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SHORT, FRANCIS JOB (1857– )

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Originally appearing in Volume V24, Page 1012 of the 1911 Encyclopedia Britannica.
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SHORT, See also:FRANCIS See also:JOB (1857– ) , See also:English engraver, was See also:born at See also:Stourbridge, See also:Worcestershire, on the 19th of See also:June 1857. He was educated to be a See also:civil engineer, and was engaged on various See also:works in the Midlands until 1881, when he came to See also:London as assistant to Mr See also:Baldwin Latham in connexion with the See also:Parliamentary Inquiry into the pollution of the See also:river See also:Thames. He was elected an See also:associate member of the See also:Institute of Civil See also:Engineers in 1883. Having worked at the Stourbridge School of See also:Art in his See also:early years he joined the See also:National Art Training School, See also:South See also:Kensington, in 1883. He also worked at the See also:life class under See also:Professor Fred See also:Brown at the See also:Westminster School of Art, and for a short See also:time at the See also:Schools of the Royal Institute of Painters in See also:Water-See also:colours. His real life-See also:work now became that of an See also:original and translator engraver. He was a keen student of the works of J. M. W. See also:Turner; and his etchings and mezzotints from Turner's See also:Liber Studiorum (1885 seq.), wonderful examples of painstaking devotion and unrivalled skill, were among his earliest successes, showing the deepest sympathetic study of the originals combined with a full knowledge of the resources of See also:engraving and unwearied See also:patience. Short received the highest praise and See also:constant See also:advice and encouragement from See also:Ruskin, and the co-operation of students of Turner such as Mr W. G.

See also:

Rawlinson and the Rev. Stopford See also:Brooke. After completing the See also:series from the existing plates of Turner's Liber Short turned to the subjects which Turner and his assistants had See also:left incomplete. Several See also:fine plates resulted from this study, bearing the See also:simple lettering " F. Short, Sculp., after J. M. W. Turner, R.A.," which told very little of the work expended on their See also:production even before the See also:copper was touched. Short also reproduced in fine mezzotints several of the pictures of G. F. See also:Watts, " See also:Orpheus and See also:Eurydice," "See also:Diana and See also:Endymion," " Love and See also:Death," " See also:Hope," and the portrait of See also:Lord See also:Tennyson, all remarkable as faithful and imaginative renderings. His own fine quality as a water-See also:colour painter made him also a sympathetic engraver of the landscapes of See also:David See also:Cox and See also:Peter de Wint.

His subtle See also:

drawing of the receding lines of the See also:low See also:banks and shallows of river estuaries and See also:flat shores is seen to perfection in many of his original etchings, mezzotints, and aquatints, notably " Low See also:Tide and the Evening See also:Star " and " The Solway at See also:Mid-See also:day." Other plates that may be mentioned are: In these symbols we may have an actual See also:system of tachygraphic shorthand, and not a See also:mere syllabary; but unfortunately they have not yet been interpreted. The second See also:group of examples of See also:Greek shorthand is confined to a few fragmentary papyri and waxen tablets ranging from the 4th to the 8th See also:century, chiefly among the Rainer collection at See also:Vienna, to which Professor Wessely has devoted much labour. After this there is a See also:long See also:period unrepresented by any remains, until we come to the period of the third group, which stands quite apart from the preceding See also:groups, being representative of the See also:medieval Greek tachygraphy of the loth century. First stands the See also:Paris MS. of See also:Hermogenes, with some tachygraphic See also:writing of that period, of which See also:Bernard de See also:Montfaucon (See also:Pal. Gr., p. 351) gives some See also:account, and accompanies his description with a table of forms which, as he tells us, he deciphered with incredible labour. Next, the Add. MS. 18231 in the See also:British Museum contains some marginal notes in shorthand, of A.D. 972 (Wattenb., Script. Graec. specim., tab. 19).

But the largest amount of material is found in the Vatican MS. 1809, a See also:

volume in which as many as See also:forty-seven pages are covered with tachygraphic writing of the 11th century. See also:Cardinal Angelo See also:Mai first published a specimen of it in his Scriptorum veterum nova collectio, vol. vi. (1832); and in his Novae pat'See also:rum bibliothecae tom. See also:secundus (1844) he gave a second,'which, in the See also:form of a marginal See also:note, contained a fragment of the See also:book of See also:Enoch. But he did not quote the number of the MS., and it has only been identified in See also:recent years. The tachygraphic portion of it has been made the subject of See also:special study by Dr Gitlbauer for the Vienna See also:Academy. It contains fragments of the works of St See also:Maximus the See also:Confessor, the See also:confession of St See also:Cyprian of See also:Antioch, and works of the pseudo-See also:Dionysius Areopagita. There are also certain See also:MSS. written at See also:Grottaferrata belonging to the group. But here again this medieval shorthand is not a tachygraphic system in the true sense of the word, but a syllabic system having very little See also:advantage over the See also:ordinary system of contracted long-See also:hand in respect to rapidity of writing, excepting that the scribecould See also:pack more of the See also:text into a given space. The medieval system therefore cannot be regarded as a development of any See also:ancient system of Greek tachygraphy, but rather as a stunted descendant or petrified fragment, as it has been called, of an earlier and better system. Other medieval varieties or phases of Greek shorthand have also been traced in the 14th and even in the 15th century. See also:Evidence of the employment of tachygraphy among the See also:Romans is to be found in the writings of authors under the See also:empire.

It appears to have been taught in schools, and, among others, the See also:

emperor See also:Titus is said to have been skilled in this manner of writing. According to Suetonius the first introduction of shorthand signs or notae was due to See also:Ennius; but more generally See also:Cicero's freedman M. Tullius Tiro is regarded as the author of these symbols, which commonly See also:bear the See also:title of Notae Tironianae. The Tironian notes belonged to a system which was actually tachygraphic; that is, each word was represented by a See also:character, alphabetic in origin, but having an ideographic value. The notes, as we have them, have come down to us in a medieval See also:dress, and are probably amplified from their shapes of early times with various diacritical additions which attached to them after the practice of the system had died out, and when the study of them had become an antiquarian pursuit, demanding a more exact formation of the symbols and their variants than was possible or necessary to a shorthand writer See also:familiar with the system and writing at full See also:speed. Such a system of shorthand, expressing words by comprehensive symbols or word-outlines, could be the only system possible for rapid See also:reporting of human speech. But it seems that in instances where a See also:symbol was not forthcoming to See also:express an unusual word, such as a proper name, it was customary, at least in the written notes which have survived, to express it by a group of syllabic signs. A reporter, taking down a speech, could not have waited to express the unusual word or proper name by such a slow See also:process; and no doubt in actual practice he would, in such an emergency, have invented on the See also:spur of the moment some conventional sign which he would remember how to expand afterwards. But in the medieval See also:inscriptions written in Tironian notes a syllabic system was made use of in such cases; and hence arose See also:variations in different countries in the syllabic method of ex-pressing words; an See also:Italian system, a See also:French system and a See also:Spanish system having already been identified. Such a syllabic system is comparable with the " See also:African " and " Italian " varieties of the medieval Greek shorthand system noticed above. There are no ancient documents written in Tironian notes. But the tradition of their employment survived, especially in the chanceries of the Merovingian and Carolingian dynasties of the Frankish empire; and a limited use of them was made by the officials who controlled the royal diplomas.

In Merovingian documents they generally accompany the subscription of the referendary, the earliest instance being in a diploma of Chlothar II. A.D. 625. From the reign of See also:

Thierry III. they become fairly frequent. They give brief indications referring to the See also:composition of the See also:deed, the name of the See also:person moving for it, that of the See also:official revising it, &c. Such uses may be regarded as safeguards against See also:forgery. A more extensive employment of the notes prevailed under the Carolingian monarchs. Official MSS. were written in these characters as, for example, the formulary of the See also:chancery of See also:Louis the Pious. Theyappear in subscriptions, often attached to the ruches (see DIrLo-MATIC). Sometimes they accompany the monogrammatic invocation at the beginning of a deed; sometimes they themselves contain the invocation or a pious See also:formula. Such notes continued to appear in royal deeds down to the end of the 9th century; and so inveterate had their employment become in certain positions in the charters, that the See also:scribes, after having forgotten their meaning, went on adding mere imitative signs. In the loth century they appear in ecclesiastical and even private deeds, but in the latter class of documents their use was probably only suggested by vanity and pre-tension to learning on the See also:part of the scribes.

Even in the filth century a few notes lingered on, their meaning fast dying out. In See also:

general literature Tironian notes were adopted in the 9th and loth centuries by the revisers and annotators of texts. Of this period also are several MSS. of the Psalter written in these characters, which it has been suggested were See also:drawn up for practice at a time when a fresh impulse had been given to the employment of shorthand in the service of literature. The existence also of volumes containing lexicons or collections of Tironian notes, of the same period, points to a temporary revival of See also:interest in these symbols of See also:Roman tachygraphy. But such revival was short-lived; early in the 11th century it had expired. In the loth century all See also:practical acquaintance with the shorthand systems of See also:Greece and See also:Rome faded completely away, and not till the beginning of the 17th can the art be said to have revived. But even during that See also:interval systems of writing seem to have been practised which for speed approximated to See also:modern shorthand). Shorthand in English-speaking Countries.—See also:England was the birthplace of modern shorthand. The first impulse to its cultivation may possibly be traced to the See also:Reformation. When the principles of that See also:movement were being promulgated from the See also:pulpit, a See also:desire to preserve the discourses of the preacher naturally suggested the See also:idea of accelerated writing. It is certainly striking that in the early systems so many brief arbitrary signs are provided to denote phrases See also:common in the New Testament and See also:Protestant See also:theology. In the early systems of Dr See also:Timothy Bright2 and Peter See also:Bales 3 almost every word is provided with an arbitrary sign.

Dr See also:

Bright (c. 1551–1615) was a See also:doctor of See also:medicine who afterwards entered the See also:church. His Characterie. An Arte of t For instances, see Zeibig's Geschichte u. Lit. der Geschwindschreibekunst (See also:Dresden, 1878), pp. 67-79. For See also:John of Tilbury's system (c. 1175), see especially Shorthand, No. 5, and See also:Hermes, viii. p. 303. 2 The Bodleian Library contains the only known copy of Bright's book. For a description of the system, see Phonetic See also:Journal (1884), p.

86; Circulars of See also:

Information of the See also:Bureau of See also:Education (See also:Washington, 1884), No. 2, p. 8; and Notes and Queries, 2nd See also:ser., vol. ii. p. 394. A is represented by a straight See also:line, the other letters of the See also:alphabet by a straight line with a See also:hook, circle, or tick added at the beginning. Each alphabetic sign placed in various positions, and having some additional See also:mark at the end, was used to indicate arbitrarily chosen words beginning with a, b, c, d, &c. There were four slopes given to each See also:letter and twelve ways of varying the See also:base, so that forty-eight words could be written under each letter of the alphabet if necessary. Thus the sign for b with different terminal marks and written in four different directions signified a number of words commencing with b; 537 such signs had to be learned by See also:heart. By adding certain See also:external marks these signs were applied to other words: thus by writing a dot in one of two positions with respect to a sign the latter was made to represent either a synonym or a word of opposite meaning. Under See also:air are given as synonyms breath, exhalation, mist, reek, See also:steam, vapour. 3 Bales's method was to group the words in dozens, each dozen headed by a Roman letter, with certain commas, periods, and other marks to be placed about each letter in their appropriate situations, so as to distinguish the words from each other. Shorte, Swifte and Secrete Writing by Character (1588), which set forth a system of writing by character or shorthand, was dedicated to See also:Queen See also:Elizabeth, who rewarded the author with a See also:Yorkshire living, and granted to him the See also:sole right for fifteen years of teaching and See also:printing books " in or by Character not before this tyme commonlye knowne and vsed by anye other oure subjects " (Patent See also:Roll, 30, Eliz. part 12).

Peter Bales (1547?–1610) promised his pupils that " you may also learn to write as fast as a See also:

man speaketh, by the arte of Brachigraphie by him devised, writing but one letter for a word "; his Arte of Brachigraphie " is contained in his Writing Schoolmaster (1590). Only with a gigantic memory and by unremitting labour could one acquire a practical knowledge of such methods. The first shorthand system worthy of the name which, so far as is known, appeared in England is that of john See also:Willis (d. c. /onn 1627), whose Art of Stenographie (London, 14 See also:editions 1 wins. from 1602 to 1647) is substantially based on the common alphabet; but the clumsiness of his alphabetic signs, and the confused laborious contrivances by which he denotes prefixes and terminations, involving the continual lifting of the See also:pen, would seem to render his method almost as slow as longhand. Of the numerous systems which intervened between J. Willis's and See also:Isaac See also:Pitman's phonography (1837) nearly all were based, like Willis's, on the alphabet, and may be called, a, b, c systems. But seven were, like phonography, strictly phonetic, viz. those by See also:Tiffin (1750), Lyle (1762), Holds-See also:worth and Aldridge (1766), See also:Roe (1802), Phineas See also:Bailey (1819), Towndrow (1831) and De Stains (1839). A few general remarks apply largely to all the a, b, c systems. Each letter is designated by a straight line or See also:curve (See also:vertical, See also:horizontal, or sloping), sometimes with the addition substituted for hard c and q, s for soft c. Signs are provided for ch, sh, th. G and j are classed under one sign, because in some words g is pronounced as j, as in See also:giant, See also:gem. Similarly each of the pairs f, v and s, z has only one sign.

A few authors make the signs for j, v, z heavier than those for g, f, s. Some class p and b, t and d, each under one sign. The See also:

steno-graphic alphabet is therefore—a, b, d, e, f (v), g (j), h, i, k, 1, m, n, o, p, r, s (z), t, u, w, x, y, ch, sh, th. Letters which are not sounded may be omitted. Gh, ph may be counted as f in such words as cough, See also:Philip; but the th in thing is never distinguished from the tit in them. Thus the a, b, c systems are largely phonetic with respect to consonant-sounds; it is rather with regard to the vowels that they disregard the phonetic principle. No See also:attempt is made to provide adequately for the many vowel-sounds of the See also:language. Thus the signs for like and lick, for See also:rate and See also:rat, &c., are the same. In the See also:case of vowel-sounds denoted by two letters, that vowel is to be written which best represents the See also:sound. Thus in See also:meat the e is selected, but in See also:great the a. In some a, b, c systems, including the best of them (See also:Taylor's), a dot placed anywhere does See also:duty for all the vowels. This practice is, of course, a fruitful source of See also:error, for pauper, and See also:paper, See also:gas and See also:goose, and hundreds of other pairs of words would according to this See also:plan be written alike.

In the early systems of Willis and his imitators the vowels are mostly written either by joined characters or by lifting the pen and writing the next consonant in a certain position with respect to the preceding one. Both these plans are See also:

bad; for lifting the pen involves See also:expenditure of time, and vowels expressed by joined signs and not by marks external to the word cannot be omitted, as is often necessary in See also:swift writing, without changing the general See also:appearance of the word and forcing the See also:eye and the hand to accustom themselves to two sets of outlines, vocalized and unvocalized. In the better a,b,c systems the alphabetic signs, besides combining to denote words, may also stand alone to designate certain short common ' The first edition, published anonymously, is entitled The Art of Stenographie, teaching by plaine and certaine rules, to the capacitie of the meanest, and for the use of all professions, the way to Compendious writing. Wherevnto is annexed a very easie Direction for Steganographie, or See also:Secret Writing, printed at London in 1602 for See also:Cuthbert Burbie. The only known copies are in the Bodleian and British Museum See also:libraries.words, prefixes and suffixes. Thus in See also:Harding's edition of Taylor's system the sign for d, when written alone, denotes do, did, the prefixes de-, See also:des-, and the terminations -dom, -end, -ened, -ed. This is a See also:good practice if the words are well chosen and precautions taken to avoid ambiguities. See also:Numbers of symbolical signs and rough word-pictures, and even wholly arbitrary marks, are employed to denote words and entire phrases. Symbolical or pictorial signs, if sufficiently suggestive and not very numerous, may be effective; but the use of "arbifraries" is objectionable because they are so difficult to remember. In many shorthand books the student is recommended to form additional ones for himself, and so of course make his writing illegible to others. The raison d'etre of such signs is not far to seek. The proper shorthand signs for many common words were so clumsy or ambiguous that this method was resorted to in See also:order to provide them with clearer and easier outlines.

For the purpose of verbatim reporting the student is recommended to omit as a See also:

rule all vowels, and decipher his writing with the aid of the context. But, when vowels are omitted, hundreds of pairs of words having the same consonant See also:skeleton (such as See also:minister and monastery, frontier and See also:furniture, See also:libel and See also:label) are written exactly alike. This is one of the gravest defects of the a, b, c systems. John Willis's system was largely imitated but hardly improved by Edmond Willis (1618), T. See also:Shelton (162o), Witt (163o), See also:Dix (1633), Mawd (1635), and See also:Theophilus See also:Metcalfe (1635). T. Shelton's system, republished a great many times down to 1687, was the one which See also:Samuel See also:Pepys used in writing his See also:diary? It was adapted to See also:German, Dutch and Latin .° An See also:advertisement of Shelton's work in the Mercurius Politicus of 3rd See also:October r65o is one of the earliest business advertisements known. The book of See also:Psalms in See also:metre (206 pages, 4 X 11 in.) was engraved according to Shelton's system by See also:Thomas See also:Cross. Metcalfe's Radio-See also:Stenography, or Short-Writing, was republished again and again for about a See also:hundred years. The 35th " edition " is dated 1693, and a 55th is known to exist. The inefficiency of the early systems seems to have brought the art into some contempt.

Thus Thomas See also:

Heywood, a contemporary of See also:Shakespeare, says in a See also:prologue 4 that his See also:play of Queen Elizabeth " Did throng the seats, the boxes and the See also:stage So much that some by stenography See also:drew A See also:plot, put it in See also:print, scarce one word true." Shakespeare critics would in this manner explain the badness of the text in the earliest editions of See also:Hamlet, Romeo and Juliet, Taming of the See also:Shrew, Merry Wives of See also:Windsor, and See also:Henry V. Perhaps a study of J. Willis's system and of E. Willis's (which, though not published till after Shakespeare's death, was practised long before) may See also:shed See also:light on corrupt readings of the text of these plays .° See also:Rich's system (1646, loth edition 1792) was reproduced with slight alterations by many other Rkh persons, including W. Addy, Stringer, and Dr Philip See also:Doddridge (1799 and three times since). The New Testament and Psalms were engraved in Rich's characters (1659, 596 pages, 21)01 in., 2 vols.), and Addy brought out the whole See also:Bible engraved in shorthand c (London, 1687, 396 pp.). See also:Locke, in his See also:Treatise on Education, recommends Rich's system; but it is encumbered with more than 300 symbolical and arbitrary signs. In 1847 it was still used by Mr Plowman, a most accomplished See also:Oxford reporter. In 1672 See also:William See also:Mason, the best shorthand author of the 17th century, published his Pen See also:pluck'd from an See also:Eagle's Wing. The alphabet was largely taken from Rich's. But mason. in his Art's See also:Advancement (1682) only six of Rich's letters are retained, and in his Plume Volante (1707) further 2 See a paper by J.

E. Bailey, " On the See also:

Cipher of Pepys' Diary," in Papers of the See also:Manchester See also:Literary See also:Club, vol. ii. (1876). Shelton (1601—1650) is not to be confounded with the translator of See also:Don Quixote. $ See Zeibig's Gesch. u. Lit. d. Geschwindschreibekunst, p. 195. 4 Pleasant Dialogues and Drammas (London, 1637), p. 249. See M. See also:Levy's Shakspere and Shorthand (London), and Phonetic Journal (1885), p.

34. 6 This curiosity is described in the Phonetic Journal (1885), pp. 158, 196. The Bodleian Library has a copy. a, b, c of a hook or See also:

loop. C and q are rejected, k being systems. changes are made. Initial vowels are written by their alphabetic signs, final vowels by dots in certain positions (a, e at the beginning; i, y at the See also:middle; o, u at the end), and medial vowels by lifting the pen and writing the next consonant in those same three positions with respect to the preceding one. Mason employed 423 symbols and arbitraries. He was the first to discover the value of a small circle for s in addition to its proper alphabetic sign. Mason's system was republished by Thomas See also:Gurney in 1740, a circumstance which has perpetuated its use to the See also:present day, for in 1737 Gurney was appointed shorthand writer to the Old Bailey, and early in the 19th century W. B.

Gurney was appointed shorthand-writer to both Houses of See also:

Parliament. Gurney reduced Mason's arbitraries to about a hundred, inventing a few specially suitable for parliamentary reporting. The Gurneys were excellent writers of a cumbrous system. Thomas Gurney's Brachygraphy passed through at least eighteen editions. In 1767 was published at Manchester a work by John See also:Byrom, sometime See also:fellow of Trinity See also:College, See also:Cambridge, entitled The Byrom. Universal English Shorthand, distinguished for its precision, elegance, and systematic construction. Byrom had died in 1763. Having lost his fellowship by failing to take orders, he made a living by teaching shorthand in London and Manchester, and among his pupils were See also:Horace See also:Walpole, Lord See also:Conway, See also:Charles See also:Wesley, Lord See also:Chesterfield, the See also:duke of See also:Devonshire and Lord See also:Camden. Shorthand, it is said, procured him See also:admission to the Royal Society. He founded a stenographic club, to the proceedings of which his journal,' written in short-hand, is largely devoted. In the strangers' See also:gallery of the See also:House of See also:Commons in 1728 Byrom dared to write shorthand from See also:Sir R. Walpole and others.

In 1731, when called upon to give evidence before a parliamentary See also:

committee, he took shorthand notes, and, complaints being made, he said that if those attacks on the liberties of shorthand men went on he " must have a See also:petition from all counties where our disciples dwell, and Manchester must See also:lead the way." Thomas See also:Molyneux popularized the system by See also:publishing seven cheap editions between 1793 and 1825. Modifications of Byrom's system were issued by See also:Palmer (1774), See also:Nightingale (1811), See also:Adams (1814), See also:Longmans (1816), Gawtress (1819), See also:Kelly (1820), See also:Jones (1832) and Roffe (1833). Byrom's method received the distinction of a special See also:act of parliament for its See also:protection (15 Geo. II. c. 23, for twenty-one years from 24th June 1742). To secure lineality in the writing and facility in consonantal joinings he provided two forms for b, It, j, w, x, sh, th, and three for 1. A, e, i, o, u, he represented by a dot in five positions with respect to a consonant. Practically it is impossible to observe more than three (beginning, middle and end). With all its merits, the system lacks rapidity, the continual recurrence of the loop seriously retarding the pen. In 1786 was published An See also:Essay intended to establish a See also:Standard for a Universal System of Stenography, by Samuel Taylor See also:Tay/or. (London).2 This system did more than any of its predecessors to establish the art in England and abroad. Equal to Byrom's in brevity, it is simpler in construction.

No letter has more than one sign, except w, which has two. Considering that five vowel places about a consonant were too many, Taylor went to the other extreme and expressed all the vowels alike by a dot placed in any position. He directs that vowels are not to be expressed except when they sound strong at the beginning and end of a word. Arbitraries he discarded altogether; but Harding, who re-edited his system in 1823, introduced a few. Each letter when See also:

standing alone represents two or three common short words, prefixes and suffixes. But the See also:list was badly chosen: thus m represents my and many, both of them adjectives, and therefore liable to be confounded in many sentences. To denote in and on by the same sign is evidently absurd. Taylor's system was republished Byrom's private journal and literary remains have been published by the Chetham Society of Manchester. See, too, a paper by J. E. Bailey in the Phonetic Journal (1875), pp. 109, 121.

2 Taylor, it was only lately discovered, died in 1811; see M. Levy in The Times (See also:

April 10, 1902), and Notes and Queries (May 24, 1902).again and again. In Harding's edition (1823) the vowels are written on an improved plan, the dot in three positions representing a, e, i, and a tick in two positions o, u. Several other persons brought out Taylor's system, in particular G. Odell, whose book was re-edited or reprinted not less than sixty-four times, the later republications appearing at New See also:York. The excellence of Taylor's method was recognized on the See also:Continent: the system came into use in See also:France, See also:Italy, See also:Holland, See also:Sweden, See also:Germany, See also:Portugal, See also:Rumania, See also:Hungary, &c. The Universal Stenography of William Mavor (1780) is a very neat system, and differs from Taylor's in the alphabet and in a more definite method of marking the vowels. A, e, i, See also:Mayor are indicated by commas, o, u, y, by dots, in three places with respect to a letter, namely beginning, middle and end. Other systems were introduced by J. H. See also:Lewis (1812) and See also:Moat (1833). The vast See also:mass of a, b, c systems are strikingly devoid of originality, and are mostly imitations of the few that have been mentioned.

Nearly all may be briefly described as consisting of an alphabet, a list of common words, prefixes and suffixes, expressed by single letters, a list of arbitrary and symbolical signs, a , table showing the best way of joining any two letters, a few general rules for writing and. a specimen See also:

plate .3 Pitman's phonography, on account of its enormous See also:diffusion in Great See also:Britain and the colonies, and in See also:America, its highly organized and original construction, and its many inherent advantages, merits a more extended See also:notice P/tman's than has been given to the systems already mentioned. P6ono graphy. In 1837 Mr (afterwards Sir) Isaac Pitman (q.v.) com- posed a short stenographic treatise of his own, which Samuel Bagster published under the title of Stenographic Sound-Hand. The See also:price was fixed at fourpence, for the author had determined to See also:place shorthand within the reach of everybody. In 184o a second edition appeared in the form of a See also:penny plate bearing the title Phonography, the See also:principal feature of the system being that it was constructed on a purely phonetic basis. In See also:December 1841 the first number of what is now known as Pitman's Journal appeared at Manchester in a lithographed form. It was then called the Phonographic Journal, and subsequently in turn the Phonotypic Journal, the Phonetic See also:News and the Phonetic Journal. Pitman's system was warmly taken up in America, where it was republished in more or less altered forms, especially by the author's See also:brother Benn Pitman, and by Messrs A. J. See also:Graham, J. E. Munson, E.

See also:

Longley, and Eliza B. See also:Burns. A large number of See also:periodicals lithographed in phonography are published in England and America. The Shorthand See also:Magazine, monthly, was started in 1864. Of standard English books printed or lithographed in phonography may be mentioned, besides the Bible, New Testament, and See also:Prayer Book, The See also:Pilgrim's Progress, The See also:Vicar of See also:Wakefield, Pickwick Papers, Tom Brown's School-Days, See also:Macaulay's Essays and See also:Biographies, Gulliver's Travels, See also:Blackie's Self-culture, See also:Bacon's Essays, and a long list of tales and selections. Numerous See also:societies have been formed in all English-speaking countries for the dissemination of phonography, the largest being the Phonetic Society. Phonography has been adapted to several See also:foreign See also:languages, but not so successfully as Gabelsberger's German system. T. A. See also:Reed's French Phonography (1882) was intended only for English phonographers who wish to See also:report French speeches. Other adaptations to French were by A. J.

See also:

Lawson and J. R. See also:Bruce. A society for the See also:adaptation of phonography to Italian was organized at Rome in 1883 by G. Francini, who published his results (Rome, 1883, 1886). Phonography was adapted to Spanish by See also:Parody (Buenos Aires, 1864), to Welsh by R. H. See also:Morgan (See also:Wrexham, 1876), and to German by C. L. Driesslein (See also:Chicago, 1884). The See also:main features of Pitman's system must now be described. The alphabet of consonant-sounds is—p, b; t, d; ch (as in chip), j; k, g (as in See also:gay); f, v; th (as in thing), th (as in them); s, z; sh, 3 For early English systems, see especially some careful papers by Mr A.

See also:

Paterson in Phonetic Journal (1886). zh (as in See also:vision) ; in, n, ng (as in thing) ; 1, r ; w, y, h. The sounds p, t, ch, k are represented respectively by the four straight strokes /_; and the corresponding voiced sounds b, d, j, g by exactly the same signs respectively written heavy. F, th (as in thing), s, sh are indicated by 0 .} respectively ; the same signs written heavy and tapering to the ends are used for v, dh, z, zh respectively. M, n, 1, r are denoted by .-.--e( -respectively. R is also represented by / written upwards and in a more slanting direction than the sign for ch. The signs for sh and l may be written up or down when in See also:combination, but standing alone sh is written downwards and 1 upwards. The signs for w, y, h are s/`/d''r all written upwards. H has also / down. Ng, mp (or mb), itch (or rj), lr, are represented by the signs for is, m, r, 1 respectively written heavy. Signs are provided for the Scotch guttural ch (as in See also:loch), the Welsh 11, and the French nasal n. S is generally written by a small circle.

The long-vowel sounds are thus classified—a (as in See also:

balm), e (as in bait), ee (as in feet), aw (as in See also:law), o (as in See also:coal), oo (as in See also:boot). The vowels a, e, ee are marked by a heavy dot placed respectively at the beginning, middle, and end of a consonant-sign ; aw, o, oo by a heavy dash in the same three positions, and generally struck at right angles to the direction of the consonant. The short vowels See also:area (as in pat), e (as in pet), i (as in See also:pit), o (as in pot), (as in but), and oo (as in put). The signs for these are the same as for the corresponding long vowels just enumerated, except that they are written light. Signs similarly placed are provided for the diphthongs oi (as in See also:boil), ad or oe, of (as in Boanerges, poet, coincide), for the series ya, ye, yee, &c., and for the series wk, we, wee, &c. The signs for ei (as in bite) and ou (as in cow) are v n, and may be placed in any position with respect to a consonant. A straight line may receive four hooks, one at each See also:side of the beginning and end, but a curve only two, one at each end in the direction of the curve. Hooks applied to a straight line indicate the addition of r, 1, n, and f or v respectively, thus pr, \ pl, p f or pv, and\ pn ; a— kr, e— kl, k f,-- skn ; rf or rv, en. I-Iooks applied to a curve denote the addition of r, n respectively, thus fn ; c-'. mr, - mn. Vowel-signs placed after (or, in the case of horizontal strokes, under) a consonant having the n or f, v hook are read between the consonant and the n or f • thus cough, "K, fun, but - See also:crow, pray. A large hook at the commencement of a curve signifies the addition of 1, as C fi. The hooks combine easily with the circle s, thus \. sp \ spr (where the hook r is implied or included in the circle), \ spl, \ pns (the hook n being included), \o pfs, &c.

The halving principle is one of the happiest devices in the whole See also:

history of shorthand. The halving of a light stroke—that is, writing it See also:half length—implies the addition of t; the halving of a heavy stroke that of d, the vowel placed after (or under) the halved stroke being read between the consonant and the added t or d, thus ( thaw, r C thought, I. See also:Dee, i, deed, \ pit, See also:cat, See also:fat, note, &c. By this means very brief signs are provided for hosts of syllables ending in t and d, and for a number of verbal forms ending in ed, thus ended. The halving of a heavy stroke may, if necessary, add t, and that of a light stroke d, thus ' beautified. By combining the hook, the circle, and the halving principle, two or three to- gether, exceedingly brief signs are obtained for a number of consonantal series consisting of the combination of a consonant with one or more of the sounds s, r, 1, n, /, t, thus 9 sp, o\ spr, C. See also:spit, sprts; pl, \ spl, spit, spint, lspints; fns, See also:fit, 'e fnts ; fen, fend, &c. As a vowel-mark cannot See also:con- veniently be placed to a hook or circle, we are easily led to a way of distinguishing in outline between such words as ' cough and co flee, \ pen and \ penny, se° See also:race and /') racy, &c. See also:rAs, This distinction limits the number of possible readings of an unvocalized outline. A large hook at the end of a stroke indicates the addition of -shon (as in See also:fashion, See also:action, &c.). This hook easily combines with the circle s, as in actions, " positions. The circle s made large indicates ss or sz, as in\O pieces, (0 losses. The vowel between s and s (z) may be marked inside the circle, as in -etexercise, sp subsistence. The circle s lengthened to a loop signifies st, as in \. step, See also:post, while a longer loop indicates str, as in See also:muster, .-. See also:minster.

The loop may be continued through the consonantal stroke and terminate in a circle to denote sts and sites, as in 'p boasts, e--sQ minsters. The loop written on the left or See also:

lower side of a straight stroke implies the n hook and so signifies nst, as in es, against, d danced. A curve (or a straight stroke with a final hook) written See also:double length implies the addition of Is, dr, or the, as in See also:father, letter, kinder, See also:fender, render. This practice is quite safe in the case of curves, but a straight stroke should not be lengthened in this way when there is danger of See also:reading it as a double letter. The lineal consonant-signs may stand alone to represent certain short and common words as in many of the old, a, b, c systems, with this difference, that in the old systems each letter represents several words, but in phonography, in almost every case, only one. By writing the horizontal strokes in two positions with respect to the line (above and on) and the others in three positions (entirely above, resting on and passing through the line) the number is nearly trebled, and very brief signs are obtained for some seventy or eighty common short words (e.g. be, by, in, if, at, it, my, me, &c.). A few very common monosyllables are represented by their vowel-marks, as . the, remnant of (. • \ of, remnant of ; on, remnant of A certain number of longer words which occur frequently are contracted, generally by omitting the latter part, sometimes a middle part of the word, as in -\ (ksp) expect, (See also:dip) danger, ` (krk sh) characteristic, '-\-I (nd f t) indefatigable. The connective phrase of the is intimated by writing the words between which it occurs near to each other. The is often expressed by a short slanting stroke or tick joined to the preceding word and generally struck downwards, thus in the, for the. Three principles which remain to be noticed are of such importance and advantage that any one of them would go far to place phonography at the See also:head of all other eystems. These are the principles of positional writing, similar outlines and phraseography.

(i) The first slanting stroke of a word can generally be written so as either to See also:

lie entirely above the line, or See also:rest on the line, or run through the line, thus I ___, _. In the case of words composed wholly of horizontal strokes the last two positions See also:Yon and through the line) coincide, as "— These three positions are called first, second and third respectively. The first is specially connected with first-place vowels (a, a; aw, o; 1; oi), the second with second-place vowels (e, e; a, ii), and the third with third-place vowels (ee, i; oo, oh; ou). In a fully vocalized See also:style position is not employed, but rn the reporting style it is of the greatest use. Thus the outline (tm) written above the line must. be read either time or Tom ; when written resting on the line h tome or tame ; when struck through the line . teem, team or See also:tomb. By this method the number of possible readings of an unvocalized outline is greatly reduced. That word in each positional group which occurs the most frequently need not be vocalized, but the others should. In the case of dissyllables it is the accented vowel which decides the position ; thus methoicght should be written first position 2, method second position 'Th. (2) Another way of distinguishing between words having the same consonants but different vowels to vary the outline. The possibility of variety of outline arises from the fact that many consonant sounds have duplicate or even triplicate signs, as we have seen. For instance, r has two lineal signs and a hook sign, and so each of the words See also:carter, See also:curator, creature and creator obtains a distinct outline. A few simple rules See also:direct the student to a proper choice of outline, but some difference of practice obtains among phonographers in this respect.

Lists of outlines for words having the same consonants are given in the instruction books; the Reporter's Assistant contains the outline of every word written with not more than three strokes, and the Phonographic See also:

Dictionary gives the vocalized outline of every word in the language. Aided by a true phonetic See also:representation of sounds, by occasional vocalization, variety of outline, and the context, the phonographic verbatim reporter should never misread a word.' (3) Lastly, phraseography. It has been found that in numberless cases two or more words may be written without lifting the pen. A judicious use of this practice ' Phonography is so legible that the experiment of handing the shorthand notes to phonographic compositors has often been tried with See also:complete success. A speech of See also:Richard See also:Cobden, on the See also:Corn See also:Laws, delivered at See also:Bath on 17th See also:September 1845, and occupying an See also:hour and a See also:quarter, was reported almost verbatim, and the notes, with a few vowels filled in, handed to the compositors of the Bath Journal, who set them up with the usual accuracy. A notice of the occurrence appeared the next day in the Bath Journal, and was immediately transferred to the columns of The Times and other See also:newspapers. Mr Reed tried the same experiment with equal success, the notes being handed to the compositors in their original See also:state (Phonetic Journal, 1884, p. 337i- development of-true See also:political-principles, for-the See also:extension in-short of-every description of knowledge and-the-bringing-about of-every See also:kind-of reform,—been-so numerous, so efficient and so indefatigable in-their operation as at-the-present-day. An enumeration made in 1894 showed that 95% of British newspaper reporters used Pitman's system; but there are still numerous varieties preferred by individuals. Of the systems published since the invention of phonography the principal are A. M. See also:Bell's Stenophonography (See also:Edinburgh, 1852), Professor J.

D. See also:

Everett's (London, 1877), Pocknell's Legible Shorthand (London, 1881), and J. M. Sloan's adaptation (the Sloan-Duployan) of the French system of Duploye (1882). More recent essays in English shorthand are almost'entirely in the direction of script characters with connected vowels, as contrasted with the geometric forms and disjoined vowels of Pitman's phonography. The See also:majority are founded on the French system of the See also:brothers Duploye, but Cursive Shorthand (Cambridge, 1889), by Prof. H. L. Callendar, and Current Shorthand (Oxford, 1892), by Dr Henry Sweet, may be noted as original methods, the first having a phonetic, and the second both an orthographic and a phonetic, basis. The distinctive features in recent shorthand history have been the widely-extended employment of the art, the increased See also:attention paid to instruction and the growth of stenographic societies. Throughout the civilized See also:world the systems employed are those of the leading authors of the 19th century; earlier systems have nqw a numerically small number of practitioners. Shorthand has become an almost indispensable qualification for the See also:amanuensis, and practical stenographic ability is a necessary equipment of the See also:typewriter operator.

In professional and commercial offices, and more recently in the services, dictation to shorthand writers has become general. Shorthand has been included among examination subjects for the See also:

army, See also:navy, civil service and medicine in the See also:United See also:Kingdom, and to a certain extent in other countries. Its inclusion in the Technical Instruction Act of 1889 was the first recognition of shorthand by the British parliament, and it was subsequently comprised in the codes of elementary day and evening continuation schools. It first became an examination subject for secondary schools in the Oxford See also:Local Examination in 1888, but the Society of Arts has examined students of polytechnics, &c., in shorthand since 1876. See also:Examinations in connexion with the phonographic system of Isaac Pitman date from 1845. In 1887 the tercentenary of the origination of modern shorthand by Timothy Bright and the See also:jubilee of Isaac Pitman's phonography were celebrated by the holding of the first See also:International Shorthand See also:Congress in London. Subsequent congresses were held at Paris (1889), See also:Munich (189o), when a statue of Gabelsberger was unveiled; See also:Berlin (1891), Chicago (1893), See also:Stockholm (1897), Paris (1900), &c. These gatherings have promoted the improved organization of stenographic practitioners in the respective countries. After the first congress, three national organizations were established in Great Britain by Pitman writers, which take the place of the Phonetic Society (established in 1843 and dissolved in 1895). In America the formation of national associations for reporters and teachers followed the fifth congress. As regards speed in shorthand writing, it may be mentioned that at the See also:exhibition at See also:Olympia (London) in 1908, the " World's Shorthand Championship " was awarded for 220 words a See also:minute for five minutes. But it has been claimed that a rate of 250 words a minute has been accomplished.

It may be pointed out, however, that such a rate cannot be wanted for any practical purpose, since the fastest public See also:

speaker never speaks anything like 250 words a minute, even though for a demonstration such a thing could be done. The See also:average rate of public speaking is from 120 to 150 words a minute. Foreign Shorthand Systems. To complete the history of the subject, the following notes on systems introduced in various See also:European countries may be useful. German.—C. A. See also:Ramsay's Tacheographia (See also:Frankfort, 1679, and several times afterwards until 1743) was an adaptation of T. Shelton's English system. Mosengeil (1797) first practically introduced short- we have not, See also:friends, as far as possible, for the most part, and many thousands of others. For the See also:sake of obtaining a good phraseogram for a common phrase, it is often advisable to omit some part of the consonant outline. Thus the phrase you must recollect that may very well be written ( (you must recollect that). Lists of recommended phraseograms are given in the Phonographic Phrase Book, the Legal Phrase Book and the Railway Phrase Book.

Specimens of Phonography. Corresponding Style.

End of Article: SHORT, FRANCIS JOB (1857– )

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