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See also:ANDREINI, See also:FRANCESCO , See also:Italian actor, was See also:born at See also:Pistoia in the last See also:half of the 16th See also:century. He was a member of the
See also:ANDREOSSY 971
See also:company of the Gelosi which See also:- HENRY
- HENRY (1129-1195)
- HENRY (c. 1108-1139)
- HENRY (c. 1174–1216)
- HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
- HENRY, EDWARD LAMSON (1841– )
- HENRY, JAMES (1798-1876)
- HENRY, JOSEPH (1797-1878)
- HENRY, MATTHEW (1662-1714)
- HENRY, PATRICK (1736–1799)
- HENRY, PRINCE OF BATTENBERG (1858-1896)
- HENRY, ROBERT (1718-1790)
- HENRY, VICTOR (1850– )
- HENRY, WILLIAM (1795-1836)
Henry IV. summoned to See also:Paris to please his See also:- BRIDE (a common Teutonic word, e.g..Goth. bruths, O. Eng. bryd, O. H. Ger. prs2t, Mod. Ger. Bract, Dut. bruid, possibly derived from the root bru-, cook, brew; from the med. latinized form bruta, in the sense of daughter-in-law, is derived the Fr. bru)
bride, the See also:young See also:queen See also:Marie de' See also:Medici. His wife See also:ISABELLA ANDREINI (1562-1604) was a member of her See also:husband's company, distinguished alike for her acting and her See also:character,—commemorated in the See also:medal struck at See also:Lyons in the See also:year of her See also:death, with her portrait on one See also:side, and the firfire of Fame on the See also:reverse with the words aeterna See also:fama. She was also known in literature, her books including a See also:pastoral, Mirtilla (See also:Verona, 1588), a See also:volume of songs, sonnets and other poems (See also:Milan, 16or), and a collection of letters, published after her death. She inspired many of the See also:French poets, notably See also:Isaac du Ryer (d. c. 1631). Her son GIAMBATTISTA ANDREINI (1578-1650) was born in See also:Florence, and had a See also:great success as a comedian in Paris under the name of Leylio. He was a favourite with See also:- LOUIS
- LOUIS (804–876)
- LOUIS (893–911)
- LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
- LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian
Louis XIII., and also with the public, especially as the young See also:lover. He See also:left a number of plays full of extravagant See also:imagination. The best known are L'Adamo (Milan, 1613), The Penitent Magdalene (See also:Mantua, 1617), and The Centaur (Paris, 1622). From the first of these three volumes, which are extremely rare, Italians have often asserted that See also:Milton, travelling at that See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in their See also:country, took the See also:idea of See also:Paradise Lost.
End of Article: ANDREINI, FRANCESCO
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