A001. An image of the astrologer consulting the heavens. From Robert Fludd's Utriusque cosmi historia, Vol II.
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A002. Frontispiece engraving from Johann Helfrich JÜNGKEN, Chymia experimentalis, Frankfurt, 1701. |
A003. Engraving from Michel de Marolles, Tableaux du temple des muses, Paris, 1655. |
A004. Engraving from Gottfried Moebius, Neu-Angezundt-Hell-brennendes Feuer, oder Mercurial-Liecht..., Augsburg, 1680.
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A005. Frontispiece to an 18th century German book entitled 'the compass of the wise'.
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A006. The Macrocosm and the Microcosm. Frontispiece from Robert Fludd's Utriusque cosmi historia.
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A007. Woodcut from Andreas Libavius Commentariorum alchymiae.
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A008. Frontispiece from Balduin's Aureum superius et inferius.
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A009. Redrawn from a manuscript in the Manly Palmer Hall collection. |
A010. Sixth woodcut from the series in Basil Valentine's Azoth. |
A011. Man at the centre of the fortress of health, protected by the angels. From Robert Fludd's Medicina catholica.
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A012. Seventh woodcut from the series in Basil Valentine's Azoth. |
A013. Engraving from Barchusen's version of the 'Crowning of Nature'. |
A014. Redrawn from a 15th century manuscript in the British Library, Harley 2407. |
A015. Redrawn from a 14th century manuscript in Cracow of Al-Razi's 'Opera Medicinalia'. |
A016. Large engraving of the polarities in the macrocosm and the microcosm, from J.D. Mylius Opus medico-chymicum. Landscape format
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A017. From Theophilus Schweighardt's 'Mirror of the Rosicrucian wisdom'.
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A018. Frontispiece from Beroalde de Verville's Le Voyage des princes fortunez.
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A019. Frontispiece from Beroalde de Verville's Le Tableau des riches inventions.
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A020. An alchemist, possibly Irenaeus Philalethes, in his laboratory. From Pyrotechnia ofte Vuur-stook-Kunde, Amsterdam, 1687. |
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