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See also:LAWSON, See also:CECIL See also:GORDON (1851—1882) , See also:English landscape painter, was the youngest son of See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William Lawson of See also:Edinburgh, esteemed as a portrait painter. His See also:mother also was known for her See also:flower pieces. He was See also:born near See also:Shrewsbury on the 3rd of See also:December 1851. Two of his See also:brothers (one of them, See also:Malcolm, a See also:clever musician and See also:song-writer) were trained as artists, and Cecil was from childhood devoted to See also:art with the intensity of a serious nature. Soon after his See also:birth the Lawsons moved to See also:London. Lawson's first See also:works were studies of See also:fruit, See also:flowers, &c., in the manner of W. See also:Hunt; followed by See also:riverside See also:Chelsea subjects. His first exhibit at the Royal See also:Academy (187o) was " See also:Cheyne Walk," and in 1871 he sent two other Chelsea subjects. These gained full recognition from See also:fellow-artists, if not from the public. Among his See also:friends were now numbered Fred See also:- WALKER, FRANCIS AMASA (1840-1897)
- WALKER, FREDERICK (184o--1875)
- WALKER, GEORGE (c. 1618-169o)
- WALKER, HENRY OLIVER (1843— )
- WALKER, HORATIO (1858– )
- WALKER, JOHN (1732—1807)
- WALKER, OBADIAH (1616-1699)
- WALKER, ROBERT (d. c. 1658)
- WALKER, ROBERT JAMES (1801-1869)
- WALKER, SEARS COOK (1805—1853)
- WALKER, THOMAS (1784—1836)
- WALKER, WILLIAM (1824-1860)
Walker, G. J. See also:Pinwell and their associates. Following them, he made a certain number of drawings for See also:wood-See also:engraving. Lawson's Chelsea pictures had been painted in somewhat See also:low and sombre tones; in the " Hymn to See also:Spring " of 1872 (rejected by the Academy) he turned to a more joyous See also:play of See also:colour, helped by See also:work in more romantic scenes in See also:North See also:Wales and See also:Ireland. See also:Early in 1874 he made a See also:short tour in See also:- HOLLAND
- HOLLAND, CHARLES (1733–1769)
- HOLLAND, COUNTY AND PROVINCE OF
- HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
- HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
- HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
- HOLLAND, JOSIAH GILBERT (1819-1881)
- HOLLAND, PHILEMON (1552-1637)
- HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
- HOLLAND, SIR HENRY, BART
Holland, See also:Belgium and See also:Paris; and in the summer he painted his large " See also:Hop Gardens of See also:England." This was much praised at the Academy of 1876. But Lawson's See also:triumph was with the See also:great luxuriant See also:canvas " The See also:Minister's See also:Garden," exhibited in 1878 at the Grosvenor See also:Gallery, and now in the See also:Manchester Art Gallery. This was followed by several works conceived
in a new and tragic See also:mood. His See also:health began to fail, but he worked on. He married in 1899 the daughter of Birnie See also:- PHILIP
- PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
- PHILIP, JOHN (1775-1851)
- PHILIP, KING (c. 1639-1676)
- PHILIP, LANOGRAVE OF HESSE (1504-1567)
Philip, and settled at See also:Haslemere. His later subjects are from this neighbourhood (the most famous being " The See also:August See also:- MOON (a common Teutonic word, cf. Ger. Mond, Du. maan, Dan. maane, &c., and cognate with such Indo-Germanic forms as Gr. µlip, Sans. ma's, Irish mi, &c.; Lat. uses luna, i.e. lucna, the shining one, lucere, to shine, for the moon, but preserves the word i
- MOON, SIR RICHARD, 1ST BARONET (1814-1899)
Moon," now in the See also:National Gallery of See also:British Art) or from See also:Yorkshire. Towards the end of 1881 he went to the See also:Riviera, returned in the spring, and died at Haslemere on the loth of See also:June 1882. Lawson may be said to have restored to English landscape the tradition of See also:Gainsborough, See also:Crome and See also:- CONSTABLE (0. Fr. connestable, Fr. connetable, Med. Lat. comestabilis, conestabilis, constabularius, from the Lat. comes stabuli, count of the stable)
- CONSTABLE, ARCHIBALD (1774-1827)
- CONSTABLE, HENRY (1562-1613)
- CONSTABLE, JOHN (1776-1837)
- CONSTABLE, SIR MARMADUKE (c. 1455-1518)
Constable, infused with an imaginative intensity of his own. Among English landscape painters of the latter See also:part of the 19th See also:century his is in many respects the most interesting name.
See E. W. See also:Gosse, Cecil Lawson, a Memoir (1883); Heseltine See also:Owen, " In Memoriam: Cecil Gordon Lawson," See also:Magazine of Art (1894). (L.
End of Article: LAWSON, CECIL GORDON (1851—1882)
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