See also:JEAN See also:AUDRAN , See also:nephew of See also:Gerard, was See also:born at See also:Lyons in 1667. After having received instructions from his See also:father, he went to See also:Paris to perfect himself in the See also:art of See also:engraving under his See also:uncle, next to whom he was the most distinguished member of his See also:family. At the See also:age of twenty his See also:genius began to display itself in a surprising manner; and his subsequent success was such, that
in 1707 he obtained the See also:title of engraver to the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king, See also:- LOUIS
- LOUIS (804–876)
- LOUIS (893–911)
- LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
- LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian
Louis XIV., who allowed him a See also:pension, with apartments in the Gobelins; and the following See also:year he was made a member of the Royal See also:Academy. He was eighty years of age before he quitted the graver, and nearly ninety when he died. The best prints of this artist are those which appear not so pleasing to the See also:eye at first sight. In these the See also:etching constitutes a See also:great See also:part; and he has finished them in a bold, rough See also:style. The " See also:Rape of the Sabines," after Poussin, is considered his masterpiece.
End of Article: JEAN AUDRAN
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