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See also:NAVARRETE, JUAN See also:FERNANDEZ (1526-1579) , surnamed El Mudo (The See also:Mute), See also:Spanish painter of the See also:Madrid school, was See also:born at Logrono in 1526. An illness in See also:infancy deprived him of his See also:hearing, but at a very See also:early See also:age he began to See also:express his wants by sketching See also:objects with a piece of See also:charcoal. He received his first instructions in See also:art from Fray See also:Vicente de Santo Domingo, a Hieronymite See also:- MONK (O.Eng. munuc; this with the Teutonic forms, e.g. Du. monnik, Ger. Witch, and the Romanic, e.g. Fr. moine, Ital. monacho and Span. monje, are from the Lat. monachus, adaptedfrom Gr. µovaXos, one living alone, a solitary; Own, alone)
- MONK (or MONCK), GEORGE
- MONK, JAMES HENRY (1784-1856)
- MONK, MARIA (c. 1817—1850)
monk at See also:Estella, and afterwards he visited See also:Naples, See also:Rome, See also:Florence and See also:Milan. According to the See also:ordinary See also:account he was for a considerable See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time the See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil of See also:Titian at See also:Venice. In 1568 See also:- PHILIP
- PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
- PHILIP, JOHN (1775-1851)
- PHILIP, KING (c. 1639-1676)
- PHILIP, LANOGRAVE OF HESSE (1504-1567)
Philip II. summoned him to Madrid with the See also:title of See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king's painter and a See also:salary, and employed him to execute pictures for the See also:Escorial. The most celebrated of the See also:works he there produced are a "Nativity" (in which, as in the well-known See also:work on the same subject by See also:Correggio, the See also:light emanates from the See also:infant Saviour), a "See also:Baptism of See also:Christ" (now in the Madrid Picture See also:Gallery), and " See also:Abraham Receiving the Three Angels" (one of his last performances, dated 1576).
End of Article: NAVARRETE, JUAN FERNANDEZ (1526-1579)
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