See also:WIDOR, See also:CHARLES See also:MARIE (1845- ) , See also:French composer and organist, was See also:born at See also:Lyons on the 22nd of See also:February 1845. He studied first at Lyons, then at See also:Brussels under Lemmens for the See also:organ and See also:Fetis for See also:composition. In 187o he became organist of the See also:- CHURCH
- CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
- CHURCH, FREDERICK EDWIN (1826-1900)
- CHURCH, GEORGE EARL (1835–1910)
- CHURCH, RICHARD WILLIAM (1815–189o)
- CHURCH, SIR RICHARD (1784–1873)
church of See also:Saint Sulpice in See also:Paris. He succeeded Cesar See also:Franck as See also:professor of the organ at the Paris See also:Conservatoire, where he was also appointed professor of composition, See also:counterpoint and See also:fugue in 1896. A very prolific composer, he displayed his creative ability in a variety of different styles. His See also:works include an See also:opera, Maitre See also:Ambros (Opera Comique, 1896), La Korrigane (See also:ballet, given at the Opera, 188o), incidental See also:music to See also:Conte d'avril (1885), See also:Les See also:Jacobites (1885) and Jeanne d'Arc (a panto-See also:mime See also:play, 1890), three symphonies, The See also:Walpurgis See also:Night and other works for See also:orchestra, a quintet for strings and piano, trio for piano and strings, a See also:mass, See also:psalms and other sacred compositions, symphonies for organ, a large number of piano pieces and many songs.
End of Article: WIDOR, CHARLES MARIE (1845- )
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