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See also:SHAWM, SHALM (Fr. chalumeau, chalemelle, hautbois; Ger. Schalmei, Schalmey; Ital. Pifar cenamelle; See also:Lat. calamus; See also:tibia; Gr. a- Ws) , the See also:medieval forerunner of the See also:oboe, the See also:treble members of the large See also:family of See also:reed See also:instruments known in See also:Germany as the See also:Pommer (q.v.), Bombart or Schalmey family. See also:Michael See also:Praetorius, at the beginning of the 17th See also:century, enumerates the members of this family (see OBOE); the two of highest See also:pitch are Schalmeys, the first or little Schalmey ,being in Bb (third See also:line) or A, and the second, also called cantus or discant, in E or D below. The shawm or Schalmey had a See also:compass of two octaves, the second diatonic See also:octave being obtained by overblowing each of the notes of the first octave an octave higher; the See also:chromatic semitones were produced by See also:half stopping the holes and by See also:cross-fingering. In some instances the reed See also:mouthpiece was half enclosed in a pirouette, a small See also:case 'laving a slit through which that See also:part of the reed which is taken into the mouth of the player was alone exposed, the edges of the slit thus forming a See also:rest for his lips. In the miniatures of the illuminated See also:MSS. of all countries, more especially from the 14th century, and in See also:early printed books, Schalmeys and Pommers are represented in every conceivable phase of social See also:life in which See also:music takes a part. (K. End of Article: SHAWM, SHALM (Fr. chalumeau, chalemelle, hautbois; Ger. Schalmei, Schalmey; Ital. Pifar cenamelle; Lat. calamus; tibia; Gr. a- Ws)Additional information and CommentsThere are no comments yet for this article.
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