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See also:CHORLEY, See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
HENRY See also:FOTHERGILL (1808—1872) , See also:English musical critic, one of an old See also:Lancashire See also:family, began in a See also:merchant's See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office, but soon took to musical journalism. He began to write for the See also:Athenaeum in 1830, and remained its musical critic for more than a See also:generation; and he also became musical critic for The Times. In these positions he had much See also:influence; he had strong views, and was a persistent opponent of innovation. In addition to musical See also:criticism, he wrote voluminously on literature and See also:art, besides novels, dramas and See also:verse, and various librettos; and he published several books, including See also:Modern See also:German See also:Music (1854), See also:Handel Studies (1859), and See also:Thirty Years' Musical Recollections (1862). He died in See also:London on the 16th of See also:February 1872.
See his Autobiography, Memoir and Letters, edited by H. G. See also:Hewlett (1873).
End of Article: CHORLEY, HENRY FOTHERGILL (1808—1872)
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