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See also:MELVILLE, See also:ARTHUR (1858-1904) , See also:British painter, was See also:born and detained, without hardship, four months; was rescued by in See also:Scotland, in a See also:village of See also:Haddingtonshire. He took up paint- the See also:crew of an Australian See also:vessel, which he joined, and two years See also:ing at an See also:early See also:age, and though he attended a See also:night-school and later reached New See also:York. Thereafter, with the exception of a studied afterwards in See also:Paris and Grez, he learnt more from passenger voyage around the See also:world in 186o, Melville remained practice and See also:personal observation than from school training. in the See also:United States, devoting himself to literature—though for a The remarkable See also:colour-sense which is so notable a feature of his considerable See also:period (1866–1885) he held a See also:post in the New York See also:work, whether in See also:oils or in See also:water-colour, came to him during his See also:custom-See also:house—and being perhaps See also:Hawthorne's most intimate
friend among the See also:literary men of See also:America. His writings are numerous, and of varying merit; his See also:verse, patriotic and other, is forgotten; and his See also:works of fiction and of travel are of irregular See also:execution. Nevertheless, few authors have been enabled so freely to introduce romantic personal experiences into their books: in his first work, Typee: A Peep at Polynesian See also:Life, or Four Months' See also:Residence in a Valley of the See also:Marquesas (1846), he described his See also:escape from the cannibals; while in Omoo, a Narrative of Adventures in the See also:South Seas (1847), See also: Additional information and CommentsThere are no comments yet for this article.
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