See also:- JONES
- JONES, ALFRED GILPIN (1824-1906)
- JONES, EBENEZER (182o-186o)
- JONES, ERNEST CHARLES (1819-1869)
- JONES, HENRY (1831-1899)
- JONES, HENRY ARTHUR (1851- )
- JONES, INIGO (1573-1651)
- JONES, JOHN (c. 1800-1882)
- JONES, MICHAEL (d. 1649)
- JONES, OWEN (1741-1814)
- JONES, OWEN (1809-1874)
- JONES, RICHARD (179o-1855)
- JONES, SIR ALFRED LEWIS (1845-1909)
- JONES, SIR WILLIAM (1746-1794)
- JONES, THOMAS RUPERT (1819– )
- JONES, WILLIAM (1726-1800)
JONES, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY See also:ARTHUR (1851- ) , See also:English dramatist, was See also:born at Grandborough, See also:Buckinghamshire, on the 28th of See also:September 1851 the son of See also:Silvanus Jones, a See also:farmer. He began to See also:earn his living See also:early, his spare See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time being given to See also:literary pursuits. He was twenty-seven before his first piece, Only See also:Round the Corner, was produced at the See also:Exeter See also:Theatre, but within four years of his debut as a dramatist he scored a See also:great success by The See also:Silver See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King (See also:November 1882), written with Henry Herman, a See also:melodrama produced by See also:- WILSON, ALEXANDER (1766-1813)
- WILSON, HENRY (1812–1875)
- WILSON, HORACE HAYMAN (1786–1860)
- WILSON, JAMES (1742—1798)
- WILSON, JAMES (1835— )
- WILSON, JAMES HARRISON (1837– )
- WILSON, JOHN (1627-1696)
- WILSON, JOHN (178 1854)
- WILSON, ROBERT (d. 1600)
- WILSON, SIR DANIEL (1816–1892)
- WILSON, SIR ROBERT THOMAS (1777—1849)
- WILSON, SIR WILLIAM JAMES ERASMUS
- WILSON, THOMAS (1663-1755)
- WILSON, THOMAS (c. 1525-1581)
- WILSON, WOODROW (1856— )
Wilson See also:Barrett at the Princess's Theatre. Its See also:financial success enabled the author to write a See also:play " to please himself." See also:Saints and Sinners (1884), which ran for two See also:hundred nights, placed on the See also:stage a picture of See also:middle-class See also:life and See also:religion in a See also:country See also:town, and the introduction of the religious See also:element raised considerable outcry. The author de-fended himself in an See also:article published in the Nineteenth See also:Century (See also:January 1885), taking for his starting-point a See also:quotation from the See also:preface to See also:Moliere's Tartuffe. His next serious piece was The Middleman (1889), followed by See also:Judah (1890), both powerful plays, which established his reputation. Later plays were The Dancing Girl (1891), The Crusaders (1891), The See also:Bauble See also:Shop (1893), The Tempter (1893), The Masqueraders (1894), The See also:Case of Rebellious Susan (1894), The See also:Triumph of the See also:Philistines (1895), See also:Michael and his Lost See also:Angel (1896), The See also:Rogue's See also:Comedy (I896), T he Physician (1897), The Liars (1897), See also:Carnac See also:Sahib (1899), The Manoeuvres of Jane (1899), The Lackeys' See also:Carnival (1900), Mrs Dane's See also:Defence (1900), The Princess's See also:Nose (1902), See also:Chance the Idol (1902), Whitewashing Julia (1903), See also:Joseph Entangled (1904), The See also:Chevalier (1904), &c. A See also:uniform edition of his plays began to be issued in 1891; and his own views of dramatic See also:art have been expressed from time to time in lectures and essays, collected in 1895 as The Renascence of the English See also:Drama.
End of Article: JONES, HENRY ARTHUR (1851- )
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