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Alchemy Academy archive October 2001 Back to alchemy academy archives. Subject: ACADEMY : Hegel's triadic triangles From: Susanna �kerman Date: 29 Sep 2001 Dear Academy, Since we are discussing triangles I want to draw attention to the philosopher Hegel who at one point in the _Philosophy of Right_ (1821) said "Reason is the rose in the cross of the present" influenced by the Gold und Rosencreutz Orden in his Berlin period. This has been interestingly debated in _Hegel and the Hermetic Tradition_ Cornell University Press 2001_ by Glenn Alexander Magee of Emory University in Atlanta, Georgia. He interestingly shows Boehmes' influence on the young philosopher Hegel and reproduces the below Triangle in Triangles, described earlier by Helmut Schneider "Zur Dreiecks symbolik bei Hegel" Hegel studien 8 1973 p. 55-77. The diagram cannot be dated but was found among Hegels papers. There is a textual fragment that could have been the reason for Hegel's drawing showing the trinity in connection with the dialectic of Subjective, Objective and Absolute concepts. This is discussed in at Magee's text p. 110-113. He refers to Schneider who argues it is Neo-Paracelsian, neo-Agrippean and neo-Boehmian. Both authors are however lost in decoding the drawing and its sigels. Can we do better on the list? The S in spiritus is drawn in pencil, perhaps reflecting a red letter in some original. It is uncertain whether Hegel himself drew it to shed light on his dialectic or whether he is copying something. Magee's book is from a philosophical point of view excellent in making grey and tiresome concepts glow. Susanna Akerman Subject: ACADEMY : Hegel's triadic triangles Date: Thu, 4 Oct 2001 From: Tatiana Dolinina Just one note! In Hegel's phenomenology (triadic dialectics) the basic triangle unfolds (by every element of the triad viewed as expressed trhough all the 3 of them: through itself, through the "2nd" and through the "3d"). As a "static" emblem it gives one of the loved by alchemists figures: the triangle which on every angle has a sphere with the "basic" triangle inside. If you unfold it by spiral (moving by numbers, one after one), you get a complete cabbalistic tree (or alchemic tree if you prefer to call it so): 3x3=9, the 10th making the "Plan of Expression" ("plan of expression" is a standard linguistic term as opposed to "plan of essence" :) and I use it all in my semiotic conception). This is obvious and distinct cabbalistic dialectics, the Diagram of Creation, Hegel just simply used a language to be consumable (and consumed) by the peoples community of his time. Good trick and works perfectly. Now, Hegel's dialectics makes one of the corner stones of the fundument of the western "scientific" (i.e. "accepted") philosophy. Don't you all think he had very substantial reasons to get these ideas penetrate so widely to the society!? Tatiana Dolinina Subject: ACADEMY : Hegel's triadic triangles Date: Thu, 04 Oct 2001 From: Ronald S. Erlien Dear Tatiana Dolinina, >If you unfold it by spiral (moving by numbers, one >after one), you get a complete cabbalistic tree. Could you please show me how this is formed? I am having a difficult time picturing this. Sincerely, Ronald Subject: ACADEMY : English women alchemists Date: Fri, 5 Oct 2001 From: Michael Srigley Dear Friends, While leafing through Gabriel Claudius', 'Dissertation von der Universal-Tinktur'(1682) looking for something else, I came across an interesting reference to a woman alchemist operating in England during, it seems, the first half of the 17th century. I know that one of our colleagues is working on this subject, and thought the reference might be worth mentioning in case it has been missed. Unfortunately I have not been able to find the letter that she wrote to the Academy on this topic. Claudius writes (219): "Im ubrigen was Petrus Borellius in seiner Chymischen Bibliothec / die Anno 1654. zu Paris / unde anno 1656. zu Heidelberg getruket worden / schreibet das Maria Rante die Engelandern vorher verfundighet habe / der Philosophische Stein werde Anno 1661 bey jeden bekannt werden /lass ich dem Urtheil der Klugen heim gestellet. 'Alumn. Cantabrig.' part I, III, 421 mentions a possible husband: a certain William Rant, who entered Caius College in 1581, BA 1584-5, MA 1588, MD 1597. "Practised medicine at Northwich. Married Mary, d. of Edward Ward of Bixley. Bur. May 30, 1627". I do not have access to a copy of Pierre Borel's 'Biblitheca Chimica', but I imagine he provides more information. He was appointed royal physician to Louis XIV in 1654. Hoping this might be of help, Michael Srigley Subject: ACADEMY : English women alchemists From: Cis van Heertum Date: Fri, 5 Oct 2001 I checked Maria Rante in Borel's Bibliotheca chimica (Heidelberg 1656, facs ed.); under Maria Rante we find a reference to Clavis Apocalyptica, p. 24: 'Mariae Rante Angl. quae auri facturam brevi vulgarem futuram fore, ut pote anno 1661 promittit.' So Borel doesn't really provide more information! Cis van Heertum Subject: ACADEMY : English women alchemists - William Rant From: Caroline Moss-Gibbons Date: Fri, 5 Oct 2001 Dear All, In response to Michael Srigley's email about female alchemists mentioning William Rant: the brief biographical details he provided vary from those found in 'Munk's Roll' or 'Lives of the Fellows of the Royal College of Physicians of London'. 'Our' William Rant may be a descendant of Michael Srigley's William of course. Munk's (vol 1) entry reads: [text] William Rant, MD, was the son of Humphrey Rant, of Norwich, notary public, by his wife Katherine, and was born in that city in 1604. He was educated at Caius college Cambridge, and as a member of that house, proceeded MB 1625, MD 1630. He was admitted a Candidate of the college of Physicians 30th September, 1633, and a Fellow 30th September, 1634. He delivered in October 1639, the first course of Gulstonian lectures, "de morbis partium quibus optime doctissimeque se gessit [Annales, x, Oct 1639]. I meet with him as Censor in 1640, 1645, 1647, 1650. He retired into the country shortly before his death, which took place from marasmus on the 15th September, 1653. Dr Rant bequeathed to the College six Arabic books, which were delivered by his brother in February, 1655-6. He was buried at Thorp Market, co. Norfolk, where on a large marble tomb is the following inscription:- 'This stone covers the dust of WILLIAM RANT, Doctor of Physick, and Fellow of the College of Physicians of London, who, after that he had there exercised his art with much honour and success for full twenty years, upon the 15th day of September, 1653, and in the forty-ninth year of his age, finished the race of his life at Norwich, where he first took breath to run it. Under this stone also do lye the ashes of his dear wife, JANE, third daughter of SIR JOHN DINGLEY, knt. of Wolverton, in Hampshire. She ended her life on 11th June, 1656. They left issue WILLIAM and JANE. Best regards, Caroline Moss-Gibbons Subject: ACADEMY : English women alchemists - William Rant From: Michael Srigley Date: 11 Oct 2001 My thanks to Cis van Heertum and Caroline Moss-Gibbons for their prompt information about Maria Rant. Where William Rant, M.D (1604-1653) is concerned, the same basic information about him is provided in 'Alumni Cantabrigienses'. He is followed in the same work by the earlier William Rant who married Mary Ward and died in 1627. If this Mary is the same as Maria Rant the alchemist, she must have lived on after her husband's death for a decade or two. Alternatively there may have been a Mary Rant who was the daughter of the first William Rant and Mary. With best wishes, Michael Srigley Subject: ACADEMY : Illuminated alchemical manuscripts From: M.E. Warlick Date: 16 October 2001 Dear colleagues: I have the opportunity to travel to Italy and Denmark in late November, early December and would like to correspond with any of you who may have experience looking at illustrated alchemical manuscripts in Bologna, Florence and Copenhagen. Any contact information at the appropriate libraries in those cities would be helpful. You can contact me off the list at [email protected]. Thanks! M.E. Warlick, Assoc. Prof. Art History, University of Denver Subject: ACADEMY : Hegel's triadic triangles: From: Adam McLean Date: 15 October 2001 Dear Susanna, Are there any more such diagrams in the papers of Hegel ? I cannot quite get the context from the example you have shown us. Perhaps if there are other drawings we can begin to see more of what Hegel was trying to express through these diagrams. How much was Hegel influenced by the diagrams in the works of Jacob Boehme ? The Boehmist diagrams, do not, in general, involve the use of alchemical sigils, but obviously use the emblem of the triangle in many cases. Indeed, most of the engravings in the Gichtel edition of his works do incorporate a triangle, either upward or downward pointing. Adam McLean Subject: ACADEMY : Hegel's triadic triangles From: Susanna �kerman Date: 17 Oct 2001 There is a written "triangle fragment" in Hegel's papers first described by Karl Rosencrantz in 1844 and translated in H. S. Harris' Hegel's development: Night thoughts (part 2, 1983 Oxford UP, first part is called Towards the Sunlight 1972). However it speaks of two triangles and is not directed towards this triadic triangle. Also Karin Figala writes about the "Die alchemische Begriff von Capuut mortuum bei Hegel in der symbolischen Terminologie Hegels" in Stuttgarter Hegel-Tage 1970 edited by H. G. Gadamer Bonn 1974. To explain the point of triangles I can only say that Hegel thinks of the trinity and its manifestations first as love and then on a deeper level as the Spirit-coming-to-consciousness-of-itself. I recommend you Magee's book since I am unable to summarize Hegel's thinking. Schneider means the drawing is neo-Pythagorean but Magee roots it in Hermeticism. Herder, Hegel and Novalis all studied in T�bingen, earlier home of Johann Valentin Andreae, and they are influenced in various ways by mystics such and Franz von Baader, Oetinger and the pietists. There is a long Boehme/Hegel chapter in Magee, and he comments on Hegel's dialectic of the Spirit that was formed early on in his mystical-theosophical youth, and stays on till his old days as in The Philosophy of Right. Note that the triangles are downward showing I guess the descent of spirit in matter and consciousness developing in history. Celestial stellar influx in mineral matter? The sixpointed star of joined triangles is often seen as philosophical fiery water (aesch majim) conjoined in perfect union, here it is the descent that is important, perhaps as spiritual influx and flow in thinking. Magee's book tempts me to look into Hegel's own works that nowadays have good translations, while they were forbidding to read in English fifteen years ago when I took a glance on his philosophy. To read it in German is not easy either I guess, but perhaps it is fun (sic) to look into Hegel's mysticism. It gives me motivation I have lacked hitherto. Also note that Leibniz writes a text on alchemy as Oidipus Chymicus in Acta Berolinensis 1710 in Berlin actually the same title as J.J. Becher in 1664. Can someone look it up and tell us what it says? Leibniz was a member and secretary of a alchemical society in 1667. And he also solved the ciphers in Chymische Hochzeit, but later thought that the Rosicrucians were fiction. Susanna Akerman Subject: ACADEMY : New book on history of alchemy Date: Thu, 25 Oct 2001 From: Rafal T. Prinke Has anyone seen this new history of alchemy yet? Hans-Werner Sch�tt, Auf der Suche nach dem Stein der Weisen. Die Geschichte der Alchemie. M�nchen 2000. 602 S. mit 28 Abb., Bibliographie, Indices, Ln. Verlag C.H.Beck ISBN 3-406-46638-9 I would be interested to know if it is worthwhile, ie. does it contain original research/material/observations or is it just a rehash of earlier general histories? I have seen a short review on the Web but it just said that the author deals with both psychological (Jungian) and chemical approaches. He is chemist himself and a professor of the history of science. Best regards, Rafal Subject: ACADEMY : New book on history of alchemy From: Susanna �kerman Date: Mon, 29 Oct 2001 Dear Rafal, After an exiting visit to Vienna to speak of Queen Christina and to incite Austrian alchemical historians, such as as Rudolf Werner Soukup, who is writing a history of Austrian alchemy as it appears in the annals of the sixteenth century Bergwerk, to look for evidence of the Italian alchemist Santinelli's visit in 1667, I was led to the Student buchhandlung. There I found Claus Prisener's and Karin Figala's lexicon of Alchemy. 1998. To read it is stimulating since its precise knowledge illumines many questions of alchemical practise. However Hans Werner Sch�tt's book (also at the publishing house C.H. Beck) is not so precise, but is full with pleasant ancedotes of chemical interpretations of old alchemical texts and a lot of Chemical interpretations (with chemical formulae) of the old allegories. It is a "rehash", but a pleasent one. Very little on Sendivogius. I would buy Prisener's and Figala's book and perhaps try to get Sch�tt's book on interlibrary loan. Susanna ps. Santinelli was guardian of the golden key at Emperor Leopold's court in 1667 (these golden keys is an honour on display in the Viennese Imperial Schatzkammer) and I have now set Viennese historians to track him down, author as he is of Lux Obnubilata or Lumi�re sortant de soi m�me des tenebres of 1667. Subject: ACADEMY : New book on history of alchemy Date: Wed, 31 Oct 2001 From: Rafal T. Prinke Dear Susanna, > However Hans Werner Sch�tt's book > (also at the publishing house C.H. Beck) is not so precise, but > is full with pleasant ancedotes of chemical interpretations of > old alchemical texts and a lot of Chemical interpretations > (with chemical formulae) of the old allegories. It is a "rehash", > but a pleasent one. Very little on Sendivogius. Thank you for your description of this book. > I would buy Prisener's and Figala's book and perhaps try to > get Sch�tt's book on interlibrary loan. I bought the Prisener-Figala _Lexikon_ two years ago and it is, indeed, a very valuable reference, with up-to-date bibliography for every entry. Some entries that one would expect are not there - but that's always the case with books of this kind. Best regards, Rafal |