Foreword There has always been magic. And magic has a life of its own. It comes and goes without our control. It flows through the world as it will. This is how the world was Awakened. Magical energy ran through the veins of the world like blood through humans. It changed her. And it changed her people. And it came to pass that events shaped by magic began to alter history. Earthquakes tore the earth apart. The Four Horse- men of the Apocalypse seemed to be riding across the world. Conquest, War, Famine, and Death raged unabated. The VITAS plague alone took almost a quarter of the world's population in the year 2010. Then came 2011: the Year of Chaos. Governments fell. Famine gripped the poor and stalked the wealthy. Nuclear power failed, causing massive radiation fallout. War peppered the world, toppling heads of state, creating new countries. And then there were the children. At first, they were called deformities. Then muta- tions. The superstitious called them changelings, and 5 Foreword saw the Hand of God at play. Finally, science of- fered a label: UGE. Unexplained Genetic Expres- sion. Everywhere you looked the media ran stories about these babies, calling them elves and dwarfs. The age-old specter of prejudice had found new vic- tims. At the end of 2011, the most dramatic event of the newly Awakened world occurred. The great worm, Ryumyo, rose from his long sleep inside Mt. Fuji. Thousands watched as the first dragon the techno- logical world had seen took to the sky. In dragon fashion he ignored humans. Humanity got its first close-up look at a dragon when Dunkelzahn con- sented to a series of trideo interviews. The ratings were fantastic and launched Dunkelzahn as an inter- national celebrity. In 2014, The Native American Nations claimed responsibility for the eruption of Redondo Peak, This cataclysmic event buried nearby Los Alamos in volcanic ash. In a desperate measure to assert con- trol, the United States government sent federal agents in. to stop the NAN uprising. They were swept into oblivion by tornadoes resulting from the powerful shamanistic magic of the Great Ghost Dance. After this, the changes in the world began to happen at a faster and faster pace. There was the so- called goblinization of 2021. Overnight, people be- gan to change into fantastic creatures once thought to exist only in fairy tales. The stuff of legend. And buried deep within the Awakening was a mystery from the past. 6 Foreword A time so far away from present events that only a handful of people knew the truth. About how the world once was. And how it might become again. When magic was as much a part of life as breath- ing, or eating, or seeing, or feeling. And how the world was made full of heroes and troubadours, and mages, and wild things the modern world could not fathom. And how the very magic that flowed through this world also drew the greatest evil to it. And when that evil came for the people, one great race understood the futility of fighting this new plague upon the land. The Theran Empire promised a way to survive the hundreds of years this Scourge would last. They sent the people of the world into deep underground kaers where they would live mag- ically sealed against the invaders until the time when they could come back to the surface again. But such generosity of vision always has its price. However, that is another story. And now we have come back again to the magic. And to those who would guard the world from the horrors of the past. Those who have lived through it all before. Prologue Let me tell you a story ... Once upon a time there was a woman. Sometimes, in the story, her name is Pandora. Sometimes it's Eve. And sometimes it's Lilith. There are more names for her. It all depends on who's telling the story. At any rate, at one time everything in the world was wonderful. Or so you're supposed to believe. There was enough food for everyone to eat. Enough water to drink. No one had to work. In short: Paradise. Except for one thing. The woman. You see, in this story she's at the root of all the trouble. Either she can't help opening the box. Or talking to the snake. Or she's just too uppity for her own good. And she starts poking around in things. Things We Were Not Meant to Know. And as a result, ev- erything goes to hell in a handbasket. Prologue Or so the person telling the tale would have you believe. Of course, since everything in the world isn't total drek, there has to be some sort of mitigating factor. Like we're banished from the garden. But, if we work and pray hard enough, we might be let back in. Or we're told that the woman was banished to the edge of time and there she mated with demons. And her offspring come to us in our dreams and torment us. Seduce us. Lead us astray. And then, in some versions of the tale, at the bot- tom of the box is Hope. Which, we're told, is the only way to survive all the other horrors which have already escaped from the box. It is the only thing we have to hold on to. Or so we're told. But that's the way it is with stories. You just don't know who you can trust. PART I "Oh fuck, not another elf!" —Hugo Dyson, during the reading of a manuscript by J.R.R. Tolkien 10 Across the frozen planes of time I've come. Through fires brighter than a thousand suns. Through darkness. Through the Void. Over the range of the universe I've come. I've come for you, Aina. To take you again into my sweet embrace and show you wonders from the darkness of your soul. Then I'll make you yearn for death while I rip open your mind and lay waste to everything you hold dear. But all that will come later. For we have centu- ries, no, millennia to play our games. Come to me now and let me show you... let me show everything I have to offer. 1 Last night I dreamt again of Ysrthgrathe. And when I awoke, the stench of death and cor- ruption still lingered in the air. Through my bedroom window moonlight poured cold and blue. I rubbed my eyes, trying to convince myself that it had only been a dream. That the de- mons lurking in the shadowed comers were in my imagination. A conjuring of my mind only. I shoved the covers away, letting the night air 13 Caroline Specter send gooseflesh across my arms and down my legs. Here by the sea on the northern coast of Scotland the weather stays chill and damp all year long. It had never bothered me before. But tonight, I felt the cold straight to my bones. All the better to keep me awake, I thought. My feet shrank as they touched the cold bare floor. Grabbing my thick robe, I wrapped it tightly about me. It was made of real, heavy, woven cash- mere fabric, not that horrid synth stuff they sell nowadays. I went downstairs and made myself some tea. It warmed my body, but I still felt chilled. I wanted to read, but I hated using the foul contraption Caimbeui had given me. The vidscreen gave me a headache and I could never bring myself to have cyberware implanted. Bodmod, cyberjunk, tickle- wires—whatever they're calling them this week. Hadn't I done enough of that sort of thing to my- self in the past? I shuddered as I thought about Ysrthgrathe. Too soon, I thought. It's too soon. But I knew it wasn't. The very thing I'd sought to prevent seemed to be happening. That is, if dreams could be trusted. I dumped the tea into the sink and went and pulled a bottle of scotch from the pantry and splashed a hefty portion into a tumbler. It burned going down and brought tears to my eyes. I suppose the elves in Tir na n6g would be offended at my traitorous choice of beverage, but frag them. I hadn't been on speaking terms with either Tir for quite some time. 14 WORLDS WITHOUT END But what to do about the dreams? Perhaps the shamans in NAN would be willing to listen. But then I remembered the dustup we'd had before the Great Ghost Dance. They hadn't been too happy to hear my predictions about the magical fall- out from all the blood they'd planned to spill. Idiots. If only they'd listened. I suspected then that this would be the result. Like bees to honey, it would draw the creatures again. And we'd had no time to plan. To prepare. This time the monsters from the past would lay waste to the whole world. 15 Are you waiting/or me? Have you been waiting for me? Does your flesh crave my caress? Do you remember? Remember the centuries of pain and humiliation? Do you know how I have missed you? 1 The sound of his voice echoed inside me. I went to the thermostat and pushed it up. To hell with the regs about fuel waste, I thought. A century ago, Caimbeui had given me a Renoir. I liked to look at it when I felt like this. Afraid and lonely in the dark hours before dawn when the past spreads before me like a black spill of ink. I flicked my hand and the illusionary wall I'd cre- ated long ago vanished. It was a simple enough spell, though in the past few centuries there'd been little enough magic to go around. That was changing. The last few years—a human life span—just a drop to me—had seen such a burst of magical en- ergy and growth. The Awakening, they called it on their ugly little trids. Oh, I know Dunkelzahn found this brave new world far too fascinating, but he'd 16 WORLDS WITHOUT END been dreaming for more than five thousand years. What would he know of it? He hadn't seen what the world had become. I stepped into my room. The walls were win- dowless and covered in heavy oak paneling. Art- work and bookcases covered every available space, crammed full of everything I found precious. Cen- tered on the north wall was the Renoir. It was of a young woman and a little girl sitting on a balcony. The woman was wearing a brilliant red hat and she had a face of such sweetness that just looking at her almost hurt. I remembered when he'd painted it. A beautiful copy used to hang in the Chi- cago Art Institute, but I think it might have been de- stroyed during the riots in 2011. So much beauty was lost then. Here in my secret room I kept the relics of so many dead worlds. Of course dead worlds are all around us. They're just so much a part of our lives that we stop thinking about it. In London, five- hundred-year-old buildings snuggle next to glass columns built yesterday. Asphalt poured in nineteen- fifty is worn down by the wheels of a thousand rigs never dreamed of until five years ago. And the sweetmeats dance in nightclubs with rags on their backs sewn in sweatshops during the eighties. But that was just a momentary madness. A fad. A pass- ing whimsy of fashion. The things I'd distract myself with at times like that. And here too were memories from a place and time out of mind. A place as unreal to this world as 17 Caroline Spector any trideo fantasy. What possessed me to recreate what I could remember? That time was done. Over. Dust. Right. Then why were there pictures painted by artists far greater than I, depicting places described by me? Why had I done it? Why had I asked Francisco Lucientes to recreate those nightmare visions? What madness had I unlocked from his mind? For surely he saw them—saw the demons. His painting leaned against the wall, face down. I reached out and turned it around. Curators from ev- ery museum of the world would kill to have this lost treasure. Could they have understood it came not from Goya's demented vision, but from mine? It showed a forest of such expanse that it fled from the viewer's sight back into a ghostly oblivion. Standing in the foreground were two people: a male and a female. She was human, slight of build with a curious face. He was an elf, tall and lithe with dark hair and a small goatee. Growing from his body were thorns. The skin was puckered where the thorns protruded from his flesh. They ran across his face and showed as stark points across the back of his hands. A thou- sand slashes rent his tunic, letting the thorns escape. I reached out and almost touched their faces with my fingertips. Tears were streaming down my cheeks as hot and warm on my face as the blood that once fed that great forest. Blood poured from the wounds of my people. 18 WORLDS WITHOUT END But that wasn't the worst of what had been in that time. My own complicity. Could such acts of evil ever be forgiven? Or forgotten? I tried to push these dark thoughts away. But the dream wouldn't let me go. Wouldn't let me forget. I'd let myself become distracted by worldly matters. I'd forgotten why I was here. I swallowed the last of the scotch. A pleasant heat had settled into my limbs. Perhaps now I would be able to sleep. With a simple gesture the illusionary wall was once more in place. I went upstairs. After closing the drapes, I settled under the quilts and comforters. But I couldn't bring myself to turn off the light. A childish notion, but it gave me some comfort. And small comfort was all I would have for a long time to come. 19 A vast forest stretches out before her. Green and lush. Beautiful and deadly. And there are secrets. Terrible secrets. She steps forward and feels that she is sinking into something. Looking down, she sees her foot being swallowed by a pool of blood. 3 Dreams, I thought, can't hurt you. The day was dreary and overcast. They usually were here. It was well past noon before I managed to pull myself from bed. Despite the scotch and leaving the light on, I didn't manage to sleep until after the sun rose. Normally, I would have downloaded the morning Times and printed it out while I made tea. But I felt restless and penned-in by the house. I threw on jeans, boots, and heavy sweater, then grabbed my leather jacket as I went outside. It was late October and already the wind was blowing colder from the north. It took me a few minutes to climb down to the beach. During the night it had rained and the path was muddy. I slipped a little as I ran down it. The sharp tang of the air cleared my mind. Dreams, only dreams. 20 WORLDS WITHOUT END But I suspected they weren't. I'd had premoni- tions like this before. Before the Great Ghost Dance in 1888. And again before the one in 2014. Before the first VITAS plague. Before the start of goblinization in 2021. Each time I'd seen what was to come and I couldn't stop it. Oh I'd tried, but the others weren't willing to lis- ten. But they rarely thought about the consequences of anything that was happening. It has been that way for far too long. They've forgotten. Or didn't believe the danger was so close at hand. I was so engrossed with my morbid thoughts that by the time I looked up, I'd gone onto my neigh- bor's property. He was a surly bastard and hated the fact that he had an elf for a neighbor. What was it he called me? Ah yes, a pointy-eared, pencil-necked, daisy-eating nigger. The last I assumed had to do with my skin color. It took every ounce of self- restraint I had not to slowly pull his tongue out his hoop the hard way. But the Brits had an annoying habit of frowning upon murder. Especially when it involved a human and any sort of "meta" being. However, there were plenty of elves among the nobility in the UK, and I actually had good relationships with them. I hated to bum karma with them on someone who would be more annoyed by my continuing presence. I turned and made my way back to the house. The fog had burned off finally and it was looking to be a rare sunny day. My security system let me back in with a cheery, "Good morning. It's October 20, 2056. The temperature is 9 Celsius outside ..." It 21 Caroline Specter rambled on and on, and once again I reminded my- self to have the thing removed. But I always forgot. So tomorrow it would be the same, "Good morning. It's October 21, 2056. The temperature is ... blah blah blah." As I pulled off my boots in the mud room, I found myself whistling an old tune. Well, maybe not whis- tling, more a tuneless wheeze. Look on the bright side of life . .. dee, dah, dee dee deedilty dah. I couldn't remember any more of the words. That used to drive Caimbeui crazy when we were to- gether. My inability to remember more than a few snatches of lyrics from any song. Sometimes I even got the words wrong. What was that called? Oh, yes, mondegreens. The kitchen was warm and I set the kettle on to boil on the flat heating element. I went upstairs and started the water for a bath. Stripping out of my clothes, I grabbed my robe and wrapped it around me. The kettle had begun to whistle and I went downstairs to fix tea. In a few moments I had a tray all set to take up- stairs. Sheer decadence to dispel the night fears. Tea and scones while taking a hot bath. Maybe later I'd read—from a real book with pages. I'd just settled into the tub when the telecom beeped. Happens every time. As the machine picked up, I heard Caimbeul's voice. "Aina, I know you're there," he said. I gave a universal gesture for contempt and went back to drinking my tea. I hadn't heard word one 22 WORLDS WITHOUT END from him in eight months. Frag him if he thought I was going to get out of a nice warm bath. "Look," he said. "I'm en route to the UK. I should be landing in about an hour. Things have been happening. Things you need to know about. I have it all under control now, but we need to talk. I'll be up to Arran in about four hours." I closed my eyes. The uneasiness that I'd almost dispelled was back. For Caimbeui to come here out of the blue meant something was up. Something big. The dreams came back to me. I shivered. The water had gone cold and I suddenly didn't like lying there naked and vulnerable. Quickly, I finished washing my hair and got out of the tub. As I dressed, I tried not to dwell on Caimbeul's unexpected visit. Whatever the reason for it, I would know soon enough. And I doubted the news would be good. 23 It is dark. A blackness so thick and heavy it feels like a weight against her eyes. It is suffocating, this dark- ness. It feels as though she is being swallowed up by it. Being turned into it ... 4 Caimbeui was late. Though I wasn't surprised, I was annoyed. It wasn't as though I were looking forward to seeing him, but if you drop in on someone with "impor- tant" news, you'd bloody well better be on time. I'd made tea with all the things Caimbeui liked. Scones, of course, with lemon curd. Those ridicu- lous little sandwiches with the crusts cut off, slices of cake, tarts. He had a sweet tooth. But now the sandwiches had gone hard and the cake was stale. I'd switched from tea to sherry, then to scotch. And still no Caimbeui. Finally, six hours after he'd said he'd arrive, I heard the crunch of tires across my gravel. I waited until I saw him emerge alone from the car before opening the door. Even though I had se- curity sensors, you can't be too cautious. "Prompt as usual, I see," I said. 24 WORLDS WITHOUT END "Ah, Aina, still charming as ever," he replied. "No 'How are you? Why are you late?' You wound me." I snorted. "Please, spare me the usual dancing," I said. "It's cold out here. Come inside." I turned and went into the house. Behind me I could hear him getting his bag and shutting the doors to the car. "Lock the door and switch the system back on," I called over my shoulder. He muttered something under his breath, but oddly enough he did as I asked. I went into the great room where I'd started a fire earlier that evening. Sometime between the sherry and the scotch. "Did you leave that woman at home?" I asked. "Yes," he said as he shrugged off his coat and tossed it on the couch. He flopped down into one of the wing chairs in front of the fire. I handed him a snifter of brandy and poured myself another scotch. "I'm surprised. I'd've thought you'd bring her along to iron your shirts. Or something." "Or something?" he asked. Coy, that one. "Whatever it is you do with girls young enough to be your great-great-great-great-great-great-great- great-great-great-great-great-great-great-great-great- great-great—" He held up his hands. "I get the picture." "Oh, please, I don't want to hear about your peculiarities in that area." "Do you care?" he asked. "What goes on between us is none of your business." 25 Caroline Spector I turned away from him, stung by his remarks. Of course his life wasn't my concern. It hadn't been for centuries. But old habits die hard. The silence stretched out between us. Once I en- joyed them. But now it felt awkward and tense. I longed for things to be as they once had, but it was far too late for that. As usual. "I had a terrible time getting through UK cus- toms," he said at last. "Were you carrying anything?" I asked as I turned and walked toward him. He gestured for me to sit across from him as though this were his house and not mine. "No." "Made any enemies in the UK lately?" He smiled then. I was glad he wasn't wearing his makeup. That awful mask he'd adopted out of some perverse sense of humor. Wicked Caimbeul. We chatted then about meaningless things. Things to distract us from the free-floating tensions of a failed romance and too many years of history. The fire had begun to die down and we were both a little muzzy. "So," I said. But it came out more like "show." "Why all the mystery about your visit?" Part of me, foolishly, hoped that his surprise had to do with the sudden realization that he'd been mo- mentarily insane all those years ago when he'd left me. "I beat them," he said, his voice dropping into a slightly drunken, conspiratorial tone. "You've been 26 WORLDS WITHOUT END saying that NAN would bring them back with all that blood magic. And you were right, Aina." I felt a cold finger touch my heart. Suddenly the alcohol warmth fled and I was wide-awake sober. "What are you saying?" I tried to keep my voice from shaking, but I failed. He didn't notice, though. "They tried to get back, but I stopped them," he said. "Ah, well, I did have some help. A group of shadowrunners I enlisted. We went and played our little games on the metaplanes. God, it was fantastic. I haven't felt so alive since—I don't know when. Can you imagine it? Just my wits against them. "Oh, there was some business with them recently in Maui, but that was easy enough to handle." He gave a pleased laugh. Full and rich. I hadn't heard that tone in his voice in so long I'd almost for- gotten he could sound that way. Had it been any- thing else to bring this joy about I would have been delighted, but all I wanted to do was shake him. Hard. Laughing and enjoying this ... this catastro- phe. It was just like him to think he'd finished them off. What hubris. What ego. "... And then I told them the story about Thayla," he was saying. "And I sent them on a quest to find her voice." "Did it work?" "Of course it did," he said, indignantly. "What do you take me for? A dilettante? I know we've had our disagreements, but even you can see what a feat this is. "What I see is your ego is out of bounds again. In 27 Caroline Spector your endless fascination with being involved in the machinations behind things, you've missed the point. As usual." "You're jealous," he said. "What?" "You're jealous." "Of what?" I was baffled at this sudden turn in the conversation. "Of me. Of my power. You couldn't stand it when I surpassed your abilities." "Don't be asinine." "Oh, do you deny it?" he asked. He had a compet- itive, smirky expression on his face that I wanted to slap off. "I won't even dignify that with an answer. The things which you pursue, Caimbeui, are vainglorious and, ultimately, irrelevant." "That's something else you do," he said. "You al- ways call me Caimbeui. I haven't been called by that name in three hundred years." "Very well. Harlequin," I said. "But this is all be- side the point. The point is you think the Horrors have returned and that you have beaten them single- handedly, don't you? Or at least once. I have no idea what actually happened in Maui because you always leave things out when it's not all about you." He gave me an annoyed look. "Very well, Aina," he said sullenly. "There was a group of kahunas using blood magic on Haleakala. They managed to open a portal—some of the Enemy even managed to get through. But they were stopped in time. They were sent back into the void. 28 WORLDS WITHOUT END "See, nothing to worry about." "Let's see. First, you encounter them on the metaplanes. You manage to 'defeat' them there. Next, some of them manage to breach this plane. And you think they've been dealt with? "Well, I've been having dreams lately and I think you're wrong. I think you failed." He laughed. "Aina has a dream and we're all supposed to tremble in our boots. Is that it?" "I had forgotten this charming side to your per- sonality, Caimbeui. I've been right before." "And you've been wrong." "Not often." He didn't have an answer for that. "I thought you would be thrilled at this news," he said at last. "You're the only one who still under- stands what it was like. Back then. During the Scourge." I shrugged. "There's always Alachia," I said. "And Ehran. Oh, but I forgot about your tiff with him. Surely they remember." "Alachia sees it differently than we do. She al- ways has. And Ehran isn't worth a pimple on a troll's butt. As for the others—" "Don't hold back, Caimbeui, how do you really feel?" After giving me a nasty look, he went and refilled his glass. "Bring me some water," I said. In a moment, he placed a tumbler in my hand and settled himself opposite me again. Another long si- 29 Caroline Spector lence played out between us. The water was cool and washed the strong taste of the whiskey out of my mouth. "Tell me what happened," I said at last. "The first time." He didn't answer me for a moment. Then he spoke. "They were constructing a bridge, of sorts, using the energy spike from the Ghost Dance as a locator. They are as foul as I remembered, Aina. No, perhaps worse, for it has been so long since I'd seen them that they'd begun to blur in my memory. "I had to test the runners to be sure they had what it took to stand against the Enemy. For the most part they succeeded. One fell during the trials, but they accomplished what I set them to do. They retrieved the Voice, but didn't make it back to the bridge be- fore a man named Darke captured me. The bastard was working with the Enemy and had been follow- ing me across the metaplanes the whole time. And I'd thought I was tracking him. "He was performing blood magic to corrupt the site. How many children were sacrificed I'll never know. But Thayla sang and the enemy fell back, and now we're safe." I almost choked on my water. "Wait a minute," I said. "That all ties up a little too neatly. Thayla may be able to keep them at bay, but who will protect her from people like Darke?" "Oh, some of the runners stayed with her," he said casually. "But you didn't volunteer for that duty," I said. 30 WORLDS WITHOUT END "Don't be ridiculous," he said. "I'm far too valu- able to be tied to one spot like that. Besides, as long as she's there, they can't get through." "Not there, at any rate," I said. "And you're sure the creatures were driven back in Maui?" "Of course," he said. And how I wanted to believe him. I stared into the fire. Long ago, according to our legends, Thayla's voice had driven the Horrors off. She had sacrificed herself for her people, like any great monarch would. Perhaps Caimbeui was right. Maybe he had accomplished it. Maybe he had driven them back. For now. I relaxed a little. Maybe now there would be time to plan. To prepare. To warn those who needed to know. The telecom beeped, startling me out of my thoughts. "Who could be calling at this hour?" I wondered aloud. "It might be for me," he said. "I left this number." Oh, splendid, I thought. Just what I need, Caimbeul's little friends with my restricted number. "Hello," I said into the old-fashioned videoless re- ceiver I'd had installed in this room. There was a long pause, then a loud burst of static. I jerked back, dropping the receiver onto the floor. "Aina," I heard. The sound filled the room. An impossibility. And, oh sweet mother, I knew that voice. 31 Caroline Spector "Aina," it said. "I have come back. I have come for you." Then the line went dead. "What was that?" Caimbeui demanded. The room was cold. Colder than the dead of win- ter. Colder than the grave. For I knew from long ex- perience that there were things worse than death. "That," I said, my voice shaking, "was the past come back to haunt us. Harlequin. You didn't stop them from coming through on Maui, my dear. One of them is here. Now. And he's coming for me." 32 She is standing on a cliff overlooking the sea. The gulls dive for fish, crying with their broken voices. Below on the beach, a boy and girl play. They chase each other, leaving footprints in the sand that are washed away by the incoming tide. The children's high-pitched voices float up to her, but she can't make out what they're saying. Then, as she watches, the sea turns red and bleeds onto the beach. 5 "Don't be ridiculous," Caimbeui said. "Are you deaf?" I asked. "You were here. You heard it." "A prank, perhaps," he said. "That was no prank and you know it," I said. "I know 'that voice." I turned away, running my hands over my arms to warm them. It had been so long. A time out of mind. Even so, I would never forget that sound. The sound of Ysrthgrathe's voice. Like chalk on a blackboard. Like the whisper of a child. Like breaking glass. Like the dear departed. Whatever would be most effective. A fine, cold sweat broke out on my back. No, I 33 Caroline Spector thought, I'll not give way to that so fast. I clamped down on the panic. He'd be expecting that. No, I'd have to be careful and deliberate. "It's only one," Caimbeui said. "We can deal with one." "It's not just one," I said angrily. "Don't you re- member anything I told you then about him? I seem to recall that we did spend some time talking all those years ago. Or is your memory as convenient as it ever was?" "I thought we agreed not to discuss that time," he said. "But you keep bringing it up." "I'm not discussing that time. I'm asking you if you remember what I told you then about Ysrth- grathe." "That's a roundabout way of doing it." "Will you shut up and listen? Frag it, you are so oblivious to everything but yourself. Didn't you hear a word I said then? Oh, I give up." I spun about and strode from the room. I had to get to my grimoire. There were preparations to be made. When the last of my defenses was in place, I be- gan to relax a little. It concerned me that I might be making even more of a target of myself. Strong magic stuck out like a sore thumb these days. But it didn't really matter, he'd already found me. Caimbeui knocked on the door to my study. "Go away," I said. "Don't be difficult, Aina," he said. "Let me in." 34 WORLDS WITHOUT END "No, no, dear Harlequin," I replied. "I don't wish to trouble you." I heard him sigh. Loudly and dramatically so I would hear. "Let me in," he said. I walked over to the door and opened it. "Oh, it's the great Harlequin come to pay a visit to the poor unenlightened masses. Oh, please show us your bountiful insight. We are honored by your presence. May we kiss your hem?" "I was a bit ... difficult," he began. "No, you were an ass," I said. "Very well, an ass. You always did get sarcastic when you were upset." "How insightful of you," I said. "But you've got it a little wrong. I'm not upset. I'm scared. And if you had a bit of sense, you'd be frightened too." He began to circle my study slowly, gently touch- ing the books, totems, scrolls, and other bits of ar- cana I'd carefully catalogued. Some was only theory, some was practical. I knew he had an im- pressive accumulation of his own, but I also knew that I had been at this longer. "What's this?" he asked, pulling a thick tome from a shelf. "That," I said as I walked over and plucked it from his hand arid stuck it back on its shelf, "is none of your concern. I'm certain you have five or six just like it at home." An annoyed and interested expression crossed his face. "I don't understand why you're so worried," he 35 Caroline Spector said. "You've dealt with him in the past. As I recall, Vistrosh told me the most amazing story about how you vanquished him." Rubbing my eyes with the heels of my hands, I sighed. "Did he tell what really happened?" I asked. "Or was it turned into some of kind of ridiculous tale? Let me see if I can recount his version: 'And then Aina threw her arms wide to the skies and caused a blast of heavenly fire to consume the monster. The creature gave one last wail of angry despair and van- ished into the void.' " Caimbeui dropped into my heavy leather wing- back chair and put his feet up on my desk. "Yes," he said. "It was something like that." "Well, you know as well as I that that's not exactly how these things happen. Oh, certainly I managed to overcome Ysrthgrathe, but it wasn't the simple matter Vistrosh would have had you believe. It almost killed me and I sacrificed more than you can possibly imagine." "Like your grimoire?" he asked. "Yes," I replied. "I unmade myself. You remem- ber what I'd done. All those scars. The years and years of blood magic. Everything. I gave it all up to send him back. To imprison him. And now he's re- turned. "Then I had so much power. Look at me now. What are you doing?" He had picked up my grimoire and was leafing through it, making interested noises every few 36 WORLDS WITHOUT END pages. I grabbed it from his hands, shocked at such a breach of etiquette. "And I don't expect you to be any help," I said. "You're too damn selfish." "The Enemy was stopped or we'd be dealing with more than one of them now. You're letting some- thing that happened millennia ago affect you now." "Don't tell me the past has no hold over you, Caimbeui. We both know what a lie that is." "This is precisely the reason I left you," he snapped. "You pick and pick and pick." "That's right," I said. "I'm no Sally, or Susan, or whatever-her-name-is-this-decade who fawns over you like you were some sort of demi-god. Doesn't fragging a sycophant lose its appeal after a while?" He pushed himself up from the table in an angry rush. "This bickering isn't getting us anywhere," he said. "What are you planning to do?" Hugging my grimoire close to my body, I walked to the window and pulled back the drapes. It had be- gun to rain, and every so often the craggy land was lit by lightning. Bare country, wild and untamed. "I've put up some protections, but I'm not sure how effective they'll be. I wish .. . Well, I might as well wish for the sun to rise in the west. What's that old adage? 'If wishes were horses, beggars would ride.' " Caimbeui came up behind me. I could see him re- flected in the window. A flash of lightning; the des- olate land outside. The darkness; Caimbeul's image in the glass. 37 Caroline Spector "I think you should tell the others," he said. "Why don't you tell them? Your relations with them have always been better than mine." "Because, Aina, I'm not convinced. You are. You will be more effective. Tell them." "Tell them what?" I asked. "That I've had dreams and there has been one very strange telecom call?" "Don't dodge it," he replied. "They'll have to lis- ten to you. The ones who matter will know what it means." I dropped the curtains and skirted around him. He was close enough that I could feel the warmth of his body. "Why do you want me to do this?" I asked. "What have you got up your sleeve?" He shrugged. "I suppose your reaction has something to do with it," he said. "In all the time I've known you, I've never seen anything unnerve you so much as that call. Your hands are shaking even now. And when you heard that voice I thought you might faint. And, Aina, you're not the fainting type." I smiled. I couldn't help it. He could still do that to me. Even in the worst moments, he had a knack for pulling it out of me. "You're forgetting about Dunkelzahn and that an- cient business," I said. "I doubt they're likely to have forgiven me for that." "Probably not," he replied. "But you must try." "And where do you suggest I try first?" I asked. "Tir na n6g? Let's see ... I have such close rela- tionships with the Elders there. Alachia in particular. 38 WORLDS WITHOUT END Yes, we've become the best of friends since that nasty business with the dragons. Oh, I'm sure she'll help my cause. "And then there's Tir Tairngire. My relationship with Aithne is particularly strong. After Hebhel and Lily, I doubt he would piss on me were I on fire. Not that I blame him." "That was a long time ago," he said. "There are more pressing issues than things and people dead and gone." I made a slow circuit of my study. So many years of keeping track of the wisdom. Anticipating this time. Now that it was here, I was reluctant to act. No, afraid to act. "Once, a long time ago, someone said to me that memory is all we have. Even as we speak, there is a slight lapse in time between what we hear and what we understand. All our experience is a kind of lag. "Everything is memory, Caimbeul. Nothing has any meaning without it. 'He who cannot remember the past is condemned to repeat it.' See, even a hu- man philosopher understood it. And he blinked out in a heartbeat. "Don't kid yourself, Caimbeul. The past is very much with us." I closed my eyes and let the past wash over me like the sea rushing over the shore. 39 Three birds are sitting on a branch. They are about to soar into the blue sky when an arrow pierces the hearts of two of them. The third bird flies away, frightened and lonely. She knows the hunter is after her. Will always be af- ter her. 6 We have always been a meddlesome race of beings, we Elders. I suppose it comes from a long time of being priv- ileged. Few have known of us. And none have been able to stop us from doing what we wanted. Oh, well, there was that business with the great worms, but even they must sleep eventually. What was that amusing little saying from the comix? "Who Watches the Watchmen?" I used to see it scrawled across the bottoms of bridges and on the sides of buildings during the late nineteen- nineties. So, though we'd been given a thrashing, while the cat's away (or the monstrous serpents), the mice will play. And so we did. Myself, I have always preferred a low profile. None of the flash that has marked the passage of my 40 WORLDS WITHOUT END fellows. The tales that have floated about me were easily written off as fables. That wasn't by accident, for I have believed for a long time that our presence is more a danger than a boon. Perhaps had I been more vigilant, certain events of the past wouldn't have come to pass. I had been traveling to England. Why, I can't re- member now. Although I believe it had something to do with that collection of stones in Wiltshire. There were rumors of power there. Tremendous magical power. It was whispered in the harems and in coun- cil rooms. In market places and among the nomads. There were always places of power and this was one of them. Stupidity. That's how I came to be there. Had I bit of sense in my head I would have left them all to die. Hack- ing their lungs out, puking up what they'd barely managed to down a moment before. Ignorant, superstitious peasants. I knew there was a reason I'd stayed in the east for so long. In the east I wasn't looked upon as a black devil. The color of my skin was hardly com- mented upon. But here among these backwards Englishmen with their pasty skin and bad teeth I was something to be feared, hated, and possibly killed. And the place they'd put me in might well do that. It was called the Tower, but, of course, it wasn't. More like several castles and towers collected to- gether. Not that I'd had much of a chance to see any of it. I'd been brought here in the middle of the 41 Caroline Specter night and hadn't seen much of the light of day since. Sometimes I wondered if anyone even remembered I was there. Once a day a jailer slid a plate of bread and por- ridge through the grate. I could hear him muttering catechisms under his breath. It would do him little good and likely lose him his head, given the political mood. But don't we all fall back upon the icons from our youth? The stories we recite to keep the monsters at bay. And that was how I knew I must appear. Oh, I'd lost the pointed ears, thank goodness. The more ob- vious signs of my elven condition were muted now. Magic was at a low ebb, though for some reason be- lief in it had never been higher. There were more charlatans and mountebanks claiming to turn lead into gold than you could swing a dead cat at. And they did a great bit of that, too. To drive out the de- mons. Demons like me with my black skin and my white hair. My hair I could dye. Luckily, my eyes had changed to a brownish-gray color; otherwise I'd probably already be dead. What would they make of Vistrosh and his ceathral skin and pink eyes? I won- dered. But here I was locked up tighter than a miser's hoard. And how had I come to be here? My own weak- nesses, as usual. "Help us," I'd heard. I looked down and saw a young child, a girl, maybe eight. She wore a ragged tunic and her feet 42 WORLDS WITHOUT END were bare and dirty. What desperation drove her to ask for help from any passing stranger? Much less one who looked like me. "They're sick," she said. "Who is sick?" I asked. "Everyone," she replied. "Everyone except me." But she didn't look well herself. Her eyes were bright and glassy and as I drew closer, I could feel the heat of fever radiating off her. "Please," she said. Her hands reached out and I thought she might actually touch me, but she pulled away. "What makes you think I could do any good?" I asked. "Someone has to," she replied. "Or I'll be all alone. They'll ... die." I didn't want to help them. For as far back as I could remember I'd been trying to keep out of these things. To let Fate take her own course. It wasn't for me to decide. There were other matters that needed my attention. But as I looked into that pale feverish face another child came to my mind, and I found myself being led into the rude thatched hut. The air was thick with the odor of a low-burning peat fire. There was a hole cut in the roof to let the smoke escape, but that only helped a little. Pallets lined the edge of the room. On them lay several peo- ple, all of whom were in various stages of the same sickness. The grippe. Why these people were so ill from it I didn't know. It was a common enough problem—not as 43 Caroline Spector frightening as the plague or cholera, which could pass through a town and leave it devastated hi a mat- ter of days or weeks. At my feet lay an elderly woman. I knelt down beside her and took her wrist in my hand. Under my fingers her pulse felt erratic. I was closer to the power here; the pull of it too tempting to resist. As my eyes closed I began to see the pattern of her life. Thin and threadbare. Bleak colors woven together with an odd shock of bright blue. It was so difficult to hold on to what I was seeing. The images were blurred and hazy, slipping away from me if I hesitated for a moment. But, healing her would be simple enough, I saw suddenly. It had been so long since I'd taken the risk. Since I'd wanted to. There was a faint sound. It broke my concentra- tion and I turned toward it. There, shadowed in the doorway, stood the girl. For a moment her image blurred with one from my memory. I knew then I would help them, regardless of the risk. Again, I took the woman's wrist. Tapping into what little reserves I'd tucked away, I focused all my concentration into bringing back the weave of her life. The heat flew through me then, sliding into her body, burning out her fever and pain. Hot ribbons of health wove themselves into her body. I released her wrist then, exhausted by this minor act. I smiled a bit at this, I who had brought armies to their knees with a flick of my wrist, swooning at this child's play. And what did my generosity get me? 44 WORLDS WITHOUT END A private room in the bloody Tower. The people I helped weren't to blame. They couldn't have been expected to keep quiet about their miraculous healings, I suppose. Though I sus- pect the tale was embellished by the time it reached the ears of the clergy. The Protestants and the Catholics had been going at it ever since Mary came to the throne, but the one thing they agreed on was that anything smacking of witchcraft was to be dealt with severely. For some reason the local priest, who was the first person to see me after I was captured, didn't want to kill me right off. Perhaps it was my skin, or maybe he hoped to gain points with bishop. At any rate, I was taken to London and then sent to the Tower. Where I remained for months. I'd heard that there were prisoners here who'd been forgotten for years. But I tried not to dwell on that. Spring passed, then summer. All Hallows Eve. Dark came early. Through my slit of a window, I could see the fine mist ushering a heavy fog. The flickering torches looked unreal and ghostly. A per- fect night for the devil's work. If you believed in that sort of thing. I'd been'sitting in the dark for several hours. The worst thing about imprisonment was boredom. But this wasn't the first time I'd been in such a situation. Then I heard it. A faint sound from down in the base of the tower. Then footsteps on the stone steps. They were 45 Caroline Spector coming to kill me, I knew it. After all this time, they had remembered and were dispatching me at last. The least I could do was go to my death on my feet. But somehow I couldn't force myself to move from the cold stone floor where I sat. The sound of voices. I thought they might be ar- guing. Then more footsteps. The lock was opened and the door swung in. I put my hand up against the sudden brightness of a lamp. A rustle of fabric. Any moment now I would feel the bum of the blade. "You may leave us now," a voice said. A voice I knew. I dropped my hand and blinked. It couldn't be, yet it was. Standing across from me, robed in heavy velvet and fur, was Alachia. "What are you doing here?" I asked. She frowned. "You never have learned any man- ners," she said. "Do you not know that you are to rise in the presence of a queen?" I snorted. "Blood Wood is long gone," I said. "Its ashes have been forgotten more times than either of us can remember. You're no more a queen than I." "You never were ambitious," she said. "No, just not foolish and vain." Her frown deepened. Even with such a withering expression on her face, she was still beautiful. The skin was as pale, the hair as fiery red, and the eyes as blue. Not as stunning as she'd been, but part of that was due to the changes in the magic. Now her beauty was more human. 46 WORLDS WITHOUT END "You are an annoyance," she said. "But you are my cross to bear. Isn't that an amusing expression? Tell me, aren't you curious as to why I am visiting you?" I didn't answer. I knew it would annoy her. How odd that even after all this time we fell back into our old patterns. "Well, I'll tell you," she said. Her voice was glee- ful and fairly danced with excitement. "In a fort- night, I am again to gain a throne. Admittedly, not as impressive as those I've left behind me, but it will do in the meantime." "What are you talking about?" I asked. "Haven't you heard?" she asked. "Mary is dying and Elizabeth is to be crowned queen. Don't you think Henry is turning over in his grave? Killing off that poor girl's mother because she couldn't give him sons. Brutal bastard." "What has that to do with you?" "Why, my dear, haven't you guessed yet?" I stared at her for a moment, then, through the dullness of my mind, comprehension. "Are you mad?" I asked. "What do you mean?" she said coyly. I was staggered. She'd been interfering for years in things that weren't our business—but this—this was too-much. "How do you propose to achieve this miracle?" I asked. "Don't you think people will see the differ- ence between you?" "Ah, I have been planning this for years," she said. "It has taken an immense amount of time and 47 Caroline Spector energy. Do you think that I just popped up yester- day? Oh no, I have been Elizabeth for quite some time." "But her servants, teachers, surely someone .. ." "A simple enough matter to arrange. A spell here, a spell there .. . and patience. Such patience as you have never known. And now, at last, I'm in a posi- tion where I can do something." I could only stare at her. It was madness—sheer and utter madness. How she could possibly think she could maintain such a farce was beyond me. "Aina," she said, "you have always been so short- sighted. We can control what happens over the next thousand years. Make the world over in our image. Think of it—the power will come back again. Not this trickle, but a deluge of energy to rip loose the moorings of the world—unless we make certain of the proper order of things. Humans are sheep. We will always rule them. "The legends and tales you strew about aren't enough. We must have more. We must control them. This is our destiny." Even had I wanted to stand, I didn't think my legs would hold me. What she was proposing was mon- strous. It went against everything I believed about our place. Our purpose. We had a duty to perform. We were to keep the world safe so that the knowl- edge would survive from age to age. She knew what I did—how could she discard it all for so clumsy a form of power? But then, power had always entranced her. And so much of her mind would never be known to me. She was far older than I. 48 WORLDS WITHOUT END And I have lived so long that Sisyphus's chore looked like a blessing to me. "You pervert what we are," I said. "This pious attitude is quite boring, Aina," she said. "I think I liked you better before you lost your faithful companion. He certainly would never have tolerated such an attitude. And he could goad you into so many things." I felt the blood draining from my face and blessed my dark skin. Cruelty was her hallmark. How could I have let my guard down for even a second? The energy drained from me then. I didn't have the strength now to battle with her. "What has all this to do with me?" I asked. She walked closer to me. The wide span of her skirts just touched the ragged hem of my cloak. "I want your assurance that you won't interfere with my plans," she said. "I know you could make things difficult for me and I won't have it. There has been too much time and energy devoted to this for you to create problems." "How did you know I was in England?" I asked. "That was a happy accident," she said. "For the last few years I've made it my business to keep abreast of any rumors of witchcraft. When I heard about a dark-skinned woman with white hair who'd been arrested for sorcery, well, I assumed it must be you." "Have you known all along that I've been here?" I asked. "Of course," she said. "I just couldn't take any 49 Caroline Spector action on it for a while. Besides, I wanted you out of the way until I decided what to do with you." I closed my eyes. Knowing Alachia, she could keep me here for decades before letting me go. By that time I might well have lost my mind. "What do you propose?" I asked. "Just what I said. You keep out of my way in this matter. I will act as queen to this tiny nation." "This is madness, Alachia," I said. "Why would you want this?" "Because I need to rule," she said. "And if I don't agree?" "I'll find someplace where I can leave you to rot," she said. "You won't die, unfortunately. But you'll certainly wish you had. That is, if you still have your sanity intact after all those years locked up and alone. It's really not much of a choice, is it?" She had me there. I couldn't stop her from what she was about. But I could certainly see my way clear to making her life difficult once she let me out. "Very well," I said. "I agree." She came to the throne on November 17, 1558 and ruled for an astonishing forty-five years. And at every turn I made her way as difficult as possible. Oh I didn't act directly; that has never been my way. But I knew people on both sides, and it was a simple matter to sow the seeds of distrust and paranoia. All I had to do was stir the pot. Between juggling the French and Spanish, she was forced to look to the welfare of the country. 50 WORLDS WITHOUT END Besides, it was a source of constant amusement to me that she was referred to as the Virgin Queen. That wasn't the first, nor would it be the last, time she did such a thing. But the brazenness with which she acted in this matter always amazed me. And af- ter that time, I always made sure to stop her when- ever I could. 51 Do you think you'll escape me through the past? Do you think that by telling them you'll be safe? Don't you know that I've been waiting— as patient as time itself? Don't you know you can never stop me? "I tried to stop her," I said. "What?" asked Caimbeul. I hadn't realized I'd spoken aloud. "Nothing," I said. With a quick snap of my wrist I pulled the drapes together and shut out the storm. "I suppose I should pack." There was the creak of leather as he settled back into my chair. "So," he said, "you're going to tell them. Where will you go first?" "The Seelie Court," I said. "It should be the least hostile reception." "If you can find them." This made me laugh. "Ah, Caimbeul," I said. "That will be the easy part." It was drizzling the next morning as we loaded our bags into Caimbeul's rental car. I'd set the alarm 52 WORLDS WITHOUT END and cast spells, and as I locked the front door I had the terrible feeling that this would be the last time I would ever see Arran. Damn them all, I thought. If they would only have listened. If they 'd stopped playing with things they only barely understood. Then I wouldn't have to leave my house and venture into matters I've spent hundreds of years avoiding. But I knew the worst of the bunch were the ones who knew the dangers and went ahead with their foolishness anyway. Damn them, too. Caimbeul had opened the passenger-side door and stood there waiting for me to get in. I dropped into the synthleather seat, sniffing the vinyl scent of new car as I did. After shutting the door behind me, Caimbeul came around the front of the car and got in on his side. "I made some plane reservations while you were still asleep," he said. "It was bloody expensive and I expect to be reimbursed." "I can't believe you're bringing up money at a time like this," I said. Out the comer of my eye I saw him shrug. "I know you're good for it," he said. "So are you. You've got piles of the stuff hidden everywhere. What's a plane ticket to you?" "That's not it," he said, primly. "It's the principle of the thing." ' "The principle of the ..." And then I couldn't continue because I was laughing too hard. I contented myself with watching the passing sce- nery and playing with the vid, trying to get some de- 53 Caroline Specter cent signal to come in. But all I found were walls of noise and static. Finally I managed to tune in a pre- historic station that was doing a retrospective of tum-of-the-century music. Snapping off the trideo portion, I let the sounds wash over me. I confess I liked the older flat-screen stuff: Nine Inch Nails, Cold Bodies, Sister Girl's Straight Jacket. Nothing like a little atonality with my angst. Every so often I would glance over at Caimbeul. Excuse me. Harlequin. I don't think that name will ever come trippingly to my lips. And I hate what it represents even more. Yes, I know you think you understand him. You might even think you know him well, but you don't. I've known him for longer than either of us cares to remember. And he wasn't as you see him now. That stupid painted face. Though he wasn't what many would call handsome, I have always found him at- tractive. Maybe even beautiful. Oh, I know that sounds peculiar, but there is an aspect of ugliness that is so shocking and strange it becomes beauty. And his wild hair, all gold and brown woven to- gether. He'd let it grow long again, which I like. But he insisted on pulling it back in that ridiculous pony tail. It made me want to sneak up behind him with a scissors and cut it off. Either you wear it long or you don't was my way of thinking. His hands lay easily on the wheel. I knew they were smooth and feminine with calluses on the fin- gertips. There was a hint of yellow between the first and second fingers where he held those Gaullets he smoked. And he smelled of tobacco and clean linen. 54 WORLDS WITHOUT END And I wondered whether he remembered those sorts of things about me. The little details that only come from intimacy. "Will you turn that off?" he asked. "I like it," I replied as I leaned forward and nudged the volume button up a little. "I know," he said. "You always did have terrible taste in music." "No, I've always had broad taste in music. Unlike you who only seem to like classical music and the occasional jazz group." "I prefer to think of it as a refined taste." "I know you do." We didn't say anything else and I went back to watching the kilometers slip by as the rain streamed across the windows. Edinburgh was crowded. Old ladies were crying and hugging uncomfortable-looking teens. Suits hur- ried by, oblivious to everything but their own sense of self-importance. I've never been too fond of cor- porate thinking. That whole bigger is better drek was what had led to most of the problems in the world, as far as I could tell. Okay, indoor plumbing was the one exception to this rule, but otherwise ... We found the gate for the flight to Tir na nOg. As we came around the comer, I saw that the usual se- curity measures were in place. All our luggage was going to be searched. There would be the usual weapons scan and the endless procession of bureau- cratic red tape. Like I said: corporate thinking. 55 Caroline Spectw The worst of it was that once we got to the Tir, all this would begin again. As we approached the head of the line, the elven official looked up from the display screen where he was sliding credsticks to check documentation. He gestured us forward, ignoring several people ahead of us. "May I see your passports and visas?" he said. He tried to keep it polite, but you could tell he wasn't going to take no for an answer. We handed over our sticks with our IDs and travel permits on them, and he asked us to step into a small room off the main corridor. As the door shut behind us I could hear the other passengers whispering to each other. You could cut the paranoia with a knife. "Is there a problem?" Caimbeui asked. The security drone didn't answer as he sat down at a display on the far side of a small formica table in the center of the room. The walls were a dirty white and one of the fluorescent lights flickered on and off erratically. I read his name off his badge: Clovis Blackeye. No wonder he was an officious prig. With a name like that I'd be a drekhead, too. He was gaunt and stoop-shouldered for an elf. His hair was tied back into a ponytail and was shot through with premature gray. A perpetual expression of misery lined his face and made his eyes look sunken and bruised. He knew he would never be anything more than a low-level bureaucrat. Sometimes there was no explaining UGE. "I said, 'Is there a problem?' " 56 WORLDS WITHOUT END Clovis finally looked up from the screen. His beady eyes swung from Caimbeui to me. "It says here that you're visiting relatives in Tir na n6g. But it doesn't list who those relatives might be." "Is that necessary?" I asked. "How do we know you really have relatives in the Tir? Maybe you're from that other place, come to cause trouble." "That other place?" "Tir Taimgire. The fallen ones." I glanced at Caimbeui and he rolled his eyes. Nothing worse than a patriotic officious prick. "And perhaps we have relatives who don't want every low-level clerk knowing who their relatives are," I said. His flat piggy nose flared slightly. "That's not for you to decide," he said. "Now tell me or you don't get on that plane." I leaned forward across the table then and grabbed his collar. For a moment I thought he might resist, but the force of my will kept him from moving. It was as easy as a snake hypnotizing a rat. "Listen to me, little brother," I said in Eireann sperethiel. My accent might have been a bit off, but otherwise I was letter perfect. "You are playing in things far beyond your knowledge or concern. You wish to know who we are to visit? Then come closer and I shall tell you." I jerked him across the table and whispered a name in his ear. The blood fled from his already pasty cheeks. As he pulled away, I let him see me— 57 Caroline Spector really see me. These are the kinds of tricks I hate— obvious displays of power—but he'd slotted me off. "Now you can well imagine how annoyed this person would be if they discovered their name came up in this sort of situation," I said. "So I would sug- gest that we all forget this unfortunate incident." Old Clovis was only too happy to oblige. He gave us back our papers like he'd just discovered they'd been tainted with VITAS. We were ushered onto the plane without further delay. I settled into the thick leather upholstered seats of the first-class section and smiled at the attendant who handed me a glass of single malt scotch. "Was that really necessary?" asked Caimbeui after she moved away. "What?" I said, letting my eyes go wide and inno- cent. "That show you put on back there." The plane gave a little lurch as it backed from the gate. I glanced out the scratched window. Below me I could see the orange lights on the ground. "No," I said. "We could have missed the flight snaking around with him. But I didn't have the pa- tience for it. Besides, he's going to be too scared to tell anyone. He believes in the omnipotence of the Elders. You could see it in his eyes." "But you showed him ..." "I showed him what would impress him the most. Some people are so literal." "I missed you." "What?" It was a strange and unexpected non- sequitur. And I couldn't believe my ears. 58 WORLDS WITHOUT END "Well, I didn't miss the arguing. But I missed you when you get like this." I didn't say anything to that. It wouldn't have made any difference anyway. 59 She's running. The forest is alive with sounds and smells. In the distance, the dying rabbit cries sound like a child's screams. The heavy scent of new-dug earth hangs in the air. Branches slap against her face, and no mat- ter how she tries to push them away, they keep com- ing back. Something is behind her. She doesn 't know what it is—only that it will kill her if it can. Looking over her shoulder, she tries to see what it is. So she doesn't see when she steps off into space. She's falling now. Falling with nothing to save her. 8 I jerked awake as the plane passed into the Veil. It was a nasty jolt of reality, being sound asleep one moment and wide-awake the next. A tingling started at the nape of my neck and worked its way up my skull. Pushing the plastic shade up, I peered out the win- dow. There was nothing but thick gray and white clouds like the smoke of burning leaves. I struggled against the effects of the Veil. The clouds tried to form themselves into shapes. What part of my sub- 60 WORLDS WITHOUT END conscious was being dredged up? I didn't want to know and pulled the shade down with a snap. We'd be on the ground in half an hour. I could hold out against the effects until then. "Pretty potent stuff," said Caimbeul. "The Veil. It makes me wish they would use some other sort of protection." I shoved a hand through my hair. It was virtually gone now. After centuries of having it long, I'd fi- nally cut it all off. All that was left were spiky white sprouts about an inch and a half long. My head felt smooth and cool under my fingers. "Too potent," I said. "They're only aggravating things." "You've said that every time anyone's used magic on any scale." I didn't answer him, knowing that we'd just run over the same ground again. The engines whined and I felt the thump as the landing gear lowered. Then I shoved the shade up again. We broke through the clouds and I could see buildings below us. From here everything looked small and not at all real. Up here we were still safe. I closed my eyes then, breathing slowly and deeply to relax myself. I had my usual landing death-grip on the chair arms. Blowing up in a ball of fire was not the'way I wanted to end my unnatural life. My ears popped several times and I opened and closed my mouth to help. Then I felt it. The smooth calluses and the suede glide of Caimbeul's hand closing over mine. I didn't pull away. It was too comforting and familiar. I kept my 61 Caroline Spector eyes closed, not wanting to see when we burst into a huge ball of fire. There was a sudden bounce and we were on the ground. Caimbeul's hand disappeared and I was left with only the memory of his warm touch. Once, years ago, I lived in the United States. I'd come to America during the eighteen-hundreds when news that the Sioux were using ritual magic drifted across the Atlantic to the fashionable parlors I frequented then. It was a topic of much conversa- tion for a few months, until other, more interesting scandals pushed their way into idle gossip. But I knew the Sioux were playing with danger- ous mojo. The reports told of self-mutilation to help the magic. Blood magic. It was too early for that sort of thing—unless they'd found a place of power. They were playing with forces they couldn't understand and wouldn't be able to control, even if by some freak chance they did work. I booked passage on the next available steamer and was making my way west in a matter of weeks. There was no time for me to admire the rawness of the country. Everything was new here. Fresh starts for anyone willing to take it. The weight of history had barely settled onto the land. But that is another part of the story. The time I am thinking of came later, in the late nineteen-thirties and early forties. I was living in Texas then. The war known as the War to End All Wars was barely cold. The embers of it still smoldered in the battlefields of 62 WORLDS WITHOUT END Europe. But apparently they weren't ready for them to be out yet. That little Austrian man stirred it all up again and the depths of his hateful vision wouldn't be known for another six years. But by then, it would be too late for us all. But in Austin we didn't know about any of that. The world came to us through newspapers, maga- zines, radio—and through the movies. It was a blistering hot summer. But that was noth- ing unusual. Most people left the city for cooler parts of the Hill Country. The ones who remained made do with fans, ice blocks, and shade. In the eve- ning the temperature would drop into the high sev- enties. It was almost bearable. Once the initial shock of the war wore off, life went on as usual. For the most part. Most Americans thought they would be exempt from the conflict. Af- ter all, what did it have to do with them, this bloody war in Europe? And so, on this summer night with the heavy scent of lantana and moonflowers in the air, I went to the movies. Some people were afraid of being in closed places because of the polio, but that was never a concern of mine. The theater was dimly lit and I used a fan given away at the local Herbert E. Butts grocery store to push the sweltering air about. The lights went down and the newsreel began. Of course, the war in Eu- rope was the first item. I watched as scene after scene of destruction flashed across the screen. Many things were being blown up in Poland and France and England. 63 Caroline Spector Then we were looking at images of happily wav- ing crowds. The little man rode through them mak- ing his straight-arm salute to the frantically waving masses. And then I saw her. At first I couldn't believe my eyes, but the shot held and I knew what I was seeing was true. It was Alachia. She was sitting in one of the cars in the rear of the procession. An expression of perfect happiness was etched in her face. A blond man with his hair slicked back and perfect Aryan features waved at the crowds while his other arm encircled her waist. He smiled down at her and she smiled back. They were gone in an instant, replaced by the image of refugees fleeing down some unknown road. The screen went black and then the Parade of Fashions appeared. Sweat rolled down my face but I was suddenly cold. So very cold. We rode the shuttle bus headed south toward Dub- lin, hooking up to Dorsett Street once we were in the city proper. We'd made it through customs relatively easily. There was no need to resort to the sort of tactics I'd used on that idiotic bureaucrat from before. Like many of the Dublin streets, this one turned and bent and changed names. We took a left onto Church Street and headed south toward the river. Four Courts was to our left. The dome of the central building was covered in the green patina that comes to all copper as it ages. It was a beautiful piece of 64 WORLDS WITHOUT END neoclassical work. All white columns and statuary at every corner. The fact that it was standing after all this time gave me a fleeting feeling of permanence. As we crossed Whitworth Bridge, I looked out the window. Below us the Liffey River flowed a gray- jade color, the dark clouds of the late-October sky barely reflected in its depths. At the next stop, we left the tram and cut across West High Street. It was a strange experience, to see almost as many elves as humans walking about. No one gave us a second look. Oh well, perhaps one or two. We were dressed better than the average Dub- liner. I know the reports out of the Tir have it that the land is green and milk and honey flow from ev- ery stream, but after all, this is Eire. Poverty has been at the throat of the people for generations. And goblinization hadn't changed that. Perhaps no one was starving, but all was not well in the Tir. At St. Nicholas Street we headed south and cut west before we reached St. Patrick's Park. I glanced back to see if anyone was following us. An old woman pulled a shopping cart filled with vegetables, but as far as I could see there was no one tailing us. "How long since you've been here?" I asked Caimbeul. "Oh, I get about," he said, shrugging. "Meaning you've been here recently." He gave me hard stare. "Yes. I was here recently. I was invited to attend a wedding." "Whose wedding?" "I'd rather not say." 65 Caroline Spector "Because I wasn't invited?" "Well, yes." "Well, I don't care about that," I lied. Weddings were highly symbolic events in the elven commu- nity. Full of alliances and power-jockeying. Not being invited meant I wasn't considered a pow- er anymore. That would hurt me when I went to the Court. No doubt Alachia's hand at work once more. We worked our way across the maze of streets that led to St. Stephen's Green. Nestled next to ancient stone buildings were brick flats put up in the nineteen-hundreds next to chip-implanting shops. Dublin wasn't a flash city like New York or LA. She crept up on you and worked her charms in subtler ways. A hint of the past here. A bit of the future there. Once we were in St. Stephen's I relaxed a little. I was certain no one was tailing us: the old woman had turned off on Bride Street. Since then, the crowd thickened and thinned, but no one seemed at all in- terested in Caimbeui and me. "Where do you want to stay?" Caimbeui asked. "Stephen's Hall?" "Do they have a decent security rating?" "Good enough," I said. "It's not like we're going underground." The hotel overlooked St. Stephen's Green with its emerald grass and drooping willows. We checked in and followed the troll bell boy up to our suite. We left a wake-up call for six. * * * 66 WORLDS WITHOUT END The rains came at four. I woke to a crash of thun- der and the sound of hail hitting the windows. For a moment I was disoriented and thought I was back in the kaer. A suffocating darkness pressed against me. But then I saw the night sky as Caimbeui opened the drapes. "Where did this come from?" he wondered aloud. "If I were more superstitious," I said, "I would say it was a sign." "A sign?" "Yes. They know we're here. But it's more likely this is the Doineann Draoidheil." He didn't say anything to that. Knowing he was watching there at the window made me feel safe. And as I drifted back to sleep, I smiled. 67 Tonight she doesn't dream. 9 Bells. I swam up from the murky depths and realized be- fore I opened my eyes that it was the telephone. Couldn 't they afford to replace these fraggin' an- tiques? I thought. Swatting at the phone, I managed to drag it from its cradle and sent the base crashing to the floor. Damn things, I never got used to them when they appeared and now that they were obso- lete, I was still plagued with them. "Whazzit?" "Your wake-up call." The voice was computerized and pretematurally perky. I hate that. I let the receiver drop. It missed the base and thudded on the carpet. Burrowing further into the covers, I let the lovely blackness drag me down again. "Aina," said Caimbeui, pulling the covers off me. "Time to get up." I lay there for a moment not moving. It occurred to me that though we Elders weren't supposed to mortally wound one another, there was always a first time for everything. Instead, I rolled onto my back 68 WORLDS WITHOUT END and glared at him in what I hoped would be a fright- ening manner. "That won't work," he said. He was dressed in black. His hair was pulled back into that annoying ponytail. At least he'd laid off dyeing it red for a while. "I'm not even a little intimidated by your bad moods. I lived with them for years. They just don't impress me anymore." I muttered something unintelligible, hoping it would be taken for a scathing remark. But it wasn't. He knew me too well. Stumbling to the bathroom, I hoped that there was at least hot water for a shower. We rented a car and made our way west from Dublin out of Dublin County through Kildare to Of- faly and into Galway. A heavy mist lay over the land making the greens muted and soft. Much of the land had gone wild. I knew this was part of the Awaken- ing. The land was going back to what it was before hu- mans had put their mark upon it. Remnants of that earlier time existed before the Awakening. The Giant's Causeway in Antrim was one such place. Some said it was cooling lava that produced the hexagon-shaped stones leading from the mountains down to the sea, but I knew better. "How are you going to find the Court?" Caimbeui asked. "They could be anywhere." "Yes, but those who know where they are keep to certain places. We're going there." "To the tombs?" 69 Caroline Spector "Yes, and other places." "You know how I hate the tombs." "Life is suffering, Caimbeul. Didn't you know that?" Because of the fog, it took us four hours to reach The Bun-en. The land here was wilder than other areas of the Tfr. Perhaps because the people who lived in this part of Ireland had never been far from their Celtic roots. Even before the Awakening, Gaelic was the primary language for large sections of Galway. As we passed, I saw fingers of gray rock clawing up through the thin soil. Dark green thorn trees twisted against the fierce ocean wind. Sheer cliffs dropped down to rocky seashores. The Burren was a flat plain of gray limestone rock. Deep fissures cut down into the slabs of stone, scarring the rock. The only things that grew there were wildflowers that sprang up between the cracks. I parked the car and we started up the Burren. Once there would have been tourists clambering over the outcroppings. Now there was a stillness that hung in the air and seeped slowly into my bones. "Come on," I said softly. We made our way, for once not bickering about how fast or slow one or the other was going. I stopped every so often to pluck flowers that grew from the crevices. I wove them into necklaces as we walked. I kept one for myself and handed one to Caimbeul. He gave me a skeptical look, but slipped his into his pocket. 70 WORLDS WITHOUT END The mist was getting thicker and thicker as we walked. I stumbled over the uneven rock and wished I'd thought to bring a walking stick. Then we were upon it. A large fissure in the rock. It was large enough for one of us to slip through at a time. "Well," I said. "I'm going down. You can wait here for me if you want." Caimbeul gave a disgusted snort. "You think they'll listen to you without me?" he asked. I looked up at him then, deep into his forest-green eyes. We knew each other well, Caimbeul and I, and I knew this ploy for what it was. "Oh yes, dear Harlequin," I replied. "I think they will listen to me very well. They know who I am." It was cool in the cave. We were crawling on our stomachs down a long passageway with only a small light to lead us. I'd cast the spell once we'd found ourselves in this narrowing corridor and I couldn't hold my flashlight any longer. "Remind me to tell you how much I enjoy crawl- ing through a cave in my very best shoes and coat," Harlequin said. "Don't complain," I replied. "It could be worse." "How so?" He ran into my heels and gave a little oomph. "It could be wet." "Oh, what a lovely thought." Just then I crawled around a comer and popped out into a large cavem. Stalactites and stalagmites grew down from the ceiling and up from the floor. 71 Caroline Spector In the center of the cavern was a lake. Its surface was mirror perfect and black as night. I turned around and helped Caimbeui as he too crawled out. There was dirt and dust covering his clothes. He slapped at it, but it didn't help. When he looked up at me again, I could see the annoyance in his face. I put my finger to my mouth, then pointed at the lake. I walked away from him toward the edge of the water. The only sound was the crunch of stones under my boots. As I reached the edge of the lake, I leaned over and picked up a small stone. Straight- ening, I spoke, "Hear me, Fin Bheara, King of the Daoine Sidhe, King of the Dead. It is Aina. I would speak with you." My voice rang out and echoed against the silent rocks. For a long moment there was nothing. No an- swering sound. Then, there was a grinding noise. The ground trembled and I stumbled a bit before re- gaining my balance. The water began to bubble and boil. Steam rose from the surface and soon blanketed the entire room. From the water rose a boat. It was made of wood and gold. A throne was affixed in the center of the deck. Sitting in it was the spirit who liked to be known as Finvarra. He was as I remembered, perhaps even larger than before. The power of the Awakening had seeped into his veins as well as mine. The boat moved toward the shore where I stood, cutting smoothly through the water, leaving only the 72 WORLDS WITHOUT END slightest wake to mar the perfect sheen. I could see no oarsmen or sails, but that is the way of faerie. It stopped about a meter from shore and rested there. "Greetings, Finvarra," I said. "You do me a great honor." He laughed. It was harsh and grating, and yet it sounded like music to me. "Aina," he said. "Sweet mother. How may I help?" "I would find the Seelie Court, Finvarra," I re- plied. "Though to hear some tell it, I am no longer considered a power in Tir na nOg." "Come down from there, Caimbeui," Finvarra said. "You make me nervous lurking about." I heard Caimbeui curse as he slipped and slid his way toward us. "You haven't answered my question," I said. "Where is the Seelie Court?" Finvarra leaned back on his throne and studied me. I returned the favor. His gray eyes were as piercing as ever and the sharp planes of his face were more cruel than kind. A thin gold circlet rested on his brow. Long thin hands rested on bony knees. His clothing, made of leaves and bark and animal pelts, reminded me of what we'd worn in Blood Wood all those centuries ago. Then I noticed that lying at his feet was a young woman. She was dressed in a tight purple dress with thigh-high black patent leather boots. Part of her head was shaved so the datajack she'd had im- planted could be easily accessed. She seemed to be asleep. 73 Caroline Spector X "Up to your old tricks again," I said. f " "Tis nothing," he said. "A harmless amusement." m "What would Oonagh say?" I knew I had to play J along. "What she doesn't know . . . Besides, this is all rather off the point. You wish to know where the Seelie Court is currently residing." "Yes." | "Perhaps they don't wish to be found." ' "No. I suspect they don't. And I suspect I know why they don't want to hear from me." Finvarra smiled at me. His teeth were yellow and , very long. | "Now we're getting somewhere," he said. "Per- | haps I can help you. If you are willing to do some- ; thing for me." | "And what might that be?" I asked. "\ "A test," he replied. "A simple challenge of your will. My subjects will be more than happy to admin- , ister it. If you succeed, we take you to the Court. If -H you fail, well, that will be your lookout, won't it?" • "And who decides whether I win or lose?" J "Why that, dear mother, you will have to figure « out for yourself." • With that, the boat sped away from me. It left u barely a ripple in the water and the mist closed m around it, hiding it from my sight. I stepped forward, J the edge of the lake touching my toes. What now? I J wondered. j» "Well, that was helpful," said Caimbeul. !• I spun about, ready to give him a cutting remark J 74 WORLDS WITHOUT END when behind me something burst forth from the wa- ter and grabbed me. In a flash I was being pulled down into the black- ness. The water was freezing and I hadn't caught a breath. I fought against the urge to inhale. My eyes were open, but I couldn't see much. I looked down and saw that I was being held by a each-uisge. My legs were helplessly stuck to its chest and forelegs. Its clawed hands were clasped about my thighs. The head was that of a horse with razor-sharp teeth. It would pull me down into the water until I drowned and then feast upon my flesh, except for my liver, which it would no doubt spit up at Caimbeul's feet. It was a prospect I didn't relish. I let myself go limp, playing dead, hoping this would slow its descent. It did. Then I jerked my arms apart and uttered the words. Between my hands a whirling of water started. It began to glow and lit the each-uisge with blue light. The water spun faster and faster until it narrowed into a fine, laser-like point. I pointed it downward at the each-uisge's head. There was the muffled sound of a shriek, and then the creature's head disappeared. Its claws went slack on my thighs, but I was still stuck to its chest. My lungs were burning and spots floated before my eyes. The dead weight of the each-uisge was pulling me down. I had a panicky moment as I started to inhale some water. With every ounce of power left in my arms, I swam up to the surface. Just as I thought I would never reach it, I broke through. The air hurt as I gasped. I floundered for a 75 Caroline Spector moment before Caimbeui grabbed me by my collar and pulled me from the water. He laid me, none too gently, on the stony bank. I coughed up water and hacked out some bile. My legs felt heavy, and I realized the each-uisge was still stuck to them. "Cut it off," I said. "That won't work. You'll have pieces of it stuck to your pants forever." "Well, it's better than dragging the whole thing along with me," I said, coughing up more water. "Take off your pants," he said. "Oh, fragging hell," I said. I unbuttoned my jeans and skinned them off. It took a while between the wet and the each-uisge. "And so that was the test?" he asked. "N-n-no," I stammered. My teeth were chattering and gooseflesh had broken out over my body. "T-t- that was a warning. They're serious about the test." "Well," he said, looking chagrined that he hadn't helped, "we'd better get you out of those wet things." He wrapped his arms around me. I let myself lean against him and take in his warmth and scent. It was good to be there, if only for a moment. 76 She can't move. Legs and arms like lead. But she hears ... things. Things rustling beyond her line of sight. Things with evil intentions. 10 "What next?" Caimbeui asked. I was sitting in the back seat of the car pulling dry clothes on. My coat and boots were ruined, so I wadded them up in a towel I'd taken from the hotel. Under normal circumstances I wouldn't have in- dulged in that sort of petty larceny, but these weren't normal times. Caimbeui was driving. We were heading south- west away from The Bun-en. I pulled a heavy gray sweater over my head, then slid on black jeans. Sneakers were next, after which I climbed over the front seat to the passenger side. "Better?" he asked. "Drier, at least," I replied. "But that brackish smell is going to stay with me for a while." "Not just you." "My apologies," I said. "Next time a each-uisge decides to have me for a snack I'll be sure to tell it not to get you wet at the same time." 77 Caroline Specter "I'd appreciate that," he replied. "De nada, babycakes." "You know I hate it when you call me babycakes." "Like I said, 'Life is . ..' " "I know. I know." We stopped in a small town south of The Burren for food. It was fast approaching dusk and I wanted to be out in the countryside as soon as possible. The air was tanged with sea salt and humidity. Though it wasn't that cold, the damp seemed to seep into my bones, making them ache. Leaving the car at the restaurant where we'd eaten, we walked to the edge of the town. The road out of town was little more than dirt and cobble- stones. It had played hell on the suspension of the rental. I imagined Caimbeui was making a running ledger in his head of all the expenses of the trip. When this penurious streak had come on him I didn't know. "Look," he said, grabbing my arm and pointing. Off to one side of the road was a grove of trees. It was shaded purple and gray in the twilight. A fog had rolled in from the sea and made everything look fuzzy and insubstantial. Surrounding the grove were a series of tiny flickering lights that bobbed and floated three meters above the ground. Then I heard the faint, delicate tones of music. A flute and recorder, I thought. Perhaps a viola thrown in there. "Ignis fatuus," I said. "Will-o'-the-wisps." 78 WORLDS WITHOUT END The flower necklace I'd made while we were walking The Burren was waterlogged, but still ser- viceable. I'd rescued it from my coat after we'd reached the car. Now I put it around my neck. "I can't believe you're using that," Caimbeui said. "Whatever works." "Primrose necklaces to reveal faeries?" "Yes," I said. "And you'd better put yours on. I don't want to lose you." He snorted. "I know it hasn't occurred to you before. Harle- quin," I said. "But you don't know everything. Some magic isn't complex—some is made up of simple things. And sometimes, that's the most potent magic. Because it's so obvious that everyone over- looks it." "But I thought this was to allow humans to see fa- erie," he said. "Oh, come now," I replied. "How many humans were ever able to see faerie without their permis- sion, help or no? No, this magic is from before hu- man memory." He pulled the necklace from his pocket. It was wilted and droopy. With a sigh, he slipped it over his neck. It hung there limp and pathetic, faded green and pink against his black leather jacket. Sucker. I hid my smile and went back to following the lights. Every time I thought we were about to catch up, they moved away. This went on undl my pa- tience began to wear thin. Then, all at once, we were at the top of a hill. 79 Caroline Spector A group of oak trees stood to one side, their leaves mostly gone. A circle of toadstools ringed around the trees. Inside the ring, the lights flickered and bobbed about. They melted and changed shape, and eventually I saw what I had come for. Dancing around the ring were an assortment of the strange and fearful creatures of faerie. Please, no laughing. I know that in recent times the idea of faerie has come to mean something other, and much more pleasant, than what it really was. But since the Awakening, I suspect that Disney notion has flown out the door. For the most part they were dressed in rags or pieces of plants. Their thin, sinewy bodies were pulled and bent into grotesque shapes. With their mouths opened to smile, they revealed rows of sharp, pointed teeth. Some sported wings while oth- ers had antennae flowing back from their brows. They all had the pointed ears that we elves share. Giving rise, no doubt, to the rumors that they are our descendants. Spriggans danced with leprechauns while fir darrigs tripped the unwary. Goblins and pixies tried to swing each other out of the circle. They whirled and danced and laughed. The shadows they cast flickered and strobed. It was Dante's vision of Hell. One of the dancers broke from the group and ran over to us. It grabbed my hand and pulled me for- ward. "Welcome, mother," it said. "We've been waiting for you." "What of my friend?" I asked. 80 WORLDS WITHOUT END "He is of no account right now." We were in the center of the ring. The sharp, wiz- ened faces of the faeries jerked in and out of shadow. I had thought they were much smaller than me at first, but now I saw we were the same height. Or perhaps I was shrinking. Like Alice. My feet moved along with the music now. I looked down and saw my jeans and sweater were gone, replaced by a long flowing gown made of silver silk. We spun around and around and sud- denly .. . I am on the deck of a large ship. It floats in the sky. Magic propels it. Magic that brings both good and evil to this world. I'm dancing here. Dancing with trolls. We sail through the dark night sky, laughing and dancing like children. One of the trolls is old and wizened. He wears a long robe embroidered with patterns. His flesh is wrin- kled and thick like an elephant's. But he is kind. And he is my friend. The faces of these trolls flash before me, the memory of them clear and bright as day. I'd thought I'd forgotten them. But no, that was just a story I told myself. Now I'm standing'on the deck of the ship. It is the afternoon. The ship is in the middle of a battle. The trolls are fighting, but where is my friend? I go to look for him. I find him below-deck lying in a pool of blood. He's broken his leg. I have some knowledge of heal- 81 Caroline Spector ing and I try to help him. But I've brought more than my healing magic along on this trip. I've brought him: Ysrthgrathe. I know what happens next. I've played it out in my head so many times that I think I've grown numb from it. But I'm wrong. There are some things you never get used to. The faeries danced around me, laughing. Cruel tricks are their stock and trade. "Did you like the dance, mother?" one of the spriggans asked. I couldn't answer because there was no breath in my chest. Tears stung my eyes. But I kept dancing. I couldn't stop. 82 There's a car. She's driving it through rain-slicked streets. The headlights make yellow beams against the oily pavement. There's no other traffic. Every- thing is deserted. She stops for a red light. There's a tap against the passenger-side glass. She looks up. A pockmarked face appears at the window, broken fingernails trail across the wetness down to the door handle. Too late, she realizes that the doors are unlocked. She can't keep him out. 11 Where was Caimbeui? I couldn't stop dancing now. This was part of it. Part of the test. And perhaps a bit of revenge at the same time. I know they thought they had just cause, but that was part of the past, too. I looked down and saw that my dress had changed again. Glamour. Nasty tricks of the first water. I wore a long white dress made of rose petals. Not un- like the ones Alachia had favored in Blood Wood. I open my eyes. The faeries are gone. about, I notice that the trees have died. nothing more than hollowed-out stumps. 83 As I look They are It's cold. Caroline Spector Colder than it should be this time of year. Or any- time in Tfr na n6g. Looking up, I see that the sky has turned the color of old oysters. And the air smells of burnt flesh. I start to run down the hill, back to the town where Caimbeui and I left the car. The fields I run through are fallow, dead, and brown. Where there was once a cobblestone road, now only small jagged pieces of stone show against the dun-colored earth. A stillness hangs in the air. But this is not the si- lence of a quiet afternoon. The buildings I pass are crumbling. Finally, I come to the tavern where we stopped for lunch. No vehi- cles are parked outside. The windows are boarded up, but the door hangs open, listing on one hinge. I go inside. It takes a moment for my eyes to adjust to the dark. Broken chairs litter the floor. Glass crunches under my feet. There's no one here. I walk outside again. All around me, everything crumbles to dust. And I am alone. Tears streamed down my face. The spriggans grabbed my hands and spun me about harder and faster. The world revolved around me until all I saw was a blur of light and motion. Shutting my eyes, I tried to block it out. I open my eyes. We spin about under the azure sky, hands locked with one another. 84 WORLDS WITHOUT END "Faster," he says. "You'll make yourself sick," I reply. "Faster." So we turn and turn until we both fall down onto the soft grass. "The sky is spinning," he says. I put my hand on his forehead. He is warm, but not unusually so. My hand looks so large against his tiny forehead. I can hardly believe that this creature, this small boy, came from me. He pushes my hand away, impatient again to be going. In a flash he is up and off and running. Chubby legs pump and I see he's beginning to lose his baby fat. In another few months he'll be a little boy, a baby no longer. And I find I can't bear the idea of his growing older. I would keep him like this forever. From high in the sky, a bird cries out. I look up, shadowing my eyes with my hand. It begins a slow descent, circling around and around. Black with yel- low wing-tips. I hear a shout and turn. The sky has turned dark as ink and rain slices down. Standing next to our small stone house are my son and an old man. Somehow I have missed something. Something important, something I must understand. Then the man drags my son into the house. The door slams shut. An eternity passes, and then a crimson pool seeps slowly under the door. Tears ran down my face. "Mother, did we make you weep?" asked one of 85 Caroline Spector the spriggans. He looked at me with a concerned ex- pression, then burst into laughter. "No, no," said another. "She only cries for her dead children. The rest of us must shift for our- selves." "That's enough of this nonsense," I said loudly. I was having trouble breathing. After all, I was getting awfully old for this sort of thing. "This is a ridicu- lous game. Tell me what I need to know. Now." This caused nothing but giggles from them. "You know it's no good demanding anything from us," they said. "We always do what we will. Disobe- dient children." And then they spun me around faster. The room is spinning. The fire in the hearth is hot and I feel as though it's burning my bare skin. I'm burning up. Hotter and hotter until I think I'll go mad from it. Maybe I already have. Pain blossoms bright inside me. I shut my eyes and see red against black. Hands touch me trying to soothe, but it is no use. There are some things for which there is no balm. Then the pain is over. They bring me something bundled up. I hold my arms out to receive this gift. I pull back the blanket. Inside is a horrible apparition. "This is not my baby," I cry. "What have you done with my baby?" They take the bundle away from me. "It's a changeling," says one in a voice she thinks 86 WORLDS WITHOUT END is too soft for me to hear. "The faeries have stolen her baby." "You can't blame us. Mother," said the spriggan. "That was your own doing." "Oh, be quiet," I snapped. The spriggan skulked away. Sweat ran down my face. I was growing tired of their games. "Tell me where they are," I said. "Patience, Mother," they replied. I'm running away. The earth rushes below me as I fly. Cradled in my arms is a child. This is no changeling, but my own flesh and blood. At last we come to our home. Inside, the air is stale and musty. But that doesn't matter because we are home and safe. The storms come. Rain pounds against the roof and makes the windows "rattle. But we don't mind, we're warm and dry. Then I remember, someone is coming. Coming for us. The door slams open. He is here. But he's not the real threat. I don't realize this until it's too late. Foolish foolish woman. Something jerked me. Someone. Caimbeui had hauled me from the dance. Looking down, I saw I no longer wore the petal gown. Just my own gray sweater and black jeans. Orange streaks colored the sky to the east. 87 Caroline Spector "Why did you do that?" I asked. "I just now found you." "What?" "You went running off, and I couldn't find you for three days," he said angrily. "Do you think I enjoyed tramping all over this jerkwater place? I used up a hell of a lot of goodwill trying to figure out where they took you. Not to mention the energy." "Thanks," I said. "Thanks? Thanks. She said, 'Thanks.' Is that it?" He was beginning to annoy me. I was searching the ground trying to see if they'd left anything be- hind for me to go on. And all he was doing was blathering away. "Yes, thanks for coming after me. What do you want. Harlequin?" "Perhaps some gratitude," he said. "I've been all over Connaught looking for you. It's taken a hell of a lot of casting to locate you." "I hope you're up to some more," I said. "Why?" A suspicious look crossed his face. "Because the only way I know now to reach the Court is by calling up the Hunt." He looked a little pale. I was glad to see he still had some respect for the old ways. "The Chasse Artu?" "Yes," I said, feeling a little happier at the thought. "The Wild Hunt. It's been so long since I've called one, let alone two. We really must make preparations." "Are you mad? You can't possibly call up the Hunt yourself," he said. There was a frightened look 88 WORLDS WITHOUT END in his eye. "It would take more power than you or I possess, even combined, not to mention the time in- volved." I smiled. "Of course I can't call up the entire Hunt myself. No one could. But I can bring up the steeds. Come along. I'll sleep while you drive. By the way, where are we?" 89 There is a barren plain. No grass grows here. No tree mars the vastness of land. Only the long unbro- ken earth stretching out beneath the sickly yellow sky. A moon hangs large and low. It casts a green glow and turns her skin the color of illness. Of death. 12 When I woke, it was getting near dark. The sun rested low on the horizon, showing its face for the first time since we'd come to the Tir. Caimbeui had turned the vid to some music station as he drove. The vid flickered and changed, turning his pale face a rainbow of colors. It took me a moment to orient myself. I felt groggy and irritated at the sensation. My scalp itched and my eyes felt gritty. A few hours of sleep to make up for the three days I'd missed weren't enough. "Where are we?" I asked. "Just south of Galway City," he replied. "Has it changed much?" I asked. "Has what changed?" "Galway City." 90 WORLDS WITHOUT END "Compared to what?" "Compared to what it was before the Awakening." "A bit," he said. "The old ways have taken hold pretty firmly there." I pulled my bag out from under the front seat and began rummaging through it. Gum wrappers, ciga- rettes, shoelaces—then I found it: a small tin whis- tle. It rode on a thin copper necklace that I slipped over my head and nestled down between my breasts. I looked out at the passing countryside. It had gone wild here. No fences marked property lines. The roads were mostly unpaved, little more than dirt ruts. It reminded me of a time long ago, long before this world. Back when another world was young. No, it was me who was young then. I remembered what happened in that place so long ago. How could I ever forget? And now it seemed that the mistakes of the past would be repeated. This world would be torn apart unless I stopped them. Unless I stopped him. Just as the sun was setting, I saw the place. Stone tombs silhouetted against the red sky. "Pull over here," I said. Caimbeui slowed the car. "Are you sure?" he asked. "I can't feel any- thing ..." "It'll do. This place is lousy with caims. The whole area is Awakened." A blast of cool air hit me when I opened the car door. The magic was heavy here. It made the hair on the back of my neck stand on end. Then I noticed a strange feeling I hadn't had in a time out of mind: 91 Caroline Spector excitement. Things couldn't be worse, yet I felt alive for the first time in years. Had the centuries finally worn me down? I knew they had for some of the others. Some until they resorted to terrible means to stop the emptiness. 'But I had a reason to live. I knew my purpose. It was a sacred task. To keep the world safe. To protect it. To protect the people in it. Or so I'd told myself. As I started for the tombs, Caimbeui grabbed my arm. "Are you certain this is the only way?" he asked. I turned and looked at him. In the flat red twilight his face looked like the very vision of Lucifer. A dark, yet beautiful, angel. "Why, Caimbeui, I almost think you care," I said. He frowned. "Don't be flip," he said. "If Ysrth- grathe has found you . . . how can you be safe?" I reached up and touched his face. I can't describe how it felt, only that it felt like him. Like Caimbeui. My flesh remembered his as surely as it might re- member the smoothness of velvet or the scratch of sandpaper. "Nothing is safe anymore," I replied. "Besides, I've been alive for so long, it might be good to rest. Don't you ever want to just ... stop?" "No," he said. An angry look crossed his face, and he pulled away from me. "It's always better to be alive. Life is better than death." I wanted to stay and argue with him, but there was no time. It almost made me laugh. After so many years, to have no time. Instead, I turned and began walking to the caims. 92 WORLDS WITHOUT END The sun had disappeared and the sky was fading from scarlet into plum. The wind had died down, and the air was still. No birds sang. No leaves rus- tled. No animal noises carried to me. Once I reached the cairns, I turned to see if Caim- beui had followed me. He was a shadow against the fading light. I held my hands out to him and, after a moment, he took them. Though I didn't need him to call up the Hunt, I wanted him to be there with me. I closed my eyes and relaxed. In my youth, I had learned magic as part of the fabric of life. I saw it not as a force to be manipulated, but as integral to life itself. A thread broken here could cause some- thing there to unravel. Pulling threads together could create something where there had been nothing. But the mages today saw magic as something else. Their way of seeing the world was strange and alien to me. I objected to any kind of cybernetic enhance- ment. Machines can't create. They can only do what they're told. As I began to chant the words to the spell, I opened my eyes. The moon was dark and the stars had yet to appear. I couldn't see Caimbeul's face, but could just make out the shape of him before me. My eyes adjusted, and gradually I could see again. The granite of the cairns glowed ghostly pale. Caimbeul's face looked as though it floated in the air, unattached to his body. He joined me in saying the words to the spell. It was a strange duet, our words conjuring up the Hunt. I blew the whistle, and it made no sound that either I or anyone else in this world could hear. 93 Caroline Spector At first there was nothing but our voices breaking the silence. Then the wind began. It howled across the open fields and whistled through the tombs. Caimbeul's hair was pulled free of his ponytail and whipped across his face. The ground began to trem- ble. The magic flowed through me. Into me. It filled me and shook me. My muscles screamed with the agony of trying to hold this power. To mold it to my will. Sweat broke out across my face. It ran down my back and streamed over my breasts. It was terrible, this force. This chaos and madness which threatened to engulf me. It wracked my mus- cles. I felt as though it would rip me apart. Tear from me my soul. That it would allow the insanity of the past to come and claim me again. In the distance I could hear the thundering of hooves. I raised my voice, barely able to hear my- self. Barely able to force the words from my throat. Caimbeul's words were snatched away by the wind as he uttered them. The magic trembled in me, flew around me, pulled at the world and drew things from me. Terri- ble things. Apparitions from the past. Nightmares from the future. We stood there, trembling, and chanted the old words. Words of power. Until our voices grew hoarse and our throats were raw and our legs would barely support us. At last we stopped. Abruptly, the air was still and silent. I released Caimbeul's hand and turned. 94 WORLDS WITHOUT END Below us, at the base of the hill where the cairns stood, was what we'd called. They looked up at us expectantly. Their eyes re- flected red iridescence. Black coats melted into black night. In the distance, I heard the howling of the hounds and wolves. The gabriel ratchets. Their cries were lonely, as though they realized that they'd been abandoned by the steeds which led them. At their head was a tall, cloaked form. Though I knew that this was the apparition who tended the beasts, its ap- pearance was so close to Ysrthgrathe's that, for a moment, I thought my enemy had come for me. A long, bony arm appeared from the depths of the apparition's cloak. It beckoned us. I glanced for a moment at Caimbeul. His lips were set in a hard line. "You don't have to come," I said. "What?" he replied. "And miss all the fun?" At the bottom of the hill we were gestured to two horses. These were the horses of the ancient Tuatha de Danaan. Created from fire, not earth, and able to live for hundreds of years. I had not ridden one in a thousand years. As we tried to mount the horses, they began to dance away and reached back every now and again to nip us with their long, yellow teeth. I grabbed a handful of long mane to help pull myself up. I hoped I would have enough strength left in me for the ride I knew was ahead. 95 Caroline Spector There was no noise as we mounted. No rattle of harnesses. No sound at all. I turned to the master of the horses, who stood looking at me. "To the Seelie Court," I shouted over the din. The apparition nod- ded. Just then, I had a strange tingling sensation, as if someone unseen was watching me. I looked around, and there, in the distance, atop one of the far hills, were the hounds, stags and wolves. They swirled to- gether, writhing like a thousand snakes, and disap- peared from my sight. I shuddered at their terrible power. The horses lunged forward, jerking us in our seats. From then on we were no longer in control. As if we ever truly had been. We thundered down bare fields and into muddy flats. Fences were hurdled without a falter. Streams and meadows slipped away. Sparks flew as hooves struck rocky expanses. Lather foamed up on the horses, but they never slowed. My cheeks became chilled and chapped; my hands ached from holding onto the reins. Tears streamed from my eyes. We overtook cars on the road, causing accidents. Still we did not slow. Then we were at the shore. We pounded across the sand, plumes of it spraying into the air. Then into the tide, never slowing as we rode up and over the water. Galloping across the top of the ocean as though it were a puddle. Across the water I saw a misty turquoise glow. As we came closer, I saw that there was an island sur- 96 WORLDS WITHOUT END rounded by this light. In moments we were on the beach thundering across the sand. This was not one of the Aran Islands, for we had passed those as we sped across the bay. This was one of the isles of fable. From legends I had helped create and had forgotten in the long expanse of time. This place must be Hy-Breasail, the island be- lieved to rise from the sea only once every seven years. I barely had time to realize this before the Horses surged across the beach and went crashing into the forest. A path opened up before us. Whether it was there to begin with or the Horses created it as they went, I cannot say. The trail began to climb upward. We plunged on through the forest, shattering the silence with our passing, At last we burst forth into a great open plain and stopped. Though it was autumn in Tir na n6g, here spring held sway. I could smell it in the air, could feel the warm and gentle caress of the breeze. It was balm to my sore, chapped face. I looked about and saw a castle perched on a cliff above us. So much a part of the island it was that there was no telling where the castle began and the rock it sat upon ended. As I watched, lights appeared on the pathway below the castle. They bobbed and floated downward toward us. Closer and closer they came, and we waited for them, silent and patient. At last they appeared on the edge of the clearing, riming it in gold and silver light. Such a congregation of the Sleagh Maith. It al- 97 Caroline Spector most made me forget my own mission, so good was it to gaze upon them again. The sprites and sprig- gans, brownies and hags, boogies, leprechauns, gnomes, and goblins all clustered around, throwing their crooked shadows against the rocky cliff behind them. I could hear their shrill cries and nasty whispers. They knew who I was even if there were those who would have it otherwise. There was but a moment for these impressions. They parted and a procession of elves appeared. Each was dressed in tight-fitting dun-colored leather garments. Some bad tattoos marking their arms and faces. Others had datajacks glistening in shaved skulls. I ignored them as they surrounded us. I glanced over at Caimbeul. He was a bit paler than normal, but after the night we'd had so far, that was to be expected. He looked up at me and gave a little smile. I found myself smiling back, oddly happy at that moment. "This is hardly a laughing matter," came a voice from beyond the edge of the faerie light. All the elves and faeries bowed down immediately. I squinted into the darkness. A ghost-like form moved forward. As it stepped into the ring of light, I saw that it was a woman. She was dressed in a white flowing gown. Her fiery hair was pulled back se- verely from her face, but left to cascade down her back almost to her heels. The brilliant blue eyes were unchanged. The skin as pale and white as milk. Alachia. 98 WORLDS WITHOUT END Silence stretched out between us. I hadn't seen her in the flesh since 1941. "So," she said at last. "You've come. And the hard way, too." "Well, we can't all have the prerogatives of age. I wish to speak to Lady Brane Deign," I said. "She rules here now." Alachia smiled. It was chilling. "Power is a fluid thing," she said. "You'd do well to remember that." Once that sort of remark from her would have frightened me. But that was far in the past. Now there was a larger threat at work. Not just to me, but to the survival of the world. And then, I was older now, too. "Perhaps you should mind your own advice," I said. "You've let so much pass through your own hands." "Caimbeul," she said brightly, ignoring my last remark. "How good it is to see you again. But really, you need to improve your choice of companions. You know what they say about the company you keep." She slipped past me and took his arm, leading him away from me toward the castle. "Do come, Aina," she called over her shoulder. "We mustn't keep Lady Brane waiting." I watched her lead him into the night until all I saw was the white blur of her dress. 99 She opens her eyes. The world is upside-down. No, it's her perspective that's off. But isn't that al- ways the way of it? Sitting up, she sees that she's been lying on the ground. The fall leaves covering her rustle and slide away, revealing her naked body. How she came to be here in this wood she doesn't remember. But she thinks she should know. Then comes the pain. It burns and stings like a thousand hornets. Her skin is on fire and she cannot stop it. As she looks on, small, round welts appear on her flesh. Sharp points burst through the welts, puckering the skin. Thorns. 13 No mortal being could have traversed the path to | Lady Brane Deigh's castle. But then, it wasn't de- | signed for mortals. The Sleagh Meath loved any- | thing that might confuse or baffle mortals and so If took great delight in the corkscrew turns, disappear- ing paths, and other annoying tricks to fool the un- wary traveler. But I had seen all these games before. The Seelie Court was but another incarnation of something 100 WORLDS WITHOUT END much older and more sinister. How many of them re- membered, or even knew, the full story? Politics was a tricky business, and I'd done my best to stay out of it for most of my life. But now it seemed I had no choice. I was the only one who ap- peared to be willing to take the chance. No, I was the only one willing to see the threat of the Enemy for what it was—the ruination of the world. I had to grasp hold of this thought because all my old fears came back to me in this place. Once I fool- ishly thought that power would protect me from harm. How I discovered the error of that belief is an- other tale. For now, I kept up with Alachia's lead. She glided over the rocks as though they weren't there. Each turn was taken with a casual nonchalance, and all the while I could hear her keeping up a steady banter with Caimbeul. I knew their history was a long one, and I won- dered if she knew how much my life had been en- twined with his. And how far back it extended. Part of me hoped she didn't know, relishing the secret. And a part wanted her to know. Wanted her to know that even when she wielded so much power that most of my people trembled before her, I had won a small victory over her. But there was no more time to wonder over such childish things—we had reached the gate of the cas- tle. Alachia waved and the gates swung silently in- ward. The courtyard was bathed in the light from thousands of floating will-o'-the-wisps. They flut- 101 Caroline Spector tered around us, rising and falling with the breeze. It was like walking through a rain of stars. Then we were moving up the wide, white, marble steps leading to the great doors. Made of oak and tall as a two-story house, they were banded in brass in deference to the faerie hatred of iron. As the doors opened, a radiance spilled forth. I stepped into the brilliance. The great hall of the castle dwarfed any I had seen before or since. This was no mean feat given what I've seen in my time. I could feel the magical ener- gies flowing through this place. The magic to pull Hy-Breasail from the sea, to create this castle upon it, to gather the members of faerie who still re- mained here on Earth, and to pull back those who had left for other planes. An impressive feat indeed. At the far end of the hall, I saw a group of elves. Alachia moved toward them with her usual single- mindedness. As she approached, the group parted and allowed her to pass. I squeezed in just as they closed ranks again. Standing at the center of all this attention was a tall elf wearing a black leather breast plate over a long white dress. Her fine hair was bobbed off short, one side shorn away so short I could see the fragile shape of her skull beneath. Her skin was the color of amber and I saw that her eyes were blue, transparent and glittering as ice. Though she was only as tall as Alachia, there emanated from her a power that I found compelling. The same sort of power that Alachia had once wielded so many lives ago. 102 WORLDS WITHOUT END She glanced at Alachia, then at Caimbeui, and fi- nally, at me. "Lady Brane, may I present Aina Sluage," said Caimbeui. Alachia shot him a hateful look, but didn't say anything. I stepped forward, but didn't bow. Though I knew she was made as I, she was only a child compared to me. Just as I was a child compared to Alachia. And even if she did hold sway over this court, she did so at the sufferance of myself and the other Elders. So, instead of bowing, I offered her my hand. For a mo- ment, I thought she might not take it, but then her smooth, cool hand was in mine. I felt an odd shock, and then our eyes met. Yes, she was fit to rule, I saw. Though I had ab- stained from participating in the new politics be- tween the Tirs, I was glad to know that there was someone strong enough to deal with whatever was to come. The only question was: Could I convince her that the threat was real? "I have heard your name," Lady Brane said. Her voice was sweet as summer wine. "When I was younger I almost thought you were a ghost, invented to scare children." So that was to be the way of it. Well, I'd handled worse in my time,. She released my hand, then beckoned me to her side as she turned to leave the group. I heard the murmuring of the others as we passed, but I ignored it. Alachia's face was even paler than normal and I saw her eyes narrow as we passed. Good, I thought. Let her worry a bit. I suspected the nature of the 103 Caroline Spector poison she had managed to spread about me while I was gone worrying about more important matters. "You've created quite a stir," she said. "Calling up the Hunt's horses. A most impressive feat. And, from what I understand, only you and Harlequin were present." "That is correct," I said. "There are those of us ... who are of an age ... who have found such things to be ... within our grasp." I looked around for Caimbeui, surprised to see him hanging back. It was so unlike him. She stared ahead, leading me toward the back of the hall. I caught the scent of her perfume. A com- plex scent: grasses, sandalwood, and a few other notes of which I couldn't be certain. Elusive. "And why did you call the Chasse Artu?" she asked. "I have been away a long time," I said. "I needed to find the Court." "Yes," she replied. "I thought as much. No other way would have found us so quickly. We have been careful for a while now. But you come to us with the toss of a spell so powerful it would take half my court to cast it. I see some of what I've heard is true." We had come to the back half of the hall. A great feast was laid out. Row after row of tables were cov- ered with white linen, fine gold eating utensils, and bone china. Garlands of flowers were swagged onto the tablecloths. Most of the tables were filled with members of the Sleagh Meath and Awakened elves. 104 WORLDS WITHOUT END Invisible hands served and took away platters of food and jugs of wine. Lady Brane led me to a raised table in the center of all the others. She took a seat and motioned me to take mine next to her. As I sat down, I noticed Caimbeui finding a place down at Alachia's end of the table and I wondered how best to approach the reason for my visit. I didn't know precisely what lies Alachia had spread about me. My cup was filled with wine, and food appeared on my plate. I didn't eat. Couldn't. Lady Brane, however, was having no such prob- lems. She drank heavily from her cup and tucked away the feast like she'd been starving for a year. All this was done with a grace and delicacy that made it look like the most delightful thing I'd ever witnessed. "You aren't eating," she said with a little frown. "Is the food not to your liking?" I pushed a pea with my fork and shook my head. "No, thank you. I'm not hungry. Lady Brane," I said. "I am not a threat to the Seelie Court, nor to you." She turned and looked at me, her expression un- readable. "And what makes you think I find you threaten- ing?" she asked. "I just assumed that you had been told . . . things," I said. Good, Aina, I thought, stick your foot in it right off. She picked up a pear and bit into it. I could smell the sweet aroma of it. It took her a few moments to 105 Caroline Spector finish off the pear. Daintily, she dabbed at her mouth with a napkin before speaking again. "Yes," she said. "I have heard stories. From sev- eral sources. You have not endeared yourself to many of the Elders. But there are other, more pow- erful, voices who seem to value you. So, I decided I should see for myself what sort of creature you are." "What sort of creature?" I said. "That hardly sounds impartial. Unlike Alachia, the politics of men have little interest for me. But your court deals with matters that do concern me. Magic and mysticism have long been intertwined for our people." She shrugged. "Perhaps some of what I've heard does concern me," she said. "I am proud of being an elf and I am proud of our Tir. It has come to my at- tention that you have chosen others over your own kind in past disputes." Alachia's fine Italian hand at work, no doubt. "Yes," I said. "There was a time when I had to make that painful choice. But there were reasons for my choice and I was not the only one who made that decision. I, too, am proud of my people. But we are not perfect, nor are we always right. I am not blindly devoted to every act. And those matters have no bearing on the dangers before us now." Lady Brane took a sip from her glass, then swirled the contents around as she stared into them. "Yes," she said at last. "These dangers. How is it you know of them and the rest of us do not? Are you so special? So powerful?" Yes, I wanted to say. Yes, / am special. I haven't 106 WORLDS WITHOUT END forgotten why I am here. I haven't forgotten the past. If that makes me special, then so be it. As for power, how could I have survived for almost eight thousand years without it? But of course I said none of this. She would discover in her own time what a curse immortality was. "Perhaps it would be easier if we were to discuss this in a less public place," I said. "There are some things that should only be spoken of in private." "You're right," she said. "I was hoping only to come to a quick resolution of this matter." "That is my most fervent wish," I said. "Very well," she said. "Come with me. You, Har- lequin, Alachia, and I will discuss this matter." I rose, and without even a backward glance at Caimbeui, I followed her from the hall. It had been a long time since I'd had to call upon the good graces of my fellow elves. I suspected the reception to what I was about to say would be chilly indeed. 107 She opens her eyes. Darkness suffocates her, pushing against her like an old lover. Putting her hands up, she feels the smoothness of satin. She pushes, but there is resistance. A hardness under the soft fabric. A spell. There is light. This is no kaer. This is a coffin. And she's been buried alive in it. 14 Lady Brane motioned for me to sit. The room was an odd mixture of magic, antiques, and hardware. Though I dislike the technology that Caimbeui so adores, even I was impressed with the array of hyper-edged toys. Any shadowrunner would have been drooling at the chance to get his hands on Lady Deigh's high-tech toys. I didn't sit. Instead I wandered about the room, looking at the collection of elven artifacts. Encased in a glass box was a long silver sword whose hasp was plated in gold and set with cabochon emeralds and rubies. So, this was where the Sword of Nuadha had finally come to rest. I thought it had been lost long ago. Next to it was a plain cup roughly carved from 108 WORLDS WITHOUT END hom. It should have seemed prosaic, sitting there next to the glory of the sword, but it was the other way round. The Sword of Nuadha seemed coarse and obvious. I'd just stepped over to a lovely painting of Caimbeui in some costume I didn't recognize when he and Alachia came into the room. Lady Brane smiled at her and she smiled back. My heart sank when I saw this. Already I was at a disadvantage. I could only hope that Caimbeui would provide a strong argument for my position. "Now that we're all here," began Lady Brane. "Shouldn't we start?" "You are the only Elders?" I asked, more than a little shocked. "No, of course not," said Lady Brane. "But the others have agreed to let me handle this situation as I see fit. They have deferred to Lady Alachia and me." I glanced over at Caimbeui, who kept his face blank. And I wondered if he knew this would be the situation going in. "Very well," I said. "It's really quite simple. The Horrors have returned." Alachia let out a silvery laugh that I just knew would enchant any man who heard it and which set my teeth on edge. "You are still so melodramatic, Aina," she said. "Good heavens. It is far too early for them to have returned." When I answered and my voice was calm, it sur- 109 Caroline Spector prised me. For as long as I could remember, Alachia had the power to anger me with her flip comments. "I realize that you are far older than I," I said. "But my experience with what you so blithely refer to as the Enemy is hardly inconsiderable. Even you would have to admit that." She gave a small nod of her head, the best ac- knowledgment I could hope for. "Caimbeui came to me the other day and told me of his recent experience with them." Alachia and Lady Brane looked at him expect- antly, and he preened a bit under the attention. What an ego. But he did manage to tell them about Thayla and the bridge from the astral planes and how he had stopped them. "Well," said Alachia. "There you have it. Thayla's there protected by one of those hirelings, and we're all quite safe." "Are you completely mad?" I asked, losing my temper at last. "Hasn't anything he's said sunk in? Oh, I expected him to be full of beer and sausages. He's always had this messiah complex, but you know better. If they don't get through that way, they'll find another. They're coming back now be- cause they can. Look at what happened in Maui." And then it dawned on me. I almost hit myself for being such a fool. Of course, she knew the dangers. But she didn't care. I thought back over our history together and realized that Alachia had been at her most powerful during the times when we faced the Enemy. Her dark knowledge had been as much a bane as help. But it hadn't mattered because we 110 WORLDS WITHOUT END would do anything to survive. And I knew what she wanted was for that time to come again. She was tired of waiting. But perhaps I could reach Lady Brane. "Lady Brane," I began, "I know you have heard terrible stories about me. Some are even true. But that isn't what is important here. What is important is that I'm telling the truth. I know better than most the evil these creatures will unleash should they come through before we are prepared. They will lay waste the world and everything in it. And this time we aren't prepared to stop them. We haven't the power." "You seem powerful enough," said Lady Brane. "You call down the Hunt, or part of it, at least. You live beyond the rule of either Tir. You consort with the Great Worms as though you were one of them instead of one of us." "Now, now," said Alachia. "Let's be fair. Aina has always been very forthright about what she be- lieves in. She has never challenged the authority of the Tirs. Nor has she sought temporal power for her- self. I prefer to think that she has been terribly mis- led and will someday see her error and come back to us." I looked at Caimbeui, trying hard riot to lose what little I'd had to eat in the last few days. The expression on his face was shocked, then suspicious. Yet, still he didn't speak up. What was wrong with him? "Alachia is right, of course," said Lady Brane. "What other proof do you have that the Enemy is near?" Ill Caroline Spector "Dreams," I said, hoping she would understand the importance of this. "And the certain knowledge that one of the most powerful of them is already among us." "And where is this dread creature?" asked Alachia. "I know not," I said. "Only that he is here now. He has contacted me." "And why would it bother to come for you?" "Because," I said. "It knows me. I am the one it wants." "And you are so special?" "Yes," I said. "You should remember. It was the monster who marked me so many millennia ago." I thought I saw Alachia go a little paler. Lady Brane seemed a bit confused, and I suspected there was much that Alachia had left out of her history lessons. "How do you know for certain that it is this one?" Alachia asked. "This could be the work of another Elder. You have your enemies, my dear." My eyes narrowed. "I know of no enemy of mine who would use such matters for the Game. That would be a gross breach of etiquette. No, it is he." "But what would you have us do about it?" Alachia asked. "It seems that this is really your problem." "Now, perhaps," I said. "But it means they can get through. We are not safe any more. We must pre- pare for them, and also curtail our use of magic." Lady Brane came out of her chair. "Stop using magic? Now I think you are the one who is mad," 112 WORLDS WITHOUT END she said. "I hardly think one of these creatures is a serious enough threat to us. You are terribly power- ful. Why don't you just kill it?" "I've tried," I said bleakly. "I thought I had rid the world of him long ago. But I was mistaken. That is why it is vital for us to put a stop to them now— before they get a better foothold in the world." "How are you going to stop everyone from using magic?" asked Lady Brane. "It isn't small magics that are the danger. It's the great acts that draw them. The Great Ghost Dance. The Veil, I'm certain, is creating a pull. While it will protect you from them, it will also bring them like carrion to a carcass." "Not a very appetizing thought," muttered Alachia. "You know what a danger they are," I said. "Why haven't you told her?" "I have told her. But I've also told her we dealt successfully with them before." Caimbeui and I both laughed—harsh and sarcas- tic. "Did Alachia tell you what was done to survive?" I asked Lady Brane. "Not yet," Alachia said coldly. "What difference does it make now? We survived." "Do you thi'nk Aithne would agree with you?" I asked. "Perhaps. Perhaps not. But he would no doubt agree with me long before he would agree with you." I turned away and walked to a small tray set up in 113 Caroline Spector one comer of the room. Bottles filled with amber, gold, and red liquid glowed softly. I picked one at random and splashed a healthy amount into one of the cut crystal glasses. It bumed going down. Irish whiskey. "I have a proposal," said Lady Brane. "Though I am inclined with Alachia to think you are overesti- mating the threat of this creature, I do not wish to completely disregard your warning. You are, after all, one of the Elders. And you have not meddled in our affairs unnecessarily. "So I suggest that you go to Tir Tairngire. Though we are at cross-purposes with them in many things, this matter could certainly constitute a danger that concerns the entire elven nation. If you can convince the Elders there that the threat is real, then I shall lend you any support you might need." A politician's answer, but better than none. Or an unequivocal "no." "Thank you, Lady Brane," I said. "I see the Tir chose well in you." A little flattery never hurt. "Yes," said Alachia. "I knew you would do the right thing. And Aina, do say hello to Aithne Oakforest for me." 114 The sky is blue as a robin's egg. Blue as only a summer's day can be. Blue as the eyes of her child. Where is her child? He should be here. No, that was long ago. He's dead now. Then why does she hear his voice? Momma, she hears. Momma, where are you? Here I am. Then she sees him. The rotting corpse shuffling to her with outstretched arms. And she runs to embrace him. 15 "Well, that went pretty well, I thought," said Caimbeul. We were sitting in the Dublin International Air- port waiting for our flight to Tir Tairngire. Well, we weren't going directly to the Tir. I wanted to stop over in Austin and take care of a few things there first. Rubbing my eyes, I tried not to snap at him. How he could have thought things were going well was beyond me. Oh, we were certainly given the royal treatment. But underneath I could feel the tension. The hostil- ity. Things were changing and the Seelie Court knew 115 Caroline Spector it. They just didn't want to face what was happen- ing. And he'd said barely a word the whole time. But isn't that always the way of it? We hate change. Consider it the enemy. Yet it is the one con- stant in our lives. I pushed an impatient hand through my hair, which had grown out just enough to be a nuisance. Sticking out every which way. Even in these dire times, I was vain enough to be concerned about my appearance. Or maybe it came from spending so much time alone with Caimbeul. Had it really been almost two hundred years since we'd been together? I wondered at the thought that time could slip away so quickly. Why didn't I do something to stop it? I shook my head. Stop what? Stop us from hurting each other? Stop us from being who we were? "Something wrong?" Caimbeul asked. "No," I replied. "Nothing much. I was just... re- membering." His eyes were bright and curious. Oh, Caimbeul, you wicked creature to make me remember such things. "Paris?" he asked. "That cafe on the Rue Saint- Jacques ... what was it called?" "Well, Monsieur Rimbaud called it 'L'Academic d'Abomphe.' But I can't remember what it was re- ally called." He laughed. "I almost had a heart attack when I saw you there. You were wearing the most peculiar outfit . . ." "It wasn't peculiar. It was the height of fashion. 116 WORLDS WITHOUT END Besides, I had to keep people more concerned with my dress than my nature. Unlike you, it hasn't al- ways been easy for me to pass through human soci- ety. The color of my skin made it difficult at best. And my hair ... I guess those are things people might remember." "I remember," he said. His voice was soft, and suddenly it was as if we were all alone. That was a gift of his, making you feel as though you were the only person in the world. "The dress you wore was gray silk, shot through with jet beading. You had a hat on which had an enormous feather on it. Ostrich. Or was it peacock?" "Peacock," I said softly. "And you were drinking absinthe. I remember it looked as though you were embracing a lover when you drank." I shut my eyes ... The first clear day of April. Paris, 1854. I sat in a cafe on the Rue Saint-Jacques. At the time, I didn't know its name. After a while, I wouldn't care. I had found something powerful enough to distract me from the horrors of living: absinthe. My own sweet mistress. My dearest friend. The green fairy in the bottle who would steal a little bit of my mind every day. And how I adored it. The rituals I'd built up. First, a stop at the bank where my pounds would be converted into francs. Then on to the small bakery for a pastry before I went to my first real appointment of the day. I told myself that as long as I ate something before I drank 117 Caroline Spector I was fine. Hence the obligatory croissant, most of which I threw away on my way to meet my little friend. That's what I called it: ma petite amie. Perhaps I should have said mon amour, for that was indeed what it had become: my dearest friend, my closest confidant, my love. And, just like all lovers, we had our rituals. There were a number of cafes that sold absinthe, and I was well-known at all of them. In the spring and summer, I would settle myself at one of the outer tables. To take the air, of course. The air was very important—far more healthy than the smoky at- mosphere indoors. In the winter, well, I just endured the smoke and noise. The things you will go through for a loved one. After I sat at a table, a waiter would come over with the jade bottle, a water jug, and a glass. He would line them up neatly in front of me, then fill the glass with water. I tipped generously, and they knew what I wanted. From inside my reticule, I would pull my silver absinthe spoon. It was slotted and diamond-shaped, intricately carved with flowers and scrolls. The spoon was placed over the glass. Plucking a sugar cube from the jar on the table, I would place it neatly atop the spoon. Next came the moment I liked the best. First, I uncorked the bottle. The aroma of the absinthe floated to me. Licorice-scented and bitter. Then I slowly poured the absinthe over the sugar. It dripped through the spoon into the water, swirling 118 WORLDS WITHOUT END the color of new leaves, turning the water cloudy like a stormy day. The sugar cube sometimes wouldn't completely dissolve, and I would take it into my mouth, sucking my first bit of ecstasy from it. When it crumbled into nothing, I would take the spoon from the glass, then slowly lift the glass to my lips. What wonders will it show me this day? I would think. What sweet remembrances from the past would come to me? What memories would be cre- ated to fill my mind and keep me from the truth? And as I felt the warmth rush through my veins— sliding into my mind, seducing my thoughts—I would smile. Sometimes men would come to me and tell me how beautiful my smile was. So I would smile at them until they became nervous and went away. And so, on that clear spring morning in April, when I saw Caimbeui for the first time in many a century, I thought, at first, that he was a product of my imagination. That I had conjured him up from the pretty places I went in my mind. "Hello, Aina," he said. I smiled. He smiled back. I didn't say anything; neither did he. He didn't go away. "I suppose it really is you," I said at last. "I'm wounded," he said as he touched his chest over his heart. "Have you forgotten me so easily?" I poured more water into my glass and put the spoon on top. Sugar cube. 119 Caroline Specter Absinthe. "No," I replied. "Not so easily. Would you care for some?" He took his pocket watch out of his waistcoat and opened it with a little click. "Isn't it a bit early for this sort of thing?" he asked. "I hadn't figured you for the type." The sugar cube crumbled in my mouth. My tongue was already numb and felt a bit grainy. Won- derful numbness. "What type is that?" I asked. "The type that in- dulges in pleasure? Think of it, Caimbeul. All the years and years stretching ahead of us. All the ones behind. And it doesn't mean anything. Nothing we do matters. It all keeps happening again and again. I've spent plenty of time worrying about what has happened. And far too much concerned with what will happen. So, now, I don't care. "This"—I raised my glass—"gives me a brief taste of happiness. I have had far too little of that." Silently, I toasted him, then drank. Ah, nectar. I was borne up by angels into clouds of gossamer and silk. He said nothing then. Just sat down there with me as I drank, then walked me home as the sun sank full and red into the gray twilight. Every day he came and sat with me as I drank. Sometimes, I would go to a different cafe, but he al- ways managed to find me. One day I woke and discovered that I no longer wanted to go to the cafes. Caimbeul's presence had muddied the pleasure of the absinthe for me. I hated 120 WORLDS WITHOUT END him for it. I dressed hurriedly, rushing out without my hat. He was waiting for me at the cafe on the Rue Saint-Jacques. "I hate you," I said. "I know." "You've ruined everything." "Perhaps." I stood there, frustrated, not knowing what else to say. "Would you like to go for a walk?" he asked. I narrowed my eyes. "Why?" "Because it's a beautiful day," he replied. "And I'd like you to come with me." I saw the waiter coming toward the table with the absinthe and water. My hands started shaking and I felt my mouth go dry. Caimbeul and I didn't say anything as the waiter put them on the table and left. "Well," he said. "Are you coming?" I looked at the absinthe. Ma petite amie. My life, Just one more, I thought. I could feel my mouth pucker, anticipating the bite of the sugar, the anise bitterness of the absinthe. Caimbeul held his hand out to me. Slowly, very slowly, I took it. "Why did you stay?" I asked Caimbeul. "When?" "When you found me in Paris at that cafe. You could have left. It might have been better if you had. It was certainly out of character." He looked out at the drizzling rain. The sky was 121 Caroline Spector overcast and made the greens outside brilliant and a little surreal. "I suppose it was the shock of seeing you there. You looked so ... human. It surprised me. I had al- ways thought of you as indestructable. No matter what knocked you down, you just kept getting back up. But there, in that place, you weren't ever going to get up again. I just couldn't stand to see the waste of it all." The light from the fluorescents gave his skin a corpse-like pallor. It seemed almost incomprehensi- ble to me that I had once held him in my arms. I felt like that had happened to a different person. A dif- ferent Aina. "Did I ever thank you?" I asked. He turned toward me and smiled. The smile was crooked and made his face look lopsided. And I found it utterly endearing. "Yes," he said. "You did." "Good," I said. And we sat there wrapped in our memories until the announcement came for our flight. 122 You have been hiding from me, Aina. You must know there is nowhere you can run where I cannot find you. No place that will afford you sanctuary. I am coming. Coming soon. 16 The international flight was cramped and exhaust- ing. I jerked awake from another dream about Ysrth- grathe. He was in my mind again. Invading my thoughts and dreams just like he had all those years ago. It made me feel unclean. Like something slimy had crawled across my skin. Caimbeui was asleep next to me. He snored a lit- tle and I gave him a bit of a push to make him stop. I wanted to wake him and tell him about my dream, but I didn't. I had learned long ago that it was better not to involve anyone else in matters concerning Ysrthgrathe. - Outside it was dark. I found flying to be strange, as though I were suspended in time and space. An- other manifestation of my distrust of technology. Perhaps all this metal and cold, analytical thought reminded me too much of the Therans. The result of 123 Caroline Spector their devotion to purity had ruined so many. Like the Huns, they thought nothing of conquering and laying waste to any and all who opposed them. And like the Romans, they swallowed whole civilizations and di- gested them into unrecognizable pieces. They so be- lieved in their own purity that they sacrificed the world. But all of that time was gone. I had to stop letting it pull me into the past. What was important now was the future. I had to save it. We landed in the Atlanta airport and made our connecting flight to Austin without any real delays. Oh, there's always some sort of drek that pops up when you enter the Confederated American States, but I still had a few connections of my own. A few hours later, we were catching a cab from Robert Mueller Airport to my sometime-residence in the western hills of Austin. "I don't remember this place," said Caimbeul. He walked about the room pulling dust covers off the furniture and sneezing as dust flew up his nose. The house smelled stale and I was opening win- dows. The clean, sweet scent of fall floated into the room. It was warm here, even in late October. I like that about Austin. "I didn't come by it until nineteen thirty-four," I said. "As I recall, you were out of the picture by, oh, about fifty years." "We did fall out of touch," he said. "I'm sorry about that." 124 WORLDS WITHOUT END "I'm not," I said. "We had said so many things by then. Things neither of us could take back. No, it was better that we got away from one another." He opened the French doors leading to the bal- cony that wrapped around the front of the house overlooking the beginning of the Hill Country. Ce- dar and mesquite trees grew low and crippled by the fierce summers. It was as close to an alien landscape as I could imagine. Even now, when technology tried to cover every centimeter of earth, I believed that this land would reclaim itself if given half a chance. "I like it here," he said. "It reminds me of another place—before ..." "Before the Enemy came," I finished. "Yes, it doesn't look the same, but it feels the same. Wild and untamed. There used to be more development here, but since the Awakening, it has gone back somewhat. "After the Great Ghost Dance, the water spirits inhabiting the Barton Creek Watershed rose up and drowned a number of developers. They were having some kind of big ground-breaking on yet another big project. Apparently, the water spirits didn't like the idea, because they carried off the great-great- grandson of Jim Bob Moffett and several of his banker friends. "There hasn't been much development since then, and the people who were living in property that was polluting the creek found themselves being tormented by water spirits. Most of them have left." 125 Caroline Spector "Why are you still here?" Caimbeui asked. "Professional courtesy." We'd stopped for groceries on the way in, and af- ter a quick meal of eggs and soylinks, we retired back to the balcony. Luckily, my freezer was still working and I had a supply of unground coffee beans laid in. We watched the brilliant red sun go down while sipping Kona blue and cognac. "Why are we here?" Caimbeui asked. I had been waiting for him to get around to it, but I was sur- prised it took him so long. Perhaps he had gained some patience over the years. "I wanted to get in touch with Thais," I said. "When last we spoke, he was in this area." "Thais?" "My child." After I left Europe and Caimbeul's warm em- brace, I came to America. I was achingly lonely for him, a fact that, in retrospect, seems rather foolish and trivial. But there it was. The rumors of the Great Ghost Dance had brought me here, or so I told my- self. What I was really about was trying to forget Caimbeui and make something new out of my life. I took a westbound train from New York to Saint Louis. Then I caught a stage to Sioux Falls. I knew Wovoka (he also used the Anglo name Jack Wilson, I recall) had convinced the Sioux that they had to use the great ritual magics to rid themselves of the whites and bring down retribution on their heads. He was right, of course, but wrong about the time. 126 WORLDS WITHOUT END The world wouldn't have enough magical energy in it for another hundred and thirty years. But what concerned me was the news of his "vi- sions." He claimed that God was sending him mes- sages. I suspected there was another explanation, one I hated to consider: Thais. I thought I'd stopped this passion of Thais's for popping up and causing mystical visions in magical- thinking cultures, but he was at it again. As I rode on the stage, my spine feeling as though it were be- ing pounded through the ill-sprung seat and dust and dirt settling into everything I owned, I hoped I was early enough to put a stop to things before they blew out of hand. By the time I reached Batesland, news was al- ready making its way east about the massacre at Wounded Knee. I was too late. It didn't stop me from looking for Thais. I knew I needed to rein him in again. How I hated the thought of another confrontation with him. "I was wondering when you would come." Thais. He was hidden in the shadows of a low-hanging outcropping of rock. I wanted to see him, but, as if he knew that was my wish, he remained back in the darkness. The wasted scenery of the Badlands spread out around me. It reminded me too much of how the world was after the Scourge. And to see Thais here, in this ruined place made me sad and angry at the same time. I'd told Thais that the world was not the 127 Caroline Spector one he had grown accustomed to. That he must learn to change—but he refused. My child. Even after all these many centuries, I still worried about him. Wanted to know that he was safe. Would he ever forgive me for bringing him into a world that would never understand him? "Hello, Thais," I said. "I see you've been busy." Thais shrugged and looked a bit bewildered. "I don't understand," he said. "The magic should have worked." A frown crossed his face and I wanted to hold him and comfort him, but I knew that would not be allowed. It frightened me sometimes, how much he grew like his father. "Magic isn't as powerful now," I said. "You know that. Why did you lead them to this destruction?" "They loved me," Thais said. "It was just like in the old days. They looked at me and they didn't see a monster—they saw me. I was trying to help them. All they wanted was to have their land back. I could give that to them." He looked mournful. It made my heart ache. "I should have been able to give them that." "Once," I said, "you might have. But no more. Those days are gone. Thais, you must stop this. I know what you've been doing. Those stone heads they dug up in the bed of the Trinity River. From the Pleistocene. I heard them described as obviously not human. My god, Thais, it was you. How could you have let them see you revealed? "And what about Indochina? At least you tried to disguise your shape, but a seven-headed snake god? 128 WORLDS WITHOUT END I've told you that we aren't to interfere. There's too much at risk. What if they'd discovered what you re- ally are? They might have killed you." "I'm as hard to kill as my parents," he said, bit- terly. "I am what you've made me. There is no place in this or any other world where I may live peace- fully. Why did you make me?" I looked away. Thais was right, of course. He never should have been born. But I was mad at the time. Out of my mind with remorse and grief. Self- ish Aina. "You must not do this again," I said. "It will only end in ruin. If not for you, then for your followers. Even now, when the magic is at a low ebb, you still, by your nature, have some power. Why don't you use it responsibly?" "Oh, that's rich," he said, laughing harshly. Even so, it made me want to hold him and gaze into his eyes. Such power in my child. "You—talking about responsibility. You don't have the right." "Mark my words, Thais. These tragedies will con- tinue if you don't do something about it." "What would you have me do. Mother? Exile my- self to some mountaintop the way you did? Hide myself and live in isolation until the world is some- thing else again? I need them and they need me. You cannot imagine how I feel when they look at me and love me. When they fall to their knees and beg for my blessing and I give it to them. I was born to be a god. To be adored and worshipped. You can't take that away from me." 129 Caroline Spector "I'm not trying to take anything away from you ..." "You took my father away." "Don't be a fool, Thais," I said. "That was an ac- cident of birth." He shrugged and looked away. I knew there was no use discussing this further. Thais had shut off from me, and nothing I could do or say would make any difference. How I wished that things could be different between us, but I knew I could as much wish for the moon for all the good it would do me. And so we stood there, in that bare and barren place, divided by worlds and walls and the past that could never be undone. 130 She floats in a warm embrace. Hands touch her. Stroke her. Caress her until she trembles. Opening her eyes, she sees a faceless man. This doesn't frighten her—it's what she wants. To fall into the comfort of anonymity. Safe and nameless. 17 "How are you going to contact Thais?" Caimbeui asked. "A summoning," I said. "His nature is such that he won't be able to resist. I wish it hadn't come to this, but we haven't spoken in so many years. Since that terrible time after Wounded Knee." "Why didn't you just call him up while we were in Tfr na n6g?" "Too many enemies there," I said. "And Ala- chia doesn't know about Thais. At least not as far as I know.'I would keep it that way. There are some things she should never know. And I want him to be on my ground. Not his; not someone else's." A wave of exhaustion swept over me. Suddenly, I wanted nothing more than to go and sleep for the 131 Caroline Spector rest of my natural life. But I didn't have that choice. There was too much at stake. I got up and walked back into the house. Caimbeui drew the drapes as I turned off all but one light. Though it made little difference to my casting, I preferred less light. That way I could con- centrate on what was happening with the spell rather than my surroundings. "This would be a lot simpler if you let me help," said Caimbeui. The edges of the room faded back into shadows. The few pieces of furniture still covered in sheets looked ghostly against the far walls. The night noises were muffled by the drapes. Occasionally, I could still hear the drone of a low-flying Lone Star Security chopper. "Are you ready?" I asked. I wasn't sure which of us I was asking. Caimbeui nodded and stepped back into the shad- ows. I knew if anything untoward happened, he would take care of me. Taking a deep breath and closing my eyes, I let myself relax and block everything out but the spell I was about to perform. I saw Thais in my mind. As he was when he was born, then later when I finally met him again. Grown up and changed into something so like me, and so like his father, that I wept until he made me stop with his voice and eyes. That was Thais's gift, after all. As I pictured him in my mind, I let myself slip 132 WORLDS WITHOUT END into astral space. There was the usual nauseating tug as 1 slipped between the veils. The ribbons flowed around me and into me until I couldn't tell the dif- ference between them and myself. I was filled with the power. Exhilarating and fierce. This was what I was bom to. I never doubted myself here. Here I knew who and what I was. The veils parted as I remembered my task. I reached out my will, calling Thais to me. Command- ing him to come to my summons. Time passed interminably slow. Then sped to light. I float then fall. The universe is around me. Inside me. I am the universe: waiting and watching. Across worlds I come. Through the blazing heat of a thousand suns. From the Void. Into the dark- ness. From the darkness, I pull light. My child. Some things you cannot resist. The bond between a mother and child. The brilliance of Thais blinds me as I pull him closer and closer. Come to me, child. And he cannot refuse. Then we are falling. Falling through space and time. Back to earth. "What do you want?" Thais was standing in the center of the room. A 133 Caroline Spector circle of blue energy surrounded him. I waved it away and he relaxed visibly. "Was that really necessary?" he asked. "Would you have come if I asked?" He shook his head. "You abandoned me long ago. Why should I do you any favors now?" I had hoped that old hurt had passed. But no, I was not to be forgiven any of my sins. Thais was still a child in so many ways. I had protected him too well. "Very well, Thais, consider it a demand then," I said wearily. "I haven't the energy to fight with you about this now. There are other, more important, matters at hand." Thais slid along the floor and pulled himself up onto the couch with his powerful arms. His thick, snake-like tail wrapped around his torso once, then hung down off the edge of his seat onto the floor. "What does the Great and Powerful Aina want of me today? Perhaps I should go to the Wicked Witch of the West and retrieve her broom. Maybe I'll throw water on her and watch as she melts into brown sugar. Or there is always popping down a rab- bit hole . . . Which will it be?" "Mind your manners, junior," said Caimbeul. "That's your mother you're addressing." Both Thais and I turned toward him, open- mouthed. He shrugged. "I think you've coddled him, Aina," said Caimbeul. "You've always protected him from ... the world." "Coddled?" Thais said. "You call being bom a 134 WORLDS WITHOUT END monster coddled? Look at me. Why did she make me? It was her selfishness ..." "Oh, grow up," snapped Caimbeul. "This isn't about you. ..." "Thank you," I interjected. "But why don't you let me get on with it?" "Very well, but—" I held my hand up and Caimbeul fell silent. A tight expression set on his face and I knew he was angry. It made me feel very warm inside. I turned to Thais. "Ysrthgrathe is back," I said. Thais didn't say anything. "Has he contacted you?" I asked. "Why would I tell you if he had?" he asked. "Thais, he's a liar. He spreads his misery that way. I know you want to believe . . . only the best." "You don't know what I want," Thais said. "Why should I trust you more than him?" "You know what he is," I said. "I've never kept that from you. There is more at stake here than your grudge against me. If he is back, then the world is at risk." Thais rolled his eyes. "It's always so dramatic with you, Mother," he said. His voice was that of a smirky, sarcastic fifteen-year-old. "How is it that you're always on hand to save the country, the planet, the universe? Don't you ever get tired?" "Yes, Thais, I get very tired. I am intensely weary right now." His tail twitched and tapped against the floor. The 135 Caroline Spector scales that covered his skin were iridescent and gleamed in the low light. I wondered what happened when he had to shed his skin. So many little details about his life I didn't know. "Very well," Thais said. "I'll tell you. He is here, on this plane. He contacted me a few days ago. But he didn't come to me in person—I had a dream. It was so vivid, unlike any other dream I've ever had. "He explained ... everything. He told me why you hated him. Told me the truth." Caimbeui made an ugly noise and I looked over at him. A frown pulled at his mouth and he gave me a Why-the-frag-don't-you-just-shut-the-little- wackweed-up? look. I doubted he'd ever had chil- dren. I couldn't expect him to understand. Thais had uncoiled himself from the couch and was slithering along the floor to the doors leading outside. "Where are you going?" I asked. "Outside for some fresh air," he replied. I followed him. The temperature had dropped more than I expected. I rubbed my arms as goose- flesh broke out. We stayed there for a long time, wrapped in night sounds. "Thais," I said at last. "I know I've been a disap- pointment to you. All those years apart, then later, when things turned bad for all of us. But ..." "Shut up," he said, turning violently toward me. "Just stop talking. How do you think I felt when he came to me? How could I deny him? You've cursed me with him." He began to weep then. Terrible wracking sobs 136 WORLDS WITHOUT END that shook his frame. I wanted to go and embrace him, but I was afraid to. Afraid that he would reject me again. Oh, what agony it was to hear him in pain. I wondered how Caimbeui could resist the sound of it, for it tore me inside. Like I'd swallowed glass. I forced myself to wait and watch until his tears began to dry and he seemed more in control of him- self. "Thais," I said. "I am so sorry. I never wanted you to have to face this. I tried to protect you." "I know," he said. His voice was shaky and rough. "But you haven't been very good at that. Have you?" And how could I answer that? But I suspect he didn't mean me to. I don't know how long we stood there in the chill- ing night air. The stars frosted the sky in diamond- hard brightness. Then, later, I noticed that the black sky was turning purple-gray. "What did he say?" I asked at last. I felt drained and exhausted. So empty that it didn't matter what he told me. "He said you would come for me. He told me that you would try to stop him and it would do you no good." Thais's voice sounded weary. I wondered how I could help him, but then I realized there was nothing I could do for him now. That there are some things a parent cannot do for her child. "Did he tell you if there were any other of the En- emy here?" I asked. "No," Thais said. "But I didn't sense any others. I have always been sensitive to that sort of thing. 137 Caroline Spector Your friend," he said, giving a jerk of his head to- ward the house. "He managed to stop something from happening a while ago. But the world has more than one point of entry. They are there waiting. Waiting for the moment when they can return." "Did he say anything else?" I asked. "Anything at all might be important." "Only that he's been waiting for you to come to him." The sky was light now, moon hanging low against the horizon, looking strange and out of place so near the sunrise. We stood there in silence as the night fled from the day. 138 Aina sits before an old woman who has black witchy-hair and who wears gypsy colors. The air here is thick with incense and patchouli. "Cut the cards," the woman says. Aina does so, feeling the coolness of the deck beneath her fingers. The reading begins. The cards lie face down—hidden and hiding their meanings. The first is turned up. The old woman gasps. The Devil. In a moment, he's crossed by the Moon and crowned by the Tower. Aina shoves away from the table, unwilling to see what comes next. "But you don't know how it ends, " the old woman says. "Why should I want to know?" Aina says. "After all, they're nothing but a pack of cards." 18 "You must send me back," Thais said. We'd returned to the darkened interior of my liv- ing room shortly after sunrise. Thais was not fond of the light. He said it was too cruel. 139 Caroline Specter "Why don't you stay here with me?" I asked. Caimbeui gave me a sharp look, which I ignored. "I cannot," Thais said. "And you know why. But there is something I will tell you. Ysrthgrathe is not the only one of the Enemy here. There is another, just as subtle and as deadly." "But where . . . how ..." "Deal with Ysrthgrathe first," Thais said. I tried to get him to tell me more, but he refused. Finally, I had no other choice than to send him back. The house seemed empty after Thais was gone. How I wanted to spend time with him. Get to know him. Figure out his peculiarities. But I had denied myself that long ago. And there was no going into the past to fix things. We closed up the house again. Sheets covered the furniture. The alarms were set. I didn't look back as we drove away. 140 PART II Millions long for immortality who do not know what to do with themselves on a rainy Sunday afternoon. —Susan Ertz She sleeps. And dreams. Safe happy dreams of times never lived and not imagined. They comfort her and calm her until she sinks. Sinks down into the long black darkness of her night. 19 Once, a human discovered what I was. Like most curious men, he thought that the knowl- edge would gain him something. As though knowl- edge is a safe thing. Inert and powerless on its own. It was 1998. Fin de siecle fever was at an all-time high. There were riots and hysterical sightings of UFOs, messi- ahs, and dead celebrities. I'd bought my home in Scotland a few years earlier for an obscenely cheap price. An earldom, no less. Imagine, me a countess. It was to laugh. I had settled into a smaller house on this property. The castle held no interest for me, being large and 'hard to maintain. I'd acquired quite a large fortune over my many eons. I could afford to take the, uh, long view on investments. There are some uses to being immortal—even if they're only financial. It was from this vantage point that I was watching everything happening around me with great interest. 143 Caroline Spector The signs were beginning. I knew it wouldn't be long before the magic returned. So I began to gather together the things I would need to be prepared. For many centuries I'd hidden artifacts away, waiting for this time. It was on one such trip that I noticed him, I'd just arrived from Scotland. The United States was still whole back then. The turmoil that would rip it apart was years away. Though I had spent many years in America over the last two centuries, I tried to stay away from the politics of the place. They seemed entirely too messy to me. But that's al- ways been the nature of freedom. As I ran to catch my connecting flight to New Or- leans, I saw him. He was leaning against one of the pillars that lined the concourse in O'Hare. He wore a black T-shirt and faded blue jeans. A scuffed duf- fel bag lay at his feet like a lazy dog. There was a look of intense concentration on his face, as though he were looking not at how I ap- peared, but at what was inside me. I didn't like it. This was before the Awakening, and there was no way he could know what I really was for I'd found ways to disguise my true form. Oh, I appeared hu- man, for the most part. My features were more del- icate, perhaps, than most. And I was very thin. But my skin was as black as it ever was, and my hair was dark then, too. Some of the developments in the twenty-first century weren't all bad. I'd seen that blondes really don't have more fun, and I found that auburn really didn't suit me. As I passed, the light reflected off his glasses, ob- 144 WORLDS WITHOUT END scuring his eyes from me. I noticed that he had straw-colored hair sprinkled with a little gray. His beard was clipped neat and close, giving him an al- most scholarly look. But then I could see his eyes again and once more I had the sensation of being looked through. Frowning, I turned and hurried on down the corri- dor. I wouldn't have given him another thought, ex- cept that he boarded my plane not more than fifteen minutes later. He was the last passenger on, probably flying stand-by. But why was he on this flight? And why had he been standing there in the corridor, as though he were waiting for me? But he passed by me, not even making eye con- tact. What an imagination I had, I thought. The idea that he was following me. It was nothing. A chance meeting of the eyes, nothing more. Despite the air conditioning, the air was hot and soupy. The smell of beignets hit me as I walked through the airport. One of the charms of the New Orleans airport was the immediate realization that this place was like none other in the United States. That Puritan priggishness was utterly cast aside here. Maybe it was the weather, or perhaps the strong hold the French had placed upon the place centuries before, but here there was no hand-wringing over drinking, or gambling, or eating. In short, it was heaven, of a sort. I caught a cab to the Fairmont Hotel, a gorgeous place with nine-meter-high ceilings in the foyer, 145 Caroline Spector crystal chandeliers, thick rugs, and the almost phys- ical sensation of decadence. They also made the most fabulous pecan pie there. A southern confec- tion that I've never liked anywhere else. As the elevator was closing to take me up to my room, I thought I caught a glimpse of Black T-shirt through the milling hotel guests, but I knew it must be my imagination. The French Quarter was a five-minute walk from the hotel. New York was the only other place in America where history butts up so closely with the present. I went down Chartres Street, then cut over to Royal. The heavy smell of the olive trees in bloom sweetened the air and almost masked the odor of the river. Lined in antique shops and small art houses, Royal was my favorite street in the Vieux Carre. Bourbon may have been more famous, but the smell of vomit every few steps always put me off. There were some beautiful homes at the eastern end of Bourbon, but they hardly made up for the foul smells and lingering air of dissipation. I slipped into one of the antique galleries: de Pouilly's. Over the years I'd made friends with the owners of many of these stores. They knew me as selective and willing to pay well for what I wanted. In return, I expected them to keep quiet about my | visits and to let me ... wander ... in their shops. | The whole Quarter was rabbit-warrened. You might | enter an unpretentious storefront, only to discover a | maze of rooms that led you through any number of 146 WORLDS WITHOUT END connected buildings. I doubt there was anyone who knew all the twists and turns in these places. A middle-aged man approached me as I entered. He gave off the superior air of someone who just knew I wasn't the sort who could afford to buy here. "May I help you?" he asked in a tone that let me know in no uncertain terms that he thought he couldn't. I picked up a bronze piece (not a very good repro- duction at that) and turned it over as though consid- ering. "Tell Mr. Hyslop that Ms. Sluage is here," I said. I began fingering a porcelain bowl that looked to be an original Meissen. The clerk was obviously torn between telling me not to touch the pretties and try- ing to decide if I was, indeed, on speaking terms with his employer. Fear won out over officiousness, and he scuttled off like a cockroach. A few minutes later (I was by now poking around in a large, intricately appointed armoire looking for secret doors), Mr. Hyslop appeared with the now very sweaty clerk in tow. "Ms. Sluage," Mr. Hyslop said as he held out his hand. "It's so good to see you again. I trust you've been able to amuse yourself?" As I backed out of the armoire and gave a little sneeze, Mr. Hyslop produced a handkerchief like a magician performing a trick. "Bless you," he said as he pushed it into my hand. 'I always get the sneezes when I start looking into these old pieces. No matter how hard we try to keep up, they seem to bring the dust with them." 147 Caroline Spector "That's quite all right," I said, taking the prof- fered hanky. "I was just investigating to see if I might want this piece." "Take your time, take your time," Hyslop said as he waved his clerk away. The clerk slunk off to go harass a couple who'd just stepped inside from the sweltering October air. "What I'd like to do is take a look at those items you've been keeping for me, and make some ar- rangements for their transport." Hyslop looked a bit concerned. "Are you not sat- isfied with our arrangement?" he asked. "I thought that—" "No, no," I said, cutting him off. "It's nothing like that. I've just finally settled down in one place and I'd like to spend some time enjoying the things I've bought." "Of course," he replied. "How foolish of me. Please, this way." I followed him through the shop into a series of dimly lit twisting and turning hallways. Then up three flights of narrow stairs painted over so many times there were lumpy bumps like Braille on the railing and walls. It was very quiet here. You couldn't hear any of the usual street noise that bub- bled through the Quarter day and night. He led me into his office, then fumbled around with his keys until he had the right one. "Here we are," Hyslop said proudly as he flipped on the light switch. The closet was small, but crammed to the top with arcana. Shelf after shelf with boxes labeled in a code 148 WORLDS WITHOUT END we'd designed. One shelf held only boxes of books. Another, rare pottery. On yet another, articles of clothing. All had special significance. All were pre- cious only to those who knew what to look for. I could feel the pull of the energy in that little closet. "I doubt anyone has a better collection of oddi- ties," Hyslop said. "I just recently added this." He pulled a small box from one of the shelves and opened it. Inside was a long white veil, the kind women wore for their weddings and first commu- nions. "It is rumored to have belonged to Marie Laveau's daughter." "I didn't know she had one," I said. "A daughter, that is." Hyslop nodded vigorously. "She kept her hidden away. She was afraid that when she died, the whites might kill her to keep the Voodoo under control." "More than likely to keep the people under con- trol," I said. "That too, no doubt," Hyslop agreed. "I'd like to look through these," I said, motioning to the closet. "Of course," Hyslop said as he wiped his forehead with another clean white handkerchief. I wondered if he had a pocketful of them, magically pristine and freshly laundered. "Alone," I said in a firm but kind voice. After all, I would need Hyslop and his unusual connections for some time to come. "Of course," Hyslop said as he pocketed his hand- kerchief. "Just let me know when you're finished." 149 Caroline Specter I smiled at him then, and he gave me a surprised smile back. I suppose I don't do that often. Smile, that is. It took me the better part of the afternoon to go through the boxes. Most of the items were shams. The bones of some shamanistic practitioner, pur- ported to have special curative powers. Shrunken heads, embalmed monkey remains, fossilized eggs. Books supposedly written in Crowley's own hand detailing his cabalistic findings. I'd taken care to hide my most precious finds among these harmless trifles. They would be over- looked with all the other folderol. One hopelessly obscure book of cabalistic writings revealed com- plexities of such an esoteric nature that even I had trouble following it. The challenge of it excited me. There were other items as well: suspicious bones, the source of which I knew only too well. How had they come to this place again? And so obviously long ago. There was also a small painting depicting a crea- ture I knew for a fact had not walked the face of this planet for at least seven thousand years. Yet here it was depicted in a piece that could not have been more than fifty years old. I wrapped my treasures carefully and returned them to their innocuous hiding places. I felt grimy and hungry all at once. It was almost five by Hyslop's grandfather clock. I pulled the chain to the light, then shut the closet door. It had an 150 WORLDS WITHOUT END automatic lock, but I still jiggled the doorknob to see if it would open. It didn't. On the whole, things were going well. I would have Hyslop crate everything up and ship it to my estate in Scotland. I'd already made the necessary arrangements with Customs^ so there would be little delay in my receiving them once I was back home. I felt quite smug and pleased with myself and de- cided that I needed a decadent dinner to celebrate. I picked up the phone on Hyslop's desk and made a reservation for one at Antoine's for eight o'clock. I would feast tonight. Walking back to the Fairmont, I noticed a van parked on a comer of one of the side streets I passed. It was painted dull black and had reflector stick-on numbers on the back window: 666. I glanced inside the van as I passed. A man, about forty-five or -six with a scraggly beard, sat in the passenger-side seat. He had a large potbelly barely covered by a faded- gray T-shirt. Around his neck he wore a pentagram. I had obviously just seen—Satan's Van. Uh oh, I thought. I better watch out because someone is going to come and carry me off in . .. Satan's Van. The Armageddon starts tonight be- cause—Satan's Van is in town. Oh, you better watch out, you better not cry, 'cause Satan's got his Van to- night. Satan's Van is coming to town. I really needed dinner. Antoine's was unchanged. I'd been coming there for years whenever I was in New Orleans. I knew it 151 Caroline Spector was a bit touristy, but I couldn't help myself. They had the most marvelous Baked Alaska. The elderly maitre d' seated me at a small table in the front room. Like the rest of the buildings in the Quarter, Antoine's was made up of many rooms. People came through the front doors and disap- peared like they were going down Alice's rabbit hole. There was even a hidden door or two in the place. I'd just ordered and was admiring myself in the mirror over my table when I saw him. The black T-shirt from the airport. Only he wasn't wearing a black T-shirt now. He never would have been al- lowed inside in that. He wore a black jacket over a white shirt and muddy green tie. The jeans had been set aside for dark trousers. I didn't take my eyes away from his image in the mirror as he talked to the mattre d' for a moment, then walked toward me. I couldn't believe his brass. "Dinner for one?" he asked. "That seems a lonely proposition." "I like it," I said as I turned toward him. "And who the hell are you?" "Ah," he said. "Well that's not as interesting as« who the hell you are." i "Look," I said, beginning to get impatient. "I don't know anything about you except that I saw you at O'Hare—and now you pop up here acting as though you know me. I don't like mysteries or peo- ple who think they're being clever when in fact^ they're just annoying." | He pulled out a chair and sat down opposite me. | 152 WORLDS WITHOUT END "You haven't been invited," I said, frowning. "Go away." "Now, now," he said. His voice had the faint twinge of British lower-class to it. "Someone your age shouldn't get so excited. It might not be good for your health." I looked around for the mattre d', but he was talk- ing to a new group who'd just arrived. "I must say, you look awfully good for someone who's at least five hundred years old by my calcula- tions." He had my attention. I looked at him carefully. He was working far too hard at being nonchalant. There was a telltale shine to his upper lip, and I could hear the dry click of his throat as he swallowed. Whatever he knew, it wasn't as much as he wanted to let on. The waiter came with my soup. Vichyssoise. Thick and heavy with cream. He looked inquiringly at my new companion. "Be so kind as to bring my friend here the same," I said. The waiter nodded and went away. "What's that?" Black T-shirt asked. "Vichyssoise," I replied. He looked blank. "Cold potato soup," I said. He wrinkled his nose. "Beggars can't be choosers and neither can you." I leaned back and studied him. This seemed to make him preening and nervous at the same time. "What's your name?" "John Mortimer." 153 Caroline Specter "And what precisely is it you want of me, Mr. Mortimer?" He leaned forward, I resisted the urge to do so also. Habits die hard. "I want to know the secret," he said. "I want to know how to be immortal." "What on earth makes you think I'm immortal?". I asked. J He got a big grin. It was toothy and surprisingly 1| sweet. I almost liked him for that smile. | "It started out by accident about four years ago," he began. "I was doing some research after reading] an article in the newspaper." He pulled a small, yel- lowed newspaper clipping from his pocket. The headline read: Mystery Buyer Purchases Earldom for $700,000. I glanced over the article. It pretty much gave the dry facts of my acquisition of the Earldom of Arran. Everything except my identity, which I'd had them keep quiet. "What has this to do with me?" I asked, handin| the clipping back. "You bought it," he said. "And what makes you think that?" "I like computers," he said. "I'm quite good wit them. Every aspect. Programming, hardware—yc name it. It's just this knack I have. Well, for son reason this article caught my attention. So I got c the Web and started trying to find out what I couM about this mystery buyer. But pretty much every-1 thing after you bought the place was under deep| wraps. Oh, I know all about the history of the place| That earldom was created in 1503 by King James IV| 154 WORLDS WITHOUT END The title is linked to the land instead of by blood. All that stuff. History is easy enough to find out. "But about the new buyer—bloody nothing. That got me curious. Who would want so much privacy and why? So I started contacting other Net surfers in Scotland and eventually I came up with a few who knew all about the island. They were day workers hired to refurbish the house the new owner would be occupying. "That's when I found out about you. It was quite a stir you being, well, not white. I even got along so well with my Scottish connection that they invited me for a visit. You were off on one of your myste- rious trips. Everyone who worked for you always talked about your trips. "So I went to visit my friends, and they showed me around the castle and the grounds. You've done a wonderful job keeping up the place. By the way." I snorted and went back to eating my soup. The waiter came and placed a bowl in front of him. He frowned slightly at it, then took up his spoon and gave the soup a small taste. Apparently it was to his liking, for I got no more of his tale until he had fin- ished the whole bowl. "I never would have thought cold potato soup could taste so good," he said as he wiped his mouth. "The things you leam every day," I murmured. "So, as my hosts were showing me around, I be- gan to notice a couple of things. There was all this °ld stuff around, but not all of it seemed to belong Asre, if you know what I mean. Not the usual rich 155 Caroline Spector collections of plates, clocks, and the like. No, your choices were so much more—peculiar. "But the thing that got me most excited was this picture of you. A painting, I mean. Paul—that's the friend who I was staying with—had gone off to the bathroom and he left me alone in your study. There was a photo of you and some guy on your desk. Then noticed a stack of paintings against one wall. I flipped through them and came across this portrait. "It was you. But it wasn't. I mean you looked just like you do now, only you were wearing some weird costume. Later, I learned it probably came from the Renaissance. I heard my friend in the hall and put the painting back. But, you know, that painting stayed with me." "People have portraits done everyday," I said. "But this one looked like hundreds of years old. The paint was dried and cracked. It felt old." I rolled my eyes. "Oh, I didn't realize that among your many talents you are also an art historian. Let me see, you're a crack computer wiz, a clever de- frauder of people's trust, and now you're an expert in dating paintings. What other talents do you have up your sleeve?" I asked. His face flushed red, but he didn't answer me. The waiter came and took our dishes, then presented us with the pate. I broke off a bit of the French bread on the table and proceeded to smear a generous amount of my pate on it. I gestured to him to do likewise. "Really," I said. "You must try your pate. It's marvelous." 156 WORLDS WITHOUT END "What is it?" he asked. "Goose liver, butter, cognac, pepper, and cream, most likely," I said. "Do go on with your tale. It's so unusual to have such a fascinating dinner story." He poked at the pate as if it would leap off the plate and attack him. Then he put the knife down. No guts, no glory. "But see, the painting reminded me of another one I'd seen, in some class I'd had in school. So after I went to the library and started looking through books of artists ..." "Was this while you were still in Scotland?" I asked. "Yes," he replied. "I was staying for a couple of weeks. Paul was glad to get me out of the house ev- ery now and again so he could have his girlfriend over. They were wanting to ... well, you know." "How touching." "Anyway, I found the book I was looking for. It was on Rembrandt. It had all his paintings in it with little descriptions of what they were about and who owned them. But most of them are in museums. Ex- cept the one you have. "But you obviously had all this money so I fig- ured you could buy a Rembrandt if you wanted, but you couldn't have a portrait of yourself by him un- less you'd'been there." "I hate to interrupt your psychotic ramblings," I said. "But haven't you ever heard of copycat paint- ers?" "Yeah, I heard about them when I was doing my research on you, but from what I came up with, that 157 Caroline Specter wasn't your style. You go for top-notch stuff if you bother with it at all." "How flattering." "Look, just stop trying to play like you don't know what I'm talking about. I've done research on you for the last four years. I know you've taken the identities of a number of other people. Graves are full of. the babies whose names you've used. You've passed yourself off as your own granddaughter, as missing cousins. You're very good, I'll grant you that. But I have the documentation to back up every- thing I've found." He pulled an envelope from his inside pocket and dropped it on the table. A sick feeling nestled in my stomach. "Go ahead," he said. "Look inside." Slowly, I wiped my fingers on my napkin. Mov- ing slowly seemed to be a very good idea at the mo- ment. I pulled the envelope to me and slid the contents out. There were letters from registry offices in several countries, copies of birth and death certif- icates, copies of land purchases in the names of some of the pseudonyms I've used. There was even a photo of the Rembrandt. "How did you get this?" I asked holding up the photo. I was getting angry, but I didn't let him know. This was too terrible to let a foolish burst of temper out. "Paul had to go back to your house for some re- pairs while I was there on my visit. I came along and snuck up to your study to make some shots." 158 WORLDS WITHOUT END "What do you want?" I asked. I felt sick. "Money?" He shook his head furiously. "No," he said. "That's not it at all. I want what you have. I want to be immortal." "And what makes you think I can make you so?" "Because that's how it works," he said. "Like vampires, only I don't think you're a vampire. At least not the blood-sucking kind. You've got some- thing and I want it. Why shouldn't I be like you? I figured out that you were immortal. I mean, shouldn't there be some kind of reward for that?" I closed my eyes. Mortals. Humans. There were times when I thought Alachia's attitude toward them was dead on. "And you think your reward should be that I make you into what I am?" He smiled. "Yes, that's it exactly." "Very well," I said. "Since you've asked so nicely." I forced myself to choke down the rest of dinner. The lovely salmon, the delicate potato souffle, the oysters, the escargot, even the marvelous Baked Alaska were all like ashes in my mouth. John Mortimer was having no such problem with his meal. He attacked the food like a hungry dog. When he didn't recognize a dish, he would look to- ward me inquiringly and I would oblige with the in- formation. Except with the escargot. I told him it was a rare kind of seafood, like oysters. Luckily, he 159 Caroline Spector knew what oysters were. The one culinary achieve- ment of his previous life. That's how he referred to it: His Previous Life. As though he'd already moved out of it and into a greater place. He rambled on about the places he would go, the things he would do, never once telling me how he might acquire the means to achieve all these tremendous feats. It had taken me centuries to establish my own fortune. And still more time to at- tend to it. Money is like any other profession. You had to look in on it, make sure no one else had de- cided they liked it better than you did and run off with it. I found such things boring and loathsome in the extreme. But I still had to do it. I just don't like to talk about it. "... and then I thought you and I could .. ." This jerked me back to my companion and his ramblings. "You and I could what?" I asked. "Well, I mean, I thought that ... I just assumed that because you were going to make me like you that we would be together. I mean until, you know, whenever." "Whenever what?" "Whenever we got, you know, tired of each other. Or until I was ready to be out on my own." "I see, so not only am I to ... convert you to your immortality, but then I'm to be your nursemaid as well?" He blushed. "Not nursemaid, exactly, but, well you know." He gave me quite a look then, and, had 160 WORLDS WITHOUT END I not been furious, I would have found it a bit inter- esting. But that was neither here nor there. "So, I'm to become your um, paramour, shall we say, and make you immortal. And what exactly is it that I'm supposed to achieve from this equation?" "What do you mean?" "What I mean is, what's in it for me? Why should I make you, of all people, like me? Is it your charm- ing personality? Or perhaps it's your wit? Maybe your sexual prowess? Come now, why should I bother with you?" He was red again, but not from embarrassment. I think I might have offended him. What a pity. "You'll do it because I'll expose you if you don't." "Expose me to whom? The Agency in Charge of Finding and Keeping Immortals? Or maybe you'll go to the police. 'I beg your pardon, but there's a woman I know who's immortal.' They'll laugh you out of the office. Your whole story is preposterous. There won't be a dry seat in the house." "All I have to do is make one phone call to the nght sort of newspaper. They love this sort of thing. Only when they start digging, they'll find out it's true." "They'll wet themselves laughing." "Do you really want to risk it?" The little maggot. I hadn't thought he had the brass for it. "I thought not," he said. And smirked. He really shouldn't have smirked. * * * 161 Caroline Spector I paid for dinner and we began walking through the Quarter. I didn't want to lead him straight toward the hotel, though I suspected he already knew where I was staying. What to do with him? I wondered. The crowd was thicker now that it was getting on to- ward nine o'clock. Mostly there were badly dressed tourists in too tight T-shirts with cute sayings on them. Some carried plastic cups with drinks in them. The smell of beer and sticky-sweet Hurricanes was overpowering. I led us toward Chartres Street, then on toward the riverwalk. The smell of the Mississippi was heavy and thick like new-cut earth. It blended with the sweet aroma of the olive trees. For some reason it gave me a stab of hope, this strange combination of odors. It reminded me of another time and place. But such pleasant memories would get in my way now. I needed to attend to the matter at hand. We walked past the homeless people who were sleeping in the park and stepped over the ones who had simply lain down where they were. Every few paces or so, we were approached by someone asking for money. Most of the panhandlers had a ready patter, some hard-luck story about why they needed just another dollar. I gave to them willingly. Life presented us with enough indignities in just the living of it, so why make it worse if you could help? "Why are you giving them money?" hissed John. He glanced around as though he expected someone to jump up at him and demand money. "Because I have it. They need it. And I don't 162 WORLDS WITHOUT END mind giving to them," I said. "Why do you care any- way? It isn't your money." "You're just encouraging them," he said. "If no one gave them any money they'd have to get a job." "Let me see if I understand you," I said. "You think these people prefer to live meaner than any an- imal. That they are so unwilling to work that they would rather sleep on the ground in the cold, go without food, beg coin from strangers in the most humiliating way possible, and live in filthy rags? That is, of course, assuming that they are mentally stable enough to hold work or even have such rudi- mentary skills as reading, writing, or arithmetic. How silly of me to be so completely fooled by their clever charade. "Of course, I'm in the company of someone who wouldn't sully his hands with something as vulgar as say, extortion." "You know, you can be a real bitch," he said. I touched my hand to my heart. "I'm mortally wounded," I said. We walked down by the river for a while, until the sidewalk petered out and there was a sudden lack of street lights. John looked nervous, but I knew there was nothing to worry about, yet. "So you want to become immortal," I said. "What if I told you I can't do it? That this is some- thing you're born with or not. That I can no more make you immortal than any stranger off the street could." 163 Caroline Spector He frowned. "You're just trying to confuse me," he said. "You told me at the restaurant ..." "I told you that so you wouldn't make a scene. Even if I wanted to, I couldn't change you from what you are. I don't have that power. Why would I lie to you?" "Is this a test?" he asked. I groaned. "No, it is not. It's the truth." "You just don't like me. That's why you're doing this. Well, it won't work. And it doesn't matter any- way. I figured out what you are, and that's worth something. Don't think you'll fool me the way you've fooled everyone else." "Oh, no," I said. "I wouldn't dream of that." / think you're a special kind of fool, I thought. "You know, becoming immortal doesn't just hap- pen overnight. It takes a while for the process to work." "But you can start it soon, can't you?" "Oh, yes," I said. "But first, I must make some preparations." I tossed him the key to my hotel room. "I'm in room 1650 at the Fairmont. I'll be back before midnight." "I'll be waiting," he said. I didn't say anything, just turned and went back toward the Quarter. I knocked on the door of my room at 11:45. The vid inside was loud enough for me to hear it through the door. Then the door swung open. I had half- hoped Mortimer might realize how foolish this 164 WORLDS WITHOUT END whole thing was, but no, there he was, sans jacket, and barefoot. "Glad to see you've made yourself comfortable," I said. "Yeah, well, given the circumstances, I didn't think you'd mind." "Push that bed up against the wall," I said. As he did so, I also pushed every other piece of furniture in the room against the walls, making a nice-sized space in the center of the room. "We're going to do it here?" he asked. "Why not?" I asked. "This place has always had a great deal of magical energy. Besides, this is just the start of the process, and I know how anxious you are to embark on your new life." "Yeah, well, I guess I thought I'd have more time." "Time for what?" "I don't know," he replied. "To say goodbye." "You can't say goodbye, but you can go back and make some preparations," I said. "I'll explain every- thing after the ceremony." I crouched down and poured out the contents of the bag I'd brought back with me. Luckily, Marie Laveau's House of Voodoo had just the sort of things that would help in my little charade. Candles, skulls, charms, unidentifiable bones, incense, and assorted effluvia tumbled onto the carpet. Feathers I'd picked up in the park came from my jacket pocket. I shoved everything to one side. "Stand here," I instructed, pointing to the center of the room. I 165 Caroline Spector placed the candles around him in a rough circle, then lit them. The incense I lit and stuck in-between the drawers of the bureau. Then I switched off the lights and went over to the window and drew the drapes. The effect was getting pretty good. Lots of sandal- wood smoke wafting through flickering candle light. I made him hold out his hands and dropped a skull into one and the strange bones into the other. Then I made him open his mouth and popped one of the charms inside. I almost started laughing at the face he made, but I knew that would break the spell. The rest of the charms I placed in his pockets and down his shirt. Then I began to chant softly and wave my arms in front of him. In Sanskrit I told him what a complete imbecile he was and how his mother was probably a goat-herder who slept in cow dung for fun while she mated with snakes at the bottom of a cesspool. | From the expression on John Mortimer's face