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See also:DAVID, FELICIEN (1810—1876) , See also:French composer, was See also:born on the 13th of See also:April 1810 at Cadenet, in the See also:department of See also:Vaucluse. As a See also:child he showed unusual musical precocity, and .being See also:early See also:left an See also:orphan he was admitted into the See also:choir of See also:Saint Sauveur at See also:Aix. He was for a See also:time employed in an See also:attorney's See also:office, but quitted his service to become chef d'orchestre in the See also:theatre at Aix, and See also:chapel-See also:master at Saint Sauveur. Then he went to See also:Paris, being provided with £roo a See also:year by a See also:rich See also:uncle. After having studied for a while at the Paris See also:Conservatoire, he joined the See also:sect of Saint Simonians, and in 1833 travelled in the See also:East in See also:order to preach the new See also:doctrine. After three years' See also:absence, during which See also:Constantinople and See also:Smyrna were visited and some time was spent in See also:Egypt, he returned to See also:France and published a collection of See also:Oriental Melodies. For several years he worked in retirement, and wrote two symphonies, some chamber See also:music and songs. On the 8th of See also:December 1844 he suddenly leapt into fame through the extraordinary success obtained by his symphonic See also:ode Le See also:Desert, which was produced at the Conservatoire. In this See also:work David had struck out a new See also:line. He had attempted in See also:simple strains to evoke the majestic stillness of the desert. Notwithstanding its See also:title of " symphonic ode," Le Desert has little in See also:common with the symphonic See also:style. What distinguishes it is a certain naivete of expression and an effective oriental colouring. In this last respect David may be looked upon as the precursor of a whole See also:army of composers. His succeeding See also:works, Moise au See also:Sinai (1846), Christophe See also:Colomb (1847), L'See also:Eden (1848), scarcely See also:bore out the promise shown in Le Desert, although the second of these compositions was successful at the time of its See also:production. David now turned his See also:attention to the theatre, and produced the following operas in See also:succession: La Perle du Presil (1851), Herculanum (1859), Lalla-Roukh (1862), Le Saphir (1865). Of these, Lalla-Roukh is the one which has obtained the greatest success. In 1868 he gained the See also:award of the French See also:Institute for the biennial See also:prize given by the See also:emperor; and in 1869 he was made librarian at the Conservatoire instead of See also:Berlioz, whom subsequently he succeeded as a member of the Institute. He died at Saint-Germain-en-Laye on the 29th of See also:August 1876. If David can scarcely be placed in the first See also:rank of French composers, he nevertheless deserves the See also:consideration due to a sincere artist, who was undoubtedly inspired by lofty ideals. At a time when the works of Berlioz were still unappreciated by the See also:majority of See also:people, David succeeded in making the public take See also:interest in music of a picturesque and descriptive See also:kind. Thus he may be considered as one of the pioneers of See also:modern French musical See also:art. Additional information and CommentsThere are no comments yet for this article.
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