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See also:SOUMET, See also:ALEXANDRE (1788-1845) , See also:French poet, was See also:born on the 8th of See also:February 1788 at See also:Castelnaudary, See also:department of See also:Aude. His See also:father wished him to enter the See also:army, but an See also:early-See also:developed love of See also:poetry turned the boy's ambition in other directions. He was an admirer of See also:Klopstock and See also:Schiller, then little known in See also:France, and reproached Mme de See also:Stael with lack of See also:enthusiasm for her subject in De l'Allemagne. Soumet came to See also:Paris in 181o, and some poems in See also:honour of See also:Napoleon secured his nomination as auditor of the Conseil d'etat. His well-known See also:elegy La Pauvre fille appeared in 1814, and two successful tragedies produced in 1822, Clytemnestre and Said, secured his See also:admission to the See also:Academy in 1824. Jeanne d'Arc (1825) aroused See also:great enthusiasm, and was the best of his plays. Among his other pieces Elisabeth de France (1828), a weak See also:imitation of Schiller's See also:Don See also:Carlos, may be noted, but Soumet's real See also:bent was towards epic poetry. His most considerable See also:work is a poem inspired by Klopstock, La Divine epopee, which describes the descent of See also:Christ into Hades. Under See also: Additional information and CommentsThere are no comments yet for this article.
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