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Book VI gems: diamond, emeralds, sapphire, topaz, chrysoberyl, carbuncle, jaspis

Book VI gems: diamond, emeralds, sapphire, topaz, chrysoberyl, carbuncle, jaspis Page of 251 Book VI gems: diamond, emeralds, sapphire, topaz, chrysoberyl, carbuncle, jaspis Text size:minus plus Restore normal size   Mail page  Print this page
138
DE NATURA FOSSILIUM
of stars set in almost the same position as the stars of the Hyades,41 ac­cording to Pliny, it was used in Chaldean ceremonies. These points are not as conspicuous when the gem is examined in the sunlight as when it is set in a ring. The more brilliant gems are called masculine, the less bril­liant, feminine. Like the carchedonius species of carbunculus this gem is not injured in a fire.42
The chrysolithus which the gem dealers today call hyacinthus differs from sandasiros in the number of golden points it contains. The latter has only a few, the former a large number. It is found in Spain, Pontus, Bac-tria, India, Arabia and Ethiopia. The color of the stone may be golden yellow, hence the name, reddish yellow or similar in color to the carche­donius carbunculus which they call granatus but with a golden luster. Some of the stones have a color similar to amber and are called chryselec-tros. When the finest stones are placed next to gold they become whitened and have a silvery appearance. The less valuable and worthless stones have a variable color due to white and black spots. The stones that appear to have smoke through them are called capniae by the Greeks; those with a honey-yellow color, melichrysos because, according to Pliny, they have the appearance of gold shining through clear honey.43 When a stone has a white band through it they called it leucochrysos. The stones that are full of scales, hairs or are not clear have a luster similar to saffron-yellow glass. Only the transparent stones are placed in open settings while those containing a cloud of spots that spoil the brilliancy are set in rings. For­merly gem setters were in the habit of placing brass foil on the back of these stones but now they use foil with a color which almost matches that of the stone. Pliny writes that the first quality stones come from India, the second quality from Bactria if they are not variegated while those from Arabia are the poorest. Some are hard, some soft. The melichrysos from India is very fragile. The Pontician stones are very light. Bocchus writes that he had seen Spanish stones weighing twelve pounds. I myself have seen masses taken from our own mines that weighed more than sixty pounds. These stones have a rectangular shape, especially those stones about one inch wide and two inches long. They are all so soft that they cannot be polished.44
Craterites is very hard with a color between chrysolithus and amber.45
41  A group of seven stars in the constellation Taurus.
42  There is obvious confusion in this description. The reddish yellow color, dark smoky appearance and infusibility indicate that it is garnet or sapphire with solid mineral inclusions or aventurine quartz. The "infusible garnets" mentioned by Agric-ola and older writers were probably our corundum.
43 This is an excellent description of a stone backed with foil.
44 From this description one could identify a number of minerals with chrysolithus, topaz, barite, smithsonite, etc. Undoubtedly many of the descriptions by older writers referred primarily to the topaz. Agricola undoubtedly saw crystals of topaz but since this mineral ia uncommonly hard one can only speculate as to the iden­tity of the soft mineral. It may have been barite, fluorite, etc.
44 Probably the golden yellow sapphire.
Book VI gems: diamond, emeralds, sapphire, topaz, chrysoberyl, carbuncle, jaspis Page of 251 Book VI gems: diamond, emeralds, sapphire, topaz, chrysoberyl, carbuncle, jaspis
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