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KELLY, HUGH (1739–1777)

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Originally appearing in Volume V15, Page 720 of the 1911 Encyclopedia Britannica.
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KELLY, See also:HUGH (1739–1777) , Irish dramatist and poet, son of a See also:Dublin publican, was See also:born in 1739 at See also:Killarney. He was apprenticed to a staymaker, and in 176o went to See also:London. Here he worked at his See also:trade for some See also:time, and then became an See also:attorney's clerk. He contributed to various See also:newspapers, and wrote See also:pamphlets for the booksellers. In 1767 he published See also:Memoirs of a Magdalen, or the See also:History of Louisa Mildmay (2 vols.), a novel which obtained considerable success. In 1766 he published anonymously See also:Thespis; or, A See also:Critical Examination into the Merits of All the See also:Principal Performers belonging to See also:Drury See also:Lane See also:Theatre, a poem in the heroic See also:couplet containing violent attacks on the principal contemporary actors and actresses- The poem opens with a See also:panegyric on See also:David See also:Garrick, however, and bestows foolish praise on See also:friends of the writer. This See also:satire was partly inspired by See also:Churchill's Rosciad, but its See also:criticism is obviouslydictated chiefly by See also:personal See also:prejudice. In 1767 he produced a second See also:part, less scurrilous in See also:tone, dealing with the Covent See also:Garden actors. His first See also:comedy, False Delicacy, written in See also:prose, was produced by Garrick at Drury Lane on the 23rd of See also:January 1768, with the intention of rivalling See also:Oliver See also:Goldsmith's See also:Good-Natured See also:Man. It is a moral and sentimental comedy, described by Garrick in the See also:prologue as a See also:sermon preached in acts. Although See also:Samuel See also:Johnson described it as " totally void of See also:character," it was very popular and had a See also:great See also:sale. In See also:French and Portuguese versions it See also:drew crowded houses in See also:Paris and See also:Lisbon.

Kelly was a journalist in the pay of See also:

Lord See also:North, and therefore hated by the party of See also:John Wilkes, especially as being the editor of the Public See also:Ledger. His Thespis had also made him many enemies; and Mrs See also:Clive refused to See also:act in his pieces. The See also:production of his second comedy, A Word to the See also:Wise (Drury Lane, 3rd of See also:March 1770), occasioned a See also:riot in the theatre; repeated at the second performance, and the piece had to be abandoned. His other plays are: Clementina (Covent Garden, 23rd of See also:February 1771), a See also:blank See also:verse tragedy, given out to be the See also:work of a " See also:young See also:American Clergyman " in See also:order to See also:escape the opposition of the Wilkites; The School for Wives (Drury Lane, xlth of See also:December 1773), a prose comedy given out as the work of See also:Major (afterwards See also:Sir See also:William) Addington; a two-act piece, The See also:Romance of an See also:Hour (Covent Garden, 2nd of December 1774), borrowed from See also:Marmontel's See also:tale L'Amitie a l'epreuve; and an unsuccessful comedy, The Man of See also:Reason (Covent Garden, 9th of February 1776). He was called to the See also:bar at the See also:Middle See also:Temple in 1774, and determined to give up literature. He failed in his new profession and died in poverty on the 3rd of February 1777. See The See also:Works of Hugh Kelly, to which is prefixed the See also:Life of the Author (1778) ; Genest, History of the See also:Stage (v. 163, 263–269, 308, 399, 457, 517). Pamphlets in reply to Thespis are: " See also:Anti-Thespis ..." 1767) ; " The Kellyad . . ." (1767), by See also:Louis Stamma; and " The See also:Rescue or Thespian See also:Scourge . . . " (1767), by John See also:Brown-See also:Smith.

End of Article: KELLY, HUGH (1739–1777)

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