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See also:ALLEGORY (iXXos, other, and ayopeuav, to speak) , a figurative See also:representation conveying a meaning other than and in addition to the literal. It is generally treated as a figure of See also:rhetoric, but the See also:medium of representation is not necessarily See also:language. An allegory may be addressed to the See also:eye, and is often embodied in See also:painting, See also:sculpture or some See also:form of mimetic See also:art. The etymological meaning of the word is wider than that which it bears in actual use. An allegory is distinguished from a See also:metaphor by being longer sustained and more fully carried out in its details, and from an See also:analogy by the fact that the one appeals to the See also:imagination and the other to the See also:reason. The See also:fable or See also:parable is a See also:short allegory with one definite moral. The allegory has been a favourite form in the literature of nearly every nation. The See also:Hebrew scriptures See also:present frequent instances of it, one of the most beautiful being the comparison of the See also:history of See also:Israel to the growth of a See also:vine in the Both See also:psalm. In classical literature one of the best known allegories is the See also:story of the See also:stomach and its members in the speech of Menenius See also:Agrippa (See also:Livy ii. 32); and several occur in See also:Ovid's Metamorphoses. Perhaps the most elaborate and the most successful specimens of allegory are to be found in the See also:works of See also:English authors. See also:Spenser's Faerie Queene, See also:Swift's See also:Tale of a Tub, See also:Addison's See also:Vision of Mirza, and, above all, See also:Bunyan's See also:Pilgrim's Progress, are examples that it would be impossible to match in elaboration, beauty and fitness, from the literature of any other nation. Additional information and CommentsThere are no comments yet for this article.
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