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PANEGYRIC , strictly a formal public speech delivered in high praise of a See also:person or thing, and generally high studied or undiscriminating eulogy. It is derived from 7raeflyvpiKes (a speech) " See also:fit for a See also:general See also:assembly " (7ravtityvpts, panegyris). In See also:Athens such speeches were delivered at See also:national festivals or See also:games, with the See also:object of rousing the citizens to emulate the glorious deeds gf their ancestors. The most famous are the Olympiacus of See also:Gorgias, the Olympiacus of See also:Lysias, and the Panegyricus and Panathenaicus (neither of them, however, actually delivered) of Isocrates. Funeral orations, such as the famous speech put into the mouth of See also:Pericles by See also:Thucydides, also partook of the nature of panegyrics. The See also:Romans confined the panegyric to the living, and reserved the funeral oration exclusively for the dead. The most celebrated example of a Latin panegyric (panegyricus) is that delivered by the younger See also:Pliny (A.D. zoo) in the See also:senate on the occasion of his See also:assumption of the consulship, containing a somewhat fulsome eulogy of See also:Trajan. Towards the end of the 3rd and during the 4th See also:century, as a result of the orientalizing of the Imperial See also:court by See also:Diocletian, it became customary to celebrate as a See also:matter of course the superhuman virtues and achievements of the reigning See also:emperor. Twelve speeches of the See also:kind (Pliny's included), eight of them by famous Gallic rhetoricians (See also:Claudius See also:Mamertinus, See also:Eumenius, See also:Nazarius, Drepanius Pacatus) and three of See also:anonymous author-See also:ship, have been collected under the See also:title of Panegyrici veteres See also:latini (ed. E. Bahrens, 1874). Speaking generally, they are characterized by a See also:stilted, affected See also:style and a See also:tone of See also:gross adulation. There are extant similar orations by See also:Ausonius, six or seven strings, one played by a See also:Moor; both have the tail-piece in the See also:form of a See also:crescent. 6 See See also:Hammer von Purgstall on the " Seven Seas," in Jahrbiicher der Literatur, See also:xxxvi. 290 (See also:Vienna, 1826). 3 Syntagma musicum (See also:Wolfenbuttel, 1618), pl. xvii. and ch. 28, 63; reprint in Publik. d. Ges. f. Musikforschung (See also:Berlin, 1884), Jahrgang XII. See Dr F. J. See also:Furnivall's edition of See also:Captain See also:Cox or See also:Robert See also:Lane-See also:ham's See also:letter, Ballad Society (See also:London, 1871), p. 67. 3 See Gabinetto armonico, ch. 49, pl. 97 (See also:Rome, 1722). See also:Symmachus and See also:Ennodius, and panegyrics in See also:verse by Claudian, See also:Merobaudes, See also:Priscian, See also:Corippus and others. See C. G. See also:Heyne, " Censura xii. panegyricorum veterum," in his Opuscula academica (1812), vi. 8o-118; H. Rihl, De xii panegyricis latinis (progr. Greifswald, 1868) ; R. Pichin, See also:Les Derniers ecrivains profanes (See also:Paris, 1906). Additional information and CommentsThere are no comments yet for this article.
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