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GILBERT, JOHN (1810-1889)

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Originally appearing in Volume V12, Page 9 of the 1911 Encyclopedia Britannica.
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GILBERT, See also:JOHN (1810-1889) , See also:American actor, whose real name was See also:Gibbs, was See also:born in See also:Boston, See also:Massachusetts, on the 27th of See also:February. 1810, and made his first See also:appearance there as Jaffier in See also:Venice Preserved. He soon found that his true vein was in See also:comedy, particularly in old-men parts. When in See also:London in 1847 he was well received both by See also:press and public, and played with See also:Macready. He was the leading actor at See also:Wallack's from 1861-1888. He died on the 17th of See also:June 1889. See See also:William See also:Winter's See also:Life of John Gilbert (New See also:York, 1890). GILBERT, See also:SIR JOHN (1817-1897), See also:English painter and illustrator, one of the eight See also:children of See also:George See also:Felix Gilbert, a member of a See also:Derbyshire See also:family, was born at See also:Blackheath on the 21st of See also:July 1817. He went to school there, and even in childhood displayed an extraordinary fondness for See also:drawing and See also:painting. Nevertheless, his See also:father's lack of means compelled him to accept employment for the boy in the See also:office of Messrs See also:Dickson & See also:Bell, See also:estate agents, in See also:Charlotte See also:Row, London. Yielding, however, to his natural See also:bent, his parents agreed that he should take up See also:art in his own way, which included but little See also:advice from others, his only teacher being See also:Haydon's See also:pupil, George See also:Lance, the See also:fruit painter. This artist gave him brief instructions in the use of See also:colour.

In 1836 Gilbert appeared in public for the first See also:

time. This was at the See also:gallery of the Society of See also:British Artists, where he sent drawings, the subjects of which were characteristic, being " The See also:Arrest of See also:Lord See also:Hastings," from See also:Shakespeare, and "See also:Abbot See also:Boniface," from The Monastery of See also:Scott. "Inez de See also:Castro " was in the same gallery in the next See also:year; it was the first of a See also:long See also:series of See also:works in the same See also:medium, representing similar themes, and was accompanied, from 1837, by a still greater number of works in oil which were exhibited at the British Institution. These included " See also:Don Quixote giving advice to Sancho Panza," 1841; " Brunette and Phillis," from The Spectator, 1844; " The See also:King's See also:Artillery at See also:Marston See also:Moor," 186o; and " Don Quixote comes back for the last time to his See also:Home and Family," 1867. In that year the Institution was finally closed. Gilbert exhibited at the Royal See also:Academy from 1838, beginning with the " Portrait of a See also:Gentle-See also:man," and continuing, except between 1851 and 1867, till his See also:death to exhibit there many of his best and more ambitious works. These included such See also:capital instances as " See also:Holbein she appeared with considerable success in See also:Germany, See also:Poland and See also:Russia. Thence she went'-to See also:Paris, and in 1847 appeared at See also:Munich, where she became the See also:mistress of the old king of See also:Bavaria, See also:Ludwig I.; she was naturalized, created comtesse de Landsfeld, and given an income of £2000 a year. She soon proved herself the real ruler of Bavaria, adopting a liberal and See also:anti-Jesuit policy. Her See also:political opponents proved, however, too strong for her, and in 1848 she was banished. In 1849 she came to See also:England, and in the same year was married to George Heald, a See also:young officer in the See also:Guards. Her See also:husband's See also:guardian instituted a See also:prosecution for See also:bigamy against her on the ground that her See also:divorce from See also:Captain See also:James had not been made See also:absolute, and she fled with Heald to See also:Spain.

In 1851 she appeared at the Broadway See also:

theatre, New York, and in the following year at the See also:Walnut See also:Street theatre, See also:Philadelphia. In 1853 Heald was drowned at See also:Lisbon, and in the same year she married the proprietor of a See also:San Francisco newspaper, but did not live long with him. Subsequently she appeared in See also:Australia, but returned, in 1857, to See also:act in See also:America, and to lecture on gallantry. Her See also:health having broken down, she devoted the See also:rest of her life to visiting the outcasts of her own See also:sex in New York, where, stricken with See also:paralysis, she died on the 17th of See also:January 1861. See E. B. D'See also:Auvergne, Lola Montez (Nev York, 1909).

End of Article: GILBERT, JOHN (1810-1889)

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