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GCDEFG .
This was the most See also:common See also:scheme for the See also:short See also:octave during the 16th and 17th centuries, although others are occasionally found. See also:Praetorius also gives examples in which the See also:black notes of the short octave were divided into two halves, or See also:separate keys, the forward
' See the See also:original See also:Greek with See also:translation by See also: (See also:Vienna, 1892). " De diversis monocordis, pentacordis, etc., ex quibus diversa formantur instrumenta musica," reproduced by Edm. See also:van der Straeten in Hist. de la musique aux Pays-Bas, i. 278. See also:half for the See also:drone See also:note, the back half for the See also:chromatic semitone, thus: Ftl IG# b E Bb C F GAB C This arrangement, which accomplishes its See also:object without See also:sacrifice, was to be found early in the 17th See also:century in the See also:organs of the monasteries of Riddageshausen and of See also:Bayreuth in See also:Vogtland. See A. J. Hipkins, See also:History of the See also:Pianoforte (London, 1896), and the older See also:works of See also:Girolamo Diruta (1597), Praetorius (1618), and See also:Mersenne (1636). (K. Additional information and CommentsThere are no comments yet for this article.
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