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GYP , the See also:pen name of SIBYLLE GABRIELLE See also:MARIE ANTOINETTE RIQUETI DE See also:MIRABEAU, Comtesse de Martel de Janville (1850- ) See also:French writer, who was See also:born at the See also:chateau of Koetsal in the See also:Morbihan. Her See also:father, who was the See also:grandson of the vicomte de Mirabeau and See also:great-See also:nephew of the orator, served in the Papal Zouaves, and died during the See also:campaign of 186o. Her See also:mother, the comtesse de Mirabeau, in addition to some graver compositions, contributed to the Figure and the See also:Vie parisienne, under various pseudonyms, papers in the manner successfully See also:developed by her daughter. Under the See also:pseudonym of " Gyp " Madame de Martel, who was married in 1869, sent to the Vie parisienne, and later to the Revue See also:des deux mondes, a large number of social sketches and dialogues, afterwards reprinted in volumes. Her later See also:work includes stories of a more formal sort, essentially differing but little from the shorter studies. The following See also:list includes some of the best known of Madame de Martel's publications, nearly seventy in number: See also:Petit Bob (1882); Autour du mariage (1883); Ce que femme veut (1883); Le Monde d cote (1884), Sans voiles (1885); Autour du See also:divorce (1886); Darts le See also:train (1886) ; Mademoiselle Loulou (1888) ; Bob an See also:salon (1888-1889) ; L'See also:Education d'un See also:prince (189o) ; Passionette (1891); Ohel la grande vie (1891); Une See also:Election a See also:Tigre-sur-mer (18go), an See also:account of " Gyp's " experiences in support of a Boulangist See also:candidate; Mariage See also:civil (1892); See also:Ces bons docteurs (1892); Du haul en bas (1893); Mariage de chiffon (1894); Leurs See also:Ames (1895); Le Cceur d'Ariane (1895); Le See also:Bonheur de Gineite (1896); Totote (1897); Lune de miel (1898); See also:Israel (1898); L'Entrevue (1899); Le Pays des champs (1900); Trop de See also:chic ('goo); Le Friquet (1901) La See also:Fee (1902); Un Mariage chic (1903); Un See also:Menage dernier cri (1903); Marian (1904); Le Cceur de Pierrette (1905). From the first " Gyp," See also:writing of a society to which she belonged, displayed all the qualities which have given her a distinct, if not pre-eminent, position among writers of her class. Those qualities included an intense See also:faculty of observation, much skill in See also:innuendo, a See also:mordant wit combined with some breadth of See also:humour, and a singular See also:power of animatingordinary dialogues without destroying the See also:appearance of reality. Her Parisian types of the spoiled See also:child, of the precocious school-girl, of the See also:young See also:bride, and of various masculine figures in the See also:gay See also:world, have become almost classical, and may probably survive as faithful pictures of luxurious See also:manners in the 19th See also:century. Some later productions, inspired by a violent See also:anti-Semitic and Nationalist See also:bias, deserve little See also:consideration. An earlier See also:attempt to dramatize Autour du mariage was a failure, not owing to the audacities which it shares with most of its author's See also:works, but from lack of cohesion and incident. More successful was Mademoiselle See also:Eve (1895), but indeed " Gyp's " successes are all achieved without a trace of dramatic faculty. In 1901 Madame de Martel furnished a sensational incident in the Nationalist campaign during the municipal elections in See also:Paris. She was said to have been the victim of a See also:kidnapping See also:outrage or piece of horseplay provoked by her See also:political attitude, but though a most circumstantial account of the outrages committed on her and of her adventurous See also:escape was published, the affair was never clearly explained or verified. Additional information and CommentsThere are no comments yet for this article.
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