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See also:SECTION ON CENTRE See also:LINE
See also:mss, 1
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See also: The weight of the superimposed wall is taken by a lintel with relieving arch above at the back of the arch. Arches built to an elliptical form when used for large spans (if of flat See also:curve they should See also:bridge over 8 ft. or to ft.) are liable if heavily loaded to fail by the voussoirs at the centre being forced down, or else to burst up at the haunches. With arches of this description there is a large amount of outward thrust, and abutments of ample strength must be placed to receive the springers. Stone See also:Tracery.—The designs of See also:Gothic and other tracery stonework are almost See also:infinite, and there are many methods, ingenious and otherwise, of setting out such work. Nearly all diagrams of construction are planned on the principle of geometrical intersections. In the example illustrated in fig. 18 the method of setting out and See also:finishing the See also:design is very clearly shown, together with the best positions for the joints of the various parts. The jointing is a See also:matter which must be carefully considered in See also:order to avoid any See also:waste of stone and labour. It will be observed that the right-See also:hand side of the See also:elevation shows the method of setting out the tracery by the centre lines of the various intersecting branches, the other See also:half giving the completed design with the cusping drawn in and the positions of joints. All the upper construction of windows and doors and of See also:aisle arches should be protected from superincumbent pressure by strong relieving arches above the labels, as shown in the figure, which should be worked with the See also:ordinary masonry, and so set that the weight above should avoid pressure on the See also:fair work, which would be liable to flush or otherwise destroy the joints of the tracery. See also:Carving.—Stone carving is a See also:craft quite apart from the work of the ordinary stonemason, and like carving in See also:wood needs an See also:artistic feeling and See also:special training. Carving-stone should be of fine See also:grain and sufficiently soft to admit of easy working. The See also:Bath stones in See also:England and the See also:Caen stone of See also:France are largely used for See also:internal work, but if for the exterior they should be treated with some chemical preservative. Carving is frequently done after the stone is built into position, the See also:face being See also:left rough—" boasted "—and projecting sufficiently for the intended design. See E. See also:Viollet-le-Due, Dictionnaire raisonne de l'See also:architecture francaise; W. R. See also:Purchase, See also:Practical Masonry; J. O. See also:Baker, A See also:Treatise on Masonry Construction; C. F. See also:Mitchell, See also:Brickwork and Masonry; W. Diack, The See also:Art of Masonry in See also:Britain. (J. Additional information and CommentsThere are no comments yet for this article.
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