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See also:HUNT, See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
WILLIAM See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY (1790—1864) , See also:English See also:water-See also:colour painter, was See also:born near See also:Long See also:Acre, See also:London, on the 28th of See also:March 1790. He was apprenticed about 1805 to See also:John See also:Varley, the landscape-painter, with whom he remained five or six years, exhibiting three oil pictures at the Royal See also:Academy in 1807. He was See also:early connected with the Society of Painters in Water-colour, of which See also:body, then in a transition See also:state, he was elected See also:associate in 1824, and full member in 1827. To its exhibitions he was until the See also:year of his See also:death one of the most prolific contributors. Many years of Hunt's uneventful and industrious See also:life were passed at See also:Hastings. He died of See also:apoplexy on the loth of See also:February 1864. Hunt was one of the creators of the English school of water-colour See also:painting. His subjects, especially those of his later life, are extremely See also:simple; but, by the delicacy, See also:humour and See also:fine See also:power of their treatment, they See also:rank second to See also:works of the highest-See also:art only. Considered technically, his works exhibit all the resources of the water-colour painter's See also:craft, from the purest transparent tinting to the boldest use of body-colour, rough See also:paper and scraping for texture. His sense of colour is perhaps as true as that of any English artist. " He was," says See also:Ruskin, " take him for all in all, the finest painter of still life that ever existed." Several characteristic examples of Hunt's See also:work, as the " Boy and See also:Goat," " See also:- BROWN
- BROWN, CHARLES BROCKDEN (1771-181o)
- BROWN, FORD MADOX (1821-1893)
- BROWN, FRANCIS (1849- )
- BROWN, GEORGE (1818-188o)
- BROWN, HENRY KIRKE (1814-1886)
- BROWN, JACOB (1775–1828)
- BROWN, JOHN (1715–1766)
- BROWN, JOHN (1722-1787)
- BROWN, JOHN (1735–1788)
- BROWN, JOHN (1784–1858)
- BROWN, JOHN (1800-1859)
- BROWN, JOHN (1810—1882)
- BROWN, JOHN GEORGE (1831— )
- BROWN, ROBERT (1773-1858)
- BROWN, SAMUEL MORISON (1817—1856)
- BROWN, SIR GEORGE (1790-1865)
- BROWN, SIR JOHN (1816-1896)
- BROWN, SIR WILLIAM, BART
- BROWN, THOMAS (1663-1704)
- BROWN, THOMAS (1778-1820)
- BROWN, THOMAS EDWARD (1830-1897)
- BROWN, WILLIAM LAURENCE (1755–1830)
Brown Study " and " Plums, Primroses and Birds' Nests " are in the See also:Victoria and See also:Albert Museum.
End of Article: HUNT, WILLIAM HENRY (1790—1864)
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