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FIREBACK , the name given to the ornamented slab of See also:cast See also:iron protecting the back of a fireplace. The date at which firebacks became See also:common probably synchronizes with the removal of the See also:fire from the centre to the See also:side or end of a See also:room. They never became universal, since the proximity of deposits of iron ore was essential to their use. In See also:England they were confined chiefly to the iron districts of See also:Sussex and See also:Surrey, and appear to have ceased being made when the ore in those counties was exhausted. They are, however, occasionally found in other parts of the See also:country, and it is reasonable to suppose that there was a certain See also:commerce in an appliance which gradually assumed an interesting and even See also:artistic See also:form. The earlier examples were commonly rectangular, but a shaped or gabled See also:top eventually became common. See also:English firebacks may roughly be separated into four See also:chronological divisions—those moulded from more than one movable See also:stamp; armorial backs; allegorical, mythological and biblical slabs with an occasional portrait; and copies of 17th and 18th See also:century See also:continental designs, chiefly Netherlandish. The fleur-de-lys, the rosette, and other motives of detached See also:ornament were much used before attempts were made to elaborate a homogeneous See also:design, but by the See also:middle of the 17th century firebacks of a very elaborate type were being produced. Thus we have representations of the Crucifixion, the See also:death of [acob, See also:Hercules slaying the See also:hydra, and the See also:plague of serpents. Coats of arms were very frequent, the royal achievement being used extensively—many existing firebacks See also:bear the arms of the Stuarts. About the See also:time of See also: The method of casting firebacks was to cut the design upon a thick slab of See also:oak which was impressed See also:face down-wards upon a See also:bed of See also:sand, the molten See also:metal being ladled into the impression. Firebacks were also common in the See also:Netherlands and in parts of See also:France, notably in See also:Alsace. At See also:Strassburg and See also:Metz there are several private collections, and there are also many examples in public museums. The museum of the See also:Porte de
See also:FIREBRICK
See also:Hal at See also:Brussels contains one of the finest examples in existence with an equestrian portrait of the See also:emperor See also: Additional information and CommentsThere are no comments yet for this article.
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