JOHANN See also:CHRISTIAN See also:BACH (1735—1782) , the See also:eleventh son, was See also:born at See also:Leipzig, and on the See also:death of his See also:father in 1750 became the See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil of his See also:brother Emanuel at See also:Berlin. In 1754 he went to See also:Italy where he studied under Padre See also:Martini, and from 1760 to 1762 held the See also:post of organist at See also:Milan See also:cathedral, for which hewrote two Masses, a See also:Requiem, a Te Deum and other See also:works. Having also gained some reputation as a composer of See also:opera, he was in 1762 invited to See also:London and there spent the See also:rest of his See also:life. For twenty years he was the most popular musician in See also:England, his dramatic works, produced at the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King's See also:theatre, were received with See also:great cordiality, he was appointed See also:music-See also:master to the See also:queen, and his concerts, given in See also:partnership with See also:Abel at the See also:Hanover Square rooms, soon became the most fashionable of public entertainments. He is of some See also:historical See also:interest as the first composer who preferred the See also:pianoforte to the older keyed-See also:instruments; but his works, though elegant and pleasing, were ephemeral in See also:character and have been deservedly forgotten.
A full See also:account of J. C. Bach's career is given in the See also:fourth See also:volume of See also:Burney's See also:History of Music, and a See also:catalogue of his compositions in an See also:article by Max See also:Schwarz, published in the Sammelbande of the Internationale Musik-Gesellschaft, Jhrg. ii. p. 401. (W. H.
End of Article: JOHANN CHRISTIAN BACH (1735—1782)
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