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See also:CLAY, See also:FREDERIC (1838–1889) , See also:English musical composer, the son of See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
James Clay, M.P., who was celebrated as a player of See also:whist and a writer on that subject, was See also:born in See also:Paris on the 3rd of See also:August 1838. He studied See also:music under W. B. See also:Molique in Paris and See also:Moritz See also:Hauptmann at See also:Leipzig. With the exception of a few songs and two cantatas, The Knights of the See also:Cross (1866) and Lalla Rookh (1877),—the latter of which contained his well-known See also:song " I'll sing thee songs of Araby,"—his compositions were all written for the See also:stage. Clay's first public See also:appearance was made with an See also:opera entitled See also:Court and Cottage, the libretto of which was written by Tom See also:- TAYLOR
- TAYLOR, ANN (1782-1866)
- TAYLOR, BAYARD (1825–1878)
- TAYLOR, BROOK (1685–1731)
- TAYLOR, ISAAC (1787-1865)
- TAYLOR, ISAAC (1829-1901)
- TAYLOR, JEREMY (1613-1667)
- TAYLOR, JOHN (158o-1653)
- TAYLOR, JOHN (1704-1766)
- TAYLOR, JOSEPH (c. 1586-c. 1653)
- TAYLOR, MICHAEL ANGELO (1757–1834)
- TAYLOR, NATHANIEL WILLIAM (1786-1858)
- TAYLOR, PHILIP MEADOWS (1808–1876)
- TAYLOR, ROWLAND (d. 1555)
- TAYLOR, SIR HENRY (1800-1886)
- TAYLOR, THOMAS (1758-1835)
- TAYLOR, TOM (1817-1880)
- TAYLOR, WILLIAM (1765-1836)
- TAYLOR, ZACHARY (1784-1850)
Taylor. This was produced at Covent See also:Garden in 1862, and was followed by See also:Constance (1865), Ages Ago (1869), and Princess Toto (1875), to name only three of many See also:works which have See also:long since been forgotten. The last two, which were written to libretti by W. S.. See also:- GILBERT
- GILBERT (KINGSMILL) ISLANDS
- GILBERT (or GYLBERDE), WILLIAM (1544-1603)
- GILBERT, ALFRED (1854– )
- GILBERT, ANN (1821-1904)
- GILBERT, GROVE KARL (1843– )
- GILBERT, J
- GILBERT, JOHN (1810-1889)
- GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
- GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
- GILBERT, SIR HUMPHREY (c. 1539-1583)
- GILBERT, SIR JOSEPH HENRY (1817-1901)
- GILBERT, SIR WILLIAM SCHWENK (1836– )
Gilbert, are among Clay's most tuneful and most attractive works. He wrote See also:part of the music for Babil and Bijou (1872) and The See also:Black Crook (1873), both of which were produced at the See also:Alhambra. He also furnished incidental music See also:fox a revival of Twelfth See also:Night and for the See also:production of James See also:Albery's Oriana. His last works, The Merry Duchess (1883) and The See also:Golden See also:Ring (1883), the latter written for the reopening of the Alhambra, which had been burned to the ground the See also:year before, showed an advance upon his previous See also:work, and rendered all the more regrettable the stroke of See also:paralysis which crippled his See also:physical and See also:mental-energies during the last few years of his See also:life. He died at See also:Great See also:Marlow on the 24th of See also:November 1889.
End of Article: CLAY, FREDERIC (1838–1889)
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