FAUR See also:GABRIEL (1845– ) , See also:French musical composer, was See also:born at Pamiers on the 13th of May 1845. He studied at the school of sacred See also:music directed by Niedermeyer, first under Dietsch, and subsequently under See also:Saint.-Saens. He became " maitre de chapelle " at the See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church of the Madeleine in 1877, and organist in 1896. His See also:works include a See also:symphony in D See also:minor (Op. 40), two quartets for piano and strings (Opp. 15 and 45), a See also:suite for See also:orchestra (Op. I2), See also:sonata for See also:violin and piano (Op. 13), See also:concerto for violin (Op. 14), See also:berceuse for violin, elegie for See also:violoncello, See also:pavane for orchestra, incidental music for See also:Alexandre See also:Dumas' Caligula and De Haraucourt's Shylock,
a See also:requiem, a See also:cantata, The See also:Birth of See also:Venus, produced at the See also:Leeds festival in 1898, a quantity of piano music, and a large number of songs. See also:Faure occupies a See also:place by himself among See also:modern French composers. He delights in the imprevu, and loves to wander through labyrinthine harmonies. There can be no denying the intense See also:fascination and remarkable originality of his music. His muse is essentially aristocratic, and suggests the surroundings of the boudoir and the perfume of the hot-See also:house.
End of Article: FAUR GABRIEL (1845– )
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