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See also:BRONZE See also:AGE , the name given by archaeologists to that See also:stage in human culture, intermediate between the See also: The See also:sources of See also:tin in Europe are practically restricted to See also:Cornwall and See also:Saxony. How then are we to explain on the one See also:hand the apparent stride made by See also:primitive man when from a Stone Age civilization he passed to a comparatively advanced metallurgical skill? On the other, how See also:account for a comparatively synchronous commencement of bronze civilization when one at least of the metals needed for the alloy would have been naturally difficult of See also:access, if not unknown to many races? The See also:answer is that there can be but little doubt that the knowledge of bronze came to the races of Europe from outside. Either by the Phoenicians or by the Greeks metallurgy was taught to men who no sooner recognized the nature and malleable properties of copper than they learnt that by application of See also:heat a substance could be manufactured with tin far better suited to their purposes. Copper would thus have been but seldom used unalloyed; and the relatively synchronous See also:appearance of bronze in Europe, and the scanty " finds " of copper implements, are explained. We may conclude then that there was a Bronze Age in most countries; that it was the See also:direct result of increasing intercommunication of races' and the spread of See also:commerce; and that the See also:discovery of metals was due to See also:information brought to Stone-Age man in Europe by races which were already skilful metallurgists: The Bronze Age in Europe is characterized by weapons, utensils and implements, distinct in See also:design and See also:size from those in use in the preceding or succeeding stage of man's civilization. Moreover—and this has been employed as an argument in favour of the See also:foreign origin of the knowledge of bronze—all the See also:BRONZING- objects in one See also:part of Europe are ide%ical in See also:pattern and size with those found in another part. The implements of the Bronze Age include swords, awls, knives, gouges, hammers, daggers and arrow-heads. A remarkable See also:confirmation of the theory that the Bronze Age culture came from the See also:East is to be found in the patterns of the arms, which are distinctly See also:oriental; while the handles of swords and daggers are so narrow and See also:short as to make it unlikely that they would be made for use by the large-handed races of Europe. The, Bronze Age is also characterized by the fact that See also:cremation was the mode of disposal of the dead, whereas in the Stone Age burial was the rule. Barrows and sepulchral mounds strictly of the Bronze Age are smaller and less imposing than those of the Stone Age. Besides varied and beautiful weapons, frequently exhibiting high workmanship, amulets, coronets, diadems of solid See also:gold, and vases of elegant form and ornamentation in gold and bronze are found in the barrows. These latter appear to have been used as tribal or See also:family cemeteries. In See also:Denmark as many as seventy deposits of burnt bones have been found in a single See also:mound, indicating its use through a See also:long See also:succession of years. The ornamentation of the period is as a rule confined to spirals, bosses and concentric circles. What is remarkable is that the ;words not only show the design of the See also:cross in the shape of the handle, but also in See also:tracery what is believed to be an See also:imitation of the Svastika, that See also:ancient See also:Aryan See also:symbol which was probably the first to be made with a definite intention and a consecutive meaning. The, pottery is all " hand-made," and the bulk of the objects excavated are cinerary urns, usually found full of burnt bones. These vary from 12 to 18 in. in height. Their decoration is confined to a See also:band See also:round the upper part of the pot, or often only a projecting flange lapped round the whole rim. A few have small handles, formed of pierced knobs of See also:clay and sometimes projecting rolls of clay, looped, as it were, all round the See also:urn. The ornamentation consists of dots, zigzags, chevrons or crosses. The lines were frequently made by pressing a See also:twisted thong of skin against the moist clay; the patterns in all cases being stamped into the pot before it was hardened by See also:fire. See See also:ARCHAEOLOGY, &c. Also See also:Lord See also:Avebury, Prehistoric Times (190o); See also:Sir J. See also:Evans, Ancient Bronze Implements of See also:Great See also:Britain (1881) ; Chartre's Age du bronze en See also:France. Additional information and CommentsThere are no comments yet for this article.
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