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See also:SCOTT, See also:DAVID (18o6-1849) , Scottish See also:historical painter, See also:brother of See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
William See also:- BELL
- BELL, ALEXANDER MELVILLE (1819—1905)
- BELL, ANDREW (1753—1832)
- BELL, GEORGE JOSEPH (1770-1843)
- BELL, HENRY (1767-1830)
- BELL, HENRY GLASSFORD (1803-1874)
- BELL, JACOB (1810-1859)
- BELL, JOHN (1691-178o)
- BELL, JOHN (1763-1820)
- BELL, JOHN (1797-1869)
- BELL, ROBERT (1800-1867)
- BELL, SIR CHARLES (1774—1842)
Bell Scott, was See also:born at See also:Edinburgh in See also:October 18o6, and studied See also:art under his See also:father, See also:Robert Scott, the en-graver. In 1828 he exhibited his first oil picture, the " Hopes of See also:Early See also:Genius dispelled by See also:Death," which Was followed by " See also:Cain, See also:Nimrod, See also:Adam and See also:Eve singing their See also:Morning Hymn," " See also:Sarpedon carried by See also:Sleep and Death," and other subjects of a poetic and imaginative See also:character. In 1829 he became a member of the Scottish See also:Academy, and in 1832 visited See also:Italy, where he spent more than a See also:year in study. At See also:Rome he executed a large symbolical See also:painting, entitled the " Agony of Discord, or the See also:Household Gods Destroyed." The See also:works of his later years include " Vasco da Gama encountering the Spirit of the See also:Storm," a picture—immense in See also:size and most powerful in conception—finished in 1842, and now preserved in the Trinity See also:House, See also:Leith; the " See also:Duke of See also:Gloucester entering the See also:Water See also:Gate of See also:Calais " (1841); the " Alchemist " (1838), " See also:Queen See also:Elizabeth at the Globe See also:Theatre " (1840) and " See also:- PETER
- PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
- PETER (PEDRO)
- PETER, EPISTLES OF
- PETER, ST
Peter the See also:Hermit " (1845), remarkable for varied and elaborate character-painting; and " Ariel and Caliban " (1837) and the " See also:Triumph of Love " (1846), distinguished by beauty of colouring and See also:depth of poetic feeling. The most important of his religious subjects are the " Descent from the See also:Cross " (1835) and the " Crucifixion —the Dead Rising " (1844). Scott also executed several remarkable See also:series of designs. Two of these—the Monograms of See also:Man and the illustrations to See also:Coleridge's See also:Ancient Mariner—were etched by his own See also:hand, and published in 1831 and 1837, respectively, while his subjects from the See also:Pilgrim's Progressand See also:Nichol's See also:Architecture of the Heavens were issued after his death. He died in Edinburgh on the 5th of See also:March 1849. See W. Bell Scott, Memoir of David Scott, R.S.A. (185o), and J. M. See also:- GRAY
- GRAY (or GREY), WALTER DE (d. 1255)
- GRAY, ASA (1810-1888)
- GRAY, DAVID (1838-1861)
- GRAY, ELISHA (1835-1901)
- GRAY, HENRY PETERS (1819-18/7)
- GRAY, HORACE (1828–1902)
- GRAY, JOHN DE (d. 1214)
- GRAY, JOHN EDWARD (1800–1875)
- GRAY, PATRICK GRAY, 6TH BARON (d. 1612)
- GRAY, ROBERT (1809-1872)
- GRAY, SIR THOMAS (d. c. 1369)
- GRAY, THOMAS (1716-1771)
Gray, David Scott, R.S.A., and his Works (1884).
End of Article: SCOTT, DAVID (18o6-1849)
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