Online Etymology Dictionary

gunsel (n.): 1914, American English underworld slang, from hobo slang, "a catamite;" specifically "a young male kept as a sexual companion, especially by an older tramp," from Yiddish genzel, from German Gänslein "gosling, young goose" (see goose (n.)). The secondary, non-sexual meaning "young hoodlum" seems to be entirely traceable to Dashiell Hammett, who sneaked it into "The Maltese Falcon" (1929) while warring with his editor over the book's racy language:
"Another thing," Spade repeated, glaring at the boy: "Keep that gunsel away from me while you're making up your mind. I'll kill him."
The context implies some connection with gun and a sense of "gunman," and evidently that is what the editor believed it to mean. The word was retained in the script of the 1941 movie made from the book, so evidently the Motion Picture Production Code censors didn't know it either.
The relationship between Kasper Gutman (Sidney Greenstreet) and his young hit-man companion, Wilmer Cook (Elisha Cook, Jr.), is made fairly clear in the movie, but the overt mention of sexual perversion would have been deleted if the censors hadn't made the same mistaken assumption as Hammett's editor. [Hugh Rawson, "Wicked Words," 1989, p.184]
study (v.): early 12c., "to strive toward, devote oneself to, cultivate" (translating Latin occupatur), from Old French estudiier "to study, apply oneself, show zeal for; examine" (13c., Modern French étudier), from Medieval Latin studiare, from Latin studium "study, application," originally "eagerness," from studere "to be diligent," from PIE *(s)teu- (1) "to push, stick, knock, beat" (see steep (adj.)). The notion appears to be "pressing forward, thrusting toward," hence "strive after."
Martha swanc and becarcade to geforðigene þan Hælende and his þeowen þa lichamlice behefðen. Seo studdede emb þa uterlice þing. [Homily for the Feast of the Virgin Mary, c.1125]
From c. 1300 as "apply oneself to the acquisition of learning, pursue a formal course of study," also "read a book or writings intently or meditatively." From mid-14c. as "reflect, muse, think, ponder." Meaning "regard attentively" is from 1660s. Related: Studied; studying.
script (n.): late 14c., "something written," earlier scrite (c. 1300), from Old French escrit "piece of writing, written paper; credit note, IOU; deed, bond" (Modern French écrit) from Latin scriptum "a writing, book; law; line, mark," noun use of neuter past participle of scribere "to write," from PIE *skribh- "to cut, separate, sift" (source also of Greek skariphasthai "to scratch an outline, sketch," Lettish skripat "scratch, write," Old Norse hrifa "scratch"), from root *(s)ker- (1) "to cut" (see shear (v.)) on the notion of carving marks in stone, wood, etc.

Meaning "handwriting" is recorded from 1860. Theatrical use, short for manuscript, is attested from 1884. The importance of Rome to the spread of civilization in Europe is attested by the fact that the word for "write" in Celtic and Germanic (as well as Romanic) languages derives from scribere (French écrire, Irish scriobhaim, Welsh ysgrifennu, German schreiben). The cognate Old English scrifan means "to allot, assign, decree" (see shrive; also compare Old Norse skript "penance") and Modern English uses write (v.) to express this action.
evolution (n.): 1620s, "an opening of what was rolled up," from Latin evolutionem (nominative evolutio) "unrolling (of a book)," noun of action from past participle stem of evolvere "to unroll" (see evolve).

Used in medicine, mathematics, and general writing in various senses including "growth to maturity and development of an individual living thing" (1660s). Modern use in biology, of species, first attested 1832 in works of Scottish geologist Charles Lyell. Charles Darwin used the word in print once only, in the closing paragraph of "The Origin of Species" (1859), and preferred descent with modification, in part because evolution already had been used in the discarded 18c. homunculus theory of embryological development (first proposed under this name by Bonnet, 1762) and in part because it carried a sense of "progress" not present in Darwin's idea. But Victorian belief in progress prevailed (and the advantages of brevity), and Herbert Spencer and other biologists after Darwin popularized evolution.
French fries (n.): 1903, American English, earlier French fried potatoes (by 1856); see French (adj.) + fry (v.). Literally "potatoes fried in the French style." The name is from the method of making them by immersion in fat, which was then considered a peculiarity of French cooking.
There are 2 ways of frying known to cooks as (1) wet frying, sometimes called French frying or frying in a kettle of hot fat; and (2) dry frying or cooking in a frying pan. The best results are undoubtedly obtained by the first method, although it is little used in this country. ["The Household Cook Book," Chicago, 1902]
French frieds (1944) never caught on. Simple short form fries attested by 1973. In the Upper Midwest of the U.S., sometimes called, with greater accuracy, American fries (1950), and briefly during a period of mutual ill feeling, an attempt was made at freedom fries (2003; compare liberty-cabbage for sauerkraut during World War I). Related: French-fry.
marine (n.): 14c., "seacoast;" see marine (adj.). Meaning "collective shipping of a country" is from 1660s. Meaning "soldier who serves on a ship" is from 1670s, a separate borrowing from French marine, from the French adjective. Phrase tell that to the marines (1806) originally was the first half of a retort expressing skepticism:
"Upon my soul, sir," answered the lieutenant, "when I thought she scorned my passion, I wept like a child."

"Belay there!" cried the captain; "you may tell that to the marines, but I'll be d----d if the sailors will believe it." ["John Moore," "The Post-Captain; or, the Wooden Walls Well Manned," 1805]
The book, a rollicking sea romance/adventure novel, was popular in its day and the remark is a recurring punch line in it (repeated at least four times). It was written by naval veteran John Davis (1774-1854) but published under the name John Moore. Walsh records that, "The marines are among the 'jolly' jack-tars a proverbially gullible lot, capable of swallowing any yarn, in size varying from a yawl-boat to a full-rigged frigate."
mirepoix (n.): in cookery, 1815, from French, evidently named for Charles Pierre Gaston François, duc de Mirepoix (1699-1757), French diplomat. The concoction supposedly created by his head chef and named in his honor during the reign of Louis XV, one of the grand epochs of French cookery, when it was the style of the aristocracy to have dishes named in their honor.
MIREPOIX.--It is probable that one of these days the common sense of mankind will rise in rebellion against this word and abolish it. What is the Duke of Mirepoix to us because his wife was amiable to Louis XV.?
If she be not fair to me,
What care I how fair she be?
The Duke of Mirepoix made himself convenient to the king, and his name is now convenient to the people--the convenient name for the faggot of vegetables that flavours a stew or a sauce. ["Kettner's Book of the Table," London, 1877]
kind (n.): "class, sort, variety," from Old English gecynd "kind, nature, race," related to cynn "family" (see kin), from Proto-Germanic *kundjaz "family, race," from PIE *gene- "to give birth, beget" (see genus).

Ælfric's rendition of "the Book of Genesis" into Old English came out gecyndboc. The prefix disappeared 1150-1250. No exact cognates beyond English, but it corresponds to adjective endings such as Goth -kunds, Old High German -kund. Also in English as a suffix (mankind, etc., also compare godcund "divine"). Other earlier, now obsolete, senses included "character, quality derived from birth" and "manner or way natural or proper to anyone."

Phrase a kind of (1590s) indicating something like or similar to something else led to the colloquial extension as adverb (1804) in phrases such as kind of stupid "a kind of stupid (person), (one) not far from stupidity." However "good usage" once condemned as inaccurate the use as an adjective as in our kind of people, some kind of joke.
Wicca (n.): An Old English masc. noun meaning "male witch, wizard, soothsayer, sorcerer, astrologer, magician;" see witch. Use of the word in modern contexts traces to English folklorist Gerald Gardner (1884-1964), who is said to have joined circa 1939 an occult group in New Forest, Hampshire, England, for which he claimed an unbroken tradition to medieval times. Gardner seems to have first used it in print in 1954, in his book "Witchcraft Today" ("Witches were the Wica or wise people, with herbal knowledge and a working occult teaching usually used for good ...."). In published and unpublished material, he apparently only ever used the word as a mass noun referring to adherents of the practice and not as the name of the practice itself. Some of his followers continue to use it in this sense. According to Gardner's book "The Meaning of Witchcraft" (1959), the word, as used in the initiation ceremony, played a key role in his experience:
I realised that I had stumbled upon something interesting; but I was half-initiated before the word, 'Wica' which they used hit me like a thunderbolt, and I knew where I was, and that the Old Religion still existed. And so I found myself in the Circle, and there took the usual oath of secrecy, which bound me not to reveal certain things.
In the late 1960s the term came into use as the title of a modern pagan movement associated with witchcraft. The first printed reference in this usage seems to be 1969, in "The Truth About Witchcraft" by freelance author Hans Holzer:
If the practice of the Old Religion, which is also called Wicca (Craft of the Wise), and thence, witchcraft, is a reputable and useful cult, then it is worthy of public interest.
And, quoting witch Alex Sanders:
"No, a witch wedding still needs a civil ceremony to make it legal. Wicca itself as a religion is not registered yet. But it is about time somebody registered it, I think. I've done all I can to call attention to our religion."
Sanders was a highly visible representative of neo-pagan Witchcraft in the late 1960s and early 1970s. During this time he appears to have popularized use of the term in this sense. Later books c. 1989 teaching modernized witchcraft using the same term account for its rise and popularity, especially in U.S.
un- (1): prefix of negation, Old English un-, from Proto-Germanic *un- (source also of Old Saxon, Old Frisian, Old High German, German un-, Gothic un-, Dutch on-), from PIE *n- (source of Sanskrit a-, an- "not," Greek a-, an-, Old Irish an-, Latin in-), comb. form of PIE root *ne "not" (source also of Avestan na, Old Church Slavonic and Lithuanian ne "not," Latin ne "that not," Greek ne- "not," Old Irish ni, Cornish ny "not"). Often euphemistic (such as untruth for "lie").

The most prolific of English prefixes, freely and widely used in Old English, where it forms more than 1,000 compounds. It underwent a mass extinction in early Middle English, but emerged with renewed vigor 16c. to form compounds with native and imported words. It disputes with Latin-derived cognate in- (1) the right to form the negation of certain words (indigestable/undigestable, etc.), and though both might be deployed in cooperation to indicate shades of meaning (unfamous/infamous), typically they are not.

It also makes words from phrases (such as uncalled-for, c. 1600; undreamed-of, 1630s; uncome-at-able, 1690s; unputdownable, 1947, of a book; un-in-one-breath-utterable, Ben Jonson; etc., but the habit is not restricted to un-; such as put-up-able-with, 1812). As a prefix in telegramese to replace not and save the cost of a word, it is attested by 1936.
's: suffix forming the possessive singular case of most Modern English nouns; its use gradually was extended in Middle English from Old English -es, the most common genitive inflection of masculine and neuter nouns (such as dæg "day," genitive dæges "day's").

Old English also had genitives in -e, -re, -an, as well as "mutation-genitives" (boc "book," plural bec), and the -es form never was used in plural (where -a, -ra, -na prevailed), thus avoiding the verbal ambiguity of words like kings'.
In Middle English, both the possessive singular and the common plural forms were regularly spelled es, and when the e was dropped in pronunciation and from the written word, the habit grew up of writing an apostrophe in place of the lost e in the possessive singular to distinguish it from the plural. Later the apostrophe, which had come to be looked upon as the sign of the possessive, was carried over into the plural, but was written after the s to differentiate that form from the possessive singular. By a process of popular interpretation, the 's was supposed to be a contraction for his, and in some cases the his was actually "restored." [Samuel C. Earle, et al, "Sentences and their Elements," New York: Macmillan, 1911]
As a suffix forming some adverbs, it represents the genitive singular ending of Old English masculine and neuter nouns and some adjectives.
Catch-22 (n.): from the title of Joseph Heller's 1961 novel. In widespread use only after release of the movie based on the book in 1970. The "catch" is that a bomber pilot is insane if he flies combat missions without asking to be relieved from duty, and is thus eligible to be relieved from duty. But if he asks to be relieved from duty, that means he's sane and has to keep flying.
There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

"That's some catch, that Catch-22," he observed.

"It's the best there is," Doc Daneeka agreed.
See catch (n.).
nice (adj.): late 13c., "foolish, stupid, senseless," from Old French nice (12c.) "careless, clumsy; weak; poor, needy; simple, stupid, silly, foolish," from Latin nescius "ignorant, unaware," literally "not-knowing," from ne- "not" (see un-) + stem of scire "to know" (see science). "The sense development has been extraordinary, even for an adj." [Weekley] -- from "timid" (pre-1300); to "fussy, fastidious" (late 14c.); to "dainty, delicate" (c. 1400); to "precise, careful" (1500s, preserved in such terms as a nice distinction and nice and early); to "agreeable, delightful" (1769); to "kind, thoughtful" (1830).
In many examples from the 16th and 17th centuries it is difficult to say in what particular sense the writer intended it to be taken. [OED]
By 1926, it was pronounced "too great a favorite with the ladies, who have charmed out of it all its individuality and converted it into a mere diffuser of vague and mild agreeableness." [Fowler]
"I am sure," cried Catherine, "I did not mean to say anything wrong; but it is a nice book, and why should I not call it so?"
"Very true," said Henry, "and this is a very nice day, and we are taking a very nice walk; and you are two very nice young ladies. Oh! It is a very nice word indeed! It does for everything." [Jane Austen, "Northanger Abbey," 1803]
wet (adj.): Old English wæt "moist, rainy, liquid," also as a noun. "moisture, liquid drink," from Proto-Germanic *weta- (source also of Old Frisian wet ). Also from cognate Old Norse vatr; all from PIE *wed- (1) "water, wet" (see water (n.1)). Of paint, ink, etc., "not yet dry" from 1510s. Opposed to dry in reference to the U.S. battles over prohibition from 1870. Wet blanket "person who has a dispiriting effect" is recorded from 1871, from use of blankets drenched in water to smother fires (the phrase is attested in this literal sense from 1660s).
Do we not know them, those wet blankets who come down on our pleasant little fires and extinguish them, with no more ruth than the rain feels when it pours on the encampment of the merry picnic party, or floods the tents of a flower show? ["Wet Blankets," in "Godey's Lady's Book and Magazine," February, 1871]
All wet "in the wrong" is recorded from 1923, American English; earlier simply wet "ineffectual," and perhaps ultimately from slang meaning "drunken" (c. 1700). Wet-nurse is from 1610s. The diver's wet-suit is from 1955. Wet dream is from 1851; in the same sense Middle English had ludificacioun "an erotic dream."
He knew som tyme a man of religion, þat gaff hym gretelie vnto chastitie bothe of his harte & of his body noghtwithstondyng he was tempid with grete ludificacions on þe nyght. ["Alphabet of Tales," c. 1450]
fly (n.): Old English fleoge "a fly, winged insect," from Proto-Germanic *fleugon "flying insect" (source also of Old Saxon fleiga, Old Norse fluga, Middle Dutch vlieghe, Dutch vlieg, Old High German flioga, German Fliege "fly"); literally "the flying (insect)" (compare Old English fleogende "flying"), from same source as fly (v.1).

Originally any winged insect (moths, gnats, beetles, locusts, hence butterfly, etc.) and long used by farmers and gardeners for any insect parasite. Flies figuratively for "large numbers" of anything is from 1590s. Plural flien (as in oxen, etc.) gradually normalized 13c.-15c. to -s. Fly in the ointment is from Eccles. x:1. Fly on the wall "unseen observer" first recorded 1881. No flies on _____ "no lack of activity or alertness on the part of," is attested by 1866. Meaning "fish-hook dressed to resemble an insect" is from 1580s; Fly-fishing is from 1650s. Fly-catcher "bird which eats insects on the wing" is from 1670s. The fly agaric mushroom (1788) so called because it was used as a poison for flies.

The sense of "a flight, flying" is from mid-15c. From the verb and the notion of "flapping as a wing does" comes the noun sense of "tent flap" (1810), which was extended to "strip of material sewn into a garment as a covering for buttons" or some other purpose (1844). Baseball fly ball attested by 1866. To do something on the fly is 1856, apparently from baseball.
When the catcher sees several fielders running to catch a ball, he should name the one he thinks surest to take it, when the others should not strive to catch the ball on the fly, but only, in case of its being missed, take it on the bound. ["The American Boys Book of Sports and Games," New York, 1864]
billion (n.): 1680s, from French billion (originally byllion in Chuquet's unpublished "Le Triparty en la Science des Nombres," 1484; copied by De la Roche, 1520); see bi- "two" + million. A million million in Britain and Germany (numeration by groups of sixes), which was the original sense; subsequently altered in French to "a thousand million" (numeration by groups of threes) and picked up in that form in U.S., "due in part to French influence after the Revolutionary War" [David E. Smith, "History of Mathematics," 1925]. France then reverted to the original meaning in 1948. British usage is truer to the etymology, but U.S. sense is said to be increasingly common there in technical writing.
In Italian arithmetics from the last quarter of the fifteenth century the words bilione or duilione, trilione, quadrilione or quattrilione, quintilione, cinquilione, or quinquilione, sestione or sestilione, settilione, ottilione, noeilione and decilione occur as common abbreviations of due volte millioni, tre volte millione, etc. In other countries these words came into use much later, although one French writer, Nicolas Chuquet, mentions them as early as 1484, in a book not printed until 1881. The Italians had, besides, another system of numeration, proceeding by powers of a thousand. The French, who like other northern peoples, took most if not all their knowledge of modern or Arabic arithmetic from the Italians, early confounded the two systems of Italian numeration, counting in powers of a thousand, but adopting the names which properly belong to powers of a million. [Century Dictionary]
For a time in Britain gillion (1961), based on giga-, was tried as "a thousand million" to avoid ambiguity.
bishop (n.): Old English bisceop "bishop, high priest (Jewish or pagan)," from Late Latin episcopus, from Greek episkopos "watcher, overseer," a title for various government officials, later taken over in a Church sense, from epi- "over" (see epi-) + skopos "one that watches, one that looks after; a guardian, protector" (see scope (n.1)). Given a specific sense in the Church, but the word also was used in the New Testament as a descriptive title for elders, and continues as such in some non-hierarchical Christian sects.
A curious example of word-change, as effected by the genius of different tongues, is furnished by the English bishop and the French évêque. Both are from the same root, furnishing, perhaps the only example of two words from a common stem so modifying themselves in historical times as not to have a letter in common. (Of course many words from a far off Aryan stem are in the same condition.) The English strikes off the initial and terminal syllables, leaving only piscop, which the Saxon preference for the softer labial and hissing sounds modified into bishop. Évêque (formerly evesque) merely softens the p into v and drops the last syllable. [William S. Walsh, "Handy-Book of Literary Curiosities," Philadelphia, J.B. Lippincott, 1892]
Late Latin episcopus in Spanish became obispo. Cognate with Old Saxon biscop, Old High German biscof. The chess piece (formerly archer, before that alfin) was so called from 1560s.
it (pron.): Old English hit, neuter nominative and accusative of third person singular pronoun, from Proto-Germanic demonstrative base *khi- (source also of Old Frisian hit, Dutch het, Gothic hita "it"), from PIE *ko- "this" (see he). Used in place of any neuter noun, hence, as gender faded in Middle English, it took on the meaning "thing or animal spoken about before."

The h- was lost due to being in an unemphasized position, as in modern speech the h- in "give it to him," "ask her," is heard only "in the careful speech of the partially educated" [Weekley]. It "the sex act" is from 1610s; meaning "sex appeal (especially in a woman)" first attested 1904 in works of Rudyard Kipling, popularized 1927 as title of a book by Elinor Glyn, and by application of It Girl to silent-film star Clara Bow (1905-1965). In children's games, the meaning "the one who must tag or catch the others" is attested from 1842.

From Old English as nominative of an impersonal verb or statement when the thing for which it stands is implied (it rains, it pleases me). After an intransitive verb, used transitively for the action denoted, from 1540s (originally in fight it out). That's it "there is no more" is from 1966; this is it "the anticipated or dreaded moment has arrived" is from 1942.
close (v.): c. 1200, "to shut, cover in," from Old French clos- (past participle stem of clore "to shut, to cut off from"), 12c., from Latin clausus, past participle of claudere "to shut, close; to block up, make inaccessible; put an end to; shut in, enclose, confine" (always -clusus, -cludere in compounds).

The Latin word might be from the possible PIE root *klau- "hook, peg, crooked or forked branch" (used as a bar or bolt in primitive structures); source also of Latin clavis "key," clavus "nail," claustrum "bar, bolt, barrier," claustra "dam, wall, barricade, stronghold;" Greek kleidos (genitive) "bar, bolt, key," klobos "cage;" Old Irish clo "nail," Middle Irish clithar "hedge, fence;" Old Church Slavonic ključi "hook, key," ključiti "shut;" Lithuanian kliuti "to catch, be caught on," kliaudziu "check, hinder," kliuvu "clasp, hang;" Old High German sliozan "shut," German schließen "to shut," Schlüssel "key."

Also partly from Old English beclysan "close in, shut up." Intransitive sense "become shut" is from late 14c. Meaning "draw near to" is from 1520s. Intransitive meaning "draw together, come together" is from 1550s, hence the idea in military verbal phrase close ranks (mid-17c.), later with figurative extensions. Meaning "bring to an end, finish" is from c. 1400; intransitive sense "come to an end" is from 1826. Of stock prices, from 1860. Meaning "bring together the parts of" (a book, etc.) is from 1560s. Related: Closed; closing.
dog (n.): Old English docga, a late, rare word, used in at least one Middle English source in reference to a powerful breed of canine. The word forced out Old English hund (the general Germanic and Indo-European word; see canine) by 16c. and subsequently was picked up in many continental languages (French dogue (16c.), Danish dogge, German Dogge (16c.)), but the origin remains one of the great mysteries of English etymology.

Many expressions -- a dog's life (c. 1600), go to the dogs (1610s), etc. -- reflect earlier hard use of the animals as hunting accessories, not pampered pets. In ancient times, "the dog" was the worst throw in dice (attested in Greek, Latin, and Sanskrit, where the word for "the lucky player" was literally "the dog-killer"), which plausibly explains the Greek word for "danger," kindynas, which appears to be "play the dog."

Slang meaning "ugly woman" is from 1930s; that of "sexually aggressive man" is from 1950s. Adjectival phrase dog-eat-dog attested by 1850s. Dog tag is from 1918. To dog-ear a book is from 1650s; dog-eared in extended sense of "worn, unkempt" is from 1894.
Notwithstanding, as a dog hath a day, so may I perchance have time to declare it in deeds. [Princess Elizabeth, 1550]
Phrase put on the dog "get dressed up" (1934) may look back to the stiff stand-up shirt collars that in the 1890s were the height of male fashion (and were known as dog-collars at least from 1883), with reference to collars worn by dogs. The common Spanish word for "dog," perro, also is a mystery word of unknown origin, perhaps from Iberian. A group of Slavic "dog" words (Old Church Slavonic pisu, Polish pies, Serbo-Croatian pas) likewise are of unknown origin.
poker (n.2): card game, 1834, American English, of unknown origin, perhaps from the first element of German Pochspiel, name of a card game similar to poker, from pochen "to brag as a bluff," literally "to knock, rap" (see poke (v.)). A popular alternative theory traces the word to French poque, also said to have been a card game resembling poker. "[B]ut without documentation these explanations are mere speculation" [Barnhart]. The earlier version of the game in English was called brag. Slang poker face (n.) "deadpan" is from 1874.
A good player is cautious or bold by turns, according to his estimate of the capacities of his adversaries, and to the impression he wants to make on them. 7. It follows that the possession of a good poker face is an advantage. No one who has any pretensions to good play will betray the value of his hand by gesture, change of countenance, or any other symptom. ["Cavendish," "Round Games at Cards," dated 1875]

To any one not very well up in these games, some parts of the book are at first sight rather puzzling. "It follows," we read in one passage, "that the possession of a good poker face" (the italics are the author's) "is an advantage." If this had been said by a Liverpool rough of his wife, the meaning would have been clear to every one. Cavendish, however, does not seem to be writing especially for Lancashire. [review of above, "Saturday Review," Dec. 26, 1874]
letter (n.1): c. 1200, "graphic symbol, alphabetic sign, written character conveying information about sound in speech," from Old French letre "character, letter; missive, note," in plural, "literature, writing, learning" (10c., Modern French lettre), from Latin littera (also litera) "letter of the alphabet," also "an epistle, writing, document; literature, great books; science, learning;" a word of uncertain origin.

According to Watkins, perhaps via Etruscan from Greek diphthera "tablet" (with change of d- to l- as in lachrymose), from a hypothetical root *deph- "to stamp." In this sense it replaced Old English bocstæf, literally "book staff" (compare German Buchstabe "letter, character," from Old High German buohstab, from Proto-Germanic *bok-staba-m).

Latin littera also meant "a writing, document, record," and in plural litteræ "a letter, epistle, missive communication in writing," a sense passed through French and attested in English letter since early 13c. (replacing Old English ærendgewrit "written message," literally "errand-writing"). The Latin plural also meant "literature, books," and figuratively "learning, liberal education, schooling" (see letters).

The custom of giving the school letter as an achievement award in sports, attested by 1908, is said to have originated with University of Chicago football coach Amos Alonzo Stagg. Earlier in reference to colleges it meant "university degree or honor that adds initials to a name" (1888). Expression to the letter "precisely" is from 1520s (earlier after the letter, mid-14c.). For letters patent (with French word order) see patent (n.).
fairy (n.): c. 1300, fairie, "the country or home of supernatural or legendary creatures; fairyland," also "something incredible or fictitious," from Old French faerie "land of fairies, meeting of fairies; enchantment, magic, witchcraft, sorcery" (12c.), from fae "fay," from Latin fata "the Fates," plural of fatum "that which is ordained; destiny, fate," from PIE *bha- "to speak" (see fame (n.)). Also compare fate (n.), also fay.
In ordinary use an elf differs from a fairy only in generally seeming young, and being more often mischievous. [Century Dictionary]
But that was before Tolkien. As a type of supernatural being from late 14c. [contra Tolkien; for example "This maketh that ther been no fairyes" in "Wife of Bath's Tale"], perhaps via intermediate forms such as fairie knight "supernatural or legendary knight" (c. 1300), as in Spenser, where faeries are heroic and human-sized. As a name for the diminutive winged beings in children's stories from early 17c.
Yet I suspect that this flower-and-butterfly minuteness was also a product of "rationalization," which transformed the glamour of Elfland into mere finesse, and invisibility into a fragility that could hide in a cowslip or shrink behind a blade of grass. It seems to become fashionable soon after the great voyages had begun to make the world seem too narrow to hold both men and elves; when the magic land of Hy Breasail in the West had become the mere Brazils, the land of red-dye-wood. [J.R.R. Tolkien, "On Fairy-Stories," 1947]
Hence, figurative adjective use in reference to lightness, fineness, delicacy. Slang meaning "effeminate male homosexual" is recorded by 1895. Fairy ring, of certain fungi in grass fields (as we would explain it now), is from 1590s. Fairy godmother attested from 1820. Fossil Cretaceous sea urchins found on the English downlands were called fairy loaves, and a book from 1787 reports that "country people" in England called the stones of the old Roman roads fairy pavements.
Jack: masc. proper name, attested by 1218, probably via Anglo-French Jake, Jaikes, from Old French Jacques (which was a diminutive of Latin Jacobus; see Jacob), but in English the name always has been regarded as a familiar form of John, and some have argued that it is a native formation. In Middle English spelled Jakke, Jacke, etc., and pronounced as two syllables ("Jackie").

In England, Jack became a generic name applied familiarly or contemptuously to anybody (especially a young man of the lower classes) from late 14c. Later used especially of sailors (1650s; Jack-tar is from 1781); Jack-ashore (adj.) "drinking and in high spirits, recklessly spending" (1875) also is an image from sailors (1840 as a book title). In U.S., as a generic name addressed to an unknown stranger, attested from 1889. Every man Jack "everyone" is from 1812. Also see jack (n.).

Used in male personifications from 15c.; first record of jack-of-all-trades "person handy at any kind of work or business" is from 1610s; Jack Frost is from 1826; Jack-nasty "a sneak or sloven" is from 1833 (Jack-nasty-face, a sea-term for a common sailor, is from 1788). Jack Sprat for a small, light man is from 1560s (his opposite was Jack Weight). Jack-pudding "comical clown, buffoon" is from 1640s. Jack-Spaniard is from 1703 as a Spaniard, 1833 as "a hornet" in the West Indies. Other personifications listed in Farmer & Henley include jack-snip "a botching tailor," Jack-in-office "overbearing petty official" (1680s), Jack-on-both-sides "a neutral," Jack-out-of-doors "a vagrant" (1630s), jack-sauce "impudent fellow" (1590s).

The U.S. plant jack-in-the-pulpit (Indian turnip) is attested by 1833. Jack the Ripper was active in London 1888. The Scottish form is Jock (compare jockey (n.)). Alliterative coupling of Jack and Jill is from 15c. (Iakke and Gylle, Ienken and Iulyan). Jack Ketch for "hangman, executioner" (1670s) is said to be from the name of a public executioner in the time of James II (compare Derrick); it also was used as a verb meaning "to hang."
charade (n.): 1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle." Originally not silent, but relying rather on enigmatic descriptions of the words or syllables.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to "The Universal Magazine of Knowledge and Pleasure," volumes 58-59, 1776]
Among the examples given are:

My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.

[The answer is "snow-ball."]

The silent form, the main modern form, was at first a variant known as dumb charades and at first it was not a speed contest; rather it adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in "The Foreign And Colonial Quarterly Review," Volume 6, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
trivia (n.): "trivialities, bits of information of little consequence," by 1932, from the title of a popular book by U.S.-born British aphorist Logan Pearsall Smith (1865-1946) first published in 1902 but popularized in 1918 (with "More Trivia" following in 1921 and a collected edition including both in 1933), containing short essays often tied to observation of small things and commonplace moments. Trivia is Latin, plural of trivium "place where three roads meet;" in transferred use, "an open place, a public place." The adjectival form of this, trivialis, meant "public," hence "common, commonplace" (see trivial). The Romans also had trivius dea, the "goddess of three ways," another name for Hecate, perhaps originally in her triple aspect (Selene/Diana/Proserpine), but also as the especial divinity of crossroads (Virgil has "Nocturnisque hecate triviis ululata per urbes"). John Gay took this arbitrarily as the name of a goddess of streets and roads for his mock Georgic "Trivia: Or, the Art of Walking the Streets of London" (1716); Smith writes in his autobiography that he got the title from Gay.
I KNOW too much; I have stuffed too many of the facts of History and Science into my intellectuals. My eyes have grown dim over books; believing in geological periods, cave dwellers, Chinese Dynasties, and the fixed stars has prematurely aged me. ["Trivia," 1918 edition]
Then noted c. 1965 as an informal fad game among college students wherein one asked questions about useless bits of information from popular culture ("What was Donald Duck's address?") and others vied to answer first.
Nobody really wins in this game which concentrates on sports, comics and television. Everyone knows that Amos's wife on the "Amos 'n' Andy Show" is Ruby, but who knows that she is from Marietta, Georgia? Trivia players do. They also know the fourth man in the infield of Tinker-to-Evers-to-Chance, the Canadian who shot down Baron Von Richtofen, and can name ten Hardy Boy books. ["Princeton Alumni Weekly," Nov. 9, 1965]
The board game Trivial Pursuit was released 1982 and was a craze in U.S. for several years thereafter.
science (n.): mid-14c., "what is known, knowledge (of something) acquired by study; information;" also "assurance of knowledge, certitude, certainty," from Old French science "knowledge, learning, application; corpus of human knowledge" (12c.), from Latin scientia "knowledge, a knowing; expertness," from sciens (genitive scientis) "intelligent, skilled," present participle of scire "to know," probably originally "to separate one thing from another, to distinguish," related to scindere "to cut, divide," from PIE root *skei- "to cut, to split" (source also of Greek skhizein "to split, rend, cleave," Gothic skaidan, Old English sceadan "to divide, separate;" see shed (v.)).

From late 14c. in English as "book-learning," also "a particular branch of knowledge or of learning;" also "skillfulness, cleverness; craftiness." From c. 1400 as "experiential knowledge;" also "a skill, handicraft; a trade." From late 14c. as "collective human knowledge" (especially "that gained by systematic observation, experiment, and reasoning). Modern (restricted) sense of "body of regular or methodical observations or propositions concerning a particular subject or speculation" is attested from 1725; in 17c.-18c. this concept commonly was called philosophy. Sense of "non-arts studies" is attested from 1670s.
Science, since people must do it, is a socially embedded activity. It progresses by hunch, vision, and intuition. Much of its change through time does not record a closer approach to absolute truth, but the alteration of cultural contexts that influence it so strongly. Facts are not pure and unsullied bits of information; culture also influences what we see and how we see it. Theories, moreover, are not inexorable inductions from facts. The most creative theories are often imaginative visions imposed upon facts; the source of imagination is also strongly cultural. [Stephen Jay Gould, introduction to "The Mismeasure of Man," 1981]

In science you must not talk before you know. In art you must not talk before you do. In literature you must not talk before you think. [John Ruskin, "The Eagle's Nest," 1872]
The distinction is commonly understood as between theoretical truth (Greek episteme) and methods for effecting practical results (tekhne), but science sometimes is used for practical applications and art for applications of skill. To blind (someone) with science "confuse by the use of big words or complex explanations" is attested from 1937, originally noted as a phrase from Australia and New Zealand.
fool (n.1): early 13c., "silly, stupid, or ignorant person," from Old French fol "madman, insane person; idiot; rogue; jester," also "blacksmith's bellows," also an adjective meaning "mad, insane" (12c., Modern French fou), from Medieval Latin follus (adj.) "foolish," from Latin follis "bellows, leather bag" (see follicle).

The sense evolution probably is from Vulgar Latin use of follis in a sense of "windbag, empty-headed person." Compare also Sanskrit vatula- "insane," literally "windy, inflated with wind." But some sources suggest evolution from Latin folles "puffed cheeks" (of a buffoon), a secondary sense from plural of follis. One makes the "idiot" sense original, the other the "jester" sense.
The word has in mod.Eng. a much stronger sense than it had at an earlier period; it has now an implication of insulting contempt which does not in the same degree belong to any of its synonyms, or to the derivative foolish. [OED]
Also used in Middle English for "sinner, rascal, impious person" (late 13c.). Meaning "jester, court clown" in English is attested c. 1300, though it is not always possible to tell whether the reference is to a professional entertainer counterfeiting mental weakness or an amusing lunatic, and the notion of the fool sage whose sayings are ironically wise is also in English from c. 1300. The French word probably also got into English via its borrowing in the Scandinavian languages of the vikings (Old Norse fol, Old Danish fool, fol).
There is no foole to the olde foole ["Proverbs of John Heywood," 1546]
To make a fool of (someone) "cause to appear ridiculous" is from 1620s (make fool "to deceive, make (someone) appear a fool" is from early 15c.). Feast of Fools (early 14c., from Medieval Latin festum stultorum) was the burlesque festival celebrated in some churches on New Year's Day in medieval times. Fool's gold "iron pyrite" is from 1829. Fool's paradise "illusory state of happiness" is from mid-15c. Fool-trap is from 1690s. Foolosopher, a useful insult, is in a 1549 translation of Erasmus. Fool's ballocks is described in OED as "an old name" for the green-winged orchid. Fool-killer "imaginary personage invested with authority to put to death anybody notoriously guilty of great folly" is from 1851, American English.
Fool killer, a great American myth imagined by editors, who feign that his or its services are greatly needed, and frequently alluded to as being "around" or "in town" when some special act of folly calls for castigation. Whether the fool-killer be an individual or an instrument cannot always be gathered from the dark phraseology in which he or it is alluded to; but the weight of authority would sanction the impersonal interpretation. [Walsh, "Handy-Book of Literary Curiosities," 1892]