I will speak of one man ... that went about in King James his time ... who called himself, the Kings Majesties most excellent Hocus Pocus, and so was called, because that at the playing of every Trick, he used to say, Hocus pocus, tontus tabantus, vade celeriter jubeo, a dark composure of words, to blinde the eyes of the beholders, to make his Trick pass the more currantly without discovery. [Thomas Ady, "A Candle in the Dark," 1655]

And the terrestrial animals may be divided into quadrupeds or beasts, reptiles, which have many feet, and serpents, which have no feet at all. [Locke, "Elements of Natural Philosophy," 1689]

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An inadvertent step may crush the snail
That crawls at ev'ning in the public path ;
But he that has humanity, forewarn'd,
Will tread aside, and let the reptile live.
[Cowper, "The Task," 1785]

"Now there is a proposition that we issue $500,000,000 or $1,000,000,000 of bonds for a waterway, and then that we just apportion part to the Mississippi and part to the Atlantic, a part to the Missouri and a part to the Ohio. I am opposed to it. I am opposed to it because it not only smells of the pork barrel, but it will be the pork barrel itself. Let every project stand on its bottom." ["The Outlook," Nov. 6, 1909, quoting Taft]

We doubt whether any one knows how or when, or from what application of what story, the phrase "the National pork barrel" has come into use. If not a very elegant simile, it is at least an expressive one, and suggests a graphic picture of Congressmen eager for local advantage going, one after another, to the National pork barrel to take away their slices for home consumption.

Then come kiss me, sweet-and-twenty!
Youth's a stuff will not endure.
["Twelfth Night"]

"The war between the States," which a good many Southerners prefer, is both bookish and inexact. "Civil war" is an utter misnomer. It was used and is still used by courteous people, the same people who are careful to say "Federal" and "Confederate." "War of the rebellion," which begs the very question at issue, has become the official designation of the struggle, but has found no acceptance with the vanquished. To this day no Southerner uses it except by way of quotation .... "The war of secession" is still used a good deal in foreign books, but it has no popular hold. "The war," without any further qualification, served the turn of Thucydides and Aristophanes for the Peloponnesian war. It will serve ours, let it be hoped, for some time to come. [Basil L. Gildersleeve, "The Creed of the Old South," 1915]

The limerick may be the only traditional form in English not borrowed from the poetry of another language. ... John Ciardi suggests that the Irish Brigade, which served in France for most of the eighteenth century, might have taken the form to France or developed an English version of a French form. ... The contemporary limerick usually depends on a pun or some other turn of wit. It is also likely to be somewhat suggestive or downright dirty. [Miller Williams, "Patterns of Poetry," Baton Rouge: Louisiana State University, 1986]

Thou and Thee was a sore cut to proud flesh and them that sought self-honour, who, though they would say it to God and Christ, could not endure to have it said to themselves. So that we were often beaten and abused, and sometimes in danger of our lives, for using those words to some proud men, who would say, "What! you ill-bred clown, do you Thou me?" as though Christian breeding consisted in saying You to one; which is contrary to all their grammar and teaching books, by which they instructed their youth. [George Fox's journal, 1661]

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While the Quakers originally adopted "thee" and "thou" on account of their grammatical correctness, they soon fell into the careless habit of using "thee," the objective, instead of "thou," the nominative. Common illustrations are: "How does thee do?" or "Will thee," etc. [George Fox Tucker, "A Quaker Home," Boston, 1891]

An unknown sphere, more real than I dream'd, more direct, darts awakening rays about me -- So long!
Remember my words -- I may again return,
I love you -- I depart from materials;
I am as one disembodied, triumphant, dead.

The salutation of parting -- 'So long!' -- was, I believe, until recent years, unintelligible to the majority of persons in America, especially in the interior, and to members of the middle and professional classes. I had never heard of it until I read it in Leaves of Grass, but since then have quite often heard it used by the laboring class and other classes in New England cities. Walt wrote to me, defining 'so long' thus: "A salutation of departure, greatly used among sailors, sports, & prostitutes -- the sense of it is 'Till we meet again,' -- conveying an inference that somehow they will doubtless so meet, sooner or later." ... It is evidently about equivalent to our 'See you later.' The phrase is reported as used by farm laborers near Banff, Scotland. In Canada it is frequently heard; 'and its use is not entirely confined to the vulgar.' It is in common use among the working classes of Liverpool and among sailors at Newcastle-upon-Tyne, and in Dorsetshire. ... The London Globe suggests that the expression is derived from the Norwegian 'Saa laenge,' a common form of 'farewell,' au revoir. If so, the phrase was picked up from the Norwegians in America, where 'So long' first was heard. The expression is now (1923) often used by the literary and artistic classes.