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IAMBIC , the See also:term employed in See also:prosody to denote a See also:succession of verses, each consisting of a See also:foot or See also:metre called an iambus iiaµ/3os). formed of two syllables, of which the first is See also:short and the second See also:long (. —). After the dactylic See also:hexameter, the iambic t rimeter was the most popular metre of See also:ancient See also:Greece. See also:Archilochus is said to have been the inventor of this iambic See also:verse, the rpi/.Lrpos consisting of three iambic feet. In the See also:Greek tragedians an iambic See also:line is formed of six feet arranged in obedience to the following See also:scheme: V V V Much of the beauty of the verse depends on the See also:caesura, which is usually in the See also:middle of the third foot, and far less frequently in the middle of the See also:fourth. The See also:English See also:language runs more naturally in the iambic metre than in any other. The normal See also:blank verse in English is founded upon an iambic basis, and See also:Milton's line And swims or sinks 1 or wades or creeps or flies 1 — exhibits it in its See also:primitive See also:form. The See also:ordinary alexandrine of See also:French literature is a hexapod iambic, but in all questions of quantity in See also:modern prosody See also:great care has to be exercised to recollect that all ascriptions of classic names to modern forms of rhymed or blank verse are merely approximate. The octosyllabic, or four-foot iambic metre, has found great favour in English verse founded on old romances. Decasyllabic iambic lines rhyming together form an " heroic " metre. End of Article: IAMBICAdditional information and CommentsThere are no comments yet for this article.
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