REDAN , in fortification, a See also:work of V-shape presenting a salient See also:angle towards the expected attack. The See also:gorge (See also:rear) of a redan is open. When unsupported by other See also:works, it has the disadvantage that its See also:fire is divergent and but few guns can be brought to See also:bear directly towards the front. Further, both its faces are usually open to See also:enfilade. Redans were therefore almost always used in See also:conjunction with other works, one of the most See also:common forms being the " lines of redans " used as See also:- FIELD (a word common to many West German languages, cf. Ger. Feld, Dutch veld, possibly cognate with O.E. f olde, the earth, and ultimately with root of the Gr. irAaror, broad)
- FIELD, CYRUS WEST (1819-1892)
- FIELD, DAVID DUDLEY (18o5-1894)
- FIELD, EUGENE (1850-1895)
- FIELD, FREDERICK (18o1—1885)
- FIELD, HENRY MARTYN (1822-1907)
- FIELD, JOHN (1782—1837)
- FIELD, MARSHALL (183 1906)
- FIELD, NATHAN (1587—1633)
- FIELD, STEPHEN JOHNSON (1816-1899)
- FIELD, WILLIAM VENTRIS FIELD, BARON (1813-1907)
field works. These consisted of lengths of See also:plain trenches facing the front, with redans at intervals along the See also:line. In the See also:present See also:day the See also:term redan is loosely applied to works merely possessing saliency, as in the See also:case of the celebrated bastions Nos. 3 and 2 at See also:Sevastopol in 1854–55, usually called the "Redan " and " Little Redan " respectively (see See also:CRIMEAN See also:WAR). The " Redan " was a large work of irregular outline, generally resembling a redan, but having the salient angle blunted or rounded off and the See also:side faces broken into several See also:minor fronts so as to obtain a field of fire in many directions.
End of Article: REDAN
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