The Red Book ¥ ¥ " oak" 0 ¥ I ung SONU SHAMDASANI C. G. JUNG is widely recognized as a major figure in modern Western thought, and his work continues to spark controversies. He played critical roles in the formation ofmodern psychology, psychotherapy, and psychiatry, and a large international profession of analytical psychologists worl( under his name. His worl( has had its widest impact, however, outside professional circles: J ung and Freud are the names that most people first thinl( ofin connection with psychology, and their ideas have been widely disseminated in the arts, the humanities, films, and popular culture. Jung is also widely regarded as one ofthe instigators ofthe New Age movement. However, it is startling to realize that the bool( that stands at the center of his oeuvre, on which he worked for over sixteen years, is only now being published. There can be few unpublished works that have already exerted such far-reaching effects upon twentieth-century social and intellectual history as Jung's Red Book, or Liber Novus (New Book). Nominated by Jung to contain the nucleus of his later works, it has long been recognized as the l(ey to comprehending their genesis. Yet aside from a few tantalizing glimpses, it has remained unavailable for study. The following draws, at times directly, on my reconstruction of the formation ofJung's psychology inJung and the Making ofModern Psychology: The Dream ofa Science (Cambridge: Cambridge University Press, 2003). Jung referred to the work both as Liber Novus and as The Red Book, as it has become generally known. Because there are indications that the former is its actual title, I have referred to it as such throughout for consistency 194 I LIBER NOVUS The Cultural Moment The first few decades of the twentieth century saw a grpt deal of experimentation in literature, psychology; and the visual arts. , ~ Writers tried to throw off the limitations of representational conventions to explore and depict the full range of inner experience-dreams, visions, and fantasies. They experimented with new forms and utilized old forms in novel ways. From the automatic writing of the surrealists to the gothic fantasies of Gustav Meyrink writers came into close proximity and collision with the researches ofpsychologists, who were engaged in similar explorations. Artists and writers collaborated to try out new forms of illustration and typography; new configurations of text and image. Psychologists sought to overcome the limitations of philosophical psychology; and they began to explore the same terrain as artists and writers. Clear demarcations among literature, art, and psychology had not yet been set; writers and artists borrowed from psychologists, and vice versa. A number of major psychologists, such as Alfred Binet and Charles Richet, wrote dramatic and fictional works, often under assumed names, whose themes mirrored those of their "scientific" works.' Gustav Fechner, one of the founders of psychophysics and experimental psychology; wrote on the soul life of plants and of the earth as a blue ange1.3 Meanwhile writers such as Andre Breton and Philippe Soupault assiduously read and utilized the works of psychical researchers and abnormal psychologists, such as Frederick Myers, Theodore Flournoy; and Pierre Janet. W B. Yeats utilized spiritualistic automatic writing to compose a poetic psycho cosmology in A Vision.4 On all sides, individuals were searching for new forms with which to depict the actualities of inner experience, in a quest for spiritual and cultural renewal. In Berlin, Hugo Ball noted: The world and society in 1913 looked like this: life is completely confined and shackled. A kind of economic fatalism prevails; each individual, whether he resists it or not, is assigned a specific role and with it his interests and his character. The church is regarded as a "redemption factory" of little importance, literature as a safety valve . . . The most burning question day and night is: is there anywhere a force that is strong enough to put an end to this state of affairs? And if not, how can one escape it?S Within this cultural crisis Jung conceived of undertaking an extended process of self-experimentation, which resulted in Liber Novus, a work of psychology in a literary form. We stand today on the other side ofa divide between psychology and literature. To consider Liber Novus today is to take up a work that could have emerged only before these separations had been firmly established. Its study helps us understand how the divide occurred. But first, we may ask Who was C. G. Jung? Jung was born in Kesswil, on Lake Constance, in 1875. His family moved to Laufen by the Rhine Falls when he was six months old. He was the oldest child and had one sister. His father was a pastor in the Swiss Reformed Church. Toward the end of his life, Jung wrote a memoir entitled "From the Earliest Experiences of My Life," which was subsequently included in Memories, Dreams, Rifl'ections in a heavily edited form.6 Jung narrated the significant events that led to his psychological vocation. The memoir, with its focus on significant childhood dreams, visions, and fantasies, can be viewed as an introduction to Liber Novus. In the first dream, he found himself in a meadow with a stone-lined hole in the ground. Finding some stairs, he descended into it, and found himself in a chamber. Here there was a golden throne with what appeared to be a tree trunk of skin and flesh, with an eye on the top. He then heard his mother's voice exclaim that this was the "man-eater," He was unsure whether she meant that this figure actually devoured children or was identical with Christ. This profoundly affected his image of Christ. Years later, he realized that this figure was a penis and, later still, that it was in fact a ritual phallus, and that the setting was an underground temple. He came to see this dream as an initiation "in the secrets of the earth."7 In his childhood, Jung experienced a number of visual hallucinations. He also appears to have had the capacity to evoke images voluntarily In a seminar in 1935, he recalled a portrait of his maternal grandmother which he would look at as a boy until he "saw" his grandfather descending the stairs.8 One sunny day; when Jung was twelve, he was traversing the Mtinsterplatz in Basel, admiring the sun shining on the newly restored glazed roof tiles of the cathedral. He then felt the approach of a terrible, sinful thought, which he pushed away He was in a state ofanguish for several days. Finally; after convincing himself that it was God who wanted him to think this thought, just as it had been God who had wanted Adam and Eve to sin, he let himself contemplate it, and saw God on his throne unleashing an almighty turd on the cathedral, shattering its new roof and smashing the cathedral. With this, Jung felt a sense of bliss and relief such as he had never experienced before. He felt that it was an experience of the "direct living God, who stands omnipotent and free above the Bible and Church."9 He felt alone before God, and that his real responsibility commenced then. He realized that it was precisely such a direct, immediate experience of the living God, who stands outside Church and Bible, that his father lacked. This sense of election led to a final disillusionment with the Church on the occasion of his First Communion. He had been led to believe that this would be a great experience. Instead, nothing. He concluded: "For me, it was an absence of God and no religion. Church was a place to which I no longer could go. There was no life there, but death."'o 2 See Jacqueline Carroy, Les personnaliUs multiples et doubles: entre science etfiction (Paris: PUF, 1993). 3 See Gustav Theodor Fechner, The Religion ofaScientist, ed. and tr. Walter Lowrie (New York: Pantheon, 1946). 4 See Jean Starobinski, "Freud, Breton, Myers," in L'oeuil vivante II: La relation critique (Paris: Gallimard, 1970) and W B. Yeats, A Vision (London: Werner Laurie, 1925). Jung possessed a copy ofthe latter. 5Flight Out of Time: A Dada Diary, ed. John Elderfield, tr. A. Raimes (Ber~eley: University of California Press, 1996), p. 1. 6 On how this mistakenly came to be seen as Jung's autobiography; see my Jung Stripped Bare by His Biographers, Even (London, I(arnac, 2004), ch. I, '''How to catch the bird': Jung and his first biographers." See also Alan Elms, "The auntification of Jung," in Uncovering Lives: The Uneasy Alliance ofBiography and Psychology (New York: Oxford University Press, 1994). 7 Memories, p. 30. 8 "Fundamental psychological conceptions," CW IS, ¤397 9 Memories, p. 57á IO Ibid., p. n INTRODUCTION I 195 Jung's voracious reading started at this time, and he was particularly struck by Goethe's Faust. He was struck by the fact that in Mephistopheles, Goethe took the figure of the devil seriously In philosophy, he was impressed by Schopenhauer, who acknowledged the existence of evil and gave voice to the sufferings and miseries of the world. Jung also had a sense ofliving in two centuries, and felt a strong nostalgia for the eighteenth century His sense ofduality took the form of two alternating personalities, which he dubbed NO.1 and 2. NO.1 was the Basel schoolboy, who read novels, and NO.2 pursued religious reflections in solitude, in a state ofcommunion with nature and the cosmos. He inhabited "God's world." This personality felt most real. Personality NO.1 wanted to be free ofthe melancholy and isolation ofpersonality NO.2. When personality NO.2 entered, it felt as if a long dead yet perpetually present spirit had entered the room. NO.2 had no definable character. He was connected to history, particularly with the Middle Ages. For NO.2, NO. I, with his failings and ineptitudes, was someone to be put up with. This interplay ran throughout Jung's life. As he saw it, we are all like this-part of us lives in the present and the other part is connected to the centuries. As the time drew near for him to choose a career, the conflict between the two personalities intensified. NO.1 wanted to pursue science, NO.2, the humanities. Jung then had two critical dreams. In the first, he was walking in a dark wood along the Rhine. He came upon a burial mound and began to dig, until he discovered the remains of prehistoric animals. This dream awakened his desire to learn more about nature. In the second dream, he was in a wood and there were watercourses. He found a circular pool surrounded by dense undergrowth. In the pool, he saw a beautiful creature, a large radiolarian. After these dreams, he settled for science. To solve the question of how to earn a living, he decided to study medicine. He then had another dream. He was in an unknown place, surrounded by fog, making slow headway against the wind. He was protecting a small light from going out. He saw a large black figure threateningly close. He awoke, and realized that the figure was the shadow cast from the light. He thought that in the dream, NO.1 was himself bearing the light, and NO.2 followed like a shadow. He took this as a sign that he should go forward with NO. I, and not look back to the world of NO.2. In his university days, the interplay between these personalities continued. In addition to his medical studies, Jung pursued an intensive program of extracurricular reading, in particular the works of Nietzsche, Schopenhauer, Swedenborg, II and writers on spiritualism. Nietzsche's Thus Spoke zarathustra made a great impression on him. He felt that his own personality NO.2 corresponded to Zarathustra, and he feared that his personality NO.2 was similarly morbid.I2 He participated in a student debating society, the Zofingia society, and presented lectures on these subjects. Spiritualism particularly interested him, as the spiritualists appeared to be attempting to use scientific means to explore the supernatural, and prove the immortality of the soul. The latter half of the nineteenth century witnessed the emergence of modern spiritualism, which spread across Europe and America. Through spiritualism, the cultivation of tranceswith the attendant phenomena of trance speech, glossolalia, automatic writing, and crystal vision-became widespread. The phenomena of spiritualism attracted the interest of leading scientists such as Crookes, Zollner, and Wallace. It also attracted the interest of psychologists, including Freud, Ferenczi, Bleuler, James, Myers, Janet, Bergson, Stanley Hall, Schrenck-Notzing, Moll, Dessoir, Richet, and Flournoy During his university days in Basel, Jung and his fellow students took part in seances. In 1896, they engaged in a long series of sittings with his cousin Helene Preiswerk, who appeared to have mediumistic abilities. Jung found that during the trances, she would become different personalities, and that he could call up these personalities by suggestion. Dead relatives appeared, and she became completely transformed into these figures. She unfolded stories of her previous incarnations and articulated a mystical cosmology, represented in a mandala.13 Her spiritualistic revelations carried on until she was caught attempting to fake physical apparitions, and the seances were discontinued. On reading Richard von Krafft-Ebing's Text-Book ofPsychiatry in 1899, Jung realized that his vocation lay in psychiatry, which represented a fusion of the interests of his two personalities. He underwent something like a conversion to a natural scientific framework. After his medical studies, he took up a post as an assistant physician at Burgholzli hospital at the end of 1900. The Burgholzli was a progressive university clinic, under the directorship of Eugen Bleuler. At the end of the nineteenth century, numerous figures attempted to found a new scientific psychology It was held that by turning psychology into a science through introducing scientific methods, all prior forms ofhuman understanding would be revolutionized. The new psychology was heralded as promising nothing less than the completion of the scientific revolution. Thanks to Bleuler, and his predecessor Auguste Forel, psychological research and hypnosis played prominent roles at the Burgholzli. Jung's medical dissertation focused on the psychogenesis of spiritualistic phenomena, in the form ofan analysis ofhis seances with Helene Preiswerk.14 While his initial interest inhercase appeared to be in the possible veracity of her spiritualistic manifestations, in the interim, he had studied the works of Frederic Myers, William James, and, in particular, Theodore Flournoy At the end of1899, Flournoy had published a study of a medium, whom he called Helene Smith, which became a best seller.lsWhat was novel about Flournoy's study was that it approached her case purely from the psychological angle, as a means of illuminating the study of subliminal consciousness. A critical shift had taken place through the work of Flournoy, Frederick Myers, and William James. They argued that regardless ofwhether the alleged spiritualistic experiences were valid, such experiences enabled far-reaching insight into the constitution of the subliminal, and hence into human psychology as a whole. Through them, mediums became II Emmanuel Swedenborg (1688-1772) was a Swedish scientist and Christian mystic. In 1743, he underwent a religious crisis, which is depicted in his}ournal ofDreams. In 1745, he had a vision of Christ. He then devoted his life to relating what he had heard and seen in Heaven and Hell and learned from the angels, and in interpreting the internal and symbolic meaning ofthe Bible..Swedenborg argued that the Bible had two levels ofmeaning: a physical, literal leveL and an inner, spiritual level. These were linked by correspondences. He proclaimed the advent ofa "new church" that represented a new spiritual era. According to Swedenborg, from birth one acquired evils from one's parents which are lodged in the natural man, who is diametrically opposed to the spiritual man. Man is destined for Heaven, and he cannot reach there without spiritual regeneration and a new birth. The means to this lay in charity and faith. See Eugene Taylor, "Jung on Swedenborg, redivivus," lung History, 2, 2 (2007), pp. 27-31. 12 Memories, p. 120. 13 See CW I, ¤66, fig. 2. 14 On the Psychology and Pathology ofSo-called Occult Phenomena: A psychiatric Study, 1902, CW I. 15 Theodore Flournoy, From India to the Planet Mars: A Case ofMultiple Personality with Imaginary Languages, ed. Sonu Shamdasani, tr. D. Vermilye (Princeton: Princeton University Press, 1900/1994). 196 I LIBER NOVUS important subjects of the new psychology. With this shift, the methods used by the mediums-such as automatic writing, trance speech, and crystal vision-were appropriated by the psychologists, and became prominent experimental research tools. In psychotherapy; Pierre Janet and Morton Prince used automatic writing and crystal gazing as methods for revealing hidden memories and subconscious fixed ideas. Automatic writing brought to light subpersonalities, and enabled dialogues with them to be held.I6 For Janet and Prince, the goal ofholding such practices was to reintegrate the personality. Jung was so tal