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See also:SGAMBATI, GIOVANNI (1843– ) , See also:Italian composer, was See also:born in See also:Rome on the 28th of May 1843, of an Italian See also:father and an See also:English See also:mother. His See also:early See also:education took See also:place at Trevi, in See also:Umbria, and there he wrote some See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church See also:music, and obtained experience as a See also:singer and conductor. In 186o he settled in Rome, and definitely took up the See also:work of winning See also:acceptance for the best See also:German music, which was at that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time neglected in See also:Italy. The See also:influence and support of See also:Liszt, who was in Rome from 1861, was naturally of the greatest See also:advantage to him, and concerts were given in which Sgambati conducted as well as played the piano. His See also:composition, of this See also:period (1864–1865) included a quartet, two piano quintets, an octet, and an See also:overture. He conducted Liszt's See also:Dante See also:symphony in 1866, and made the acquaintance of See also:Wagner's music for the first time at See also:Munich, whither he travelled in Liszt's See also:company. His first See also:album of songs appeared in 187o, and his first symphony was played at the Quirinal in 1881; this, as well as a piano See also:concerto, was performed in the course of his first visit to See also:England in 1882; and at his second visit, in 1891, his Sinfonia epitalamio was given at the Philharmonic. His most extensive work, a See also:Requiem See also:Mass, was performed in Rome 1901. His many piano-forte See also:works have won permanent success; but his influence on Italian musical See also:taste has been perhaps greater than the merits of his compositions, which, though often poetical and generally effective, are often slight in See also:style.
End of Article: SGAMBATI, GIOVANNI (1843– )
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