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Book IX artificially coloring of metals such as gold, silver, copper

Book IX artificially coloring of metals such as gold, silver, copper Page of 251 Book IX artificially coloring of metals such as gold, silver, copper Text size:minus plus Restore normal size   Mail page  Print this page
BOOK IX
195
as I have said, and from iron by blows of a hammer. Although Dioscorides says this scale has the same properties as copper scale, the iron scale is more astringent and that from steel even more so. For this reason the lat­ter is very useful in treating malignant ulcers. Copper scale is more acrid and, therefore, purges and eats away the flesh more than iron scale and is more efficacious in purging the stomach. But this is enough concerning the products of the first furnace and the scale of copper, iron, and steel.
I shall now take up the products of the second furnace, namely foam of silver (spuma argenti) and plumbago. The Greeks call foam of silver λιθάργυρο?, that is, stone of silver. The Greeks regarded it as a natural substance while the Latins believed it occurred in Nature in an impure form. It is more correct to call it foam or stone of lead since it is produced from lead and lead from it and it is not produced from silver nor silver from it. If foam is produced from a mixture of lead and silver when they are being parted we know that it comes from the lead and not from the silver since none of the silver is lost and all of the lead is changed into foam and plumbago.
Foam is produced in many ways. First, from plumbaria arena,7 second from galena (plumbarius lapis), and third from sheets of lead. All are heated in shallow crucibles until they are completely changed, partly into foam, partly into plumbago.9 A fourth method uses mixtures of lead and silver; a fifth, mixtures of gold and lead; a sixth, using mixtures of gold, silver, and lead. In the last three methods gold, silver, or a gold-silver alloy are left while all the lead is converted into foam or lead oxide. When copper is added to a mixture that contains silver, as is a common practice, it increases the amount of silver in the lead but the copper, together with the lead is converted into foam and plumbago.9
Foam varies in color. It is either dark yellow or white. The dark yellow variety is called chrysitis because it resembles gold while the white variety that resembles silver is called argyritis. I realize that Pliny knew of an­other one. Chrysitis is better than argyritis. It has been subjected to a hotter fire that has produced the color.10
Foam differs in degree of consolidation since it may be either solid or distended. The Greeks call the former stereotis since it has congealed in a solid mass, and the latter pneumenis when it has congealed in tubular masses. If foam flows down into the lower crucible from the upper and is then left for a long time the mass becomes heavier but if it is taken from the crucible immediately and rolled about in a fine mesh fish-net it will form tubular masses of moderate weight.
7 Literally, lead sand, probably the fines resulting from hand picking lead ores.
* Agricola and other writers include a number of materials under plumbago. Here he refers to the lead oxide litharge (yellow) and other oxides.
' Actually this practice, in effect, debased the silver.
10 The white oxide is the basic lead carbonate; the yellow oxide is massicot or litharge.
Book IX artificially coloring of metals such as gold, silver, copper Page of 251 Book IX artificially coloring of metals such as gold, silver, copper
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