, all but felt the sharp edges of it scraping her skin as she dragged herself to the surface of the tunnel of sleep. Her lungs burned, and her face was wet with sweat and tears. With a trembling hand, she fumbled for the bedside lamp, knocking both a book and an overfilled ashtray to the floor in her hurry to break out of the dark. When the light shot on, she drew her knees up close to her chest, wrapped her arms around them, and rocked herself calm. It was just a dream, she told herself just a bad dream. she was home, in her own bed, in her apartment and miles from the island where Sanctuary stood. A grown woman of twenty-seven had no business being spooked by a silly dream. But she was still shaking when she reached for a cigarette. It took her three tries to manage to light a match. Three-fifteen, she noted by the clock on the nightstand. That was becoming typical. There was nothing worse than the three A.M. jitters. she swung her legs over the side of the bed and bent down to pick up the overturned ashtray. she told herself she'd clean up the mess in the morning. she sat there, her oversized T-shirt bunched over her thighs, and ordered herself to get a grip. she didn't know why her dreams were taking her back to the island of lost Desire and the home she'd escaped from at eighteen. But Jo figured any first-year psych student could translate the rest of the symbolism. The house was locked because she doubted anyone would welcome her if she did return home. just lately, she'd given some thought to it but had wondered if she'd lost the way back. And she was nearing the age her mother had been when she had left the island. Disappeared, abandoning her husband and three children without a second glance. Had Annabelle ever dreamed of coming home, Jo wondered, and dreamed the door was locked to her? she didn't want to think about that, didn't want to remember the woman who had broken her heart twenty years before. Jo reminded herself that she should be long over such things by now. she'd lived without her mother, and without Sanctuary and her family. she had thrived-at least professionally. Tapping her cigarette absently, Jo glanced around the bedroom. she kept it simple, practical. Though she'd traveled widely, there were few mementos. Except the photographs. she'd matted and framed the black-and-white prints, choosing the ones among her work that she found the most restful to decorate the walls of the room where she slept. There, an empty park bench, the black wrought iron all fluid curves. And there, a single willow, its lacy leaves dipping low over a small, glassy pool. A moonlit garden was a study in shadow and texture and contrasting shapes. The lonely beach with the sun just breaking the horizon tempted the viewer to step inside the photo and feel the sand rough underfoot. she'd hung that seascape only the week before, after returning from an assignment on the Outer Banks of North Carolina. Perhaps that was one reason she'd begun to think about home, Jo decided. she'd been very close. she could have traveled a bit south down to Georgia and ferried from the mainland to the island. There were no roads to Desire, no bridges spanning its sound. But she hadn't gone south. she'd completed her assignment and come back to Charlotte to bury herself in her work. And her nightmares. she crushed out the cigarette and stood. There would be no more sleep, she knew, so she pulled on a pair of sweatpants. she would do some darkroom work, take her mind off things. It was probably the book deal that was making her nervous, she decided, as she padded out of the bedroom. It was a huge step in her career. Though she knew her work was good, the offer from a major publishing house to create an art book from a collection of her photographs had been unexpected and thrilling. Natural studies, by Jo Ellen Hathaway, she thought as she turned into the small galley kitchen to make coffee. No, that sounded like a science project. Glimpses of Life? Pompous. she smiled a little, pushing back her smoky red hair and yawning. she should just take the pictures and leave the title selection to the experts. she knew when to step back and when to take a stand, after all. she'd been doing one or the other most of her life. Maybe she would send a copy of the book home. What would her family think of it? Would it end up gracing one of the coffee tables where an overnight guest could page through it and wonder if Jo Ellen Hathaway was related to the Hathaways who ran the Inn at Sanctuary? Would her father even open it at all and see what she had learned to do? Or would he simply shrug, leave it untouched, and go out to walk his island? Annabelle's island. It was doubtful he would take an interest in his oldest daughter now. And it was foolish for that daughter to care. Jo shrugged the thought away, took a plain blue mug from a hook. While she waited for the coffee to brew, she leaned on the counter and looked out her tiny window. There were some advantages to being up and awake at three in the morning, she decided. The phone wouldn't ring. No one would call or fax or expect anything of her. For a few hours she didn't have to be anyone, or do anything. If her stomach was jittery and her head ached, no one knew the weakness but herself. Below her kitchen window, the streets were dark and empty, slicked by late-winter rain. A streetlamp spread a small pool of light-lonely fight, Jo thought. There was no one to bask in it. Aloneness had such mystery, she mused. Such endless possibilities. It pulled at her, as such scenes often did, and she found herself leaving the scent of coffee, grabbing her Nikon, and rushing out barefoot into the chilly night to photograph the deserted street. It soothed her as nothing could. With a camera in her hand and an image in her mind, she could forget everything else. Her long feet splashed through chilly puddles as she experimented with angles. With absent annoyance she flicked at her hair. It wouldn't be falling in her face if she'd had it trimmed. But she'd had no time, so it swung heavily forward in a tousled wave and made her wish for an elastic band. she took nearly a dozen shots before she was satisfied. When she turned, her gaze was drawn upward. she'd left the lights on, she mused. she hadn't even been aware she'd turned on so many on the trip from bedroom to kitchen. Lips pursed, she crossed the street and focused her camera again. Calculating, she crouched, shot at an upward angle, and captured those lighted windows in the dark building. Den of the Insomniac, she felt dead. Then with a half laugh that echoed eerily enough to make her shudder, she lowered the camera again. God, maybe she was losing her mind. Would a sane woman be out at three in the morning, half dressed and shivering, while she took pictures of her own windows? she pressed her fingers against her eyes and wished more than anything else for the single thing that had always seemed to elude her. Normality. You needed sleep to be normal, she thought. she hadn't had a full night's sleep in more than a month. You needed regular meals. she'd lost ten pounds in the last few weeks and had watched her long, rangy frame go bony. You needed peace of mind. she couldn't remember if she had ever laid claim to that. Friends? Certainly she had friends, but no one close enough to call in the middle of the night to console her. Family. Well, she had family, of sorts. A brother and sister whose lives no longer marched with hers. A father who was almost a stranger. A mother she hadn't seen or heard from in twenty years. Not my fault, Jo reminded herself as she started back across the street. It was Annabelle's fault. Everything had changed when Annabelle had run from Sanctuary and left her baffled family crushed and heartbroken. The trouble, as Jo saw it, was that the rest of them hadn't gotten over it. she had. she hadn't stayed on the island guarding every grain of sand like her father did. she hadn't dedicated her life to running and caring for Sanctuary like her brother, Brian. And she hadn't escaped into foolish fantasies or the next thrill the way her sister, Lexy, had. Instead she had studied, and she had worked, and she had made a life for herself If she was a little shaky just now, it was only because she'd overextended, was letting the pressure get to her. she was a little run-down, that was all. she'd just add some vitamins to her regiment and get back in shape. of her pocket. It had been three years-no, four-since she had last taken a trip without a specific assignment. Maybe Mexico, the West In dies. Someplace where the pace was slow and the sun hot. Slowing down and clearing her mind. That was the way to get past this little blip in her life. - manila envelope that lay on the floor. For a moment she simply stood, one hand on the door, the other holding her camera, and stared at it. Had it been there when she left? Why was it there in the first place? The first one had come a month before, had been waiting in her stack of mail, with only her name carefully printed across it. Her hands began to shake again as she ordered herself to close the door, to lock it. Her breath hitched, but she leaned over, picked it up. Carefully, she set the camera aside, then unscaled the flap. she tapped out the contents, the sound she made was a long, low moan. The photograph was very professionally done, perfectly cropped. just as the other three had been. A woman's eyes, heavy-lidded, almond-shaped, with thick lashes and delicately arched brows. Jo knew their color would be blue, deep blue, because the eyes were her own. In them was stark terror. When was it taken? How and why? she pressed a hand to her mouth, staring down at the photo, knowing her eyes mirrored the shot perfectly. Terror swept through her, had her rushing through the apartment into the small second bedroom she'd converted to a darkroom. Frantically she yanked open a drawer, pawed through the contents, and found the envelopes she'd buried there. In each was another black-and-white photo, cropped to two by six inches. Her heartbeat was thundering in her ears as she lined them up. In the first the eyes were closed, as if she'd been photographed while sleeping. The others followed the waking process. Lashes barely lifted, showing only a hint of iris. In the third the eyes were open but unfocused and clouded with confusion. They had disturbed her, yes, unsettled her, certainly, when she found them tucked in her mall. But they hadn't frightened her. Now the last shot, centered on her eyes, frilly awake and bright with fear. Stepping back, shivering, Jo struggled to be calm. Why only the eyes? she asked herself How had someone gotten close enough to take these pictures without her being aware of it? Now, whoever it was had been as close as the other side of her front door. Propelled by fresh panic, she ran into the living room, frantically checked the locks. Her heart was battering against her ribs when she fell back against the door. Then the anger kicked in. Bastard, she thought. He wanted her to be terrorized. He wanted her to hide inside those rooms, jumping at shadows, afraid to step outside for fear he'd be there watching. she who had always been fearless was playing right into his hands. she had wandered alone through foreign cities, walked mean streets and empty ones, she'd climbed mountains and hacked through jungles. With the camera as her shield, she'd never given a thought to fear. And now, because of a handful of photos, her legs were jellied with it. The fear had been building, she admitted now. Growing and spiking over the weeks, level by level. It made her feel helpless, so exposed, so brutally alone. Jo pushed herself away from the door. she couldn't and wouldn't live this way. she would ignore it, put it aside. Bury it deep. God knew she was an expert at burying traumas, small and large. This was just one more. she was going to drink her coerce and go to work. By eight she had come till circle-sliding through fatigue, arcing through nervous energy, creative calm, then back to fatigue. she couldn't work mechanically, not even on the most basic aspect of darkroom chores. she insisted on giving every step her full attention. To do so, she'd had to calm down, ditch both the anger and the fear. Over her first cup of coffee, she'd convinced herself she had figured out the reasoning behind the photos she'd been receiving. Someone admired her work and was trying to get her attention, engage her influence for their own. That made sense. Occasionally she lectured or gave workshops. In addition, she'd had three major shows in the last three years. It wasn't that difficult or that extraordinary for someone to have taken her picture-several pictures, for that matter. That was certainly reasonable. Whoever it was had gotten creative, that was all. They'd enlarged the area, cropped it, and were sending the photos to her in a kind of series. Though the photos appeared to have been printed recently, there was no telling when or where they'd been taken. The negatives might be a year old. Or two. Or five. They had certainly gotten her attention, but she'd overreacted, taken it too personally. Over the last couple of years, she had received samples of work from admirers of hers. Usually there was a letter attached, praising her own photographs before the sender went into a pitch about wanting her advice or her help, or in a few cases, suggesting that they collaborate on a project. The success she was enjoying professionally was still relatively new. she wasn't yet used to the pressures that went along with commercial success, or the expectations, which could become burdensome. And, Jo admitted as she ignored her unsteady stomach and sipped coffee that had gone stone cold, she wasn't handling that success as well as she might. she would handle it better, she thought, rolling her aching head on her aching shoulders, if everyone would just leave her alone to do what she did best. Completed prints hung drying on the wet side of her darkroom. Her last batch of negatives had been developed and, sitting on a stool at her work counter, she slid a contact sheet onto her light board, then studied it, frame by frame, through her loupe. For a moment she felt a flash of panic and despair. Every print she looked at was out of focus, blurry. Goddamn it, goddamn it, how could that be? Was it the whole roll? she shifted, blinked, and watched the magnified image of rising dunes and oat grass pop clear. With a sound somewhere between a grunt and a laugh she sat back, rolled her tensed shoulders. "It's not the prints that are blurry and out of focus, you idiot," she muttered aloud. "It's you." she set the loupe aside and closed her eyes to rest them. she lacked the energy to get up and make more coffee. she knew she should go eat, get something solid into her system. And she knew she should sleep. Stretch out on the bed, close everything off and crash. But she was afraid to. In sleep she would lose this shaky control. she was beginning to think she should see a doctor, get something for her nerves before they frayed beyond repair. But that idea made her think of psychiatrists. Undoubtedly they would want to poke and pry inside her brain and dig up matters she was determined to forget. she would handle it. she was good at handling herself Or, as Brian had always said, she was good at elbowing everyone out of her way so she could handle everything herself. What choice had she had-had any of them had when they'd been left alone to flounder on that damned spit of land miles from nowhere? The rage that erupted inside her jolted her, it was so sudden, so powerful. she trembled with it, clenched her fists in her lap, and had to bite back the hot words she wanted to spit out at the brother who wasn't even there. Tired, she told herself she was just tired, that was all. she needed to put work aside, take one of those over-the-counter sleeping aids she'd bought and had yet to try, turn off the phone and get some sleep. she would be steadier then, stronger. When a hand fell on her shoulder, she ripped off a scream and sent her coffee mug flying. "Jesus! Jesus, Jo!" Bobby Banes scrambled back, scattering the mail he carried on the floor. "What are you doing? What the hell are you doing?" she bolted off the stool and sent it crashing, as he gaped at her. "I- you said you wanted to get started at eight. I'm only a few minutes late." Jo fought for breath, gripped the edge of her worktable to keep herself upright. "Eight?" Her student assistant nodded cautiously. He swallowed hard and kept his distance. To his eye she still looked wild and ready to attack. It was his second semester working with her, and he thought he'd learned how to anticipate her orders, gauge her moods, and avoid her temper. But he didn't have a clue how to handle that hot fear in her eyes. "Why the hell didn't you knock?" she snapped at him. "I did. When you didn't answer, I figured you must be in here, so I used the key you gave me when you went on the last assignment." "Give it back. Now." "Sure. Okay, Jo." Keeping his eyes on hers, he dug into the front pocket of his fashionably faded jeans. "I didn't mean to spook you." Jo bit down on control and took the key he held out. There was as much embarrassment now, she realized, as fear. To give herself a moment, she bent down and righted her stool. "Sorry, Bobby. You did spook me. I didn't hear you knock." "It's okay. Want me to get you another cup of coffee?" she shook her head and gave in to her knocking knees. As she slid onto the stool, she worked up a smile for him. He was a good student, she thought-a little pompous about his work yet, but he was only twenty-one. she thought he was going for the artist-as-college-student look, with his (dark blond hair in a shoulder-length ponytail, the single gold hoop earring accenting his long, narrow face. His teeth were perfect. His parents had believed in braces, she thought, running her tongue over her own slight overbite. He had a good eye, she mused. And a great deal of potential. That was why he was here, after all. Jo was always willing to pay back what had been given to her. Because his big brown eyes were still watching her warily, she put more effort into the smile. "I had a rough night." "You look like it." He tried a smile of his own when she lifted a brow. "The art is in seeing what's really there, right? And you look whipped. Couldn't sleep, huh?" Vain was one thing Jo wasn't. she shrugged her shoulders and rubbed her tired eyes. "Not much." "You ought to try that melatonin. My mother swears by it." He crouched to pick up the broken shards of the mug. "And maybe you could cut back on the coffee." He glanced up but saw she wasn't listening. she'd gone on a side trip again, Bobby thought. A new habit of hers. He'd just about given up on getting his mentor into a healthier lifestyle. But he decided to give it one more shot. "You've been living on coffee and cigarettes again." "Yeah." she was drifting, half asleep where she sat. "That stuff'll kill you. And you need an exercise program. You've dropped about ten pounds in the last few weeks. With your height you need to carry more weight. And you've got small bones-you're courting osteoporosis. Gotta build up those bones and muscles." "Uh-huh." "You ought to see a doctor. You ask me, you're anemic. You got no color, and you could pack half your equipment in the bags under your eyes." "So nice of you to notice." He scooped up the biggest shards, dumped them in her waste can. Of course he'd noticed. she had a face that drew attention. It didn't matter that she seemed to work overtime to fade into the background. He'd never seen her wear makeup, and she kept her hair pulled back, but anyone with an eye could see it should be framing that oval face with its delicate bones and exotic eyes and sexy mouth. Bobby caught himself, felt heat rise to his cheeks. she would laugh at him if she knew he'd had a little crush on her when she first took him on. That, he figured, had been as much professional admiration as physical attraction. And he'd gotten over the attraction part. Mostly. But there was no doubt that if she would do the minimum to enhance that magnolia skin, dab some color on that top-heavy mouth and smudge up those long-lidded eyes, she'd be a knockout. "I could fix you breakfast," he began. "If you've got something besides candy bars and moldy bread." Taking a long breath, Jo tuned in. "No, that's okay. Maybe we'll stop somewhere and grab something. I'm already running behind." she slid off the stool and crouched to pick up the mail. "You know, it wouldn't hurt you to take a few days off, focus on yourself My mom goes to this spa down in &Eami." His words were only a buzzing in her ear now. she picked up the manila envelope with her name printed neatly on it in block letters. she had to wipe a film of sweat from her brow. In the pit of her stomach was a sick ball that went beyond dread into fear. The envelope was thicker than the others had been, weightier. Throw it away, her mind screamed out. Don't open it. Don't look inside. But her fingers were already scraping along the flap. Low whimpering sounds escaped her as she tore at the little metal clasp. This time an avalanche of photos spilled out onto the floor. she snatched one up. It was a well-produced five-by-seven black-and-white. Not just her eyes this time, but all of her. she recognized the background-a park near her building where she often walked. Another was of her in downtown Charlotte, standing on a curb with her camera bag over her shoulder. "Hey, that's a pretty good shot of you." As Bobby leaned down to select one of the prints, she slapped at his hand and snarled at him, "Keep away. Keep back. Don't touch me." "jo, I..." "Stay the hell away from me." Panting, she dropped on all fours to paw frantically through the prints. There was picture after picture of her doing ordinary, everyday things. Coming out of the market with a bag of groceries, getting in or out of her car. He's everywhere, he's watching me. Wherever I go, whatever I do. He's hunting me, she thought, as her teeth began to chatter. He's hunting me and there's nothing I can do. Nothing, until ... Then everything inside her clicked off. The photograph in her hand shook as if a brisk breeze had kicked up inside the room. she couldn't scream. There seemed to be no air inside her. she simply couldn't feel her body any longer. The photograph was brilliantly produced, the lighting and use of shadows and textures masterful. she was naked, her skin glowing eerily. Her body was arranged in a restful pose, the fragile chin dipped down, the head gently angled. One arm draped across her midriff, the other was flung up over her head in a position of dreaming sleep. But the eyes were open and staring. A doll's eyes. Dead eyes. For a moment, she was thrown helplessly back into her nightmare, staring at herself and unable to fight her way out of the dark. But even through terror she could see the differences. The woman in the photo had a waving mass of hair that fanned out from her face. And the face was softer, the body riper than her own. "Mama?" she whispered and gripped the picture with both hands. "Mama?" "What is it, Jo?" Shaken, Bobby listened to his own voice hitch and dip as he stared into Jo's glazed eyes. "What the hell is it?" "Where are her clothes?" Jo tilted her head, began to rock herself. Her head was full of sounds, rushing, thundering sounds. "Where is she? " "Take it easy." Bobby took a step forward, started to reach down to take the photo from her. Her head snapped up. "Stay away." The color flashed back into her cheeks, riding high. Something not quite sane danced in her eyes. "Don't touch me. Don't touch her." Frightened, baffled, he straightened again, held both hands palms out. "Okay. Okay, Jo." "I don't want you to touch her." she was cold, so cold. she looked down at the photo again. It was Annabelle. Young, eerily beautiful, and cold as death. "she shouldn't have left us. she shouldn't have gone away. Why did she go?" "Maybe she had to," Bobby said quietly. "No, she belonged with us. We needed her, but she didn't want us. she's so pretty." Tears rolled down Jo's cheeks, and the picture trembled in her hand. "she's so beautiful. Like a fairy princess. I used to think she was a princess. she left us. she left us and went away. Now she's dead." Her vision wavered, her skin went hot. Pressing the photo against her breasts, Jo curled into a ball and wept. "Come on, Jo." Gently, Bobby reached down. "Come on with me now. We'll get some help." "I'm so tired," she murmured, letting him pick her up as if she were a child. "I want to go home." "Okay. just close your eyes now." The photo fluttered silently to the floor, facedown atop all the other faces. she saw writing on the back. Large bold letters. DEATH OF AN ANGEL Her last thought, as the dark closed in, was Sanctuary. At first light the air was misty, like a dream just about to vanish. Beams of light stabbed through the canopy of live oaks and glittered on the dew. The warblers and buntings that nested in the sprays of moss were waking, chirping out a morning song. A cock cardinal, a red bullet of color, shot through the trees without a sound. It was his favorite time of day. At dawn, when the demands on his time and energy were still to come, he could be alone, he could think his thoughts. Or simply be. Brian Hathaway had never lived anywhere but Desire. He'd never wanted to. He'd seen the mainland and visited big cities. He'd even taken an impulsive vacation to Mexico once, so it could be said he'd visited a foreign land. But Desire, with all its virtues and flaws, was his. He'd been born there on a gale-tossed night in September thirty years before. Born in the big oak tester bed he now slept in, delivered by his own father and an old black woman who had smoked a corncob pipe and whose parents had been house slaves, owned by his ancestors. The old woman's name was Miss Ellie, and when he was very young she often told him the story of his birth. How the wind had howled and the seas had tossed, and inside the great house, in that grand bed, his mother had borne down like a warrior and shot him out of her womb and into his father's waiting arms with a scream. It was a good story. Brian had once been able to imagine his mother laughing and his father waiting, wanting to catch him. Now his mother was long gone and old Miss Ellie long dead. It had been a long, long time since his father had wanted to catch him. Brian walked through the thinning mists, through huge trees with lichen vivid in pinks and red on their trunks, through the cool, shady light that fostered the ferns and shrubby palmettos. He was a tall, lanky man, very much his father's son in build. His hair was dark and shaggy, his skin tawny, and his eyes cool blue. He had a long face that women found melancholy and appealing. His mouth was firm and tended to brood more than smile. That was something else women found appealing-the challenge of making those lips curve. The slight change of light signaled him that it was time to start back to Sanctuary. He had to prepare the morning meal for the guests. Brian was as contented in the kitchen as he was in the forest. That was something else his father found odd about him. And Brian knew with some amusement-that Sam Hathaway wondered if his son might be gay. After all, if a man liked to cook for a living, there must be some thing wrong with him. If they'd been the Type to discuss such matters openly, Brian would have told him that he could enjoy creating a perfect meringue and still prefer women for sex. He simply wasn't inclined toward intimacy. And wasn't that tendency toward distance from others a Hathaway family trait? Brian moved through the forest, as quietly as the deer that walked there. Suiting himself, he took the long way around, detouring by Half Moon Creek, where the mists were rising up from the water like white smoke and a trio of does sipped contentedly in the shimmering and utter silence. There was time yet, Brian thought. There was always time on Desire. He indulged himself by taking a seat on a fallen log to watch the morning bloom. The island was only two miles across at its widest, less than thirteen from point to point. Brian knew every inch of it, the sun-bleached sand of the beaches, the cool, shady marshes with their ancient and patient alligators. He loved the dune swales, the wonderful wet, undulating grassy meadows banked by young pines and majestic live oaks. But most of all, he loved the forest, with its dark pockets and its mysteries. He knew the history of his home, that once cotton and indigo had been grown there, worked by slaves. Fortunes had been reaped by his ancestors. The rich had come to play in this isolated little paradise, hunting the deer and the feral hogs, gathering shells, fishing both river and surf. They'd held lively dances in the ballroom under the candle glow of crystal chandeliers, gambled carelessly at cards in the game room while drinking good southern bourbon and smoking fat Cuban cigars. They had lazed on the veranda on hot summer afternoons while slaves brought them cold glasses of lemonade. Sanctuary had been an enclave for privilege, and a testament to a way of life that was doomed to failure. More fi)rtuncs still had gone in and out of the hands of the steel and shipping magnate who had turned Sanctuary into his Private retreat. Though the money wasn't what it had been, Sanctuary still stood. And the island was still in the hands of the descendants of those cotton kings and emperors of steel. The cottages that were scattered over it, rising up behind the dunes, tucked into the shade of the trees, facing the wide swath of Pelican Sound, passed from generation to generation, ensuring that only a handful of families could claim Desire as home. So it would remain. His father fought developers and environmentalists with equal fervor. There would be no resorts on Desire, and no well-recalling government would convince Sam Hathaway to make his island a national preserve. It was, Brian thought, his father's monument to a faithless wife. His blessing and his curse. Visitors came now, despite the solitude, or perhaps because of it. To keep the house, the island, the trust, the Hathaways had turned part of their home into an inn. Brian knew Sam detested it, resented every footfall on the island from an outsider. It was the only thing he could remember his parents arguing over. Annabelle had wanted to open the island to more tourists, to draw people to it, to establish the kind of social whirl her ancestors had once enjoyed. Sam had insisted on keeping it unchanged, untouched, monitoring the number of visitors and overnight guests like a miser doling out pennies. It was, in the end, what Brian believed had driven his mother away-that need for people, for faces, for voices. But however much his father tried, he couldn't hold off change any more than the island could hold back the sea. Adjustments, Brian thought as the deer turned as a unit and bounded into the concealing trees. He didn't care for adjustments himself, but in the case of the inn they had been necessary. And the fact was, he enjoyed the running of it, the planning, the implementing, the routine. He liked the visitors, the voices of strangers, observing their varying habits and expectations, listening to the occasional stories of their worlds. He didn't mind people in his life-as long as they didn't intend to stay. In any case, he didn't believe people stayed in the long run. Annabelle hadn't. Brian rose, vaguely irritated that a twenty-year-old scar had unexpectedly throbbed. Ignoring it, he turned away and took the winding upward path toward Sanctuary. When he came out of the trees, the light was dazzling. It struck the spray of a fountain and turned each individual drop into a rainbow. He looked at the back end of the garden. The tulips were rioting dependably. The sea pinks looked a little shaggy, and the ... what the hell was that purple thing anyway? he asked himself. He was a mediocre gardener at best, struggling constantly to keep up the grounds. Paying guests expected tended gardens as much as they expected gleaming antiques and fine meals. Sanctuary had to be kept in tiptop shape to lure them, and that meant endless hours of work. Without paying guests, there would be no means for upkeep on Sanctuary at all. So, Brian thought, scowling down at the flowers, it was an endless cycle, a snake swallowing its own tail. A trap without a key. "Ageratum." Brian's head came up. He had to squint against the sunlight to bring the woman into focus. But he recognized the voice. It irritated him that she'd been able to walk up behind him that way. Then again, he always viewed Dr. Kirby Fitzsimmons as a minor irritation. "Ageratum," she repeated, and smiled. she knew she annoyed him, and considered it progress. It had taken nearly a year before she'd been able to get even that much of a reaction from him. "The flower you're glaring at. Your gardens need some work, Brian." "I'll get to it," he said and fell back on his best weapon. Silence. He never felt completely easy around Y,,Yirby. It wasn't just her looks, though she was attractive enough if you went for the delicate blond Type. Brian figured it was her manner, which was the direct opposite of delicate. she was efficient, competent, and seemed to know a little about every damn thing. Her voice carried what he thought of as high-society New England. Or, he was feeling less charitable, damn Yankee. she had those Yankee cheekbones, too. They set off sea-green eyes and a slightly turned-up nose. Her mouth was full-not too wide, not too small. It was just one more irritatingly perfect thing about her. He kept expecting to hear that she'd gong back to the mainland, closed up the little cottage she'd inherited from her granny and given up on the notion of running a clinic on the island. But month after month she stayed, slowly weaving herself into the fabric of the place. And getting under his skin. she kept smiling at him, with that mocking look in her eyes, as she pushed back a soft wave of the wheat-colored hair that fell smoothly to her shoulders. "Beautiful morning." "It's early." He stuck his hands in his pockets. He never knew quite what to do with them around her. "Not too early for you." she angled her head. Lord, he was tin to look at. she'd been hoping to do more than look for months, but Brian Hathaway was one of the natives of this little spit of land that she was having trouble winning over. "I guess breakfast isn't ready yet." "I suppose I can wait. What's the special this morning?" "Haven't decided." Since there was no shaking her off, he re stretched, linking her fingers as she lifted her arms overhead. He did his best not to notice the way her cotton shirt strained over small, firm breasts. Not noticing Kirby Fitzsimmons had become a full time job. He wound around the side of the house, through the spring blooms that lined the path of crushed shells. "You can wait in the guest parlor, or the dining room." "I'd rather sit in the kitchen. I like watching you cook." Before he could think of a way around it, she'd stepped up into the rear screened porch and through the kitchen door. As usual, it was neat as a pin. Kirby appreciated tidiness in a man, the same way she appreciated good muscle tone and a well-exercised brain. Brian had all three qualities, which was why she was interested in what kind of lover he'd make. she figured she would find out eventually. Yirby always worked her way toward a goal. All she had to do was keep chipping away at that armor of his. It wasn't disinterest. she'd seen the way he watched her on the rare occasions when his guard was down. It was sheer stubbornness. she appreciated that as well. And the contrasts of him were such fran. she knew as she settled on a stool at the breakfast bar that he would have little to say unless she prodded. That was the distance he kept between himself and others. And she knew he would pour her a cup of his really remarkable coffee, and remember that she drank it light. That was his innate hospitality. Yirby let him have his quiet for a moment as she sipped the coffee from the steaming mug he'd set before her. she hadn't been teasing when she'd said she liked to watch him cook. A kitchen might have been a traditionally female domain, but this kitchen was all male.. just like its overseer, Kirby thought, with his big hands, shaggy hair, and tough face. she knew-because there was little that one person on the island didn't know about the others-that Brian had had the kitchen redone about eight years before. And he'd created the design, chosen the colors and materials. Had made it a working man's room, with long granite-colored counters and glittering stainless steel. There were three wide -windows, framed only by curved and carved wood trim. A banquette in smoky gray was tucked under them for family meals, though, as far as she knew, the Hathaways rarely ate as a family. The floor was creamy white tile, the walls white and unadorned. No fancy work for Brian. Yet there were homey touches in the gleam of copper pots that hung from hooks, the hanks of dried peppers and garlic, the shelf holding antique kitchen tools. she imagined he thought of them as practical rather than homey, but they warmed the room. He'd left the old brick hearth alone, and it brought back reminders of a time when the kitchen had been the core of this house, a place for gathering, for lingering. she liked it in the winter when he lighted a fire there and the scent of wood burning mixed pleasurably with that of spicy stews or soups bubbling. To her, the huge commercial range looked like something that required an engineering degree to operate. Then again, her idea of cooking was taking a package from the freezer and nuking it in the microwave. "I love this room," she said. He was whipping something in a large blue bowl and only grunted. Taking that as a response, Kirby slid off the stool to help herself to a second cup of coffee. she leaned in, just brushing his arm, and grinned at the batter in the bowl. "Waffles?" He shifted slightly. Her scent was in his way. "That was what you wanted, wasn't it?" "Yeah." Lifting her cup, she smiled at him over the rim. "It's nice to get what You want. Don't you think?" she had the damnedest eyes, he thought. He'd believed in mermaids as a child. All of them had had eyes like Yirby's. "It's easy enough to get it if all you want is waffles." He stepped back, around her, and took a waffle iron out of a lower cabinet. After he'd plugged it in, he turned, and bumped into her. Automatically he lifted a hand to her arm to steady her. And left it there. "You're underfoot." she eased forward, just a little, pleased by the quick flutter in her stomach. "I thought I could help." "With what?" she smiled, let her gaze wander down to his mouth, then back. "With whatever." What the hell, she thought, and laid her free hand on his chest. "Need anything?" His blood began to pump faster. His fingers tightened on her arm before he could prevent it. He thought about it, oh, he thought about it. What would it be like to push her back against the counter and take what she kept insisting on patting under his nose? That would wipe the smirk off her face. "You're in my way, Yirby." He had yet to let her go. That, she thought, was definite progress. Beneath her hand his heartbeat was accelerated. "I've been in your way the best part of a year, Brian. When are you going to do something about it?" she saw his eyes flicker before they narrowed. Her breathing took on an anticipatory hitch. Finally, she thought and leaned toward him. He dropped her arm and stepped back, the move so unexpected and abrupt that this time she did nearly stumble. "Drink your coffee," he said. "I've got work to do here." He had the satisfaction of seeing that he'd pushed one of her buttons for a change. The smirk was gone, all right. Her delicate brows were knit, and under them her eyes had gone dark and hot. "Damn it, Brian. What's the problem?" Delly, he ladled batter onto the heated waffle iron. "I don't have a problem." He slanted a look at her as he closed the lid. Her color was up and her mouth was thinned. Spitting mad, he thought. Good. "What do I have to do?" she slammed her coffee cup down, sloshing the hot liquid onto his spotless counter. "Do I have to stroll in here naked?" His lips twitched. "Well, now, that's a thought, isn't it? I could raise the rates around here after that." He cocked his head. "That is, if you look good naked." "I look great naked, and I've given you numerous opportunities to find that out for yourself." "I guess I like to make my own opportunities." He opened the refrigerator. "You want eggs with those waffles?" Yirby clenched her fists, reminded herself that she'd taken a vow to heal, not harm, then spun on her heel. "Oh, stuff your waffles," she muttered and stalked out the back door. Brian waited until he heard the door slam before he grinned. He figured he had come out on top of that little tussle of wills and decided to treat himself to her waffles. He was just flipping them onto a plate when the door swung open. Lexy posed for a moment, which both she and Brian knew was out of habit rather than an attempt to impress her brother. Her hair was a tousled mass of spiraling curls that flowed over her shoulders in her current favorite shade, Renaissance Red. she liked the Titian influence and considered it an improvement over the Bombshell Blonde she'd worn the last few years. That was, she'd discovered, a bitch to maintain. The color was only a few shades lighter and brighter than what God had given her, and it suited her skin tones, which were milky with a hint of rose beneath. she'd inherited her father's changeable hazel eyes. This morning they were heavy, the color of cloudy seas, and already carefully accented with mascara and liner. "Waffles," she said. Her voice was a feline purr she'd practiced religiously and made her own. "Yum." Unimpressed, Brian cut the first bite as he stood, and shoveled it into his mouth. "Mine." Lexy tossed back her gypsy mane of hair, strolled over to the breakfast bar and pouted prettily. she fluttered her lashes and smiled when Brian set the plate in front of her. "Thanks, sweetie." she laid a hand on his cheek and kissed the other. Lexy had the very un-Hathaway like habit of touchinG , kissing, hugging. Brian remembered that after their mother had left, Lexy had been like a puppy, always leaping into someone's arms, looking for a snuggle. Hell, he thought, she'd only been four. He gave her hair a tug and handed her the syrup. "Anyone else up?" "Mmm. The couPle in the blue room are stirring. Cousin Kate was in the shower." "I thought you were handling the breakfast shift this morning." "I am," she told him with her mouth frill. He lifted a brow, skimmed his gaze over her short, thin, wildly patterned robe. "Is that your new waitress uniform?" she crossed long legs and slipped another bite of waffle between her lips. "Like it?" "You'll be able to retire on the tips." "Yeah." she gave a half laugh and pushed at the waffles on her plate. "That's been my lifelong dream-serving food to strangers and clearing away their dirty plates, saving the pocket change they give me so I can retire in splendor." "We all have our little fantasies," Brian said lightly and set a cup of coffee, loaded with cream and sugar, beside her. He understood her bitterness and disappointment, even if he didn't agree with it. Because he loved her, he cocked his head and said, "Want to hear mine?" "Probably has something to do with winning the Betty Crocker recipe contest." "Hey, it could happen." "I was going to be somebody, Bri." "You are somebody. Alexs Hathaway, Island Princess." she rolled her eyes before she picked up her coffee. "I didn't last a year in New York. Not a damn year." "Who wants to?" The very idea gave him the creeps. Crowded streets, crowded smells, crowded air. "It's a little tough to be an actress on Desire." "Honey, you ask me, you're doing a hell of a job of it. And if you're going to sulk, take the waffles up to your room. You're spoiling my mood." "It's easy for you." she shoved the waffles away. Brian nabbed the plate before it slid off the counter. "You've got what you want. Living in nowhere day after day, year after year. Doing the same thing over and over again. Daddy's practically given the house over to you so he can tromp around the island all day to make sure nobody moves so much as one grain of his precious sand." she pushed herself up from the stool, flung out her arms. "And Jo's got what she wants. Big-fucking-deal photographer, traveling all over the world to snap her pictures. But what do I have? just what do I have? A pathetic rdsumd with a couple of commercials, a handful of walk-ons, and a Icad in a three-act play that closed in Pittsburgh on opening night. Now I'm stuck here again, waiting tables, changing other people's sheets. And I hate it." He waited a moment, then applauded. "Hell of a speech, Lex. And you know just what words to punch. You might want to work on the staging, though. The gestures lean toward grandiose." Her lips trembled, then firmed. "Damn you, Bri." she jerked her chin up before stalking out. Brian picked up her fork. Looked like he was two for two that morning, he thought, and decided to finish off her breakfast as well. I Within an hour Lexy was all smiles and southern sugared charm. she was a skilled waitress-which had saved her from total poverty during her stint in New York-and served her tables with every appearance of pleasure and unhurried grace. she wore a trim skirt just short enough to irritate Brian, which had been her intention, and a cap-sleeved sweater that she thought showed off her figure to best advantage. she had a good one and worked hard to keep it that way. It was a tool of the trade whether waitressing or acting. As was her quick, sunny smile. "Why don't I warm that coffee up for you, Mr. Benson? How's your omelette? Brian's an absolute wonder in the kitchen, isn't he? Since Mr. Benson seemed so appreciative of her breasts, she leaned over a bit further to give him frill bang for his buck before moving to the next table. "You're leaving us today, aren't you?" she beamed at the newlyweds cuddling at a corner table. "I hope y'all come back and see us again." she sailed through the room, gauging when a customer wanted to chat, when another wanted to be left alone. As usual on a weekday morning, business was light and she had plenty of opportunity to play the room. What she wanted to play was packed houses, those grand theaters of New York. Instead, she thought, keeping that summer-sun smile firmly in place, she was cast in the role of waitress in a house that never changed, on an island that never changed. It had all been the same for hundreds of years, she thought. Lexy wasn't a woman who appreciated history. As far as she was concerned, the past was boring and as tediously carved in stone as Desire and its scattering of families. Pendletons married Fitzsimmonses or Brodies or Verdons. The island's Main Four. Occasionally one of the sons or daughters took a detour and married a mainlander. Some even moved away, but almost invariably they remained, living in the same cottages generation after generation, sprinkling a few more names among the permanent residents. It was all so ... predictable, she thought, as she flipped her order pad brightly and beamed down at her next table. Her mother had married a mainlander, and now the Hathaways reigned over Sanctuary. It was the Hathaways who had lived there, worked there, sweated time and blood over the keeping of the house and the protection of the island for more than thirty years now. But Sanctuary still was, and always would be, the Pendleton house, high on the hill. And there seemed to be no escaping from it. she stuffed tips into her pocket and carried dirty plates away. The minute she stepped into the kitchen, her eyes went frigid. she shed her charm like a snake sheds its skin. It only infuriated her more that Brian was impervious to the cold shoulder she jammed in his face. she dumped the dishes, snagged the fresh pot of coffee, then swung back into the dining room. For two hours she served and cleared and replaced setups-and dreamed of where she wanted to be. Broadway. she'd been so sure she could make it. Everyone had told her she had a natural talent. Of course, that was before she went to New York and found herself up against hundreds of other young women who'd been told the same thing. she wanted to be a serious actress, not some airheaded bimbo who posed for lingerie ads and billed herself as an actress-model. she'd fully expected to start at the top. After all, she had brains and looks and talent. Her first sight of Manhattan had filled her with a sense of purpose and energy. It was as if it had been waiting for her, she thought, as she calculated the tab for table six. All those people, and that noise and vitality. And, oh, the stores with those gorgeous clothes, the sophisticated restaurants, and the overwhelming sense that everyone had something to do, somewhere to go in a hurry. she had something to do and somewhere to go too. Of course, she'd rented an apartment that had cost far too much. But she hadn't been willing to settle for some cramped little room. she treated herself to new clothes at Bendel's, and a full day at Elizabeth Arden. That ate a large chunk out of her budget, but she considered it an investment. she wanted to look her best when she answered casting calls. Her first month was one rude awakening after another. she'd never expected so much competition, or such desperation on the faces of those who lined up with her to audition for part after part. And she did get a few offers-but most of them involved her aditioning on her back. she had too much pride and too much selfconfidence for that. Now that pride and self-confidence and, she was forced to admit, her own nafvetd, had brought her full circle. But it was only temporary, Lexy reminded herself In a little less than a year she would turn twenty-five and then she'd come into her inheritance. What there was of it. she was going to take it back to New York, and this time she'd be smarter, more cautious, and more clever. she wasn't beaten, she decided. she was taking a sabbatical. One day she would stand on stage and feel all that love and admiration from the audience roll over her. Then she would be someone. Someone other than Annabelle's younger daughter. she carried the last of the plates into the kitchen. Brian was already putting the place back into shape. No dirty pots and pans cluttered his sink, no spills and smears spoiled his counter. Knowing it was nasty, Lexy turned her wrist so that the cup stacked on top of the plates tipped, spilling the dregs of coffee before it shattered on the tile. "oops," she said and grinned wickedly when Brian turned his head. "You must enjoy being a fool, Lex," he said coolly. "You're so good at it." "Really?" Before she could stop herself, she let the rest of the dishes drop. They hit ' and crashed, scattering food and fragments of stoneware all over. "How's that?" "Goddamn it, what are you trying to prove? That you're as destructive as ever? That somebody will always come behind you to clean up your mess?" He stomped to a closet, pulled out a broom. "Do it yourself " He shoved the broom at her. "I won't." Though she already regretted the impulsive act, she shoved the broom back at him. The colorful Fiestaware was like a ruined carnival at their feet. "They're your precious dishes. You clean them up." "You're going to clean it up, or I swear I'll use this broom on your backside." "just try it, Bri." she went toe to toe with him. Knowing she'd been wrong was only a catalyst for standing her ground. "just try it and I'll scratch your damn eyes out. I'm sick to death of you telling me what to do. This is my house as much as it is yours." "Well, I see nothing's changed around here." Their faces still dark with temper, both Brian and Lexy turned and stared. Jo stood at the back door, her two suitcases at her feet and exhaustion in her eyes. "I knew I was home when I heard the crash followed by the happy voices." In an abrupt and deliberate shift of mood, Lexy slid her arm through Brian's, uniting them. "Look here, Brian, another prodigal's returned. I hope we have some of that fatted calf left." "I'll settle for coffee," Jo said, and closed the door behind her. Jo stood at the window in the bedroom of her childhood. The view was the same. Pretty gardens patiently waiting to be weeded and fed. Mounds of alyssum were already golden and bluebells were waving. Violas were sunning their sassy little faces, guarded by the tall spears of purple iris and cheerful yellow tulips. Impatiens and dianthus bloomed reliably. There were the palms, cabbage and saw, and beyond them the shady oaks where lacy ferns and indifferent wildflowers thrived. The light was so lovely, gilded and pearly as the clouds drifted, casting soft shadows. The image was one of peace, solitude, and storybook perfection. If she'd had the energy, she'd have gone out now, captured it on film and made it her own. ought, to realize only now that she'd missed the view from the window of the room where she'd spent nearly every night of the first eighteen years of her life. she'd whiled away many hours gardening with her mother, learning the names of the flowers, their needs and habits, enjoying the feel of soil under her fingers and the sun on her back. Birds and butterflies, the tinkle of wind chimes, the drift of puffy clouds overhead in a soft blue sky were treasured memories from her early childhood. Apparently she'd forgotten to hold on to them, Jo decided, as she turned wearily from the window. Any pictures she'd taken of the scene, with her mind or with her camera, had been tucked away for a very long time. Her room had changed little as well. The family wing in Sanctuany still glowed with Annabelle's style and taste. For her older daughter she'd chosen a gleaming brass half-tester bed with a lacy canopy and a complex and fluid design of cornices and knobs. The spread was antique Irish lace, a Pendleton heirloom that Jo had always loved because of its pattern and texture. And because it seemed so sturdy and ageless. On the wallpaper, bluebells bloomed in cheerful riot over the ivory background, and the trim was honey-toned and warm. Annabelle had selected the antiques-the globe lamps and maple tables, the dainty chairs and vases that had always held fresh flowers. she'd wanted her children to learn early to live with the precious and care for it. On the mantel over the little marble fireplace were cadlcs and seashells. On the shelves on the opposite wall were books rather than dolls. Even as a child, Jo had had little use for dolls. Annabelle was dead. No matter how much of her stubbornly remained in this room, in this house, on this island, she was dead. Sometime in the last twenty years she had died, made her desertion complete and irrevocable. Dear God, why had someone immortalized that death on film? Jo wondered, as she buried her face in her hands. And why had they sent that immortalization to Annabelle's daughter? DEATH OF AN ANGEL Those words had been printed on the back of the photograph. Jo remembered them vividly. Now she rubbed the heel of her hand hard between her breasts to try to calm her heart. What kind of sickness was that? she asked herself. What kind of threat? And how much of it was aimed at herself? It had been there, it had been real. It didn't matter that when she got out of the hospital and returned to her apartment, the print was gone. she couldn't let it matter. If she admitted she'd imagined it, that she'd been hallucinating, she would have to admit that she'd lost her mind. How could she face that? But the print hadn't been there when she returned. All the others were, all those everyday images of herself, still scattered on the darkroom floor where she'd dropped them in shock and panic. But though she searched, spent hours going over every inch of the apartment, she didn't find the print that had broken her. If it had never been there ... Closing her eyes, she rested her forehead on the window glass. If she'd fabricated it, if she'd somehow wanted that terrible image to be fact, for her mother to be exposed that way, and dead-what did that make her? Which could she accept? Her own mental instability, or her mother's death? Don't think about it now. she pressed a hand to her mouth as her breath began to catch in her throat. Put it away, just like you put the photographs away. Lock it up until you're stronger. Don't break down again, Jo Ellen, she ordered herself. You'll end up back in the hospital, with doctors poking into both body and mind. Handle it. she drew a deep, steadying breath. Handle it until you can ask whatever questions have to be asked, find whatever answers there are to be found. she would do something practical, she decided, something ordinary, attempt the pretense, at least, of a normal visit home. she'd already lowered the front of the slant-top desk and set one of her cameras on it. But as she stared at it she realized that was as much unpacking as she could handle. Jo looked at the suitcases lying on the lovely bedspread. The thought of opening them, of taking clothes out and hanging them in the armoire, folding them into drawers was simply overwhelming. Instead she sat down in a chair and closed her eyes. What she needed to do was think and plan. she worked best with a list of goals and tasks, recorded in the order that would be the most practical and efficient. Coming home had been the only solution, so it was practical and efficient. It was, she promised herself, the first step. she just had to clear her mind, somehow-clear it and latch on to the next step. But she drifted, nearly dreaming. It seemed like only seconds had passed when someone knocked, but Jo found herself jerked awake and disoriented. she sprang to her feet, feeling ridiculously embarrassed to have nearly been caught napping in the middle of the day. Before she could reach the door, it opened and Cousin Kate poked her head in. "Well, there you are. Goodness, Jo, you look like three days of death. Sit down and drink this tea and tell me what's going on with you." It was so Kate, Jo thought, that frank, no-nonsense, bossy attitude. she found herself smiling as she watched Kate march in with the tea tray. "You look wonderful." "I take care of myself." Kate set the tray on the low table in the sitting area and waved one hand at a chair. "Which, from the looks of you, you haven't been doing. You're too thin, too pale, and your hair's a disaster of major proportions. But we'll fix that." Briskly she poured tea from a porcelain teapot decked with sprigs of ivy into two matching cups. "Now, then." she sat back, sipped, then angled her head. "I'm taking some time off," Jo told her. she'd driven down from Charlotte for the express purpose of giving herself time to rehearse her reasons and excuses for coming home. "A few weeks." "Jo Ellen, you can't snow me." They'd never been able to, Jo thought, not any of them, not from the moment Kate had set foot in Sanctuary. she'd come days after A.nnabelle's desertion to spend a week and was still there twenty years later. They'd needed her, God knew, Jo thought, as she tried to calculate just how little she could get away with telling Katherine Pedleton. she sipped her tea, stalling. Ic-ate was Annabelle's cousin, and the family resemblance was marked in the eyes, the coloring, the physical build. But where Annabelle, in Jo's memory, had always seemed soft and innately feminine, Kate was sharp-angled and precise. Yes, Kate did take care of herself, Jo agreed. she wore her hair boyishly short, a russet cap that suited her fox-at-alert face and practical style. Her wardrobe leaned toward the casual but never the sloppy. jeans were always pressed, cotton shirts crisp. Her nails were neat and short and never without three coats of clear polish. Though she was fifty, she kept herself trim and from the back could have been mistaken for a teenage boy. she had come into their lives at their lowest ebb and had never faltered. Had simply been there, managing details, pushing each of them to do whatever needed to be done next, and, in her no-nonsense way, bullying and loving them into at least an illusion of normality. "I've missed you, Kate," Jo murmured. "I really have." Kate stared at her a moment, and something flickered over her face. "You won't soften me up, Jo Ellen. You're in trouble, and you can choose to tell me or you can make me pry it out of you. Either way, I'll have it." "I needed some time off." That, Kate mused, was undoubtedly true; she could tell just from the looks of the girl. Knowing Jo, she doubted very much if it was a man who'd put that wounded look in her eyes. So that left work. Work that took Jo to strange and faraway places, Kate thought. Often dangerous places of war and disaster. Work that she knew her young cousin had deliberately put ahead of a life and a family. Little girl, Kate thought, my poor, sweet little girl. What have you done to yourself.? Kate tightened her fingers on the handle of her cup to keep them from trembling. "Were you hurt?" "No. No," Jo repeated and set her tea down to press her fingers to her aching eyes. "just overwork, stress. I guess I overextended myself in the last couple of months. The pressure, that's all." The photographs. Mama. Kate drew her brows together. The line that formed between them was known, not so affectionately, as the Pendleton Fault Line. "What kind of pressure eats the weight off of you, Jo Ellen, and makes your hands shake?" Defensively, Jo clasped those unsteady hands together in her lap. "I guess you could say I haven't been taking care of myself." Jo smiled a little. "I'm going to do better." Tapping her fingers on the arm of the chair, Kate studied Jo's face. The trouble there went too deep to be only professional concerns. "Have you been sick?" "No." The lie slid off her tongue nearly as smoothly as planned. Very deliberately she blocked out the thought of a hospital room, almost certain that Kate would be able to see it in her mind. "just a little run-down. I haven't been sleeping well lately." Edgy under Kate's steady gaze, Jo rose to dig cigarettes out of the pocket of the jacket she'd tossed over a chair. "I've got that book deal-I wrote you about it. I guess it's got me stressed out." she flicked on her lighter. "It's new territory for me." "You should be proud of yourself, not making yourself sick over it." "You're right. Absolutely." Jo blew out smoke and fought back the image of Annabelle, the photographs. "I'm taking some time off." It wasn't all, Kate calculated, but it was enough for now. "It's good you've come home. A couple of weeks of Brian's cooking will put some fat on you again. And God knows we could use some help around here. Most of the rooms, and the cottages, are booked straight through the summer." "So business is good?" Jo asked without much interest. "People need to get away from their own routings and pick up someone else's. Most that come here are looking for quiet and solitude or they'd be in Hilton Head or on Jekyll. Still, they want clean linen and fresh towels." Kate tapped her fingers, thinking briefly of the work stretched out before her that afternoon. "Lexy's been lending a hand," she continued, "but she's no more dependable than she ever was. just as likely to run off for the day as to do what chores need doing. she's dealing with some disappointments herself, and some growing-up pains." "Lex is twenty-four, Kate. she should be grown up by now." "Some take longer than others. It's not a fault, it's a fact." Kate rose, always ready to defend one of her chicks, even if it was against the pecks of another. "And some never learn to face reality," Jo put in. "And spend their lives blaming everyone else for their failures and disappointments." "Alexs is not a failure. You were never patient enough with her any more than she was with you. That's a fact as well." "I never asked her to be patient with me." Old resentments surfaced like hot grease on tainted water. "I never asked her, or any of them, for anything." "No, you never asked, Jo," Kate said evenly. "You might have to give something back if you ask. You might have to admit you need them if you let them need you. Well, it's time you all faced up to a few things. It's been two years since the three of you have been in this house together." "I know how long it's been," Jo said bitterly. "And I didn't get any more of a welcome from Brian and Lexy than I'd expected." "Maybe you'd have gotten more if you'd expected more." Kate set her jaw. "You haven't even asked about your father." Annoyed, Jo stabbed out her cigarette. "What would you like me to ask?" "Don't take that snippy tone with me, young lady. If you're going to be under this roof, you'll show some respect for those who provide it. And you'll do your part while you're here. Your brother's had too much of the running of this place on his shoulders these last few years. It's time the family pitched in. It's time you were a family." "I'm not an innkeeper, Kate, and I can't imagine that Brian wants me poking my fingers into his business." "You don't have to be an innkeeper to do laundry or polish furniture or sweep the sand off the veranda." At the ice in her long, Jo responded in defense and defiance. "I didn't say I wouldn't do my part, I just meant-" "I know exactly what you meant, and I'm telling you, young lady, I'm sick to death of that kind of attitude. Every one of you children would rather sink over your heads in the marsh than ask one of your siblings for a helping hand. And you'd strangle on your tongue before you asked your daddy. I don't know whether you're competing or just being ornery, but I want you to put it aside while you're here. This is home. By God, it's time it felt like one." "Kate," Jo began as Kate headed for the door. "No, I'm too mad to talk to you now." "I only meant . . . " When the door shut smartly, Jo let the air out of her lungs on a long sigh. Her head was achy, her stomach knotted, and guilt was smothering her like a soaked blanket. Kate was wrong, she decided. It felt exactly like home. From the fringes of the marsh, Sam Hathaway watched a hawk soar over its hunting ground. Sam had hiked over to the landward side of the island that morning, leaving the house just before dawn. He knew Brian had gone out at nearly the same hour, but they hadn't spoken. Each had his own way, and his own route. Sometimes Sam took a jeep, but more often he walked. Some days he would head to the dunes and watch the sun rise over the water, turning it bloody red, then golden, then blue. When the beach was all space and light and brilliance, he might walk for miles, his eyes keenly 'lldgfo ing erosion, looking r any fresh buildup of sand. He left shells where the water had tossed them. He rarely ventured onto the meadows. They were fragile, and every footfall caused damage and change. Sam fought bitterly against change. There were days he preferred to wander to the edge of the forest, behind the dunes, where the lakes and sloughs were full of life and music. There were mornings he needed the stillness and dim light there rather than the thunder of waves and the rising sun. He could, like the patient heron waiting for a careless fish, stand motionless as minutes ticked by. There were times among the ponds and stands of willow and thick film of duckweed that he could forget that any world existed beyond this, his own. Here, the alligator hidden in the reeds while it digested its last meal and the turtle sunning on the log, likely to become gator bait 'i-,self, were more real to him than people. But it was a rare, rare thing for Sam to go beyond the ponds and into the shadows of the forest. Annabelle had loved the forest best. Other days he was drawn here, to the marsh and its mysteries. Here was a cycle he could understand-growth and decay, life and death. This was nature and could be accepted. No man caused this or-as long as Sam was in control-would interfere with it. At the edges he could watch the fiddler crabs scurrying, so busy in the mud that they made quiet popping sounds, like soapsuds. Sam knew that when he left, raccoons and other predators would creep along the mud, scrape out those busy crabs, and feast. That was all part of the cycle. Now, as spring came brilliantly into its own, the waving cordgrass was turning from tawny gold to green and the turf was beginning to bloom with the colors of sea lavender and oxeye. He had seen more than thirty springs come to Desire, and he never tired of it. The land had been his wife's, passed through her family from generation to generation. But it had become his the moment he'd set foot on it. just as Annabelle had become his the moment he'd set eyes on her. He hadn't kept the woman, but through her desertion he had kept the land. Sam was a fatalist-or had become one. There was no avoiding destiny. The land had come to him from Annabelle, and he tended it carefully, protected it fiercely, and left it never. Though it had been years since he'd turned in the night reaching out for the ghost of his wife, he could find her anywhere and every where he looked on Desire. It was both his pain and his comfort. Sam could see the exposed roots of trees where the river was eating away at the fringe of the marsh. Some said it was best to take steps to protect those fringes. But Sam believed that nature found its way. If man, whether with good intent or ill, set his own hand to changing that river's course, what repercussions would it have in other areas? No, he would leave it be and let the land and the sea, the wind and the rain fight it out. From a few feet away, Kate studied him. He was a tall, wiry man with skin tanned and ruddy and dark hair silvering. His firm mouth was slow to smile, and slower yet were those changeable hazel eyes. Lines fanned out from those eyes, deeply scored and, in that oddity of masculinity, only enhancing his face. He had large hands and feet, both of which he'd passed on to his son. Yet Kate knew Sam could move with an uncanny and soundless grace that no city dweller could ever master. In Twenty years he had never welcomed her nor expected her to leave. she had simply come and stayed and fulfilled a purpose. In weak moments, Kate allowed herself to wonder what he would think or do or say if she simply packed up and left. But she didn't leave, doubted she ever would. she'd been in love with Sam Hathaway nearly every moment of those twenty years. l(ate squared her shoulders, set her chin. Though she suspected he already knew she was there, she knew he wouldn't speak to her unless she spoke first. "Jo Ellen canic in on the morning ferry." Sam continued to watch the hawk circle. Yes, he'd known Kate was there, just as he'd known she had some reason she thought important that would have brought her to the marsh. Kate wasn't one for mud and gators. "Why?" was all he said, and extracted an impatient sigh from l(ate. "It's her home, isn't it?" His voice was slow, as if the words were formed reluctantly. "Don't figure she thinks of it that way. Hasn't for a long time." "VAiatever she thinks, it is her home. You're her father and you'll want to welcome her back." He got a picture of his older daughter in his mind. And saw his wife with a clarity that brought both despair and outrage. But only disinterest showed in his voice. "I'll be up to the house later on." "It's been nearly two years since she's been home, Sam. For Lord's sake, go see your daughter." He shifted, annoyed and uncomfortable. Kate had a way of drawing out those reactions in him. "There's time, unless she's planning on taking the ferry back to the mainland this afternoon. Never could stay in one place for long, as I recall. And she couldn't wait to get shed of Desire." "Going off to college and making a career and a life for herself isn't desertion." Though he didn't move or make a sound, Kate knew the shaft had hit home, and was sorry she'd felt it necessary to hurl it. "she's back now, Sam. I don't think she's up to going anywhere for a while, and that's not the point." Kate marched up, took a firm hold on his arm, and turned him to face her. There were times you had to shove an obvious point in Sam's face to make him see it, she thought. And that was just what she intended to do now. "she's hurting. she doesn't look well, Sam. she's lost weight and she's pale as a sheet. she says she hasn't been ill, but she's lying. she looks like you could knock her down with a hard thought." For the first time a shadow of worry moved into his eyes. "Did she get hurt on her job?" There, finally, Kate thought, but was careful not to show the satisfaction. "It's not that kind of hurt," she said more gently. "It's an inside hurt. I can't put my finger on it, but it's there. she needs her home, her family. she needs her father." "If Jo's got a problem, she'll deal with it. she always has." "You mean she's always had to," Kate tossed back. she wanted to shake him until she'd loosened the lock he had snapped on his heart. "Damn it, Sam, be there for her." He looked beyond Kate, to the marshes. "she's past the point where she needs me to bandage up her bumps and scratches." "No, she's not." Kate dropped her hand from his arm. "she's still your daughter. she always will be. Belle wasn't the only one who went away, Sam." she watched his face close in as she said it and shook her head fiercely. "Brian and Jo and Lexy lost her, too. But they shouldn't have had to lose you." His chest had tightened, and he turned away to stare out over the marsh, knowing that the pressure inside him would ease again if he was left alone. "I said I'd be up to the house later on. Jo Ellen has something to say to me, she can say it then." "One of these days you're going to realize you've got something to say to her, to all of them." she left him alone, hoping he would realize it soon. Brian stood in the doorway of the west terrace and studied his sister. she looked frail, he noted, skittish. lost somehow, he thought, amid the sunlight and flowers. she still wore the baggy trousers and oversized lightweight sweater that she'd arrived in, and had added a pair of round wire-framed sunglasses. Brian imagined that Jo wore just such a uniform when she hunted her photographs, but at the moment it served only to add to the overall impression of an invalid. Yet she'd always been the tough one, he remembered. Even as a child she'd insisted on doing everyffung herself, on finding the answers, solving the puzzles, fighting the fights. she'd been fearless, climbing higher in any tree, swimming farther beyond the waves, running faster through the forest. just to prove she could, Brian mused. It seemed to him Jo Ellen had always had something to prove. And after their mother had gone, Jo had seemed hell-bent on proving she needed no one and nothing but herself Well, Brian decided, she needed something now. He stepped out, saying nothing as she turned her head and looked at him from behind the tinted lenses. Then he sat down on the glider beside her and put the plate he'd brought out in her lap. "Eat," was all he said. Jo looked down at the fried chicken, the fresh slaw, the golden hiscult. "Is this the lunch special?" ,,Most of the guests went for the box lunch today. Too nice to eat inside." "Cousin Kate said you've been busy." "Busy enough." Out of habit, he pushed off with his foot and set the glider in motion. "What are you doing here, Jo?" "Seemed like the thing to do at the time." she lifted a drumstick, bit in. Her stomach did a quick pitch and roll as if debating whether to accept food. Jo persisted and swallowed. "I'll do my share, and I won't get in your way." Brian listened to the squeak of the glider for a moment, thought about oiling the hinges. "I haven't said you were in my way, as I recollect," he said mildly. "In Lexy's way, then." Jo took another bite of chicken, scowled at the soft-pink ivy geraniums spilling over the edges of a concrete jardiniere carved with chubby cherubs. "You can tell her I'm not here to cramp her style." "Tell her yourself." Brian opened the thermos he'd brought along and poured freshly squeezed lemonade into the lid. "I'm not stepping between the two of you so I can get my ass kicked from both sides." "Bri, stay out of it, then." Her head was beginning to ache, but she took the cup and sipped. "I don't know why the hell she resents me so much." "Can't imagine." Brian drawled it before he lifted the thermos and drank straight from the lip. "You're successful, famous, financially independent, a rising star in your field. All the things she wants for herself." He picked up the biscuit and broke it in half, handing a portion to Jo as the steam burst out. "I can't think why that'd put her nose out of joint." "I did it by myself for myself. I didn't work my butt off to get to this point to show her up." Without thinking, she stuffed a bite of biscuit in her mouth. "It's not my fault she's got some childish fantasy about seeing her name in lights and having people throw roses at her feet." "Your seeing it as childish doesn't make the desire any less real for her." He held up a hand before Jo could speak. "And I'm not getting in the middle. The two of you are welcome to rip the hide off each other in your own good time. But I'd say right now she could take you without breaking a sweat." "I don't want to fight with her," Jo said wearily. she could smell the wisteria that rioted over the nearby arched iron trellis-another vivid memory of childhood. "I didn't come here to fight with anyone." "That'll be a change." That lured a ghost of a smile to her lips. "Maybe I've mellowed." "Miracles happen. Eat your slaw." "I don't remember you being so bossy." "I've cut back on mellow." With what passed as a chuckle, Jo picked up her fork and poked at the slaw. "Tell me what's new around here, Bri, and what's the same." Bring me home, she thought, but couldn't say it. Bring me back. "Let's see, Gaff Verdon built on another room to the Verdon cottage." "Stop the presses." Then Jo's brow furrowed. "Young Giff, the scrawny kid with the cowlick. The one who was always mooning over Lex? "That's the one. Filled out some, Gaff has, and he's right handy with a hammer and saw. Does all our repair work now. Still moons over Lexy, but I'd say he knows what he wants to do about it now." Jo snorted and, without thinking, shoveled in more slaw. "she'll eat him alive." Brian shrugged. "Maybe, but I think she'll find him tougher to chew up than she might expect. The Sanders girl, Rachel, she got herself engaged to some college boy in Atlanta. Going to move there come September." "Rachel Sanders." Jo tried to conjure up a mental image. "Was she the one with the lisp or the one with the giggle?" "The giggle-sharp enough to make the ears bleed." Satisfied that Jo was eating, Brian stretched an arm over the back of the glider and relaxed. "Old Mrs. Fitzsimmons passed on more than a year back." "Old Mrs. Fitzsimmons," Jo murmured. "she used to shuck oysters on her porch, with that lazy hound of hers sleeping at her feet beside the rocker." "The hound passed, too, right after. Guess he didn't see much point in living without her." "she let me take pictures of her," Jo remembered. "When I was a kid, just learning. I still have them. A couple weren't bad. Mr. David helped me develop them. I must have been such a pest, but she just sat there in her rocker and let me practice on her." Sitting back, Jo fell into the rhythm of the glider, as slow and monotionous as the rhythm of the island. "I hope it was quick and painless." "she died in her sleep at the ripe old age of ninety-six. Can't do much better than that." "No." Jo closed her eyes, the food forgotten. "What was wrong with her cottage?" "Passed down. The Pendletons bought most of the Fitzslmmons land back in 1923, but she owned her house and the little spit of land it sits on. Went to her granddaughter." Brian lifted the thermos again, drank deeply this time. "A doctor. she's set up a practice here on the island." "We have a doctor on Desire?" Jo opened her eyes, lifted her brows. "Well, well. How civilized. Are people actually going to her?" "Seems they are, little by little, anyway. she's dug her toes in." "she must be the first new permanent resident here in what, ten years? " :,Thereabouts." 'I can't imagine why . Jo trailed off as it struck her. "It's not Kirby, is it? Kirby Fitzsimmons? she spent summers here a couple of years running when we were kids." "I guess she liked it well enough to come back." "I'll be damned. Yirby Fitzsimmons, and a doctor, of all things." Pleasure bloomed, a surprising sensation she nearly didn't recognize. "We used to pal around together some. I remember the summer Mr. David came to take photographs of the island and brought his family. It cheered her to think of it, the young friend with the quick northern voice, the adventures they'd shared or imagined together. "You would run off with his boys and wouldn't give me the time of day," Jo continued. "When I wasn't pestering Mr. David to let me take pictures with his camera, I'd go off with Yirby and look for trouble. Christ, that was twenty years ago if it was a day. It was the summer that . . Brian nodded, then finished the thought. "The summer that Mama left." "It's all out of focus," Jo murmured, and the pleasure died out of her voice. "Hot sun, long days, steamy nights so full of sound. All the faces." she slipped her fingers under her glasses to rub at her eyes. "Getting up at sunrise so I could follow Mr. David around. Bolting down cold ham sandwiches and cooling off in the river. Mama dug out that old camera for me-that ancient box Brownie-and I would run over to the Fitzsimmons cottage and take pictures until Mrs. Fitzsimmons told Yirby and me to scoot. There were hours and hours, so many hours, until the sun went down and Mama called us home for supper." she closed her eyes tight. "So much, so many images, yet I can't bring any one of them really clear. Then she was gone. One morning I woke up ready to do all the things a long summer day called for, and she was just gone. And there was nothing to do at all." "Summer was over," Brian said quietly. "For all of us." "Yeah." Her hands had gone trembly again. Jo reached in her pockets for cigarettes. "Do you ever think about her?" "Why would I?" "Don't you ever wonder where she went? What she did?" Jo took a jerky drag. In her mind she saw long-lidded eyes empty of life. "Or why?" "It doesn't have anything to do with me." Brian rose, took the plate. "Or you. Or any of us anymore. It's twenty years past that summer, Jo Ellen, and a little late to worry about it now." she opened her mouth, then shut it again when Brian turned and walked back into the house. But she was worried about it, she thought. And she was terrified. Lexy was still steaming as she climbed over the dunes toward the beach. Jo had come back, she was sure, to flaunt her success and her snazzy life. And the fact that she'd arrived at Sanctuary hard on the heels of Lexy's own failure didn't strike Lexy as coincidence. Jo would flap her wings and crow in triumph, while Lexy would have to settle for eating crow. The thought of it made her blood boil as she raced along the tramped-down sand through the dunes, sending sand flying from her sandals. Not this time, she promised herself This time she would hold her head up, refuse to be cast as inferior in the face of Jo's latest triumph, latest trip, latest wonder. she wasn't going to play the hotshot's baby sister any longer. she'd outgrown that role, Lexy assured herself And it was high time everyone realized it. There was a scattering of people on the wide crescent of beach. They had staked their claims with their blankets and colorful umbrellas. Slic noted several with the brightly striped box lunches from Sanctuary. The scents of sea and lotions and fried chicken assaulted her nostrils. A toddler shoveled sand into a red bucket while his mother read a paperback novel in the shade of a portable awning. A man was slowly turning into a lobster under the merciless sun. Two couples she had served that morning were sharing a picnic and laughing together over the clever voice of Annie Lennox on their portable stereo. she didn't want them-any of them-to be there. On her beach, in her personal crisis. To dismiss them, she turned and walked away from the temporary development, down the curve of beach. she saw the figure out in the water, the gleam of tanned, wet shoulders, the glint of sun-bleached hair. Gaff was a reliable creature of habit, she thought, and he was just exactly what the doctor called for. He invariably took a quick swim during his afternoon break. And, Lexy knew, he had his eye on her. He hadn't made a secret of it, she mused, and she wasn't one to resent the attentions of an attractive man. Particularly when she needed her ego soothed. she thought a little flirtation, and the possibility of mindless sex, might put the day back on track. People said her mother had been a flirt. Lexy hadn't been old enough to remember anything more than vague images and soft scents when it came to Annabelle, but she believed she'd come by her skill at flirtation naturally. Her mother had enjoyed looking her best, smiling at men. And if the theory of a secret lover was fact, Annabelle had more than smile at at least one man. In any case, that's what the police had concluded after months of investigation. Lexy thought she was good at sex; she had been told so often enough to consider it a fine personal skill. As far as she was concerned, there was little else that compared to it for shouldering away tension and being the focus of someone's complete attention. And she liked it, all the hot, slick sensations that went with it. It hardly mattered that most men didn't have a clue whether a woman was thinking about them or the latest Hollywood pretty boy while it was going on. As long as she performed well and remembered the right lings. Lexy considered herself born to perform. And she decided it was time to open that velvet curtain for GiffVerdon. she dropped the towel she'd brought with her onto the packed sand. she didn't have a doubt that he was watching her. Men did. As if on stage, Lexy put her heart into the performance. Standing near the edge of the water, she slipped off her sunglasses, let them fall lifelessly onto the towel. Slowly, she stepped out of her sandals, then, taking the hem of the short-skirted sundress she wore, she lifted it, making the movements a lazy striptease. The bikini underneath covered little more than a stripper's G-string and pasties would have. Dropping the thin cotton, she shook her head, skimmed her hair back with both hands, then walked with a siren's swagger of hips into the sea. Gaff let the next wave roll over him. He knew that every movement, every gesture Lexy made was deliberate. It didn't seem to make any difference. He couldn't take his eyes off her, couldn't prevent his body from going tight and hard and needy as she stood there, all Iuscious curves and pale gold skin, with her hair spiraling down like sunkissed flames. As she walked into the water, and it moved up her body, he imagined what it would be like to rock himself inside her to the rhythm of the waves. she was watching him too, he noted, her eyes picking up the green of the sea, and laughing. she dipped down, rose up again with her hair shiny and wet, water sliding off her skin. And she laughed out loud. "Water's cold today," she called out. "And a little rough." "You don't usually come in till June." "Maybe I wanted it cold today." she let the wave carry her closer. "And rough." "It'll be colder and rougher tomorrow," he told her. "Rain's coming." "Mmm." she floated on her back a moment, studying the pale blue sky. "Maybe I'll come back." Letting her feet sink, she began to tread water as she watched him. she'd grown accustomed to his dark brown eyes watching her like a puppy when they were teenagers. They were the same age, had grown up all but shoulder to shoulder, but she noticed there had been a few changes in him during her year in New York. His face had fined down, and his mouth seemed firmer and more confident. The long lashes that had caused the boys to tease him mercilessly in his youth no longer seemed feminine. His light brown hair el was needle-straight and streaked from the sun. When he smiled at her, dimples-another curse of his youth-dented his cheeks. "See something interesting?" he asked her. "I might." His voice matched his face, she decided. All grown-up and male. The flutter in her stomach was satisfying, and unexpectedly strong. "I just might." "I figure you had a reason for swimming out here mostly naked. Not that I didn't enjoy the view, but you want to tell me what it is? Or do you want me to guess?" she laughed, kicking against the current to keep a teasing distance between them. "Maybe I just wanted to cool off." "I imagine so." He smiled back, satisfied that he understood her better than she could ever imagine. "I heard Jo came in on the morning ferry." The smile slid away from her face and left her eyes cold. "So what?" "So, you want to blow off some steam? Want to use me to do it?" When she hissed at him and started to kick out to swim back to shore, he merely nipped her by the waist. "I'll oblige you," he said as she tried to wiggle free. "I've been wanting to anyway." "Get your hands-" The end of her demand was lost in a surprised grunt against his mouth. she'd never expected reliable Gaff Verdon to move so quickly, or so decisively. she hadn't realized his hands were so big, or so hard, or that his mouth would be so ... sexy as it crushed down on hers with the cool tang of the sea clinging to it. For form's sake she shoved against him, but ruined it with a throaty little moan as her lips parted and invited more. she tasted exactly as he'd imagined-hot and ready, the sex kitten mouth slippery and wet. '1'he fantasies he'd woven for over ten years simply fell apart and reformed in fresh, wild colors threaded with helpless love and desperate need. When she wrapped her legs around his waist, rocked her body against his, he was lost. "I want you." He tore his mouth from hers to race it along her throat while the waves tossed them about and into a tangle of limbs. "Damn you, Lex, you know I've always wanted you." Water flowed over her head, filled it with roaring. The sea sucked her down, made her giddy. Then she was in the dazzling sunlight again with his mouth fused to hers. "Now, then. Right now." she panted it out, amazed at how real the need was, that tight, hot little ball of it. "Right here." He'd wanted her like this as long as he could remember. Ready and willing and eager. His body pulsed toward pain with the need to be in her, and of her. And he knew if he let that need rule, he would take her and lose her in one flash. Instead he slid his hands down from her waist to cup and knead her bottom, used his thumbs to torment her until her eyes went dark and blind. "I've waited, Lex." And let her go. "So can you." she struggled to stay above the waves, sputtered out water as she gaped at him. "What the hell are you talking about?" "I'm not interested in scratching your itch and then watching you walk off purring." He lifted a hand to push back his dripping hair. "When you're ready for more than that, you know where to find me." "You son of a bitch." "You go work off your mad, honey. We'll talk when you've had time to think it through calm." His hand shot out, grabbed her arm. "When I make love with you, that's going to be it for both of us. You'll want to think about that too." she shoved his hand away. "Don't you touch me again, Gaff Verdon. "I'm going to do more than touch you," he told her as she dove under to swim toward shore. "I'm going to marry you," he said, only loud enough for his own ears. He let out a long breath as he watched her stride out of the water. "Unless I kill myself first." To case the throbbing in his system, he sank under the water. But as the taste of her continued to cling to his mouth, he decided he was either the smartest man on Desire or the stupidest. Jo had just drummed up the energy to take a walk and had reached the edges of the garden when Lexy stormed up the path. she hadn't bothered to towel off, so the little sundress was plastered against her like skin. Jo straightened her shoulders, lifted an eyebrow. "Well, how's the water?" "Go to hell." Breath heaving, humiliation still stinging, Lexy planted her feet. "just go straight to hell." "I'm beginning to think I've already arrived. And so far my welcome's been pretty much as expected." "Why should you expect anything? This place means nothing to you ancd neither do we." "How do you know what means anything to me, Lexy?" "T don't see you changing sheets, clearing tables. When's the last time you scrubbed a toilet or mopped a damn floor?" "Is that what you've been doing this afternoon?" Jo skimmed her gaze up Lexy's damp and sandy legs to her dripping hair. "Must have been some toilet." "I don't have to explain myself to you." "Same goes, Lex." When Jo started to move past, Lexy grabbed her arm and jerked. "Why did you come back here?" Weariness swamped her suddenly, made her want to weep. "I don't know. But it wasn't to hurt you. It wasn't to hurt anybody. And I'm too tired to fight with you now." Baffled, Lexy stared at her. The sister she knew would have waded in with words, scraped flesh with sarcasm. she'd never known Jo to tremble and back off. "What happened to you?" "I'll let you know when I figure it out." Jo shook off the hand blocking her. "Leave me alone, and I'll do the same for you." she walked quickly down the path, took its curve toward the sea. she barely glanced at the dune swale with its glistening grasses, never looked up to follow the flight of the gull that called stridently. she needed to think, she told herself. just an hour or two of quiet thought. she would figure out what to do, how to tell them. If she should tell them at all. Could she tell them about her breakdown? Could she tell anyone that she'd spent two weeks in the hospital because her nerves had snapped and something in her mind had tilted? Would they be sympathetic, ambivalent, or hostile? And what did it matter? How could she tell them about the photograph? No matter how often she was at sword's point with them, they were her family. How could she put them through that, dredging up the pain and the past? And if any of them demanded to see it, she would have to tell them it was gong. just like Annabelle. Or it had never existed. They would think her mad. Poor Jo Ellen, mad as a hatter. Could she tell them she'd spent days trembling inside her apartment, doors locked, after she'd left the hospital? That she would catch herself searching mindlessly, frantically, for the print that would prove she wasn't really ill? And that she had come home, because she'd finally had to accept that she was ill. That if she had stayed locked in that apartment alone for another day, she would never have found the courage to leave it again. Still, the print was so clear in her mind. The texture, the tones, the composition. Her mother had been young in the photograph. And wasn't that the way Jo remembered her-young? The long waving hair, the smooth skin? If she was going to hallucinate about her mother, wouldn't she have snapped to just that age? Nearly the same age she herself was now, Jo thought. That was probably another reason for all the dreams, the fears, the nerves. Had Annabelle been as restless and as edgy as her daughter was? Had there been a lover after all? There had been whispers of that, even a child had been able to hear them. There'd been no hint of one, no suspicion of infidelity before the desertion. But afterward the rumors had been rife, and tongues had clucked and wagged. But then, Annabelle would have been discreet, and clever. she had given no hint of her plans to leave, yet she had left. Wouldn't Daddy have known? Jo wondered. Surely a man knew if his wife was restless and dissatisfied and unhappy. she knew they had argued over the island. Had that been enough to do it, to make Annabelle so unhappy that she would turn her back on her home, her husband, her children? Hadn't he seen it, or had he even then been oblivious to the feelings of the people around him? It was so hard to remember if it had ever been different. But surely there had once been laughter in that house. Echoes of it still lingered in her mind. Quick snapshots of her parents embracing in the kitchen, of her mother laughing, of walking on the beach with her father's hand holding hers. They were dim pictures, faded with time as if improperly fixed, but they were there. And they were real. If she had managed to block so many memories of her mother out of her mind, then she could also bring them back. And maybe she would begin to understand. Then she would decide what to do. The crunch of a footstep made her look up quickly. The sun was .behind him, casting him in shadow. A cap shielded his eyes. His stride was loose and leggy. Another long-forgotten picture snapped into her mind. she saw herself as a little girl with flyaway hair racing down the path, giggling, calling, then leaping high. And his arms had reached out to catch her, to toss her high, then hug her close. Jo blinked the picture away and the tears that wanted to come with it. He didn't smile, and she knew that no matter how she worked to negate it, he saw Annabelle in her. she lifted her chin and met his eyes. "Hello, Daddy." "Jo Ellen." He stopped a foot away and took her measure. He saw that Kate had been right. The girl looked ill, pale, and strained. Because he didn't know how to touch her, didn't believe she would welcome the touch in any case, he dipped his hands into his pockets. "Kate told me you were here." "I came in on the morning ferry," she said, knowing the information was unnecessary. For a difficult moment they stood there, more awkward than strangers. Sam shifted his feet. "You in trouble?" "I'm just taking some time off "You look peaked." "I've been working too hard." Frowning, he looked deliberately at the camera hanging from a strap around her neck. "Doesn't look like you're taking time off to me." In an absent gesture, she cupped a hand under the camera. "Old habits are hard to break." "They are that." He huffed out a breath. "There's a pretty light on the water today, and the waves are up. Guess it'd make a nice picture." "I'll check it out. Thanks." "Take a hat next time. You'll likely burn." "Yes, you're right. I'll remember." He could think of nothing else, so he nodded and started up the path, moving past her. "Mind the sun." "I will." she turned away quickly, walking blindly now because she had smelled the island on him, the rich, dark scent of it, and it broke her heart. Miles away in the hot red glow of the darkroom light, he slipped paper, emulsion side up, into a tray of developing fluid. It pleased him to re-create the moment from so many years before, to watch it form on the paper, shadow by shadow and line by line. He was nearly done with this phase and wanted to linger, to draw out all the pleasure before he moved on. He had driven her back to Sanctuary. The idea made him chuckle and preen. Nothing could have been more perfect. It was there that he wanted her. Otherwise he would have taken her before, half a dozen times before. But it had to be perfect. He knew the beauty of perfection and the ki fu Iy toward creating it. satisfaction of wor ng care I Not Annabelle, but Annabelle's daughter. A perfect circle closing. she would be his triumph, his masterpiece. Claiming her, taking her, killing her. And every stage of it would be captured on film. Oh, how Jo would appreciate that. He could barely wait to explain it all to her, the one person he was certain would understand his ambition and his art. Her work drew him, and his understanding of it made him feel intimate with her already. And they would become more intimate yet. Smiling, he shifted the print from the developing tray to the stop bath, swishing it through before lifting it into the fixer. Carefully, he checked the temperature of the wash, waiting patiently until the timer rang and he could switch on the white light and examine the print. Beautiful, just beautiful. Lovely composition. Dramatic lighting such a perfect halo over the hair, such lovely shadows to outline the body and highlight skin tones. And the subject, he thought. Perfection. When the print was fully fixed, he lifted it out of the tray and into the running water of the wash. Now he could allow himself to dream of what was to come. He was closer to her than ever, linked to her through the photographs that reflected each of their lives. He could barely wait to send her the next. But he knew he must choose the time with great care. On the worktable beside him a battered journal lay open, its precisely written words faded from time. The decisive moment is the ultimate goal in my work. Capturing that short, passing event where all the elements, all the dynamics of a subject reach a peak. %%at more decisive moment can there be than death? And how much more control can the photographer have over the's moment, over the capturing of it on film, than to plan and stage and cause that deatb? Yhat single act)'Or'ns subject and artist, makes him part of the art, and the image created. Since I will kill only one woman, manipulate only one deet'si've moment, I have chosen her with great care. Her name is Annabelle. With a quiet sigh, he hung the print to dry and turned on the white light to better study it. "Annabelle," he murmured. "So beautiful. And your daughter is the image of you." He left Annabelle there, staring, staring, and went out to complete his plans for his stay on Desire. The ferry steamed across Pelican Sound, heading east to lost Desire. Nathan Delaney stood at the starboard rail as he had done before as a ten-year-old boy. It wasn't the same ferry, and he was no longer a boy, but he wanted to re-create the moment as closely as possible. It was cool with the breeze off the water, and the scent of it was raw and mysterious. It had been warmer before, but then it had been late May rather than mid-April. Close enough, he thought, remembering how he and his parents and his young brother had all crowded together at the starboard rail of another ferry, eager for their first glimpse of Desire and the start of their island summer. He could see little difference. Spearing up from the land were the majestic live oaks with their lacy moss, cabbage palms, and glossyleaved magnolias not yet in bloom. Had they been blooming then? A young boy eager for adventure paid little attention to flowers. He lifted the binoculars that hung around his neck. His father had helped him aim and focus on that long-ago morning so that he could catch the quick dart of a woodpecker. The expected tussle had followed because Kyle had demanded the binoculars and Nathan hadn't wanted to give them up. He remembered his mother laughing at them, and his father bending down to tickle Kyle to distract him. In his mind, Nathan could see the picture they had made. The pretty woman with her hair blowing, her dark eyes sparkling with amusement and excitement. The two young boys, sturdy and scrubbed, squabbling. And the man, tall and dark, long of leg and rangy of build. Now, Nathan thought, he was the only one left. Somehow he had grown up into his father's body, had gone from sturdy boy to a man with long legs and narrow hips. He could look in a mirror and see reflections of his father's face in the hollow cheeks and dark gray eyes. But he had his mother's mouth, firmly ridged, and her deep brown hair with hints of gold and red. His father had said it was like aged mahogany. Nathan wondered if children were really just montages of their parents. And he shuddered. Without the binoculars he watched the island take shape. He could see the wash of color from wildflowers-pinks and violets from lupine and wood sorrel. A scatter of houses was visible, a few straight or winding roads, the flash of a creek that disappeared into the trees. Mystery was added by the dark shadows of the forest where feral pigs and horses had once lived, the gleam of the marshes and the blades of waving grasses gold and green in the streaming morning sunlight. It was all hazed with distance, like a dream. Then he saw the gleam of white on a rise, the quick wink that was sun shooting off glass. Sanctuary, he thought, and kept it in his sights until the ferry turned toward the dock and the house was lost from view. Nathan turned from the rail and walked back to his Jeep. When he was settled inside with only the hum of the ferry's engines for company, he wondered if he was crazy coming back here, exploring the past, in some ways repeating it. He'd left New York, packed everything that mattered into the Jeep. It was surprisingly little. Then again, he'd never had a deep-seated need for things. That had made his life simpler through the divorce two years before. Maureen had been the collector, and it saved them both a great deal of time and temper when he offered to let her strip the West Side apartment. Christ knew she'd taken him up on it and had left him with little more than his own clothes and a mattress. That chapter of his life was over, and for nearly two years now he'd devoted himself to his work. Designing buildings was as much a passion as a career for him, and with New York as no more than a home base, he had traveled, studying sites, working wherever he could set up his drawing board and computer. He'd given himself the gift of time to study other buildings, explore the art of them, from the great cathedrals in Italy and France to the streamlined desert homes in the American Southwest. He'd been free, his work the only demand on his time and on his heart. Then he had lost his parents, suddenly, irrevocably. And had lost himself He wondered why he felt he could find the pieces on Desire. But he was committed to staying at least six months. Nathan took it as a good sign that he'd been able to book the same cottage his famly had lived in during that summer. He knew he would listen for the echo of their voices and would hear them with a man's ear. He would see their ghosts with a man's eyes. And he would return to Sanctuary with a man's purpose. Would they remember him? The children of Annabelle? He would soon find out, he decided, when the ferry bumped up to the dock. He waited his turn, watching as the blocks were removed from the tires of the pickup ahead of him. A family of five, he noted, and from the gear he could see that they would be camping at the facility the island provided. Nathan shook his head, wondering why anyone would choose to sleep in a tent on the ground and consider it a vacation. The light dimmed as clouds rolled over the sun. Frowning, he noted that they were coming in fast, flying in from the east. Rain could come quickly to barrier islands, he knew. He remembered it falling in torrents for three endless days when he'd been there before. By day two he and Kyle had been at each other's throats like young wolves. It made him smile now and wonder how in God's name his mother had tolerated it. He drove slowly off the ferry, then up the bumpy, pitted road leading away from the dock. With his windows open he could hear the cheerfully blaring rock and roll screaming out of the truck's radio. Camper Family, he thought, was already having a great time, impending rain or not. He was determined to follow their example and enjoy the morning. He would have to face Sanctuary, of course, but he would approach it as an architect. He remembered that its heart was a glorious example of the Colonial style-wide verandas, stately columns, tall, narrow windows. Even as a child he'd been interested enough to note some of the details. Gargoyle rainspouts, he recalled, that personalized rather than detracted from the grand style. He'd scared the piss out of Kyle by telling him they came alive at night and prowled. There was a turret, with a widow's walk circling it. Balconies jutting out with ornate railings of stone or iron. The chimneys were softhued stones mined from the mainland, the house itself fashioned of local cypress and oak. There was a smokehouse that had still been in use, and slave quarters that had been falling to rain, where he and Brian and Kyle had found a rattler curled in a dark corner. There were deer in the forest and alligators in the marshes. Whispers of pirates and ghosts filled the air. It was a fine place for young boys and grand adventures. And for dark and dangerous secrets. He passed the western marshlands with their busy mud and thin islands of trees. The wind had picked up, sending the cordgrass rippling. Along the edge two egrets were on patrol, their long legs like stilts in the shallow water. Then the forest took over, lush and exotic. Nathan slowed, letting the truck ahead of him rattle out of sight. Here was stillness, and those dark secrets. His heart began to pound uncomfortably, and his hands tightened on the wheel. This was something he'd come to face, to dissect, and eventually to understand. The shadows were thick, and the moss dripped from the trees like webs of monstrous spiders. To test himself he turned off the engine. He could hear nothing but his own heartbeat and the voice of the wind. Ghosts, he thought. He would have to look for them there. And when he found them, what then? Would he leave them where they drifted, night after night, or would they continue to haunt him, muttering to him in his sleep? Would he see his mother's face, or Annabelle's? And which one would cry out the loudest? He let out a long breath, caught himself reaching for the cigarettes he'd given up over a year before. Annoyed, he turned the ignition key but got only a straining rumble in return. He pumped the gas, tried it again with the same results. "Well, shit," he muttered. "That's perfect." Sitting back, he tapped his fingers restlessly on the wheel. The thing to do, of course, was to get out and look under the hood. He knew what he would see.An engine. Wires and tubes and belts. Nathan figured he knew as much about engines and wires and tubes as he did about brain surgery. And being broken down on a deserted road was exactly what he deserved for letting himself be talked into buying a friend's secondhand Jeep. Resigned, he climbed out and popped the hood. Yep, he thought, just as he'd suspected. An enging. He leaned in, poked at it, and felt the first fat drop of rain hit his back. "Now it's even more perfect." He shoved his hands in the front pockets of his jeans and scowled, continued to scowl while the rain pattered on his head. He should have known something was up when his friend had cheerfully tossed in a box of tools along with the Jeep. Nathan considered hauling them out and beating on the engine with a wrench. It was unlikely to work, but it would at least be satisfying. He stepped back, then froze as the ghost stepped out of the forest shadows and watched him. Annabelle. The name swam through his mind, and his gut clenched in defense. she stood in the rain, still as a doe, her smoky red hair damp and tangled, those big blue eyes quiet and sad. His knees threatened to give way, and he braced a hand on the fender. Then she moved, pushed back her wet hair. And started toward him. He saw then that it was no ghost, but a woman. It was not Annabelle, but, he was sure, it was Annabelle's daughter. He let out the breath he'd been holding until his heart settled again. "Car trouble?" Jo tried to keep her voice light. The way he was staring at her made her wish she'd stayed in the trees and let him fend for himself "I take it you're not standing here in the rain taking in the sights. "No." It pleased him that his voice was normal. If there was all edge to it, the situation was cause enough to explain it. "It won't start." 'Well, that's a problem. " He looked vaguely familiar, she thought. A good face, strong and bony and male. Interesting eyes as well, she mused, pure gray and very direct. If she were inclined to portrait photography, he'd have been a fine subject. "Did you find the trouble?" Her voice was honey over cream, gorgeously southern. It helped him relax. "I found the engine," he said and smiled. "just where I suspected it would be." "Uh-huh. And now?" "I'm deciding how long I should look at it and pretend I know what I'm looking at before I get back in out of the rain." "You don't know how to fix your car?" she asked, with such obvious surprise that he bristled. "No, I don't. I also own shoes and don't have a clue how to tan leather." He started to yank down the hood, but she raised a hand to hold it open. "I'll take a look." "What are you, a mechanic?" "No, but I know the basics." Elbowing him aside, she checked the battery connections first. "These look all right, but you're going to want to keep an eye on them for corrosion if you're spending any time on Desire." "Six months or so." He leaned in with her. "What am I keeping my eye on?" "These. Moisture can play hell with engines around here. You're crowding me." "Sorry." He shifted his position. Obviously she didn't remember him, and he decided to pretend he didn't remember her. "You live on the 'Island?" "Not anymore. " To keep from bumping it on the jeep, Jo moved the camera slung around her neck to her back. Nate stared at it, felt the low jolt. It was a high-end Nikon. Compact, quieter and more rugged than other designs, it was often a professional's choice. His father had had one. He had one himself "Been out taking pictures in the rain?" "Wasn't raining when I left," she said absently. "Your fan belt's going to need replacing before long, but that's not your problem now." she straightened, and though the skies had opened wide, seemed oblivious to the downpour. "Get in and try it so I can hear what she sounds like." "You're the boss." Her lips twitched as he turned and climbed back into the Jeep. No doubt his male ego was dented, she decided. she cocked her head as the engine groaned. Lips pursed, she leaned back under the hood. "Again!" she called out to him, muttering to herself "Carburetor." "WHat?" "Carburetor," she repeated and opened the little metal door with her thumb. "Turn her over again." This time the engine roared to life. With a satisfied nod, she shut the hood and walked around to the driver's side window. "It's sticking closed, that's all. You're going to want to have it looked at. From the sound of it, you need a tune-up anyway. When's the last time you had it in?" "I just bought it a couple of weeks ago. From a former friend." "Ah. Always a mistake. Well, it should get you where you're going now." WHen she started to step back he reached through the window for her hand. It was narrow, he noted, long, both elegant and competent. "Listen, let me give you a lift. It's pouring, and it's the least I can do." "It's not necessary. I can-" "I could break down again." He shot her a smile, charming, easy, persuasive. "Who'll fix my carburetor?" It was foolish to refuse, she knew. More foolish to feel trapped just because he had her hand. she shrugged. "All right, then." she gave her hand a little tug, was relieved when he immediately released it. she jogged around the Jeep and climbed dripping into the passenger seat. "Well, the interior's in good shape." "My former friend knows me too well." Nathan turned on the wipers and looked at Jo. "Where to?" "Up this road, then bear right at the first fork. Sanctuary isn't farbut then nothing is on Desire." "That's handy. I'm heading to Sanctuary myself." "Oh?" The air in the cab was thick and heavy. The driving rain seemed to cut them off from everything, misting out the trees, muffling all the sound. Reason enough to be uncomfortable, she told herself, but she was sufficiently annoyed with her reaction to angle her head and meet his eyes directly. "Are you staying at the big house?" "No, just picking up keys for the cottage I'm renting." "For six months, you said?" It relieved her when he began to drive, turned those intense gray eyes away from her face and focused on the road. "That's a long vacation." "I brought work with me. I wanted a change of scene for a while." "Desire's a long way from home," she said, then smiled a little when he glanced at her. "Anyone from Georgia can spot a Yankee. Even if you keep your mouth shut, you move differently." she pushed her wet hair back. If she'd walked, Jo thought, she'd have been spared making conversation. But talk was better than the heavy, rain-drenched silence. "You've got Little Desire Cottage, by the river." "How do you know?" "Oh, everybody knows everything around here. But my family rents the cottages, runs them and the inn, the restaurant. As it happens I was assigned Little Desire, stocked the linens and so forth just yesterday for the Yankee who's coming to stay for six months." "So you're my mechanic, landlord, and housekeeper. I'm a lucky man. Who exactly do I call if my sink backs up?" "You open the closet and take out the plunger. If you need instructions for use, I'll write them down for you. Here's the fork." Nathan bore right and climbed. "Let's try that again. If I wanted to grill a couple of steaks, chill a bottle of wine, and invite you to dinner, who would I call?" Jo turned her head and gave him a cool look. "You'd have better luck with my sister. Her name is Alexa." "Does she fix carburetors?" With a half laugh, Jo shook her head. "No, but she's very decorative and enjoys invitations from men." 'And you don't?" :,Let's just say I'm more selective than Lexy." "Ouch." Whistling, Nathan rubbed a hand over his heart. "Direct hit." ,, just saving us both some time. There's Sanctuary," she murmured. He watched it appear through the curtain of rain, swim out of the thin mists that curled at its base. It was old and grand, as elegant as a Southern Belle dressed for company. Definitely feminine, Nate thought, with those fluid lines all in virginal white. Tall windows were softened by arched trim, and pretty ironwork adorned balconies where flowers bloomed out of clay pots of soft red. Her gardens glowed, the blooms heavy-headed with rain, like bowing fairies at her feet. "Stunning," Nathan said, half to himself. "The more recent additions blend perfectly with the on ginal structure. Accent rather than modernize. It's a masterful harmony of styles, classically southern without being typical. It couldn't be more perfect if the island had been designed for it rather than it being designed for the island." Nathan stopped at the end of the drive before he noticed that Jo was staring at him. For the first time there was curiosity in her eyes. "I'm an architect," he explained. "Buildings like this grab me right by the throat." "Well, then, you'll probably want a tour of the inside." "I'd love one, and I'd owe you at least one steak dinner for that." "You'll want my cousin Kate to show you around. she's a Pendleton," Jo added as she opened her door. "Sanctuary came down through the Pendletons. she knows it best. Come inside. You can dry off some and pick up the keys." she hurried up the steps, paused on the veranda to shake her head and scatter rain from her hair. she waited until he stepped up beside her. "Jesus, look at this door." Reverently, Nathan ran his fingertips over the rich, carved wood. Odd that he'd forgotten it, he thought. But then, he had usually raced in through the screened porch and through the kitchen. "Honduran mahogany," Jo told him. "Imported in the early eighteen-hundreds, long before anyone worried about depicting the rain forests. But it is beautiful." she turned the heavy brass handle and stepped with him into Sanctuary. "The floors are heart of pine," she began and blocked out a una bidden image of her mother patiently paste-waxing them. "As are the main stairs, and the banister is oak carved and constructed here on Desire when it was a plantation, dealing mostly in Sea Island cotton. The chandelier is more recent, an addition purchased in France by the wife of Stewart Pendleton, the shipping tycoon who rebuilt the main house and added the wings. A great deal of the furniture was lost during the War Between the States, but Stewart and his wife traveled extensively and selected antiques that suited them and Sanctuary." "He had a good eye," Nathan commented, scanning the wide, high-ceilinged foyer with its fluid sweep of glossy stairs, its glittering fountain of crystal light. "And a deep pocket," Jo put in. Telling herself to be patient, she stood where she was and let him wander. The walls were a soft, pale yellow that would give the illusion of cool during those viciously hot summer afternoons. They were trimmed in dark wood that added richness with carved moldings framing the high plaster ceiling. The furnishings here were heavy and large in scale, as befitted a grand entrance way. A pair of George 11 armchairs with shell-shaped backs flanked a hexagonal credence table that held a towering brass urn filled with sweetly scented lilies and wild grasses. Though he didn't collect antiques himself-or anything else, for that matter-he was a man who studied all aspects of buildings, including what went inside them. He recognized the Flemish cabineton-stand in carved oak, the giltwood pier mirror over a marquetry candle stand, the delicacy of Queen Antic and the flash of Louis XIV. And he found the mix of periods and styles inspired. "Incredible." His hands tucked in his back pockets, he turned back to Jo. "Hell of a place to live, I'd say." "In more ways than one." Her voice was dry, and just a little bitter. It had him lifting a brow in question, but she added nothing more. "We do registration in the front parlor." she turned down the hallway, stepped into the first room on the right. Someone had started a fire, she observed, probably in anticipation of the Yankee, and to keep the guests at the inn cheerful on a rainy day if they wandered through. she went to the huge old Chippendale writing desk and opened the top side drawer, flipped through the paperwork for the rental cottages. Upstairs in the family wing was an office with a workaday file cabinet and a computer Kate was still struggling to learn about. But guests were never subjected to such drearily ordinary details. "Little Desire Cottage," Jo announced, sliding the contract free. she noted it had already been stamped to indicate receipt of the deposit and signed by both Kate and one Nathan Delaney. Jo laid the paperwork aside and opened another drawer to take out the keys jingling from a metal clip that held the cottage name. "This one is for both the front and the rear doors, and the smaller one is for the storage room under the cottage. I wouldn't store anything important in there if I were you. Flooding is a hazard that near the river." "I'll remember that." "I took care of setting up the telephone yesterday. All calls will be billed directly to the cottage and added to your bill monthly." she opened another drawer and took out a slim folder. "You'll find the usual information and answers in this packet. The ferry schedule, tide information, how to rent fishing or boating scar if you want it. There's a pamphlet that describes the island-history, flora and fauna- Why are you staring at me like that?" she demanded. "You've got gorgeous eyes. It's hard not to look at them." she shoved the folder into his hands. "You'd be better off looking at what's in here." "All right." Nathan opened it, began to page through. "Are you always this jittery, or do I bring that out in you?" "I'm not jittery, I'm impatient. Not all of us are on vacation. Do you have any questions-that pertain to the cottage or the island?" "I'll let you know." "Directions to your cottage are in the folder. If you'd just initial the contract here, to confirm receipt of the keys and information, you can be on your way." He smiled again, intrigued at how rapidly her southern hospitality was thinning. "I wouldn't want to wear out my welcome," he said, taking the pen she offered him. "Since I intend to come back." "Breakfast, lunch, and dinner are served in the inn's dining room. The service hours are also listed in your folder. Box lunches are available for picnics." The more she talked, the more he enjoyed hearing her voice. she smelled of rain and nothing else and looked-when you looked into those lovely blue eyes-as sad as a bird with a broken wing. "Do you like picnics?" he asked her. she let out a long sigh, snatched the pen back from him, and scrawled her initials under his. "You're wasting your time flirting with me, Mr. Delaney. I'm just not interested." "Any sensible woman knows that a statement like that only presents a challenge." He bent down to read her initials, "J.E.H." " Jo Ellen Hathaway," she told him in hopes of hurrying him along. "It's been a pleasure being rescued by you, Jo Ellen." He offered a hand, amused when she hesitated before clasping it with hers. "Try Zeke Fitzsimmons about that tune-up. He'll get the jeep running smoothly for you. Enjoy your stay on Desire." "It's already started on a higher note than I'd expected." "Then your expectations must have been very low." she slid her hand free and led the way back to the front door. "The rain's let up," she commented, as she opened the door to moist air and mist. "You shouldn't have any trouble finding the cottage." "No." He remembered the way perfectly. "I'm sure I won't. I'll see you again, Jo Ellen." Will have to, he thought, for a number of reasons. she inclined her head, shut the door quietly, and left him standing on the veranda wondering what to do next. On his third day on Desire, Nathan woke in a panic. His heart was booming, his breath short and strangled, his skin iced Covered with sweat. He shot up in bed with fists clenched, his eyes searching the murky shadows of the room. Weak sunlight filtered through the slats of the blinds and built a cage on the thin gray carpet. His mind stayed blank for an agonizing moment, trapped behind the images that crowded it. Moonlit trees, fingers of fog, a woman's naked body, her fanning dark hair, wide, glassy eyes. Ghosts, he told himself as he rubbed his face hard with his hands. He'd expected them, and they hadn't disappointed him. They clung to Desire like the moss clung to the live oaks. He swung out of bed and deliberately-like a child daring sidewalk cracks-walked through the sun bars. In the narrow bathroom he stepped into the white tub, yanked the cheerfully striped curtain closed, and ran the shower hot. He washed the sweat away, imagined the panic as a dark red haze that circled and slid down the drain. The room was thick with steam when he dried off. But his mind was clear again. He dressed in a tattered short-sleeved sweatshirt and ancient gym shorts, then with his face unshaven and his hair dripping headed into the kitchen to heat water for instant coffee. He looked around, scowled again at the carafe and drip cone the owners had provided. Even if he could have figured out the proper measuring formula, he hadn't thought to bring coffee filters. At that moment he would have paid a thousand dollars for a coffeemaker. He set the kettle on the front burner of a stove that was older than he was, then walked over to the living room section of the large multipurpose room to flip on the early news. The reception was miserable, and the pickings slim. No coffeemaker, no pay-per-view, Nathan mused as he tuned in the sunrise news on one of the available channels. He remembered how he and Kyle had whined over the lack of televised entertainment. How are we supposed to watch "The Six Million Dollar Man" on this stupid thing? It's agyp. You're not here to keep your noses glued to the Y'V screen. Aw, Mom. It seemed to him the color scheme was different now. He ]lad a vague recollection of soft pastels on the wide, deep chairs and straightbacked sofa. Now they were covered in bold geometric prints, deep greens and blues, sunny yellows. The fan that dropped from the center pitch of the ceiling had squeaked. He knew, because he'd been compelled to tug on the cord, that it ran now with only a quiet hiss of blades. But it was the same long yellow-pine dining table separating the rooms-the table he and his family had gathered around to eat, to play board games, to put together eye-crossingly complex jigsaw puzzles during that summer. The same table he and Kvle had been assigned to clear after dinner. The table where his father had lingered some mornings over coffee. He remembered when their father had shown him and Kyle how to punch holes in the lid of ajar and catch lightning bugs. The evening had been warm and soft, the hunt and chase giddy. Nathan remembered watching the 'ar he'd put beside his bed wink and glow, wink and glow, lulling him to sleep. But in the morning all the lightning bugs in his jar had been dead, smothered, as the book atop the lid had plugged all the holes. He still couldn't remember putting it there, that battered copy of jobnny Tremaing. The dark corpses in the bottom of the jar had left him feeling sick and guilty. He'd snuck out of the house and dumped them in the river. He chased no more lightning bugs that summer. Irritated at the memory, Nathan turned away from the TV, went back to the stove to pour the steaming water over a spoonful of coffee. He carried the mug out onto the screened porch to look at the river. Memories were bound to surface now that he was here, he reminded himself That was why he'd come. To remember that summer, step by step, day by day. And to figure out what to do about the Hathaways. He sipped coffee, winced a little at its false and bitter taste. He'd discovered that a great deal of life was false and bitter, so he drank again. Jo Ellen Hathaway. He remembered her as a skinny, sharp-elbowed girl with a sloppy ponytail and a lightning temper. He hadn't had much use for girls at ten, so he'd paid her little attention. she'd simply been one of Brian's little sisters. Still was, Nathan thought. And she was still skinny. Apparently her temper was still in place as well. The streaming ponytail was gone. The shorter, choppy cut suited her personality if not her face, he decided. The carelessness of it, the nod to fashion. The color of it was like the pelt of a wild deer. He wondered why she looked so pale and tired. she didn't seem the type to pine away over a shattered affair or relationship, but something was hurting. Her eyes were full of sorrow and secrets. And that was the problem, Nathan thought with a half laugh. He had a weakness for sad-eyed women. Better to resist it, he told himself. Wondering what was going on behind those big, sad, bluebell eyes was bound to interfere with his purpose. What he needed was time and objectivity before he took the next step. He sipped more coffee, told himself he'd get dressed shortly and walk to Sanctuary for a decent cup and some breakfast. It was time to go back, to observe and to plan. Time to stir more ghosts. But for now he just wanted to stand here, look through the thin mesh of screen, feel the damp air, watch the sun slowly burn away the pearly mists that clung to the ground and skimmed like fairy wings over the river. He could hear the ocean if he listened for it, a low, constant rumble off to the east. Closer he could identify the chirp of birds, the monotionous drumming of a woodpecker hunting insects somewhere in the shadows of the forest. Dew glistened like shards of glass on the leaves of cabbage palms and palmettos, and there was no wind to stir them and make them rattle. Whoever chose this spot for the cottage chose well, he thought. It sang of solitude, offered view and privacy. The structure itself was simple and functional. A weathered cedar box on stilts with a generous screened porch on the west end, a narrow open deck on the east. In'de, the main room had a pitched ceiling to add space and an open si I feel. On each end were two bedrooms and a bath. He and ICyle had each had a room in one half. As the elder, lie laid claim to the larger room. The double bed made him feel very grownup and superior. He made a sign for the door: Please Knock Before Entering. He liked to stay up late, reading his books, thinking his thoughts, listening to the murmur of his parents' voices or the drone of the TV. He liked to hear them laugh at something they were watching. His mother's quick chuckle, his father's deep belly laugh. He'd heard those sounds often throughout his childhood. It grieved him that he would never hear them again. A movement caught his eye. Nathan turned his head, and where he'd expected a deer he saw a man, slipping along the river bank like the mist. He was tall and lanky, his hair dark as soot. Because his throat had gone dry, Nathan forced himself to lift his mug and drink again. He continued to watch as the man walked closer, as the strengthening sun slanted over his face. Not Sam Hathaway, Nathan realized as the beginnings of a smile tugged at his lips. Brian. Twenty years had made them both men. Brian glanced up, squinted, focused on the figure behind the screen. He'd forgotten the cottage was occupied now and made a note to himself to remember to take his walks on the opposite side of the river. Now, he supposed, he would have to make some attempt at conversation. He lifted a hand. "Morning. Didn't mean to disturb you." "You didn't. I was just drinking bad coffee and watching the river." The Yankee, Brian remembered, a six-month rental. He could all but hear Kate telling him to be polite, to be sociable. "It's a nice spot." Brian stuck his hands in his pockets, annoyed that he'd inadvertently sabotaged his own solitude. "You settling in all right?" "Yeah, I'm settled." Nathan hesitated, then took the next step. "Are you still hunting the Ghost Stallion?" Brian blinked, cocked his head. The Ghost Stallion was a legend that stretched back to the days when wild horses had roamed the island. It was said that the greatest of these, a huge black stallion of unparalleled speed, ran the woods. Whoever caught him, leaped onto his back, and rode would have all his wishes granted. Throughout childhood it had been Brian's deepest ambition to be the one to catch and ride the Ghost Stallion. "I keep an eye out for him," Brian murmured and stepped closer. "Do I know you?" "We camped out one night, across the river, in a patched pup tent. We had a rope halter, a couple of flashlights, and a bag of Fritos. Once we thought we heard hooves pounding, and a high, wild whinny." Nathan smiled. "Maybe we did." Brian's eyes widened and the shadows in them cleared away. "Nate? Nate Delaney? Son of a bitch!" The screen door squeaked in welcome when Nathan pushed it open. "Come on up, Bri. I'll fix you a cup of lousy coffee." Grinning, Brian climbed up the stairs. "You should have let me know you were coming, that you were here." Brian shot out a hand, gripped Nathan's. "My cousin Kate handles the cottages. Jesus, Nate, you look like a derelict." With a rueful smile, Nathan rubbed a hand over the stubble on his chin. "I'm on vacation." "Well, ain't this a kick in the ass. Nate Delaney." Brian shook his head. "What the hell have you been doing all these years? How's Kyle, your parents?" The smile faltered. "I'll tell you about it." Pieces of it, Nathan thought. "Let me make that lousy coffee first." "Hell, no. Come on up to the house. I'll fix you a decent cup. Some breakfast." "All right. Let me get some pants and shoes on." "I can't believe you're our Yankee," Brian commented as Nathan started inside. "Goddamn, this takes me back." Nathan turned back briefly. "Yeah, me too." A short time later Nathan was sitting at the kitchen counter of Sanctuary, breathing in the heavenly scents of coffee brewing and bacon frying. He watched Brian deftly chopping mushrooms and peppers for an omelette. "Looks like you know what you're doing." "Didn't you read your pamphlet? My kitchen has a five-star rating." Brian slid a mug of coffee under Nathan's nose. "Drink, then grovel." Nathan sipped, closed his eyes in grateful pleasure. "I've been drinking sand for the last two days and that may be influencing me, but I'd say this is the best cup of coffee ever brewed in the civilized world." "Damn right it is. Why haven't you come up before this?" "I've been getting my bearings, being lazy." Getting acquainted with ghosts, Nathan thought. "Now that I've sampled this, I'll be a regular." Brian tossed his chopped vegetables into a skillet to sauteed, then began grating cheese. "Wait till you get a load of my omelette. So what are you, independently wealthy that you can take six months off to sit on the beach?" "I brought work with me. I'm an architect. As long as I have my computer and my drawing board, I can work anywhere." "An architect." Whisking eggs, Brian leaned against the counter. "You any good?" "I'd put my buildings against your coffee any day." "Well, then." Chuckling, Brian turned back to the stove. With the ease of experience he poured the egg mixture, set bacon to drain, checked the biscuits he had browning in the oven. "So what's Kyle up to? He ever get rich and famous like he wanted?" It was a stab, hard and fast in the center of the heart. Nathan put the mug down and waited for his hands and voice to steady. "He was working on it. He's dead, Brian. He died a couple of months ago." "Jesus, Nathan." Shocked, Brian swung around. "Jesus, I'm sorry." "He was in Europe. He'd been more or less living there the last couple of years. He was on a yacht, some party. Kyle liked to party," Nathan murmured, rubbing his temple. "They were tooling around the Med. The verdict was he must have had too much to drink and fallen overboard. Maybe he hit his head. But he was gone." "That's rough. I'm sorry." Brian turned back to his skillet. "Losing family takes a chunk out of you." "Yeah, it does." Nathan drew a deep breath, braced himself. "It happened just a few weeks after my parents were killed. Train wreck in South America. Dad was on assignment, and ever since Kyle and I hit college age, Mom traveled with him. she used to say it made them feel like newlyweds all the time." "Christ, Nate, I don't know what to say." "Nothing." Nathan lifted his shoulders. "You get through. I figure Mom would have been lost without Dad, and I don't know how either one of them would have handled losing Kyle. You've got to figure everything happens for a reason, and you get through." "Sometimes the reason stinks," Brian said quietly. "A whole hell of a lot of the time the reason stinks. Doesn't change anything. It's good to be back here. It's good to see you." "We had some fine times that summer." "Some of the best of my life." Nathan worked up a smile. "Are you going to give me that omelette, or are you going to make me beg for it? " the food on a plate. "Genuflecting afterward is encouraged." Nathan picked up a fork and dug in. "So, fill me in on the last two decades of the adventures of Brian Hathaway." "Not much of an adventure. Running the inn takes a lot of time. We get guests year-round now. Seems the more crowded and busy life in the outside world gets, the more people want to get the hell away from it. For weekends, anyhow. And when they do, we house them, feed them, entertain them." "It sounds like a twenty-four/seven proposition." "Would be, on the outside. Life still moves slower around here." "Wife, kids?" "Nope. You?" "I had a wife," Nathan said dryly. "We gave each other up. No kids. You know, your sister checked me in. Jo Ellen." "Did she?" Brian brought the pot over to top off Nathan's cup. "she just got here herself about a week ago. Lex is here, too. We're one big happy family." As Brian turned away, Nathan lifted his eyebrows at the tone. "Your dad?" "You couldn't dynamite him off Desire. He doesn't even go over to the mainland for supplies anymore. You'll see him wandering around." He glanced over as Lexy swung through the door. "We've got a couple of early birds panting for coffee," she began. Then, spotting Nathan, she paused. Automatically she flipped back her hair, angled her head, and aimed a flirtatious smile. "Well, kitchen company." she strolled closer to pose against the counter and give him a whiff of the Eternity she'd rubbed on her throat from a magazine sample that morning. "You must be special if Brian's let you into his domain." Nathan's hormones did the quick, instinctive dance that made him want to laugh at both of them. A gorgeous piece of fluff was his first impression, but he revised it when he took a good look into her eyes. They were sharp and very self-aware. "He took pity on an old friend," Nathan told her. "Really." she liked the rough-edged look of him, and pleased herself by basking in the easy male approval on his face. "Well, then, Brian, introduce me to your old friend. I didn't know you had any." "Nathan Delaney," Brian said shortly, going over to fetch the second pot of freshly brewed coffee. "My kid sister, Lexy." "Nathan." Lexy offered a hand she'd manicured in Flame Red. "Brian still sees me in pigtails." "Big brother's privilege." It surprised Nathan to find the siren's hand firm and capable. "Actually, I remember you in pigtails myself" "Do you?" Mildly disappointed that he hadn't lingered over her hand, Lexy folded her elbows on the bar and leaned toward him. "I can't believe I've forgotten you. I make it a policy to remember all the attractive men who've come into my life. However briefly." "You were barely out of diapers," Brian put in, his voice dripping sarcasm, "and hadn't polished your femme-fatale routine yet. Cheese and mushroom omelettes are the breakfast special," he told her, ignoring the vicious look she shot in his direction. she caught herself before she snarled, made her lips curve up. "Thanks, sugar." she purred it as she took the coffeepot he thrust at her, then she fluttered her lashes at Nathan. "Don't be a stranger. We get so few interesting men on Desire." Because it seemed foolish to resist the treat, and she seemed so obviously to expect it, Nathan watched her sashay out, then turned back to Brian with a slow grin. "That's some baby sister you've got there, Bri." "she needs a good walloping. Coming on to strange men that way." "It was a nice side dish with my omelette." But Nathan held up a hand as Brian's eyes went hot. "Don't worry about me, pal. That kind of heartthrob means major headaches. I've got enough problems. You can bet your ass I'll look, but I don't plan to touch." "None of my business," Brian muttered. "she's bound and determined not just to look for trouble but to find it." "Women who look like that usually slide their way out of it too." He swiveled when the door opened again. This time it was Jo who walked through it. And women who look like that, Nathan thought, don't slide out of trouble. They punch their way out. He wondered why he preferred that kind of woman, and that kind of method. Jo stopped when she saw him. Her brows drew together before she deliberately smoothed her forehead. "You look right at home, Mr. Delaney." "Feeling that way, Miss Hathaway." "Well, that's pretty formal," Brian commented as he reached for a clean mug, "for a guy who pushed her into the river, then got a bloody lip for his trouble when he tried to fish her out again." "I didn't push her in." Nathan smiled slowly as he watched Jo's brows knit again. "she slipped. But she did bloody my lip and call me a Yankee pig bastard, as I recall." The memory circled around her mind, nearly skipped away, then popped clear. Hot summer afternoon, the shock of cool water, head going under. And coming up swinging. "You're Mr. David's boy." The warmth spread in her stomach and up to her heart. For a moment her eyes reflected it and made his pulse trip. "Which one?" "Nathan, the older." " Of course." she skimmed her hair back, not with the studied seductiveness of her sister but with absentminded impatience. "And you did push me. I never fell in the river unless I wanted to or was helped along." "You slipped," Nathan corrected, "then I helped you along." she laughed, a quick, rich chuckle, then took the mug Brian offered. "I suppose I can let bygones be, since I gave you a fat lip-and your father gave me the world." Nathan's head began to throb, fast and vicious. "My father?" '-I dogged him like a shadow, pestered him mercilessly about how he took pictures, why he took the ones he did, how the camera worked. He was so patient with me. I must have been driving him crazy, interrupting his work that way, but he never shooed me away. He taught me so much, not just the basics but how to look and how to see. I suppose I owe him for every photograph I've ever taken." The breakfast he'd just eaten churned greasily in his stomach. "You're a professional photographer?" "Jo's a big-deal photographer," Lexy said with a bite in her voice as she came back in. "The globe-trotting J. E. Hathaway, snapping her pictures of other people's lives as she goes. Two omelettes, Brian, two sides of hash browns, one bacon, one sausage. Room's having breakfast, Miss World Traveler. You've got beds to strip." "Exit, stage left," Jo murmured when Lexy strode out again. 'Yes, she said, turning back to Nathan. "Thanks in large part to David Delaney, I'm a photographer. If it hadn't been for Mr. David, I might be as frustrated and pissed off at the world as Lexy. How is your father?" "He's dead," Nathan said shortly and pushed himself up from the stool. "I've got to get back. Thanks for breakfast, Brian." He went out fast, letting the screen door slam behind him. "Dead? BriAn accident," Brian told her. "About three months ago. Both his parents. And he lost his brother about a month later." "Oh, God." Jo ran a hand over her face. "I put my foot in that. I'll be back in a minute." she set the mug down and raced out the door to chase Nathan down. "Nathan! Nathan, wait a minute." she caught him on the shell path that wound through the garden toward the trees. "I'm sorry." she put a hand on his arm to stop him. "I'm so sorry I went on that way." He pulled himself in, fought to think clearly over the pounding in his temples. "It's all right. I'm still a little raw there." "If I'd known-" she broke off, shrugged her shoulders helplessly. she'd likely have put her foot in it anyway, she decided. she'd always been socially clumsy. "You didn't." Nathan clamped down on his own nerves and gave the hand still on his arm a light squeeze. she looked so distressed, he thought. And she'd done nothing more than accidentally scrape an open wound. "Don't worry about it." "I wish I'd managed to keep in touch with him." Her voice went mistful now. "I wish I'd made more of an effort so I could have thanked him for everything he did for me." "Don't." He bit the word off, swung around to her with his eyes fierce and cold. "Thanking someone for where your life ended up is the same as blaming them for it. We're all responsible for ourselves." Uneasy, she backed off a step. "True enough, but some people influence what roads we take." "Funny, then, that we're both back here, isn't it?" He stared beyond her to Sanctuary, where the windows glinted in the sun. "Why are you back here, Jo?" "It's my home." He looked back at her, pale cheeks, bruised eyes. "And that's where you come when you feel beat up and lost and unhappy?" she folded her arms across her chest as if chilled. she, usually the observer, didn't care to be observed quite so clear-sightedly. "It's just where you go." "It seems we decided to come here at almost the same time. Fate? I wonder-or luck. " He smiled a little because he was going to go with the latter. "Coincidence." she preferred it. "Why are you back here)" "Damned if I know." He exhaled between his teeth, then looked at her again. He wanted to soothe that sorrow and worry from her eyes, hear that laugh again. He was suddenly very certain it would ease his soul as much as hers. "But since I am, why don't you walk me back to the cottage?" "You know the way." "It'd be a nicer walk with company. With you." I told you I'm not interested." "I'm telling you I am." His smile deepened as he reached up to tuck a stray lock of hair behind her ear. "It'll be fun seeing who nudges who to the other side." Men didn't flirt with -her. Ever. Or not that she had ever noticed. The fact that he was doing just that, and she noticed, only irritated her. The inherent Pendleton Fault Line dug between her brows. "I've got work to do." right. Bed stripping in 201. See you around, Jo Ellen." Because he turned away first, she had the opportunity to watch him walk into the trees. Deliberately she shook her hair so that it fell over her ears again. Then she rolled her shoulders as if shrugging off an unwelcome touch. But she was forced to admit she was already more interested than she wanted to be. atnan took a camera with him. He felt compelled to retrace some of his father's footsteps on Desire-or perhaps to eradicate them. He chose the heavy old medium-range Pentax, one of his father's favorites and surely, be thought, one that David Delancy had brought to the island with him that summer. He would have brought the bulky Hasselblad view camera as well, and the clever Nikon, along with a collection of lenses and filters and a mountain of film. Nathan had brought them all, and they were neatly stored, as his father had taught him, back at the cottage. But when his father hiked out to hunt a shot, he would most usually take the Pentax. Nathan chose the beach, with its foaming waves and diamond sand. He slipped on dark glasses against the fierce brilliance of the sun and climbed onto the marked path between the shifting dunes, with their garden of sea oats and tangle of railroad vines. The wind kicked in from the sea and sent his ha'r flying. He stood at the crest of the path, listening to the beat of the water, the smug squeal of gulls that wheeled and dipped above it. Shells the tide had left behind were scattered like pretty toys along the sand. Tiny dunes whisked up by the wind were already forming behind them. The busy sanderlings were rushing back and forth in the spume, like businessmen hustling to the next meeting. And there, just behind the first roll of water, a trio of pelicans flew in military formation, climbing and wheeling as a unit. One would abruptly drop, a dizzying headfirst dive into the sea, and the others would follow. A trio of splashes, then they were up again, breakfast in their beaks. With the ease of experience, Nathan lifted his camera, widened the aperture, increased the shutter speed to catch the motion, then homed in on the pelicans, following, following as they skimmed the wave crests, rose into their climb. And capturing them on the next bombing dive. He lowered the camera, smiled a little. Over the years he'd gone long stretches of time without indulging in his hobby. He planned to make up for it now, spending at least an hour a day reacquainting himself with the pleasure and improving his eye. He couldn't have asked for a more perfect beginning. The beach was inhabited only by birds and shells. His footprints were the only ones to mar the sand. That was a miracle in itself, he thought. Where else could a man be so entirely alone, borrow for a while this kind of beauty, along with peace and solitude? He needed those things now. Miracles, beauty, peace. Cupping a hand over the camera, Nathan walked down the incline to the soft, moist sand of the beach. He crouched now and then to examine a shell, to trace the shape of a starfish with a fingertip. But he left them where he found them, collecting them only on film. The air and the exercise helped settle the nerves that had jangled before he'd left Sanctuary. she was a photographer, Nathan thought, as he studied a pretty, weather-silvered cottage peeking out from behind the dunes. Had his father known that the little girl he'd played mentor to one summer had gone on to follow in his footsteps? Would he have cared? Been proud, amused? He could remember when his father had first shown him the workings of a camera. The big hands had covered his small ones, gently, patiently guiding. The smell of aftershave on his father's cheeks, a sharp tang. Brut. Yes, Brut. Mom had liked that best. His father's cheek had been smoothly shaven, pressed against his. His dark hair would have been neatly combed, smooth bumps of waves back from the forehead, his clear gray eyes soft and serious. Always respect your equipment, Nate. You may want to make a living from the camera one day. Travel the world on it and see everything there is to see. Learn how to look and you'll see more than anyone else. Or you'll be something else, do something else, an to just use it to take moments away with you. Vacations, family. They'll be your moments, so they'll be important. Respect your equipment, learn to use it right, and you'll never lose those moments. "How many did we lose, anyway?" Nathan wondered aloud. "And how many do we have tucked away that we'd be better off losing?" "Excuse me?" Nathan jerked when the voice cut through the memory, when a hand touched his arm. "What?" He took a quickstep in retreat, half expecting one of his own ghosts. But he saw a pretty, delicately built blonde staring up at him through amber-tinted lenses. "Sorry. I startled you." she tilted her head, and her eyes stayed focused, unblinking, on his face. "Are you all right?" "Yeah." Nathan dragged a hand through his hair, ignored the uncomfortably loose sensation in his knees. Less easily ignored was the acute embarrassment as the woman continued to- study him as if he were some alien smear on a microscope slide. "I didn't know anyone else was around." "just finishing up my morning run," she told him, and he noted for the first time that she wore a sweat-dampened gray T-shirt over snug red bike shorts. "That's my cottage you were staring at. Or through." "Oh." Nathan ordered himself to focus on it again, the silvered cedar shakes, the sloping brown roof with its jut of open deck for sunning. "You've got a hell of a view." "The sunrises are the best. YoL,'re sure you're all right?" she asked again. "I'm sorry to poke, but when I see a guy standing alone on the beach looking as if he'd just been slapped with a two-by-four and talking to himself, I've got to wonder. It's my job," she added. "Beach police?" he said dryly. "No." she smiled, held out a friendly hand. "Doctor. Doctor Fitzsimmons. Kirby. I run a clinic out of the cottage." "Nathan Delaney. Medically sound. Didn't an old woman used to live there? A tiny woman with white hair up in a bun." "My grandmother. Did you know her? You're not a native." "No, no, I remember, or have this impression of her. I spent a summer here as a kid. Memories keep popping out at me. You just walked into one. "Oh." The eyes behind the amber lenses lost their clinical shrewdness and warmed. "That explains it. I know just what you mean. I spent several summers here growing up, and memories wing up at me all the time. That's why I decided to relocate here when Granny died. I always loved it here." Absently, she grabbed her toe, bending her leg back, heel to butt, to stretch out. "You'd be the Yankee who's taken Little Desire Cottage for half a year." "Word travels." "Doesn't it just? Especially when it doesn't have far to go. We don't get many single men renting for six months. A number of the ladies are intrigued." Kirby repeated the process on the other leg. "You know, I think I might remember you. Wasn't it you and your brother who palled around with Brian Hathaway? I remember Granny saying how those Delaney boys and young Brian stuck together like a dirt clod." "Good memory. You were here that summer?" "Yes, it was my first summer on Desire. I suppose that's why'remember it best. Have you seen Brian yet?" she asked casually. "He just fixed me breakfast." "Magic in an egg." It was Kirby's turn to look past the cottage, beyond it. "I heard Jo's back. I'm going to try to get up to the house after the clinic closes today." she glanced at her watch. "And since it opens in twenty minutes, I'd better go get cleaned up. It was nice seeing you again, Nathan." "Nice seeing you. Doc," he added as she began to jog toward the dunes. With a laugh, she turned, ' backward. "General practice," she called out. "Everything from birth to earth. Come in for what ails you." "I'll keep it in mind." He smiled and watched her ponytail swing sassily as she ran through the valley between the dunes. Nineteen minutes later, Kirby put on a white lab coat over her Levi's. she considered the coat a kind of costume, designed to reassure the reluctant patient that she was indeed a doctor. That and the stethoscope tucked in its pocket gave the islanders the visual nudge many of them needed to let Granny Fitzsimmons's little girl poke into their orifices. she stepped into her office, formerly her grandmother's well stocked pantry off the kitchen. Yirby had left one wall of shelves intact, to hold books and papers and the clever little combo fax and copy machine that kept her linked with the mainland. she'd removed the other shelves, since she had no plans to follow her grandmother's example and put by everything from stewed tomatoes to watermelon pickles. she'd muscled the small, lovingly polished cherry wood desk into the room herself It had traveled with her from Connecticut, one of the few pieces she'd brought south. It was outfitted with a leatherframed blotter and appointment book that had been a parting gift from her baffled parents. Her father had grown up on Desire and considered himself fortunate to have escaped. she knew both of her parents had been thrilled when she'd decided to follow in her father's footsteps and go into medicine. And they had assumed she would continue to follow, into his cardiac surgery specially, into his thriving practice, and right along to the platinum-edged lifestyle both of them so enjoyed. Instead she'd chosen family practice, her grandmother's weatherbeaten cottage, and the simplicity of island life. she couldn't have been happier. Tidily arranged with the appointment book that bore her initials in gold leaf were a snazzy phone system with intercom-in the unlikely event that she should ever need an assistant-and a Lucite container of well-sharpened Ticonderoga pencils. I<-Yirby had spent her first few weeks of practice doing little more than sharpening pencils and wearing them down again by doodling on the blotter. But she'd stuck, and gradually she'd begun to use those pencils to note down appointments. A baby with the croup, an old woman with arthritis, a child spiking a fever with roseola. It had been the very young or the very old who'd trusted her first. Then others had come to have their stitches sewn, the aches tended, their stomachs soothed. Now she was Doc Yirby, and the clinic was holding its own. Kirby scanned her appointment book. An annual gyn, a follow-up on a nasty sinus infection, the Matthews boy had another earache, and the Simmons baby was due in for his next immunizations. Well, her waiting room wasn't going to be crowded, but at least she'd keep busy through the morning. And who knew, she thought with a chuckle, there could be a couple of emergencies to liven up the day. Since Ginny Pendleton was her gyn at ten o'clock, Yirby calculated she had at least another ten minutes. Ginny was invariably late for everything. Pulling the necessary chart, she stepped back into the kitchen, poured the last of the coffee from the pot she'd made early that morning, and took it with her to the examining room. The room where she'd once dreamed away summer nights was now crisp and clean. she had posters of wildflowers on the white walls rather than the pictures of nervous systems and ear canals that some doctors decorated with. I