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style was essentially imitative. He enjoyed immense popularity, both personally, and as an artist, and received many honours and, preferments from the papal and other Italian courts, He was appointed director of the See also:

Academy of See also:

San Luca and of the Neapolitan Academy at Rome, and See also:

CONSERVATOR (Lat. conservare, to preserve)

conservator of the pictures of the Vatican. He was also made See also:

chevalier of nearly all the orders in See also:

Italy, and member of the See also:

LEGION (Lat. legio)

Legion of See also:

HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour. His See also:

CHIEF (from Fr. chef, head, Lat. caput)

chief works are the classical paintings of the " Assassination of See also:

Caesar," the " See also:

DEATH

Death of See also:

Virginia," the " Devotion of the See also:

ROMAN

Roman See also:

WOMEN

Women," " See also:

Young See also:

ROMULUS

Romulus and Remus," " Horatius Cocles," the " St See also:

Thomas," which was copied in See also:

MOSAIC (corresponding to Lat. opus musivum, from Gr. µovoeiov, an artificial grotto often decorated with mosaics; the word is only found in the sense of mosaic in late Greek, which generally uses k oXI yrlµa)

mosaic for St See also:

Peter's, the " Presentation of See also:

Christ in the See also:

Temple " and a number of excellent portraits. He became a See also:

rich See also:

man, and made a See also:

FINE

fine collection of pictures which in 1856 were sold, a number of them (including Raphael's " Madonna with the See also:

PINK

Pink ") being bought by the See also:

DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

Northumberland.

End of Article: CAMUCCINI, VINCENZO (1773-1844)

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