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See also:LOTTI, See also:ANTONIO (1667?-174o) , See also:Italian musical composer, was the son of Matteo Lotti, Kapellmeister to the See also:court of See also:Hanover. He was See also:born, however, at See also:Venice and as a See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil of Legrenzi. He entered the See also:Doge's See also:chapel as a boy, and in 1689 was engaged as an See also:alto See also:singer, succeeding later to the posts of See also:deputy organist (1690), second organist (1692), first organist (1704), and, finally, in 1736 See also:Maestro di Cappella at St See also:Mark's See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church. He was also a composer of operas, and having attracted the See also:interest of the See also:crown See also:prince of See also:Saxony during his visit to Venice in 1712, he was invited to See also:Dresden, where he went in 1717. After producing three operas there he was obliged to return to his duties at Venice in 1719. He died on the 5th of See also:January 1740. Like many other Venetian composers he wrote operas for See also:Vienna, and enjoyed a considerable reputation outside See also:Italy. A See also:volume of madrigals published in 1705 contains the famous In una See also:siege ombrosa, passed off by See also:Bononcini as his own in See also:London. Another is quoted by See also:Martini in his Saggio di Contra ppunto. Among his pupils were See also:Alberti, Bassani, See also:Galuppi, Gasparini and See also:Marcello. See also:Burney justly praises his church See also:music, which is severe in See also:style, but none the less See also:modern in its See also:- GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
- GRACE, WILLIAM GILBERT (1848– )
grace and pathos. A See also:fine setting of the See also:Dies Irae is in the Imperial Library at Vienna, and some of his masses have been printed in the collections of Proske and See also:Luck.
End of Article: LOTTI, ANTONIO (1667?-174o)
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