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See also:KHNOPFF, FERNAND EDMOND See also:JEAN See also:MARIE (1858– ) , Belgian painter and etcher, was See also:born at the See also:chateau de Grembergen (See also:Termonde), on the 12th of See also:September 1858, and studied under X. Mellery. He See also:developed a very See also:original See also:- TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental
talent, his See also:work being characterized by See also:great delicacy of See also:colour, See also:tone and See also:harmony, as subtle in spiritual and intellectual as in its material qualities. " A Crisis " (1881) was followed by " Listening to See also:Schumann," " St See also:Anthony " and " The See also:Queen of Sheba " (1883), and then came one of his best known See also:works, " The Small See also:Sphinx" (1884). His" Memories " (1889) and" See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
White, See also:Black and See also:Gold " (1901) are in the See also:Brussels Museum; " Portrait of Mlle R." (1889) in the See also:Venice Museum; "A Stream at Fosset"(1897) at See also:Budapest Museum; " The Empress (1899) in the collection of the See also:emperor of See also:Austria, and " A Musician " in that of the See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king of the Belgians. " I See also:lock my See also:Door upon Myself " (1891), which was exhibited at the New See also:Gallery, See also:London, in 1902 and there attracted much See also:attention, was acquired by the Pinakothek at See also:Munich. Other works are " Silence " (189o), " The See also:Idea of See also:Justice " (1905) and " Isolde " (1906), together with a poly-chrome bust " Sibyl " (1894) and an See also:ivory See also:mask (1897). In quiet intensity of feeling Khnopff was influenced by See also:Rossetti, and in simplicity of See also:line by Burne-See also:- JONES
- JONES, ALFRED GILPIN (1824-1906)
- JONES, EBENEZER (182o-186o)
- JONES, ERNEST CHARLES (1819-1869)
- JONES, HENRY (1831-1899)
- JONES, HENRY ARTHUR (1851- )
- JONES, INIGO (1573-1651)
- JONES, JOHN (c. 1800-1882)
- JONES, MICHAEL (d. 1649)
- JONES, OWEN (1741-1814)
- JONES, OWEN (1809-1874)
- JONES, RICHARD (179o-1855)
- JONES, SIR ALFRED LEWIS (1845-1909)
- JONES, SIR WILLIAM (1746-1794)
- JONES, THOMAS RUPERT (1819– )
- JONES, WILLIAM (1726-1800)
Jones, but the See also:poetry and the delicately mystic and enigmatic See also:note of his work are entirely individual. He did See also:good work also as an etcher and drypointist.
See L. See also:Dumont-Wilden, Fernand Khnopff (Brussels, 1907).
End of Article: KHNOPFF, FERNAND EDMOND JEAN MARIE (1858– )
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