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See also:OBERLANDER, See also:ADAM ADOLF (1845— ) , See also:German caricaturist, was See also:born at Ratisbon, but after 1847 lived in See also:Munich. He studied See also:painting at the Munich See also:Academy under See also:Piloty, and soon discovered that the true expression of his See also:genius was in the See also:- FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
- FIELD, CYRUS WEST (1819-1892)
- FIELD, DAVID DUDLEY (18o5-1894)
- FIELD, EUGENE (1850-1895)
- FIELD, FREDERICK (18o1—1885)
- FIELD, HENRY MARTYN (1822-1907)
- FIELD, JOHN (1782—1837)
- FIELD, MARSHALL (183 1906)
- FIELD, NATHAN (1587—1633)
- FIELD, STEPHEN JOHNSON (1816-1899)
- FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)
field of See also:caricature and comic drawings. He joined the See also:staff of the Fliegende Bldtter, to which he became a See also:constant contributor. Unlike See also:Busch, whose aim was the utmost simplicity of See also:line and whose drawings See also:form a See also:running commentary to the See also:legend, Oberlander's See also:work is essentially pictorial, and expressive in itself, without the extraneous aid of the written line. Among his best drawings are his parodies on the See also:style of well-known painters, such as the " See also:Variations on the Kissing Theme." His See also:works have been collected in the Oberldnder-See also:Album, published by Braun and See also:Schneider in Munich.
End of Article: OBERLANDER, ADAM ADOLF (1845— )
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