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FRAUENLOB , the name by which HEINRICH VON See also:MEISSEN, a See also:German poet of the 13th See also:century, is generally known. He seems to have acquired the See also:sobriquet because in a famous Liederstreit with his See also:rival Regenbogen he defended the use of the word Frau (i.e. frouwe,=See also:lady) instead of Weib (wtp=woman). Frauenloh was See also:born about 1250 of a humble burgher See also:family. His youth was spent in straitened circumstances, but he gradually acquired a reputation as a See also:singer at the various courts of the German princes. In 1278 we find him with See also:Rudolph I. in the Marchfeld, in 1286 he was at See also:Prague at the knighting of See also:Wenceslaus (See also:Wenzel) II., and in 1311 he was See also:present at a knightly festival celebrated by Waldemar of See also:Brandenburg before See also:Rostock. After this he settled in See also:Mainz, and there according to the popular See also:account, founded the first school of Meistersingers (q.v.). He died in 1318, and was buried in the cloisters of the See also:cathedral at Mainz. His See also:grave is still marked by a copy made in 1783 of the See also:original tombstone of 1318; and in 1842 a See also:monument by See also:Schwanthaler was erected in the cloisters. Frauenlob's poems make a See also:great display of learning; he delights in far-fetched metaphors, and his versification abounds in tricks of See also:form and See also:rhyme. Frauenlob's poet), was edited by L. See also:Ettmuller in 1843; a selection will be found in K. Bartsch, Deutsche Liederdichter See also:des la. bis 14. Jahrhunderts (3rd ed., 1893). An See also:English See also:translation of Frauenlob's Cantica canticorum, by A. E. Kroeger, with notes, appeared in 1877 at St See also: Additional information and CommentsThere are no comments yet for this article.
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