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See also:AGRICOLA, JOHANN See also:FRIEDRICH (1720-1774) , See also:German
musician, was See also:born at Dobitschen in See also:Saxe-See also:Altenburg, on the 4th of See also:January 1720. While a student of See also:law at See also:Leipzig he studied See also:music under Johann See also:Sebastian See also:Bach. In 1741 he went to See also:Berlin, where he studied musical See also:composition. He was soon generally recognized as one of the most skilful organists of his See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time; and in 1751, as the result of a comic See also:opera, Il Filosofo convinto in amore, performed at See also:Potsdam, he was made See also:court composer to See also:Frederick the See also:Great. He died in Berlin on the 1st of See also:December 1774. In 17J9, on the See also:death of Karl Heinrich See also:Graun, he was appointed conductor of the royal See also:orchestra. Besides several operas of merit, he composed instrumental pieces and See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church music. His reputation chiefly rests, however, on his theoretical, and See also:critical writings on musical subjects. He wrote under the See also:pseudonym of Flavio Anicio Olibrio.
End of Article: AGRICOLA, JOHANN FRIEDRICH (1720-1774)
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