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FIRE IN THE EARTH
sponsorship of diamonds for feminine rather than mascu­line adornment, while a daring innovation, gave new dignity to the jewel. Her career at court was as brief as it was bril­liant. Within six years she had been laid to rest with a king's tears. But the diamond-wearing vogue had been taken up in earnest and soon such queens as Isabella of Spain were accumulating large collections of diamonds and other pre­cious stones. It was Isabella, of course, who even pledged her private jewels to raise the necessary funds to finance the voyage of Christopher Columbus across the Atlantic in search of a short route to India, resulting in the discovery of a new world.
In France the use of diamonds by women for decorative purposes increased in popularity. Eighty-three years after Agnes Sorel's death we find the French court being treated to an incursion of Italian jewelry brought in the trousseau of little fourteen-year-old Catherine de Medici, who came from Florence to be the bride of the future Henry II. It is doubtful that Catherine did much to stimulate diamonds, however. She brought few with her from Italy because the cutting of diamonds, at that time, had not been developed fully in Florence. Yet she certainly needed a bright appear­ance to attract the attention of her spouse because Diane de Poitiers, ten years the young king's senior, reigned in his heart as the real queen and even had obtained possession of the crown jewels of France. After the king's death, however, Catherine came into her own, wrested the jewels from the now banished mistress, and began to effect a new elegance in dress.
Her new importance was in part due to the official posi­tion of her children: She became the mother of four kings and a queen. All types of jewelry and various expensive fab­rics and ornaments, even in interior decorations of her
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