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See also:FESCA, See also:FREDERIC ERNEST (1789–1826) , See also:German violinist and composer of instrumental See also:music, was See also:born on the 15th of See also:February 1789 at See also:Magdeburg, where he received his See also:early musical See also:education. He completed his studies at See also:Leipzig under See also:Eberhard See also:- MULLER, FERDINAND VON, BARON (1825–1896)
- MULLER, FRIEDRICH (1749-1825)
- MULLER, GEORGE (1805-1898)
- MULLER, JOHANNES PETER (18o1-1858)
- MULLER, JOHANNES VON (1752-1809)
- MULLER, JULIUS (18oi-1878)
- MULLER, KARL OTFRIED (1797-1840)
- MULLER, LUCIAN (1836-1898)
- MULLER, WILHELM (1794-1827)
- MULLER, WILLIAM JAMES (1812-1845)
Muller, and at the early See also:age of fifteen appeared before the public with several concerti for the See also:violin, which were received with See also:general See also:applause, and resulted in his being appointed leading violinist of the Leipzig See also:orchestra. This position he occupied till 18o6, when he became See also:concert-See also:master to the See also:duke of See also:Oldenburg. In 18o8 he was appointed See also:solo-violinist by See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
King See also:Jerome of See also:Westphalia at See also:Cassel, and there he remained till the end of the See also:French occupation (1814), when he went to See also:Vienna, and soon afterwards to Carlsruhe, having been appointed concert-master to the See also:grand-duke of See also:Baden. His failing See also:health prevented him from enjoying the numerous and well-deserved triumphs he owed to his See also:art, and in 1826 he died of See also:consumption at the early age of See also:thirty-seven. As a virtuoso Fesca ranks amongst the best masters of the German school of violinists, the school subsequently of See also:Spohr and of See also:Joachim. Especially as See also:leader of a quartet he is said to have been unrivalled with regard to classic dignity and simplicity of See also:style. Amongst his compositions, his quartets for stringed See also:instruments and other pieces of chamber music are the most remarkable. His two operas, Cantemira and See also:Omar and Leila, were less successful, lacking dramatic See also:power and originality. He also wrote some sacred compositions, and numerous songs and vocal quartets.
End of Article: FESCA, FREDERIC ERNEST (1789–1826)
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